Relevant bibliographies by topics / Essays relating to Hong Kong Chinese

Academic literature on the topic 'Essays relating to Hong Kong Chinese'

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Published: 25 July 2024
Last updated: 26 July 2024

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Journal articles on the topic "Essays relating to Hong Kong Chinese"

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Shaoyang, Lin. "Hong Kong in the Midst of Colonialism, Collaborative and Critical Nationalism from 1925 to 1930." China Report 54, no. 1 (January 2, 2018): 25–47. http://dx.doi.org/10.1177/0009445517744409.

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In the late 1920s, cultural nationalism in Hong Kong was imbedded in Confucianism, having been disappointed with the New Culture Movement and Chinese revolutionary nationalism.1 It also inspired British collaborative colonialism. This study attempts to explain the link between Hong Kong and the Confucius Revering Movement by analysing the essays on Hong Kong of Lu Xun (1881–1936), the father of modern Chinese literature and one of the most important revolutionary thinkers in modern China. The Confucius Revering Movement, which extended from mainland China to the Southeast Asian Chinese community and then to Hong Kong, formed a highly interrelated network of Chinese cultural nationalism associated with Confucianism. However, the movements in these three places had different cultural and political roles in keeping with their own contexts. Collaborative colonialism’s interference with the Confucius Revering Movement is one way to understand Lu Xun’s critical reading of Hong Kong. That is, Hong Kong’s Confucius Revering Movement was seen as an endeavour of the colonial authorities to co-opt Confucianism in order to deal with influences from China. This article argues that Hong Kong’s Confucius Revering Movement should be regarded as one of the main perspectives through which to understand Hong Kong’s educational, cultural and political histories from the 1920s to the late 1960s. Lu Xun enables us to see several links. The first link is the one connecting the Confucius Revering Movement in Mainland China, Hong Kong and the Chinese community in Southeast Asia. This leads to the second link, that is, Lim Boen Keng (Lin Wenqing), the leading figure of the Confucius Revering Movement in the Southeast Asian Chinese community who later became the President of Amoy University, where Lu Xun had taught before his first visit to Hong Kong. The third link is the skilful colonial administrator Sir Cecil Clementi, who came to British Malaya in February 1930 to become Governor after being the Governor of Hong Kong. We can observe a network of Chinese critical/resistant and collaborative nationalism from these links.
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Cheang, Kai. "Queering “The Children's Movement”." GLQ: A Journal of Lesbian and Gay Studies 27, no. 4 (October 1, 2021): 629–54. http://dx.doi.org/10.1215/10642684-9316882.

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Abstract This essay argues that the queer figure of the child that crops up curiously in (post–)Umbrella Movement Hong Kong is a defining political signifier for characterizing the city's youthful protesters and imagining alternative futures for Hong Kong. In many mainland Chinese media outlets, the youthfulness of the Hong Kong demonstrators is often emphasized to critique their fixation on the Western ideology of democracy. For the young resisters and their sympathizers, childishness connotes a different script of identity: it entails a narrative of temporal suspension in the face of assimilation into a Chinese homogeneity. By, for example, comparing the political star Joshua Wong to Peter Pan, who refuses to grow up, or by assigning uniform-wearing grade-school students the role of “the keepers of the Umbrella Movement,” prodemocratic cultural narratives keep alive the possibility of a political alterity that resists the neoliberal, temporal mandates of Hong Kong's government and mainland China. Theorizing that possibility in the context of temporal, queer, children's, and postcolonial studies, this essay contends that the future of resistance in Hong Kong will follow a lateral horizon, a sideways course that will put minor dissenters into new and nonheteropatriarchal relations with the existing order of the city.
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Hung, Jason. "Cultural Homelessness, Social Dislocation and Psychosocial Harms: An Overview of Social Mobility in Hong Kong and Mainland China." Asian Social Science 16, no. 5 (April 30, 2020): 1. http://dx.doi.org/10.5539/ass.v16n5p1.

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In order to facilitate collective decision making and breed productivity, it is important to ensure societies operate in a fair and just manner. Chinese literature has a propensity of relying on sociological theories from the modern West, prompting the review essay to address theories of capital, social mobility, cultural preferences and otherwise based on leading western literature. This review essay addresses how an increase in social mobility of those from lower social origins results in cultural homelessness and social dislocation, in relations to the experiences of psychosocial harms. As per western studies, the review essay examines the extent of cultural homelessness, social dislocation and psychosocial harms faced by upwardly mobilising cohorts in Hong Kong and China. To conclude, the essay argues upwardly mobilising cohorts in Hong Kong and China are likely to experience cultural homelessness, and the corresponding cohorts in China face salient problems of social dislocation. The encounters of cultural and social dilemmas are associated with the experiences of psychosocial harms for both populations.
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Ho, Wai-chung. "The political meaning of Hong Kong popular music: a review of sociopolitical relations between Hong Kong and the People's Republic of China since the 1980s." Popular Music 19, no. 3 (October 2000): 341–53. http://dx.doi.org/10.1017/s0261143000000209.

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IntroductionThe aim of this paper is to analyse shifting themes in the meanings of Hong Kong popular songs relating to ideological and political changes in Hong Kong since the 1989 Tiananmen Square incident (TSI). In particular, the paper examines the relationship between Hong Kong and the People's Republic of China (PRC) concerning the transmission of Hong Kong popular music, and argues that Chinese, Hong Kong and Taiwanese popular musics articulate fluctuating political meanings. Attention will be focused predominantly on the lyrics, but some aspects of the music are also invoked. After highlighting the political and cultural relations between Hong Kong and the PRC, I discuss the social transformations and the struggles for democracy delineated in Chinese popular music during the 1989 TSI. This is followed by an examination of the intensification of the conflict between the PRC and Hong Kong over the dissemination of popular songs carrying democratic messages in Hong Kong. Finally, the paper considers the rise of patriotism and/or nationalism through lyrics rooted in the notion of educating Hong Kong Chinese people into accepting the cultural and political identity of mainland China, and the promotion of popular songs in the official language of the PRC, Putonghua, since the late transitional period.
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Bolton, Kingsley, and Christopher Hutton. "Bad and banned language: Triad secret societies, the censorship of the Cantonese vernacular, and colonial language policy in Hong Kong." Language in Society 24, no. 2 (April 1995): 159–86. http://dx.doi.org/10.1017/s0047404500018571.

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ABSTRACTThe language of Chinese secret societies (“triads”) in Hong Kong can be studied by relating triad language to anti-languages, to taboo language, and to the status of the vernacular in sociolinguistic theory. Also examined here are the laws in Hong Kong concerning triad language, and the attitudes of government agencies charged with policing the media. One striking feature of the Hong Kong situation is that the use of triad jargon can in some circumstances constitute a serious criminal offense. However, triad language also appears to be a source of innovation, through the popular media, into mainstream Hong Kong Cantonese. Research on triad language is relevant to the relationship between colonialism and language control. (Cantonese, Hong Kong, colonialism, triad secret societies, censorship, vernacular, taboo language, criminal slang)
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Chu, Yiu-Wai. "Introduction: Mediating borders: New boundaries for Hong Kong studies." Global Media and China 5, no. 2 (June 2020): 103–8. http://dx.doi.org/10.1177/2059436420927647.

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There are myriad methods and tactics to study and examine Hong Kong as a former crown colony and a current Chinese special administrative region. Using the idea of border as a critical tool as well as the subject of critique, this special issue highlights and addresses a political and historical fact that the bordering, debordering and transbordering of Hong Kong, as long taken-for-granted through the media, has never been a fixed and stable boundary. If political binarism and cultural parochialism have walled up Hong Kong cultures from national or transnational transformations, the essays in this special issue seek to initiate new discussions and revisit old discovery of Hong Kong amid the ebb and flow of nationality, transnationality and globality. They respond to cross-border ventures in various ways, offering different views and engaging with one another as to shed light on how the changing borderscape might have impacts on the future development of Hong Kong culture.
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Chan, Ko Ling. "Correlates of Wife Assault in Hong Kong Chinese Families." Violence and Victims 19, no. 2 (April 2004): 189–201. http://dx.doi.org/10.1891/vivi.19.2.189.64104.

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The objective of this study was the risk factors of wife assault in Hong Kong Chinese families. The sample included 107 battered women from a refuge for battered women. Factor analysis revealed risk factors like dominance, stress, poor anger management, aggressive personality, conflict, lack of empathy, masculine gender role stress, sense of insecurity, relationship distress, and violent socialization. Correlation analysis indicated that dominance, spousal conflict, and sense of insecurity increase the likelihood of carrying out minor physical assault and using psychological aggression, while aggressive personality predicts severe physical assault and injury. The risk factors were explained in terms of traditional Chinese concepts of gender role expectations of men and women and face orientations. The present study provides some evidence relating to the risk factors of wife assault in Chinese families.
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Pan, Yuxiang. "Conflicts in the Negotiations Between China and Britain on the Return of Hong Kong." Journal of Education, Humanities and Social Sciences 28 (April 1, 2024): 53–66. http://dx.doi.org/10.54097/dkfyz859.

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Hong Kong became a British colony in 1840. In the 1980s, the PRC government took the opportunity that Britain sent officials to sound out China’s attitude towards the Hong Kong issue to introduce “one country, two systems” policy. Because the British government, led by Margaret Thatcher, repeatedly made difficulties against China on treaty and sovereignty issues, the negotiation process was challenging. After three changes of attitude in negotiation, the British government gradually realized the tough position of the Chinese government and agreed to return Hong Kong’s sovereignty. However, Hong Kong has encountered the dramatically changing of world pattern over these 40 years. Anti-China movements in Hong Kong have colluded with overseas organizations, repeatedly set off riots and conflicts. Under such conflicts, the restoration of social order and economic development in Hong Kong need to re-examine the government organizations and policies within it, as well as the “one country, two systems”. This paper takes the Sino-British negotiations as the starting point, makes a detailed analysis of the game between the two sides in the negotiations. By relating them with the actual situation of Hong Kong society, especially the 2019 riots, the paper analyzes the Hong Kong problem and examines the roots of the ongoing conflicts in Hong Kong.
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CHEUNG, CHAU-KIU, and KWAN-KWOK LEUNG. "Social inclusion of the older population in response to the 2008 financial tsunami in Hong Kong." Ageing and Society 33, no. 1 (December 3, 2012): 64–88. http://dx.doi.org/10.1017/s0144686x12000554.

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ABSTRACTSocial inclusion of the older population in employment, housing, social protection and other livelihood aspects was predicted to suffer because of the financial tsunami in Hong Kong in 2008. An expected mitigating factor of the impact on social inclusion was social cohesion, which is the focus of the present study. A total of 1,352 Hong Kong Chinese adults were surveyed in 2009. The results show that social cohesion is perceived in Hong Kong to have mitigated the negative impact of the financial tsunami in terms of support for public policy relating to social inclusion of the older population. These results have implications for sustaining social cohesion as a means to promote the social inclusion of the older population.
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Hudson, Dale. "Modernity as Crisis: Goeng Si and Vampires in Hong Kong Cinema (translation into Russian)." Corpus Mundi 2, no. 4 (December 27, 2021): 112–42. http://dx.doi.org/10.46539/cmj.v2i4.55.

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This article is a translation of a chapter from the collective monograph Draculas, vampires, and other undead forms: essays on gender, race, and culture, edited by John Edgar Browning and Caroline Joan (Kay) Picart (2009, Scarecrow Press). The author analyzes the question of how Hong Kong cinema responds to the complex situation of Hong Kong's transition from its status as a British territory on loan to a special territory with extended autonomy within the PRC. As a marker pointing to the crisis development of this process, the Chinese people's particular ideas about the so-called “goeng si” (“jumping corpses”) were chosen. These revived corpses move in a peculiar jumping way, due to which they received this name. According to the author, in the images of these creatures, as well as in the cinematic vampires that have become an integral part of films made by Hong Kong studios, all the contradictions of the cultural and political situation in Hong Kong are manifested as in a mirror. Despite the fact that Hong Kong was able to actively oppose the global cinema represented by Hollywood, it had to adjust to the global cinematic trends in which vampires played an important role. All of this led to a certain hybridity of images that combined both Western and Chinese traits.
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Dissertations / Theses on the topic "Essays relating to Hong Kong Chinese"

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Yeung, Mei-yee. "Searching for a cultural identity : Hong Kong fiction from the fifties to the nineties /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19605389.

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Chu, Wan-kam, and 朱韻琴. "An evaluation of the genre approach to prose writing in matriculation level Chinese literature =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B4004001X.

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"The use of lexical bundles by Chinese EFL English-major undergraduates at different university levels: a corpus-based study of L2 learners' examination essays." 2013. http://library.cuhk.edu.hk/record=b5884334.

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Du, Juanjuan.
Thesis (Ph.D.)--Chinese University of Hong Kong, 2013.
Includes bibliographical references (leaves 275-280).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
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Books on the topic "Essays relating to Hong Kong Chinese"

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Tan yi chang bu fen shou de lian ai: Never breaking up : selected prose of Amy Cheung. Xianggang: Huang guan chu ban she (Xianggang) you xian gong si, 2013.

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Dong, Qiao. Cong qian: Once upon a time. Hong Kong: Oxford University Press, 2002.

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Dong, Qiao. Cong qian. 8th ed. Beijing Shi: San lian shu dian, 2002.

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Wang, Yixing. Yi lu zou lai. 8th ed. Xianggang: Ming bao chu ban she you xian gong si, 2009.

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Cen, Yifei. Mei de huan xin. 8th ed. Xianggang: Ming chuang chu ban she you xian gong si, 2002.

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Luo, Sun. Xianggang wen xue ji yi. 8th ed. Xianggang: Xianggang wen hui chu ban she, 2005.

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Piao liu bie lian. Xianggang: Qing ma wen hua shi ye chu ban you xian gong si, 2013.

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Er qu ye. 3rd ed. Xianggang: Tian di tu shu you xian gong si, 2003.

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Zhe shi nian lai zhe jin guo de shi. Xianggang: Cup Magazine Publishing Ltd., 2015.

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Dong, Qiao. Bai miao. Hong Kong: Oxford University Press, 2004.

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Book chapters on the topic "Essays relating to Hong Kong Chinese"

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Yau, Cody Wai Kwok. "Media Political Leanings: Polarised Depictions of Hong Kong Migration in Taiwan." In Palgrave Macmillan Studies on Human Rights in Asia, 177–202. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-2867-1_7.

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AbstractThis chapter examines the influences of the Taiwanese media’s political leaning on their coverage of Hong Kong migration by analysing news articles from the five major pro-Blue/Green printed media outlets between 2014 and 2022. Using structural topic modelling, this chapter demonstrates a politicalised trend relating to Hong Kong migration, involving two themes: migration safety and Political Security. Even though the migration safety theme has gained much more attention than the Political Security theme since the 2019 Protests in Hong Kong, the polarisation of the depiction of Hong Kong migration becomes particularly evident when issues related to the People's Republic of China (PRC) are factored in through topic comparison. In other words, compared to the pro-Blue media, which is inclined to portray the Hong Kong migration from a human rights perspective, the pro-Green media, which favours a nativist viewpoint, offer a more security-based narrative, such as cultural Sinicisation and the possibility of Chinese spies entering through Hong Kong migration. The results of sentiment analysis further highlight both media camps’ differences by detecting a positive or negative tendency.
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Bath, Vivienne, and Tianqi Gu. "Foreign Investment, Investment Treaties and Corruption in China and Hong Kong." In Corruption and Illegality in Asian Investment Arbitration, 209–34. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-9303-1_8.

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AbstractThis chapter focuses on the interaction of domestic regulation of corruption in China and Hong Kong and the increasing number of international arbitration cases brought by and against China. In conjunction with the enormous growth in foreign investment in China since it opened up at the end of the 1970s, China has developed a comprehensive network of international investment agreements (IIAs). Hong Kong is also a party to about 30 IIAs in its own name. Government and business corruption and bribery have been a problem in both jurisdictions. China and Hong Kong have taken active steps to criminalize, and to investigate and prosecute, corruption and to participate in major international initiatives relating to corruption. While corruption has, so far, made a limited appearance in the small number of investor–state dispute settlement (ISDS) cases brought by investors against China and cases brought against other states by Chinese and Hong Kong investors, based on existing material, a number of tentative conclusions and recommendations can be made. China should move towards a higher level of transparency, both in relation to ISDS cases and to its domestic criminal law system; both China and Hong Kong should play a more active role in prosecuting bribery by enterprises outside China, including by joining the OECD Convention on Combating Bribery of Foreign Officials; and, finally, China should consider including provisions relating to corruption in its future IIAs in order to demonstrate its commitment to the international war on corruption in business.
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Yü, Ying-shih. "Modernization Versus Fetishism of Revolution in Twentieth-Century China." In Chinese History and Culture, edited by Josephine Chiu-Duke and Michael S. Duke. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231178600.003.0010.

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This study discusses the predicament of China’s modernization by relating it to changing conceptions of revolution. It argues that the so-called “modernizing process” was a process set in motion by the unique aggressiveness inherent in Western modernity. It outlines the “predicament of modernization” in China—Japan’s success and China's failure, contrasted with Taiwan, Hong Kong and Singapore—and refers it to what the author calls the “fetishism of revolution” (with Mao Zedong as the prime example). The tension between revolution and modernization in China is seen to have led to a radical disjunction.
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Tang, Yan. "Ye Si (也斯) (1949–2013)." In Routledge Encyclopedia of Modernism. London: Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2039-1.

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Leung Ping-kwan, MH (pen name: Ye Si) was an influential writer, essayist, and scholar in Hong Kong. He became a freelancer in the 1960s, and later obtained his Bachelor’s degree in English at Hong Kong Baptist University. In 1978, he was admitted to the Department of Comparative Literature at the University of California, San Diego. He completed the doctoral degree in 1984. His dissertation is entitled ‘Aesthetics of Opposition: A Study of the Modernist Generation of Chinese Poets, 1936–1949’. After returning to Hong Kong, he taught in the Department of English Studies and Comparative Literature at the University of Hong Kong. In 1998, he became a professor in the Chinese Department at Lingnan University in Hong Kong. Later on, he worked as the Director of the Centre for Humanities Research at Lingnan University, teaching film, comparative literature, and modernism among other subjects. As a prolific writer and scholar, he has published fiction, poetry, essays, as well as academic works on films, comparative literature, Chinese modernism, and literature in Hong Kong. He died on 5 January 2013.
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Ahrens, Kathleen, and Winnie Huiheng Zeng. "Expressing Concepts Metaphorically in English Editorials in the Sinosphere." In Exploring the Ecology of World Englishes in the Twenty-first Century, 170–92. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474462853.003.0009.

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Kathleen Ahrens and Winnie Huiheng Zeng focus on the semantics of metaphors relating to democracy, using a corpus of early 21st century newspaper and magazine editorials from Hong Kong, Beijing and Taipei. They find marked differences in how and how often democracy is metaphorized in each city – more frequently in Beijing editorials than in either those from Hong Kong or Taipei, both of which use it literally more often. There are also differences in the metaphorical source domains used for democracy, in that Hong Kong writers made significantly more use of building while Taipei writers made it a journey. The metaphor of competition was used by writers in all three cities, but interestingly Beijing writers made more use of it than the other two. These different source domains for metaphorizing democracy, rather like Schneider’s indexical terms, seem to reflect different political orientations to the concept in three Chinese contexts.
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"Curriculum Reform, Standards and the Teachers of the Chinese Mainland and Hong Kong SAR." In Selected Essays on China’s Education: Research and Review, Volume 3, 93–137. BRILL, 2019. http://dx.doi.org/10.1163/9789004409781_006.

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Kam, Tan See. "Shanghai and Peking Blues: Fiction as Imagined History." In Tsui Hark's Peking Opera Blues. Hong Kong University Press, 2016. http://dx.doi.org/10.5790/hongkong/9789888208852.003.0004.

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Peking Opera Blues is a mixed-genre film built out of intertextual allusions to other film genres and texts. This enriches the film’s addressivity and is achieved particularly by functioning as a companion piece to Tsui’s 1984 film Shanghai Blues. Both films share narrative devices that mesh historicity and fictionality, creating narratives framed by history imagined into fiction and fiction imagined as history. This may be theorized as a jiegu fengjin mode of social and political criticism (using the past to comment on or lampoon the present). This jiegu fengjin mode of narration in the two Blues films, especially in the context of relating the films’ political relevance to 1980s Hong Kong, is that it yokes together, in metafictional ways, a spatio-temporal imaginary that sutures the past (turbulent times in China) to the present (political uncertainties in contemporary Hong Kong), while simultaneously seeking to engage the future (Hong Kong’s futurity as a special administrative region under Chinese sovereignty after 1997).
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Ho, Choi Yee, Dickson K. W. Chiu, and Kevin K. W. Ho. "Green Space Development in Academic Libraries." In Advances in Library and Information Science, 142–56. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-5964-5.ch010.

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This study investigates the recent green development in the main library of the Chinese University of Hong Kong (CUHK) and the construction of the library's new wing and the students' opinions on its green development. This study adopted a qualitative research method to collect information from 10 users about the green features implemented and their influence. Another interview with the campus development office project manager responsible for the library facilities was also included to explore the current and potential future green practices. These methods aim to evaluate the green development in an academic library from three perspectives, including (1) the library's role in green development in terms of library facilities, (2) users' demand relating to greening the library, and (3) the influence caused by the greening activities of the library.
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Admussen, Nick. "Semi-Orthodox Prose Poetry." In Recite and Refuse. University of Hawai'i Press, 2016. http://dx.doi.org/10.21313/hawaii/9780824856526.003.0005.

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Chapter four is a close reading of Liu Zaifu, a poet, scholar and essayist who wrote prose poetry throughout the 1980s. In the early 1980s, Liu Zaifu continued prose poetry's tradition of finding a place for the subjective and the aesthetic in the world of socialist prose. The first part of the chapter engages with his aesthetic and social philosophy, and uses that engagement to translate and read his best-known work, “Reading the Sea.” The second half of the chapter traces the impact of Liu's 1989 exile on his work. Liu’s post-exile works, published in Hong Kong, reveal the connection between prose poetry and the Chinese mainland context: once he leaves, Liu stops writing prose poetry in favor of literary essays. His work and his career therefore provide a crucial commentary on the line between orthodox and unorthodox prose poetry, and between prose poetry and other prose.
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