Journal articles on the topic 'Essay films'
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Johnson, Vida T., and Graham Petrie. "Review Essay : Andrei Tarkovskii's films." Journal of European Studies 20, no. 3 (September 1990): 265. http://dx.doi.org/10.1177/004724419002000304.
Thomas, Marisa. "Classic Media Review Essay." Queer Studies in Media & Popular Culture 4, no. 2 (June 1, 2019): 193–206. http://dx.doi.org/10.1386/qsmpc_00005_5.
Liu, Qi. "Unfair Utilization in Horrific Films: Objectifying Female Characters in Alfred Hitchcock’s The Birds." BCP Social Sciences & Humanities 20 (October 18, 2022): 109–15. http://dx.doi.org/10.54691/bcpssh.v20i.2170.
Frahm, Laura A. "Architectures of Images, Avalanches of Memory: Dominik Graf’s Urban Essay Films." New German Critique 46, no. 3 (November 1, 2019): 181–205. http://dx.doi.org/10.1215/0094033x-7727483.
Ciezadlo, Janina. "The Essay in Space and Time: A Conversation with Filmmaker Mark Cousins." Afterimage 46, no. 1 (March 1, 2019): 17–24. http://dx.doi.org/10.1525/aft.2019.461003.
Hunt, Mary Alice. "Selecting Films for Children-A Bibliographic Essay." Collection Management 7, no. 3-4 (December 1985): 255–62. http://dx.doi.org/10.1300/j105v07n03_26.
Margulies, Ivone. "Filmes de Plástico’s Plural Realism." Film Quarterly 74, no. 2 (2020): 39–46. http://dx.doi.org/10.1525/fq.2020.74.2.39.
Karim, Lanja Najmalddin. "Kurdish National Identity in the films of Yilmaz Guney and Bahmani Ghobadi." Journal of University of Human Development 7, no. 3 (August 18, 2021): 69–73. http://dx.doi.org/10.21928/juhd.v7n3y2021.pp69-73.
Wilson, Emma. "4 Months, 3 Weeks and 2 Days: An ““Abortion Movie””??" Film Quarterly 61, no. 4 (2008): 18–23. http://dx.doi.org/10.1525/fq.2008.61.4.18.
Jones, Vanessa. "Walking alongside elders: A visual essay." Journal of Applied Arts & Health 14, no. 1 (March 1, 2023): 63–72. http://dx.doi.org/10.1386/jaah_00127_3.
Budylin, Sergey. "The Battle for Cheburashka: Films by Jove, Inc. v. Berov and Copyright in Soviet Animated Films." Review of Central and East European Law 39, no. 3-4 (November 18, 2014): 343–67. http://dx.doi.org/10.1163/15730352-00000023.
Sinelnikova, Valentyna, and Maksym Berezhniuk. "Folk Music in Works of Contemporary Ukrainian Audiovisual Art (Dovbush, Mavka, Povodyr): Musical and Critical Essay." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 6, no. 2 (November 20, 2023): 177–87. http://dx.doi.org/10.31866/2616-7581.6.2.2023.291089.
Margulies, Ivone. "Elemental Akerman: Inside and Outside No Home Movie." Film Quarterly 70, no. 1 (2016): 61–69. http://dx.doi.org/10.1525/fq.2016.70.1.61.
Sharma, Ishita. "Japan’s Perception of Women: The Case of Kurosawa’s Rashomon." International Journal of English Literature and Social Sciences 9, no. 1 (2024): 104–7. http://dx.doi.org/10.22161/ijels.91.13.
Monterrubio Ibáñez, Lourdes. "The Audiovisual Thinking Process in Contemporary Essay Films." Comparative Cinema 10, no. 18 (July 20, 2022): 6–10. http://dx.doi.org/10.31009/cc.2022.v10.i18.01.
Sandoval Gutiérrez, J. L. "Essay on blindness or the blindness of an essay. Films, serials, fiction, and medicine." Archivos de la Sociedad Española de Oftalmología (English Edition) 92, no. 11 (November 2017): e69. http://dx.doi.org/10.1016/j.oftale.2017.04.001.
Lamberti, Claudia. "La cittŕ degli espressionisti: scenografie cinematografiche." STORIA URBANA, no. 122 (September 2009): 47–67. http://dx.doi.org/10.3280/su2009-122003.
Jordan, Randolph. "Composing perception: Hildegard Westerkamp meets Gus Van Sant (a video essay)." Alphaville: journal of film and screen media, no. 27 (July 2, 2024): 240–44. http://dx.doi.org/10.33178/alpha.27.19.
Sandu, Vladlena O. "Existential problematics in the films of Pedro Costa." Journal of Flm Arts and Film Studies 11, no. 2 (June 15, 2019): 128–38. http://dx.doi.org/10.17816/vgik112128-138.
Kumar, Rebecca. "“You're in the Middle of the World”." liquid blackness 8, no. 1 (April 1, 2024): 44–65. http://dx.doi.org/10.1215/26923874-11005952.
De Almeida, Rafael, and Ana Paula De Aquino Caixeta. "The soundscape in the essay film Heart of a Dog." Intexto, no. 47 (August 6, 2019): 75–88. http://dx.doi.org/10.19132/1807-8583201947.75-88.
Hong, Jing. "The Effect of Abstractness on the Popularity of Films and Theatre Among Generation-Z." BCP Social Sciences & Humanities 17 (May 5, 2022): 104–10. http://dx.doi.org/10.54691/bcpssh.v17i.632.
Miyao, Daisuke. "Japonisme and the Birth of Cinema." Journal of Japonisme 1, no. 1 (January 4, 2016): 66–92. http://dx.doi.org/10.1163/24054992-00011p05.
Thomas, Sarah. "Primed for Suffering: Gender, Subjectivity, and Spectatorship in Spanish Crisis Cinema." boundary 2 48, no. 3 (August 1, 2021): 215–51. http://dx.doi.org/10.1215/01903659-9155817.
Kelsey, Penelope. "World(build)ing in Mohawk- and Seneca-Language Films." English Language Notes 58, no. 1 (April 1, 2020): 214–25. http://dx.doi.org/10.1215/00138282-8237531.
Waldrep, Shelton. "The Golden Ages of Porn: the 1970s (Translation into Russian)." Corpus Mundi 2, no. 2 (July 16, 2021): 57–82. http://dx.doi.org/10.46539/cmj.v2i2.44.
Ergenekon, Begümşen. "Using Films for Writing Reaction-Response Essay: A Class-Room Action Research on Turkish ESP Learners." International Journal of Languages, Literature and Linguistics 2, no. 2 (June 2016): 73–78. http://dx.doi.org/10.18178/ijlll.2016.2.2.70.
Lowenstein, Adam. "Living Dead: Fearful Attractions of Film." Representations 110, no. 1 (2010): 105–28. http://dx.doi.org/10.1525/rep.2010.110.1.105.
Schäfer, Sandra. "Whose Gaze? Stories Told between Kabul, Herat and Berlin." BioScope: South Asian Screen Studies 11, no. 1 (June 2020): 61–77. http://dx.doi.org/10.1177/0974927620935255.
Kong, Xinyu. "Differences Between Two Shakespearean Adaptations: An Analysis of Two Film Adaptations of The Tempest from the Perspective of Gender." Communications in Humanities Research 26, no. 1 (January 3, 2024): 256–66. http://dx.doi.org/10.54254/2753-7064/26/20232080.
Figlerowicz, Marta. "Timing and Vulnerability in Three Hitchcock Films." Film Quarterly 65, no. 3 (2012): 49–58. http://dx.doi.org/10.1525/fq.2012.65.3.49.
Peirse, Alison. "Towards a feminist historiography of horror cinema." Horror Studies 13, no. 2 (October 1, 2022): 231–49. http://dx.doi.org/10.1386/host_00056_1.
Yoo, Jisu Klaire. "A Study on the Identity of Essay Films, Analyzing." CONTENTS PLUS 13, no. 5 (October 30, 2015): 103–19. http://dx.doi.org/10.14728/kcp.2015.13.05.103.
Mumford, Cara. "Dancing the Waterways in Leanne Simpson’s she sang them home." Performing (in) Place: Moving on/with the Land 7, no. 1-2 (January 20, 2022): 29–41. http://dx.doi.org/10.7202/1085310ar.
Bono, Francesco. "In the Steps of Operetta: Austrian Cinema’s Relation to History." European Journal of Multidisciplinary Studies 4, no. 1 (March 30, 2019): 80. http://dx.doi.org/10.26417/ejms-2019.v4i1-531.
Peirse, Alison. "The language of rage." Teknokultura. Revista de Cultura Digital y Movimientos Sociales 21, no. 1 (January 31, 2024): 91–93. http://dx.doi.org/10.5209/tekn.90544.
Ko, Chisu Teresa. "Antipodal Connections." Film Quarterly 74, no. 4 (2021): 19–30. http://dx.doi.org/10.1525/fq.2021.74.4.19.
Bezenkova, Maria V. "The canons of capturing reality in the documentary cinema of the 1960s." Journal of Flm Arts and Film Studies 11, no. 3 (November 13, 2019): 30–41. http://dx.doi.org/10.17816/vgik11330-41.
Rusinova, Elena A. "The sound space of the city as a reflection of ‘‘the spirit of the times’’ and the inner world of the film hero." Journal of Flm Arts and Film Studies 11, no. 1 (March 15, 2019): 15–26. http://dx.doi.org/10.17816/vgik11115-26.
Sekar, Sureshkumar P. "Disney screencerts: A video essay." Alphaville: journal of film and screen media, no. 27 (July 2, 2024): 37–40. http://dx.doi.org/10.33178/alpha.27.04.
Bono, Francesco. "Friend or Foe? Representations of WWI in Italian Fascist Cinema." European Journal of Interdisciplinary Studies 6, no. 1 (January 1, 2020): 6. http://dx.doi.org/10.26417/ejis.v6i1.p6-12.
Saljoughi, Sara. "A Cinema of Refusal." Feminist Media Histories 3, no. 1 (January 1, 2017): 81–102. http://dx.doi.org/10.1525/fmh.2017.3.1.81.
HIOKI, Susumu. "An essay." JOURNAL OF THE JAPAN WELDING SOCIETY 79, no. 4 (2010): 284–86. http://dx.doi.org/10.2207/jjws.79.284.
Bordwell, David. "Intensified Continuity Visual Style in Contemporary American Film." Film Quarterly 55, no. 3 (2002): 16–28. http://dx.doi.org/10.1525/fq.2002.55.3.16.
Zvegintseva, Irina A. "The story of one crime: in life, in literature and in cinema." Journal of Flm Arts and Film Studies 11, no. 3 (November 13, 2019): 128–37. http://dx.doi.org/10.17816/vgik113128-137.
Baer, Nicholas. "The Rumors Are True." Qui Parle 33, no. 1 (June 1, 2024): 63–78. http://dx.doi.org/10.1215/10418385-11125484.
Ingham, Mike, and Kenny K. K. Ng. "Introduction: Hong Kong independent documentaries and their visibility." Asian Cinema 33, no. 2 (October 1, 2022): 117–30. http://dx.doi.org/10.1386/ac_00050_2.
Lippit, Akira Mizuta. "The Death of an Animal." Film Quarterly 56, no. 1 (2002): 9–22. http://dx.doi.org/10.1525/fq.2002.56.1.9.
Cieplak, Piotr. "(Extra)ordinary images: photography, memory and creative documentary – Rwanda and Argentina." Journal of the British Academy 12 (May 22, 2024): 0. http://dx.doi.org/10.5871/jba/012.a06.
Venkatesh, Vinodh. "Argentina in Crisis: Superheroes in Zenitram (2010) and Kryptonita (2015)." Galactica Media: Journal of Media Studies 2, no. 3 (October 19, 2020): 295–309. http://dx.doi.org/10.46539/gmd.v2i3.89.