Academic literature on the topic 'Eroticism in literature'

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Journal articles on the topic "Eroticism in literature"

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Chow, Jeremy, and Brandi Bushman. "Hydro-eroticism." English Language Notes 57, no. 1 (April 1, 2019): 96–115. http://dx.doi.org/10.1215/00138282-7309710.

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RAMOS, REYBHOY. "Presence of Eroticism in Philippine Short Stories." International Journal of Linguistics, Literature and Translation 5, no. 1 (January 27, 2022): 209–18. http://dx.doi.org/10.32996/ijllt.2022.5.1.25.

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This study explored the presence of eroticism in selected Philippine short stories. There were four stories covered such as “The Riddle” by F. Sionil Jose, “The Virgin” by Kerima Polotan Tuvera, “Magnificence” by Estrella D. Alfon, “Midsummer” by Manuel Arguilla, “Dead Stars” by Paz Marquez Benitez and “How My Brother Leon Brought A Wife” by Manuel Arguilla. This literary study has to answer this lone question: What are the manifestations of eroticism, and how is eroticism presented in the different stories? Using qualitative design (focused on content-analysis) with two aid formal and psychoanalytic approaches of interpretation, the study yielded the following findings: The eight stories contained eroticism that revolved around physical attraction towards the opposite sex; love and sex; lust; husband-wife relationship; and physical admiration. Based on the study's findings, the researcher concludes that Eroticism, which manifests in the forms of physical attraction towards the opposite sex; love and sex; lust; and physical admiration, are present in the covered eight Philippine short stories in English. Based on the findings and conclusion of the study, the researchers have to advance the following recommendations: Literature teachers should expose students to various literary pieces of Philippine literature and expose further students to various literary approaches to analyze literary opuses appropriately. Themes on eroticism in Philippine short stories and other genres need to be handled carefully by teachers by allowing students to see the bad side and good side of such themes. Lessons need to be sought after the come up themes for self-reflection. Future researchers are inspired to replicate this study.
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Landeira, Joy, and Gustavo Pérez Firmat. "Tongue Ties: Logo-Eroticism in Anglo-Hispanic Literature." Hispania 88, no. 3 (September 1, 2005): 505. http://dx.doi.org/10.2307/20063143.

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Rodriguez, Ralph. "Tongue Ties: Logo-Eroticism in Anglo-Hispanic Literature." Comparative Literature Studies 42, no. 2 (January 1, 2005): 316–20. http://dx.doi.org/10.2307/40247482.

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Rodriguez, Ralph. "Tongue Ties: Logo-Eroticism in Anglo-Hispanic Literature." Comparative Literature Studies 42, no. 2 (January 1, 2005): 316–20. http://dx.doi.org/10.2307/complitstudies.42.2.0316.

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Swamy, V. "Thiefing Sugar: Eroticism between Women in Caribbean Literature." Modern Language Quarterly 73, no. 2 (January 1, 2012): 244–47. http://dx.doi.org/10.1215/00267929-1589203.

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Bădulescu, Dana. "Body, Sensuousness, Eros and the New Aesthetic Order from Schiller to Rushdie." Text Matters, no. 3 (November 1, 2013): 219–32. http://dx.doi.org/10.2478/texmat-2013-0036.

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In the present article, I look into the culture-building power of Eros from Schiller’s ideas of “the aesthetic state of mind” in Letters on the Aesthetic Education of Man, through the Pre-Raphaelites’ eroticism to the nineteenthcentury fin de siècle aestheticized homoeroticism and beyond. I argue that eroticism is a reaction to the increasing sense of alienation brought about by bourgeois modernity. The “moments” and texts used to illustrate the thesis that eroticism shaped an alternative order are far from exhausting a very large list which could add nuances to the argument. The body is one of the essential aspects tackled, since eroticism cannot be conceived in its absence. The body may be an object of desire around which imagination weaves its yarn, or a blank page to be inscribed, or a danger zone, or a hypertrophied space projected by the lover’s longing for fusion. Eroticism in Salman Rushdie’s novels is the focus of my approach after a survey of some landmarks of erotic imagination. I argue that his novels are a new stage of the imagination infused by Eros. The article probes into how two centuries of aesthetic modernity have been shaped by the reality principle proposed by Schiller and how that essentially erotic model has suffered changes in time.
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Baïraktari, Maria. "L’érotisme en traduction et l’érotisme dans la traduction." Między Oryginałem a Przekładem 28, no. 2(56) (June 30, 2022): 11–23. http://dx.doi.org/10.12797/moap.28.2022.56.01.

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TRANSLATING EROTICISM AND EROTICISM IN TRANSLATION: GAMIANI, OR TWO PASSIONATE NIGHTS TRANSLATED IN GREEK BY ANDREAS STAIKOS Gamiani, or Two Passionate Nights by Alfred de Musset is the characteristic example of violent eroticism that is revealed through a lexico-semantic lace and an explicitly neat stylistics. The author aimed to create a novel imbued with descriptions of pleasure without using a single vulgar word. Our article is dedicated to the question of eroticism in translation through the strategy, the translation priorities and the techniques applied by the Greek translator Andréas Staikos. How does Musset’s lyrical writing and careful stylistics allay the possible issue of taboos in the translation process? What are the translator’s priorities? By drawing examples from his text, we will thus attempt to analyze Staikos’s approaches, which are based on a kind of antinomy concerning the transfer of eroticism at the semantic level and at the stylistic level from one language to another.
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Azam, Hina. "Sex, Marriage, and Eroticism in Contemporary Islamic Advice Literature." Journal of Middle East Women's Studies 9, no. 1 (2013): 54–80. http://dx.doi.org/10.2979/jmiddeastwomstud.9.1.54.

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Gonzalez Echevarria, Roberto. "Tongue Ties: Logo-Eroticism in Anglo-Hispanic Literature (review)." Cuban Studies 36, no. 1 (2005): 162–64. http://dx.doi.org/10.1353/cub.2005.0032.

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Dissertations / Theses on the topic "Eroticism in literature"

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MacDiarmid, Laurie J. 1964. "T. S. Eliot's civilized savage: Religious eroticism and poetics." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/282374.

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Current studies of T. S. Eliot explore his social poetic, his religion, his sexuality, and his place in the history of modernism and contemporary poetics. "T. S. Eliot's Civilized Savage" links these interests, beginning with Eliot's controversial masculinity. Eliot constructs an impotent poet who engages in celibate heterosexual relationships; he uses comparative religious studies (such as Frazer's Golden Bough and Harrison's Themis) to transform these relationships into a social imperative. "The Death of Saint Narcissus," "The Love Song of J. Alfred Prufrock" and "Hysteria" compare Eliot's poet to Frazer's self-sacrificing god, pitting him against a voracious mother goddess who demands the poet's self-sacrifice. Eliot's lady poses as an alibi for his own hysteria and as a spiritual catalyst; the poet is reborn in the Father. By Ash Wednesday, Eliot rewrites heterosexuality using Christian iconography. "Tradition and the Individual Talent" exposes Eliot's ambivalent relationship to masculinity and maternity: though Eliot describes a purely scientific poetic reproduction, the essay bears traces of his maternal fascinations, though these images are sterilized by the rhetoric of Immaculate Conception. By 1927, Eliot converts to the Church of England, abandons Vivienne, rekindles a chaste romance with Emily Hale, develops his poetry of confession, and refashions the Lady. Now she acts as the perfect vessel for God's Word, and her "torn and most whole" body eliminates the threat of sexual intercourse. Subsumed in her, Eliot's poet becomes God's womb. Eliot's contemporary fall from grace seems to stem from repeated exposures of his erotic and religious masquerades. Christopher Ricks's publication of Eliot's notebooks foregrounds Eliot's racist, sexist and classicist ideology and Michael Hastings's Tom and Viv suggests that Eliot blamed his hysteria on Vivienne while profiting from the marriage. Eliot's mysticism appears to be an impotent attempt to escape domestic horrors, but a re-examination of this diagnosis may reveal our own construction of sexuality, poetics, politics and spirituality. As we recoil from Eliot's corrosive "conservatism" perhaps we safeguard our own.
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Roberts-Hughes, Rebecca Louise. "Realms of eroticism and modes of transgression : Georges Bataille, literature, architecture." Thesis, King's College London (University of London), 2015. https://kclpure.kcl.ac.uk/portal/en/theses/realms-of-eroticism-and-modes-of-transgression(da3c7163-f44b-4de9-8793-4b9bdfaa344f).html.

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My project traces the interrelated discourses of eroticism, modernism and transgression in the twentieth century through a nexus of thinkers, writers and architects focused around the French theorist and pornographic writer Georges Bataille (1897-1962). My aim is to consider what it means to think of eroticism as a transgression, and what transgression might look like. The topics of eroticism and transgression demand an interdisciplinary approach, and my thesis responds to this need through analysis of cultural theories, literature and architecture. Bataille, D. H. Lawrence, Anaïs Nin and Le Corbusier were contemporaries who explored similar ideas through different disciplines and using different language. My thesis draws them together to explore these similarities and what they reveal about the different disciplines, their relationship to one another, and their relationship to eroticism and transgression. My method involves close theoretical readings of Bataille’s texts – chiefly Eroticism, but also The Accursed Share, History of Eroticism, Theory of Religion and selected essays and fiction – to develop a rigorous reading of Bataille’s notion of erotic transgression. This notion and related ideas of expenditure, sacrifice and poetry provide the basis for original analysis of the literary motifs and language used by Lawrence and Nin who, like Bataille, were concerned with writing eroticism. The importance of the sites of eroticism in fiction by all three writers and the structure of the language they use reveals a connection between their erotics, and between transgression and architecture. I explore this connection further by analysing the ideas and productions of architects who have openly engaged with Bataille’s thinking, focusing on Le Corbusier and Bernard Tschumi. I examine the possibility of transgression and poetry in architecture, and what the relationship between literary and architectural modes of transgression reveals about eroticism.
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Ubilluz, Juan Carlos. "Sacred eroticism : Georges Bataille and Pierre Klossowski in Latin American literature /." Full text (PDF) from UMI/Dissertation Abstracts International, 2002. http://wwwlib.umi.com/cr/utexas/fullcit?p3086724.

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Bowman, Luke. "Mystical Eroticism in Bataille, Miller, and Ikkyu." University of Dayton / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1366386886.

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Fonder-Solano, Leah Jean. "Sex, violence and politics: Eroticism in the work of Cristina Peri Rossi." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/289489.

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Cristina Peri Rossi (Uruguay, 1941) highly privileges sexual and erotic themes in her writing. Although literary critics have tended to eschew this facet of the author's work in favor of her irreverent social critiques, this study proposes to show how the author's erotic representations act both directly and indirectly to articulate such arguments. In this regard, my objectives are twofold: First, I examine how Peri Rossi inscribes her erotic writing into a male-dominated tradition of erotic literature. To this end, I discuss her revision of canonical works which govern/reflect social norms of gender and sexuality, particularly traditional psychoanalytical theory and classic mythology. I then explore how the author's erotic representations relate to the various social concerns she addresses in her writing, specifically issues of sex/gender, sexuality and authoritarian government. Regarding sex/gender, I focus on Peri Rossi's deconstruction of the binary engendering system, resulting in the possibility of change in and/or ambiguity of both sex and sexuality; the author's literary transgressions of social gender roles are also considered. With respect to sexuality, I discuss how Peri Rossi challenges social norms of sexuality through representations of homosexuality, children's sexuality and incest. Finally, I address the author's allegorical indictment of military abuses though sexual and/or erotic depictions. In each of these cases, Peri Rossi transforms eroticism, a traditionally private matter, into a public vehicle capable of opposing and subverting social oppression.
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Calbi, Maurizio. "Approximate bodies : aspects of the figuration of power, gender and eroticism in early modern culture." Thesis, University of Essex, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242233.

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Gervais, Kyle G. "Dealing with a massacre spectacle, eroticism, and unreliable narration in the Lemnian episode of Statius' Thebaid /." Thesis, Kingston, Ont. : [s.n.], 2008. http://hdl.handle.net/1974/1241.

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Lévesque, Mylène. "L'érotisme au féminin selon Anne Dandurand et Alina Reyes." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0004/MQ32542.pdf.

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Mediratta, Sangeeta. "Bazaars, cannibals, and sepoys : sensationalism and empire in nineteenth century Britain and the United States /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2005. http://wwwlib.umi.com/cr/ucsd/fullcit?p3175284.

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Quirion, Nathalie. "L'érotisme chez André Pieyre de Mandiargues, ou, La quête mythique, suivi de Petites morts." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ47232.pdf.

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Books on the topic "Eroticism in literature"

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Leick, Gwendolyn. Sex and eroticism in Mesopotamian literature. London: Routledge, 1994.

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Julio Mario Santo Domingo Collection. Eroticism: Coming and going. London: Simon Finch Rare Books Ltd., 2007.

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Paz, Octavio. The double flame: Love and eroticism. New York: Harcourt Brace, 1995.

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Paz, Octavio. The double flame: Love and eroticism. New York: Harcourt Brace, 1995.

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Tinsley, Omise'eke Natasha. Thiefing sugar: Eroticism between women in Caribbean literature. Durham [NC]: Duke University Press, 2010.

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Paz, Octavio. The double flame: Love and eroticism. New York: Harcourt Brace, 1995.

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Hackney, Melanie, and Aaron Emmitte. Sexuality, eroticism, and gender in French and francophone literature. Newcastle upon Tyne, UK: Cambridge Scholars Pub., 2011.

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Srivastava, Kamal Shankar. Love and eroticism in Indian art. Varanasi: Sangeeta Prakashan, 1998.

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Paz, Octavio. The double flame: Essays on love and eroticism. London: Harvill Press, 1996.

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Zagdanski, Stéphane. Le crime du corps: Écrire, est-ce un acte érotique? Nantes: Pleins feux, 1999.

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Book chapters on the topic "Eroticism in literature"

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Fairclough, Mary. "Electrical Medicine, Feeling and Eroticism." In Literature, Electricity and Politics 1740–1840, 77–119. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59315-3_3.

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Ehre, Milton. "Fedor Sologub’s The Petty Demon: Eroticism, Decadence and Time." In The Silver Age in Russian Literature, 156–70. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22307-7_8.

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Kincaid, James. "‘You did not come’: Absence, Death and Eroticism in Tess." In Sex and Death in Victorian Literature, 9–31. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10280-8_2.

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Gagnier, Regenia. "Evolution and Information, or Eroticism and Everyday Life, in Dracula and Late Victorian Aestheticism." In Sex and Death in Victorian Literature, 140–57. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10280-8_8.

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Williams, James S. "All Her Sons: Duras, Anti-literature, and the Outside." In The Erotics of Passage, 93–114. New York: Palgrave Macmillan US, 1997. http://dx.doi.org/10.1007/978-1-137-09878-8_5.

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Merkling, Emma. "Plant Subjects, Plant Erotics." In The Victorian Idyll in Art and Literature, 145–66. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003327998-8.

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Vernay, Jean-François. "The Erotics of Writing and Reading Australian Fiction." In Neurocognitive Interpretations of Australian Literature, 67–80. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003161455-8.

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Sifuentes-Jáuregui, Ben. "Gender without Limits: The Erotics of Masculinity in El lugar sin limites." In Transvestism, Masculinity, and Latin American Literature, 87–118. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1057/9780230107281_4.

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Phalafala, Uhuru Portia. "Keorapetse Kgositsile and the Erotics of Black World Archives." In The Routledge Handbook of the New African Diasporic Literature, 69–80. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003396697-8.

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Mills, Victoria. "‘Books in my Hands — Books in my Heart — Books in my Brain’: Bibliomania, the Male Body, and Sensory Erotics in Late-Victorian Literature." In Bodies and Things in Nineteenth-Century Literature and Culture, 130–52. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137283658_7.

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Conference papers on the topic "Eroticism in literature"

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Ulinnuha, Ulinnuha Madyananda, Andayani Andayani, Suyitno Suyitno, and Sumarlam Sumarlam. "Eroticism of Java Society in The Novel Ronggeng Dukuh Paruk (Study of Literature Anthropology)." In Proceedings of the 1st International Conference of Humanities and Social Science, ICHSS 2021, 8 December 2021, Surakarta, Central Java, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.8-12-2021.2322695.

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Abdullah, Md Abu Shahid. "“Indeed, the King has a Cunt! What a Wonder!”: Sex, Eroticism and Language in One Thousand and One Nights." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.1-1.

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One Thousand and One Nights, which can be traced back to as early as the 9th century, is probably the greatest introduction to Arabic culture through literature. This colossal and diverse book has drawn the attention of scholars, researchers and students to classic Arabic literature as well as influenced many prominent authors and filmmakers. It is not just a book of careless and unconnected stories but rather a piece of esteemed literature which has been read and analysed in many countries all over the world. However, it is also true that this book has been criticised for its sexual promiscuity and degraded portrayal of women. The aim of the presentation is to prove that underneath the clumsy and seemingly funny structures of One Thousand and One Nights, there is a description of overflowing sexuality. Through the sexualised or erotic description of female bodies, the book gives agency to women but at the same time depicts them derogatively, and thus fulfils the naked desire of the then patriarchal society. The presentation will highlight how sexual promiscuity or fathomless female sexual craving is portrayed through figurative and grammatical language, which objectifies the female characters but at the same time enables them to be playful with the male characters, and thus motivates them to become more powerful than the males. Finally. the presentation will focus on language or narrative as an act of survival from the perspectives of the female characters, which is most evident in the case of Scheherazade who saved not only her life but also lives of countless maidens by her mesmerizing storytelling talent.
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