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Books on the topic 'Escaping violence'

Author: Grafiati

Published: 1 April 2023

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1

Escaping domestic abuse. New Kensington, PA: Whitaker House, 2009.

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2

Recognizing and escaping abusive dating relationships. Place of publication not identified]: [publisher not identified], 2012.

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3

Malos, Ellen. Domestic violence & housing: Local authority responses to women & children escaping violence in the home. Bristol: Women's Aid Federation England, 1993.

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4

Stop signs: Recognizing, avoiding, and escaping abusive relationships. Berkeley, CA: Seal Press, 2012.

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5

Miller, Angela Browne. To have and to hurt: Recognizing and changing, or escaping, patterns of abuse in intimate relationships. Westport, Conn: Praeger Publishers, 2007.

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6

Charles, Nickie. The housing needs of women and children escaping domestic violence: A report commissioned by Housing for Wales. Cardiff: Housing for Wales, 1993.

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7

Hontō wa yande iru "shiawase na kazoku": Happy on the outside, sad on the inside : escaping from domestic abuse to a whole new life. Tōkyō: PHP Kenkyūjo, 2000.

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8

Lawless, Elaine J. Women Escaping Violence: Empowerment Through Narrative. University of Missouri Press, 2013.

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9

Lawless, Elaine J. Women Escaping Violence: Empowerment Through Narrative. University of Missouri Press, 2001.

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10

Lawless, Elaine J. Women Escaping Violence: Empowerment Through Narrative. University of Missouri Press, 2001.

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11

Survivor, Melanie. Surviving the Devil - Escaping Domestic Violence: A True Story. Melanie Survivor, 2018.

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12

Curran, Diana, and Jane Boucher. Escaping Domestic Abuse: How Women Get Out and Stay Out. Whitaker House, 2009.

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13

To Have and To Hurt: Recognizing and Changing, or Escaping, Patterns of Abuse in Intimate Relationships. Praeger Publishers, 2007.

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14

Wild, Olivia. Last Adam: My BWWM Interracial Romance As an African-American Black Woman Escaping a Domestic Violence Abuse-Filled Marriage to a Black Man. Independently Published, 2018.

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15

Brontë, Emily. Wuthering Heights. Edited by John Bugg. Oxford University Press, 2020. http://dx.doi.org/10.1093/owc/9780198834786.001.0001.

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‘You said I killed you - haunt me, then!’ Wuthering Heights is one of the most famous love stories in the English language. It is also one of the most potent revenge narratives. The intense and unbreakable bond between the fiery Catherine Earnshaw and the foundling Heathcliff has startled and fascinated readers since its first publication in 1847. Of uncertain parentage and ethnicity, Heathcliff comes to Wuthering Heights as a child when Catherine’s father finds him wandering alone through the slave-trading port of Liverpool. After Mr Earnshaw’s death, Heathcliff and Catherine find refuge in each other when the household falls into the hands of Catherine’s dissolute older brother. Their bond deepens as they escape together from the violence and stern religion of their home to the Yorkshire moors. But the story of Catherine and Heathcliff’s attachment transforms from intimacy to strife when Catherine marries the refined Edgar Linton. The ensuing story of violence and thwarted passion is one of the most powerful tales of the gothic tradition, a literary mode from which Emily Brontë wrings all of its terrifying potential. A regional novel with a global reach, a work of sensational effects with a startling ethical core, Wuthering Heights is both a romantic melodrama and wrenching study of the difficulty of escaping from the legacies of violence. This edition reproduces the authoritative Clarendon text, with revised and expanded notes and a selection from the poems of Emily Brontë.

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16

Schwenke, Temple. Signs of an Abusive Relationship : How to Leave an Abuse and Violent Relationship: Hitting and Escaping Statistics. Independently Published, 2021.

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17

Kagen, Melissa. Wandering Games. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/13856.001.0001.

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An analysis of wandering within different game worlds, viewed through the lenses of work, colonialism, gender, and death. Wandering in games can be a theme, a formal mode, an aesthetic metaphor, or a player action. It can mean walking, escaping, traversing, meandering, or returning. In this book, game studies scholar Melissa Kagen introduces the concept of “wandering games,” exploring the uses of wandering in a variety of game worlds. She shows how the much-derided Walking Simulator—a term that began as an insult, a denigration of games that are less violent, less task-oriented, or less difficult to complete—semi-accidentally tapped into something brilliant: the vast heritage and intellectual history of the concept of walking in fiction, philosophy, pilgrimage, performance, and protest. Kagen examines wandering in a series of games that vary widely in terms of genre, mechanics, themes, player base, studio size, and funding, giving close readings to Return of the Obra Dinn, Eastshade, Ritual of the Moon, 80 Days, Heaven's Vault, Death Stranding, and The Last of Us Part II. Exploring the connotations of wandering within these different game worlds, she considers how ideologies of work, gender, colonialism, and death inflect the ways we wander through digital spaces. Overlapping and intersecting, each provides a multifaceted lens through which to understand what wandering does, lacks, implies, and offers. Kagen's account will attune game designers, players, and scholars to the myriad possibilities of the wandering ludic body.

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