Journal articles on the topic 'Essays and songs'
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Lukaniuk, Bohdan. "From the Musical History of Liberation Songs. Problem Essays." Ethnomusic 18, no. 1 (December 2022): 25–64. http://dx.doi.org/10.33398/2523-4846-2021-18-1-25-64.
Full textLukaniuk, Bohdan. "From the musical history of liberation songs. Problem essays." Ethnomusic 18, no. 1 (December 2022): 25–64. http://dx.doi.org/10.33398/2523-4846-2022-18-1-25-64.
Full textBergman, David, and John Taggart. "Songs of Degrees: Essays on Contemporary Poetry and Poetics." American Literature 67, no. 3 (September 1995): 618. http://dx.doi.org/10.2307/2927972.
Full textLukaniuk, Bohdan. "From the Musical History of Liberation Songs. Problem Essays." Ethnomusic 17, no. 1 (2021): 74–105. http://dx.doi.org/10.33398/2523-4846-2021-17-1-74-105.
Full textSieber, Patricia, Mario De Grandis, Ke Wang, Hui Yao, Jingying Gao, Ian McNally, Xu Yichun, and Jenn Marie Nunes. "In Search of Pure Sound: Sanqu Songs, Genre Aesthetics, and Translation Tactics." Journal of Chinese Literature and Culture 8, no. 1 (April 1, 2021): 163–202. http://dx.doi.org/10.1215/23290048-8898674.
Full textLaing, Dave. "31 Songs and Nick Hornby's pop ideology." Popular Music 24, no. 2 (May 2005): 269–71. http://dx.doi.org/10.1017/s0261143005000486.
Full textBethke, Robert D., Richard A. Reuss, and Archie Green. "Songs about Work: Essays in Occupational Culture for Richard A. Reuss." Western Folklore 56, no. 2 (1997): 177. http://dx.doi.org/10.2307/1500206.
Full textPorter, Gerald, and Archie Green. "Songs about Work. Essays in Occupational Culture for Richard A. Reuss." Jahrbuch für Volksliedforschung 41 (1996): 186. http://dx.doi.org/10.2307/848452.
Full textLa Charité, Virginia A. "Book Review: Songs of Degrees: Essays on Contemporary Poetry and Poetics." Philosophy and Literature 19, no. 2 (1995): 398–99. http://dx.doi.org/10.1353/phl.1995.0088.
Full textHuber, Patrick, and Archie Green. "Songs about Work: Essays in Occupational Culture for Richard A. Reuss." Journal of American Folklore 108, no. 428 (1995): 211. http://dx.doi.org/10.2307/541385.
Full textKhandwala, Nazia. "Everyday Life in the Muslim Middle East." American Journal of Islam and Society 20, no. 3-4 (October 1, 2003): 205–8. http://dx.doi.org/10.35632/ajis.v20i3-4.1843.
Full textJuško-Štekele, Angelika. "FOLKLORE COMPETENCE IN THE REPRESENTATION OF CULTURAL IDENTITY IN SECONDARY SCHOOL STUDENTS’ ESSAYS." Education Reform: Education Content Research and Implementation Problems 2 (January 21, 2022): 31–40. http://dx.doi.org/10.17770/er2021.2.6727.
Full textStramkale, Ligita. "MEMORIZING SONG LYRICS IN PRIMARY EDUCATION DURING THE MUSIC LESSON." Journal of Education Culture and Society 11, no. 1 (June 27, 2020): 273–80. http://dx.doi.org/10.15503/jecs2020.1.273.280.
Full textМахова, Л. П. "Songs and Rituals of the Altai Mounting District from the Stepan Gulyaev’s Collection." OPERA MUSICOLOGICA, no. 1 (March 26, 2020): 70–100. http://dx.doi.org/10.26156/om.2020.12.1.005.
Full textStarnes, John Eric. "Black Flag under a Grey Sky. Forms of Protest in Current Neo-Confederate Prose and Song." Review of International American Studies 13, no. 1 (August 16, 2020): 159–81. http://dx.doi.org/10.31261/rias.7587.
Full textHascher, Xavier. "‘In dunklen Träumen’: Schubert's Heine-Lieder through the Psychoanalytical Prism." Nineteenth-Century Music Review 5, no. 2 (November 2008): 43–70. http://dx.doi.org/10.1017/s1479409800003360.
Full textHuanyu, Wang. "THE SPECIFICITY OF CHAMBER VOCAL GENRES IN CHINESE CULTURE." Arts education and science 1, no. 30 (2022): 155–61. http://dx.doi.org/10.36871/hon.202201018.
Full textBlack, Fiona. "BEAUTY OR THE BEAST? THE GROTESQUE BODY IN THE SONG OF SONGS." Biblical Interpretation 8, no. 3 (2000): 302–23. http://dx.doi.org/10.1163/156851500750096363.
Full textPathak, Dev Nath, and Moureen Kalita. "Folklore’s Contemporariness: Dynamics of Value Orientation in Bihu." Journal of Human Values 25, no. 3 (August 22, 2019): 177–89. http://dx.doi.org/10.1177/0971685819861220.
Full textMiller, Terry. "Hmong Songs of Memory: Traditional Secular and Sacred Hmong Music; Essays, Images, and Film by Victoria Vorreiter." Asian Music 51, no. 1 (2020): 127–31. http://dx.doi.org/10.1353/amu.2020.0013.
Full textDRABKIN, WILLIAM. "SCHUBERT, SCHENKER AND THE ART OF SETTING GERMAN POETRY." Eighteenth Century Music 5, no. 2 (September 2008): 209–36. http://dx.doi.org/10.1017/s1478570608001498.
Full textPolovinkina, Olga I. "The “Montage of Attractions” in T.S. Eliot’s The Waste Land." Literature of the Americas, no. 13 (2022): 207–23. http://dx.doi.org/10.22455/2541-7894-2022-13-207-223.
Full textSmidchens, Guntis, and Vaira Vikis-Freibergs. "Linguistics and Poetics of Latvian Folk Songs: Essays in Honour of the Sesquicentennial of the Birth of Kr. Barons." Slavic and East European Journal 34, no. 3 (1990): 405. http://dx.doi.org/10.2307/309096.
Full textMILLER, BONNY H. "Augusta Browne: From Musical Prodigy to Musical Pilgrim in Nineteenth-Century America." Journal of the Society for American Music 8, no. 2 (May 2014): 189–218. http://dx.doi.org/10.1017/s1752196314000078.
Full textK, Priya. "Biographical and Cultural Elements in S.R.G. Sundaram’s Short Stories." International Research Journal of Tamil 4, S-8 (June 27, 2022): 48–54. http://dx.doi.org/10.34256/irjt22s86.
Full textBaruch, Adele. "Chapter 2." Narrative Works 9, no. 1 (March 10, 2020): 31–42. http://dx.doi.org/10.7202/1068122ar.
Full textGramit, David. "Orientalism and the Lied: Schubert's "Du liebst mich nicht"." 19th-Century Music 27, no. 2 (2003): 97–115. http://dx.doi.org/10.1525/ncm.2003.27.2.97.
Full textReinelt, Janelle. "National signs: Estonian identity in performance." Sign Systems Studies 33, no. 2 (December 31, 2005): 369–78. http://dx.doi.org/10.12697/sss.2005.33.2.06.
Full textChonghaile, Deirdre Ní. "‘listening to this rude and beautiful poetry’: John Millington Synge as Song Collector in the Aran Islands." Irish University Review 46, no. 2 (November 2016): 243–59. http://dx.doi.org/10.3366/iur.2016.0225.
Full textCouch, Stephen R., and Barbara A. Wade. "“I Want to Barbecue bin Laden” Humor after 9/11." International Journal of Mass Emergencies & Disasters 21, no. 3 (November 2003): 67–86. http://dx.doi.org/10.1177/028072700302100306.
Full textOrlemanski, Julie. "Literary Persons and Medieval Fiction in Bernard of Clairvaux’s Sermons on the Song of Songs." Representations 153, no. 1 (2021): 29–50. http://dx.doi.org/10.1525/rep.2021.153.3.29.
Full textHitchcock, H. Wiley. "Ives's "114 [+ 15] Songs" and What He Thought of Them." Journal of the American Musicological Society 52, no. 1 (1999): 97–144. http://dx.doi.org/10.2307/832025.
Full textWijaya, Agetta Putri. "Tafsir Alegoris, Konstruksi Teologis, dan Unsur Erotis dalam Kitab Kidung Agung." Indonesian Journal of Theology 4, no. 2 (December 1, 2017): 237–56. http://dx.doi.org/10.46567/ijt.v4i2.42.
Full textO'Connell, Peter A. "“Charaxus Arrived with a Full Ship!” The Poetics of Welcome in Sappho's Brothers Song and the Charaxus Song Cycle." Classical Antiquity 37, no. 2 (October 1, 2018): 236–66. http://dx.doi.org/10.1525/ca.2018.37.2.236.
Full textHiller, James. "Music Therapists’ Preparation for Song Discussion: Meaning-Making With the Music." Music Therapy Perspectives 37, no. 2 (2019): 205–12. http://dx.doi.org/10.1093/mtp/miz005.
Full textVuille, Rosine-Alice. "The Living Tree: Kr̥ṣṇā Sobtī’s Pre-Partition Punjab and the “Other History”." Cracow Indological Studies 23, no. 1 (September 30, 2021): 137–55. http://dx.doi.org/10.12797/cis.23.2021.01.05.
Full textEgorova, Lyudmila V. "Robert Calasso. Literature and the gods (L. Egorova)." Voprosy literatury, no. 6 (December 20, 2019): 284–89. http://dx.doi.org/10.31425/0042-8795-2019-6-284-289.
Full textGarrett, Charles Hiroshi. "Chinatown, Whose Chinatown? Defining America's Borders with Musical Orientalism." Journal of the American Musicological Society 57, no. 1 (2004): 119–74. http://dx.doi.org/10.1525/jams.2004.57.1.119.
Full textManggong, Lestari, and Amaliatun Saleha. "Beyond Anpanman the (Super)hero: Investigating Figures of Hero and Idol in BTS’s Songs." Jurnal Lingua Idea 12, no. 1 (June 22, 2021): 51. http://dx.doi.org/10.20884/1.jli.2021.12.1.3435.
Full textShih-Pe, Wang, and Erxin Wang. "Plays within Songs: Sanqu Songs from Literary Refinement (ya) to Popular Appeal (su)." Journal of Chinese Literature and Culture 8, no. 2 (November 1, 2021): 307–40. http://dx.doi.org/10.1215/23290048-9299658.
Full textKwon, JiSeong James, and Matthias Brütsch. "Das Hohelied als jüdische Version der Liebesdichtung innerhalb eines gemeinsamen intellektuellen Hintergrundes in der hellenistischen Zeit." Journal of Ancient Judaism 12, no. 2 (June 2, 2021): 149–74. http://dx.doi.org/10.30965/21967954-bja10010.
Full textH.K, Santhosh. "Poothan Kali Songs : an analysis of their types, themes and functions." Indian Journal of Multilingual Research and Development 2, no. 1 (March 30, 2021): 24–34. http://dx.doi.org/10.34256/ijmrd2114.
Full textHevko, Ihor, Olena Spolska, Xie Xiaonan, and Wu Hongwei. "Modern performing arts of Ukraine as lecture and practical lessons in the course with future teachers of musical art." Journal of Education, Health and Sport 12, no. 8 (August 31, 2022): 1206–15. http://dx.doi.org/10.12775/jehs.2022.12.08.105.
Full textWabyanga, Robert Kuloba. ""I Am Black and Beautiful": A Black African Reading of Song of Songs 1:5-7 as a Protest Song." Old Testament Essays 34, no. 2 (November 18, 2021): 1–22. http://dx.doi.org/10.17159/2312-3621/2021/v34n2a16.
Full textGrossberg, Daniel. "Nature, Humanity, and Love in Song of Songs." Interpretation: A Journal of Bible and Theology 59, no. 3 (July 2005): 229–42. http://dx.doi.org/10.1177/002096430505900302.
Full textB. Decock, Paul. "Origen’s Christian Approach to the Song of Songs." Religion and Theology 17, no. 1-2 (2010): 13–25. http://dx.doi.org/10.1163/157430110x517898.
Full textStory, Cullen. ""Another Look at the Fourth Servant Song of Second Isaiah"." Horizons in Biblical Theology 31, no. 2 (2009): 100–110. http://dx.doi.org/10.1163/019590809x12553238842989.
Full textHiggins, Laura, Peter D. MacIntyre, Jessica Ross, and Heather Sparling. "The terror management effects of a disaster song." Psychology of Music 48, no. 1 (June 26, 2019): 137–49. http://dx.doi.org/10.1177/0305735618792404.
Full textDobie, Madeleine. "Assia Djebar: Writing between Land and Language." Publications of the Modern Language Association of America 131, no. 1 (January 2016): 128–33. http://dx.doi.org/10.1632/pmla.2016.131.1.128.
Full textVasic, Aleksandar. "Problem of the ′national style′ in the writing of Miloje Milojevic." Muzikologija, no. 7 (2007): 231–44. http://dx.doi.org/10.2298/muz0707231v.
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