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Relevant bibliographies by topics / Erotica

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Academic literature on the topic 'Erotica'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Journal articles on the topic "Erotica"

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Gao, Zhongming, Xi Luo, and Xianwei Che. "Distinct Emotional and Cardiac Responses to Audio Erotica between Genders." Behavioral Sciences 13, no. 3 (March 20, 2023): 273. http://dx.doi.org/10.3390/bs13030273.

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Emotional and cardiac responses to audio erotica and their gender differences are relatively unclear in the study of the human sexual response. The current study was designed to investigate gender differences regarding positive and negative emotional responses to erotica, as well as its association with cardiac response. A total of 40 healthy participants (20 women) were exposed to erotic, neutral, and happy audio segments during which emotions and heart rate changes were evaluated. Our data showed distinct emotional responses to erotica between genders, in which women reported a higher level of shame than men and rated erotic audios as less pleasant than happy audios. Meanwhile, men reported erotic and happy audios as equally pleasant. These results were independent of cardiac changes, as both sexes demonstrated comparable heart rate deceleration when exposed to erotica relative to neutral and happy stimuli. Our results highlight the role of sociocultural modulation in the emotional response to erotica.

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Kelley, Kathryn. "Sexual Fantasy and Attitudes as Functions of Sex of Subject and Content of Erotica." Imagination, Cognition and Personality 4, no. 4 (June 1985): 339–47. http://dx.doi.org/10.2190/j66d-n10e-lth5-8aw5.

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The effects of erotic content and subject sex on sexual fantasy were mediated by general sexual attitudes. When erotic content consisted of mild erotica showing males rather than females, male subjects ( N=123) expressed significantly more negative themes in briefer fantasy productions than females ( N=123). Analyses of affective and arousal responses to single-sex and heterosexual erotica indicated patterns generally consistent with the fantasy outcomes. Negative sexual attitudes were associated with negatively-toned fantasies, more negative affect, and less sexual arousal. Variations in affective and arousal responses to erotic stimuli, as discussed by the theory of the Sexual Behavior Sequence, were demonstrated to extend to the production of sexual fantasy.

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Francis, Scott. "How the Heptaméron Became Erotica." French Forum 47, no. 2-3 (2022): 171–215. http://dx.doi.org/10.1353/frf.2022.a914328.

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Abstract: This article examines a distinct trend in illustrated editions of the Heptaméron , which date back to 1698 but become increasingly common starting in the 1860s. Whereas illustrated Heptamérons from the second half of the nineteenth century tend to foreground displays of passion in the nouvelles and foster a nostalgic vision of France’s medieval past, around the turn of the twentieth century, they go in a direction that specialists of Marguerite might find surprising. The collection could not be considered pornographic or even obscene by today’s standards or those of its time, and if Marguerite foregrounds erotic desire, it is because it is an indelible part of the postlapsarian human condition. However, erotic desire becomes an end in and of itself in illustrated Heptamérons beginning with the fin de siècle . From this point on, the majority of illustrated Heptamérons may be classified as erotica: material designed to provide sexual stimulation but accompanied by more or less lofty artistic ambitions and marketed to wealthy men with bibliophilic inclinations. In other words, there exists alongside the tradition of scholarly editions of the Heptaméron a tradition in which the collection essentially becomes high-class pornography. I will consider what these illustrated editions teach us about erotica in the late nineteenth and early twentieth centuries, as well as about how Marguerite’s magnum opus has been understood and received outside of academia.

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Guardiani, Francesco. "Erotica mariniana." Quaderni d'italianistica 7, no. 2 (October 1, 1986): 197–207. http://dx.doi.org/10.33137/q.i..v7i2.11002.

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Rose, Jennifer. "Country Erotica." Antioch Review 55, no. 3 (1997): 329. http://dx.doi.org/10.2307/4613535.

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Néret, Gilles. "Erotica Universalis." Art Book 2, no. 1 (January 1994): 34a. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00406.x.

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Néret, Gilles. "Erotica Universalis." Art Book 2, no. 1 (January 1995): 34a. http://dx.doi.org/10.1111/j.1467-8357.1995.tb00406.x.

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Pihlak, Chris Aino. "How Transgressive a Transsexual? The Contradictions in Transgression and Conformity Within Transfeminine Print Erotica." Graduate History Review 11, no. 1 (September 22, 2022): 107–45. http://dx.doi.org/10.18357/ghr111202220526.

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Mainstream transfeminine porn was the central element shaping mid-century American cultural understandings of transness. Despite this representational importance, the study of transfeminine erotica is a niche field. This paper helps fill this gap via analysis of eighty-six issues of erotica from the late 1960s to early 1980s. Pihlak demonstrates the contradictions in transfeminine desirability in these works. Despite overwhelming bodily normativity, the presence of a penis invariably led to models being framed as lurid, transgressive erotic objects. Pihlak’s findings demonstrate the insufficiency of the concept of normativity. Then and now, the smallest breach to normative white cisfemininity renders one’s claim to womanhood unstable. While this instability has material consequences for trans femmes, for many this precarity is solely an alluring invitation, to take a walk on the wild side.

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Wang, Jiawei, Yanli Jia, Xu Shao, Chu Wang, and Wei Wang. "Pure Emotion-loaded Materials in the International Affective Digitized Sounds (IADS): A Study on Intensity Ratings in Chinese University Students." Current Psychiatry Research and Reviews 15, no. 3 (October 19, 2019): 199–208. http://dx.doi.org/10.2174/1573400515666190822110933.

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Background: Materials loaded with pure emotion are essential for basic and clinical research on sounds. The International Affective Digitized Sounds (IADS) is one of the widely-used emotional tools, but its materials are not clearly labeled with specific emotions. We have hypothesized that the IADS contains pure vectors of at least disgust, erotica (or erotism), fear, happiness, sadness and neutral emotions. Methods: We therefore selected 48 IADS sounds with saturate emotions, and invited 271 male and 353 female university students to rate the intensity of the emotions conveyed in each sound. The ratings were then analyzed with the exploratory and confirmatory factor analyses. Results: Five factors were observed, namely: erotica, fear-sadness, happiness, neutrality, and disgust. Later, as two facets, sounds of fear-sadness were separated. Thirty sounds under six facets were finally retained with good model-fit indices and satisfactory factor internal reliabilities. Moreover, males scored significantly higher on erotica than females did. Conclusion: Our study purified a series of emotion-loaded IADS sounds, which might help clarify the pure effects of sound emotion in future research and clinical management of affective disorders.

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Kendal, Evie. "Horny for COVID." Extrapolation: Volume 63, Issue 1 63, no. 1 (April 1, 2022): 55–73. http://dx.doi.org/10.3828/extr.2022.6.

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The COVID-19 global pandemic has significantly disrupted people’s social lives and dating habits. Research has shown a substantial increase in the consumption of erotic and pornographic material during periods of isolation, including narratives focused on quarantine, illness, and even the personification of the SARS-CoV-2 virus itself as a potential sexual partner. This article considers the latter manifestation of coronavirus-related erotica, focusing on the four-part e-book series, Kissing the Coronavirus, by M. J. Edwards. This article will demonstrate that as a speculative fiction subgenre, works of erotica are worthy of scholarly examination as individual texts, avoiding the tendency to consider such works only in bulk. Kissing the Coronavirus provides an insight into the confusing realities of living during a global pandemic in which knowledge about the virus rapidly changed and fear of infection and continued isolation were constant stressors impacting health and wellbeing.

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Dissertations / Theses on the topic "Erotica"

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Dubois, Stephanie L. "Examining the Eros in erotica : erotic thoughts, emotion, and sexual experience between genders." Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259308.

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The present study examined gender differences in the emotional tone of written sexual fantasies. Participants included 182 heterosexual men and 206 heterosexual women enrolled in undergraduate clinical and counseling courses at a mid-sized Midwestern university. Data collected on each respondent was derived from five sources 1) a written sexual fantasy, 2) the Extended Personal Attributes Questionnaire (EPAQ), 3) Human Sexuality Questionnaire - The Heterosexual Experience Subscale, 4) the Sexual Opinion Survey (SOS), and 5) the Revised Mosher Guilt Inventory. The Dictionary of Affect in Language (DAL) (Whissell, 1999) was used to obtain two quantitative measures, Activation and Evaluation of the emotional tone of the sexual fantasies. The variables of the study were gender role variables (agency and communion) and sex variables (erotophobia-erotophilia, sex experience, sex guilt, Activation and Evaluation). It was hypothesized that men would score higher on agency, sexual experience, erotophilia, and Activation, which is associated with arousal and action, and women would score higher on communion, erotophobia, sex guilt and Evaluation, which is associated with pleasant feelings. Gender differences were found for all variables except sexual experience and the measures of emotion, Activation and Evaluation. Given the stated hypotheses, canonical correlations were performed to determine the linear relationship of gender role and sex variables for men and women. One significant canonical correlation was found for men indicating that as agency, erotophilia, and sexual experience increase, sex guilt decreases. No significant canonical correlation was found for women. A discriminant analysis was performed to determine if the gender role variables and the sex variables were strong discriminators of sex. Results indicated that communion and erotophobia were the best discriminators for men and women. The study's present findings are discussed in terms of the sexual double standard and the changing social values of women in today's society. Limitations of the study and future directions of research in sexual fantasies and gender differences, specifically in terms of application to counseling are discussed.
Department of Counseling Psychology and Guidance Services

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Morris, Madeleine. "Journeys into the void : reformulations of eroticism in contemporary fictions." Thesis, University of Roehampton, 2017. https://pure.roehampton.ac.uk/portal/en/studentthesis/Journeys-Into-The-Void(3c889b92-6515-4b18-8b70-e9860d274f3c).html.

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This collection of short stories and the accompanying critical exegesis interrogates whether eroticism, as defined by Georges Bataille, is possible in contemporary erotic writing. The project employs a Lacanian lens through which to examine the notions of transgression, selfhood, transcendence and language as aspects of Bataillean eroticism. It argues that works in the erotica genre such as 'Fifty Shades of Grey' rely on nostalgia for the transgression of prohibitions that no longer hold moral authority. This project argues, theoretically and creatively, that we must discover and define what constitutes contemporary taboos and prohibitions in mainstream society if we are to formulate new erotic works that explore their transgression.

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Masiero, Valentina <1989&gt. "Contemporary Love - panoramica sull'arte erotica giapponese contemporanea." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7535.

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L'elaborato si propone di presentare l'arte erotica giapponese contemporanea con l'intento di tracciarne un profilo tecnico e tematico. La ricerca contestualizza lo sviluppo dell'arte erotica a partire dagli shunga di periodo Edo fino i giorni nostri per comprenderne le sfumature, i collegamenti e la simbologia ricorrente, cercando di esplicitare i motivi di tali eventuali riprese, senza tralasciare la componente sociale. L'approfondimento si situa all'interno degli studi artistici e cerca di estrapolare dal calderone della definizione “arte erotica” varie tipologie di produzioni nei sottoinsiemi di fotografia, manga, architettura e danza. L'incipit si occupa di introdurre il lettore al mondo degli shunga e della fruizione di questi ultimi. Il sentiero prosegue poi verso i primi anni del Novecento e profila lo sviluppo delle tecniche artistiche e l'introduzione di nuove tematiche in relazione al cambiamento della figura femminile all'interno della società. Segue poi una terza parte incentrata nelle produzioni di fotografia ed illustrazione dagli anni Sessanta ad oggi, che tratterà nello specifico la simbologia esplicita ed implicita all'interno delle opere. L'indagine approda, infine, all'analisi di alcune collaborazioni fra più campi artistici e sfocia nell'attuale pervasività della “commercializzazione” dei corpi e dei sentimenti.

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Lavigne, Julie. "L'art féministe et la traversée de la pornographie : érotisme et intersubjectivité chez Carolee Schneemann, Pipilotti Rist, Annie Sprinkle et Marlene Dumas." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85181.

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The increasing importance of pornography since its commercialization at the end of the seventies modified the artistic landscape of sexual representation. What has occurred is a transformation of the horizon of expectations of pornographic images, the definition of eroticism and the relationship between the two notions. In this perspective, the thesis concentrates on the analysis of the appropriation of certain distinct traits of hard core pornography in feminist art. Specifically, it is a qualitative analysis of the interrelations between eroticism and pornography in feminist art during the 1980s. The thesis proceeds to an in-depth analysis of several works by Pipilotti Rist, Annie Sprinkle, and Marlene Dumas as well as adding three earlier works of sexually explicit representation by Carolee Schneemann. The analysis of these works aims to redefine notions of pornography and eroticism, drawing on the work of Linda Williams for the first definition and Georges Bataille for the second. The theoretical context of the thesis, which also turns out to be the historical context of the works, is made up of disciplinary approaches that have most contributed to the debate around eroticism and pornography: art history, philosophy, feminist studies, queer theory, semiology and psychoanalysis.
The thesis makes several conclusions. First, the dynamic between eroticism and pornography does not have to be considered oppositional; the two methods of expression are frequently both represented in the same work. Also, women are no longer uniquely victims of pornography (they are increasingly in the role of pornographic auteure) and the analysis of these works confirms that feminists have appropriated the genre to explore a diversity of female eroticisms and propose a form of feminist, intersubjective pornography. Finally, the use by female artists of syntaxes and features typical of pornography helps to bring about a demand for a more complete and complex female subjectivity which is no longer only political, but also sexual.

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Kain, Donna J. "Sexual poetics : erotica and representation of the woman." Honors in the Major Thesis, University of Central Florida, 1992. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/99.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
English

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Michael, Christine. "Embodied borders : auto erotica in the writings of Anais Nin." Thesis, Cardiff University, 2006. http://orca.cf.ac.uk/54308/.

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This thesis brings together the two genres for which Nin has become so (in)famous: her autobiography and her erotica in what I have termed 'auto/erotica'. By reading her autobiography and her erotica in and against each other I attempt to explore her development of a feminine aesthetic, or 'womb writing' as a strategy of resistance with which to challenge dominant discourses of 'woman' and the 'feminine', and her exclusion from cultural production. Drawing on the work of Jacques Derrida, Helene Cixous, Luce Irigaray and Julia Kristeva, this thesis explores the role of the border in the cultural production of bodies and sexual difference within Western discourses of sexuality, with particular reference to the discourses of psychoanalysis, modernism and pornography/erotica. My focus is on the trope of the borderline within Nin's texts, which, I argue is less a marker of radical difference than a site of instability offering the possibility of 'other' or 'between' spaces of resistance. This study engages with the politics of gender and genre by drawing on various feminist rewritings of autobiographical theory and Jacques Derrida's 'The Law of Genre' and the Ear of the Other in order to explore the tension between the 'auto' (the selfsame) and the 'graphy' in the formation of the 'bio' and gender identity. I explore how the threat of the other within the selfsame, the tracing of the differance of desire, affects the generic self-identity of 'autobiography' and 'erotica' as representations of (sexual) identity. Nin utilises the radical instability of the autobiographical genre to put into question the 'genre' of gender identity, the gendering of genre and the undecidable border between the 'body' and the 'text', the 'life' and the 'work'. Drawing on various psychoanalytical feminist film theories of the female spectator and the masquerade I explore how Nin performs the 'feminine' or 'woman' of (male) Surrealist and mainstream heterosexual pornography/erotica in order to emphasise the gaps, to hold at a distance, the female from the feminine. The concern of this thesis is the 'ob/scene' margins of 'erotica' and the trace of 'otherness' that threatens the single and self-identical body/text. The 'outworks' or prefaces of Nin's work not only disrupt fixed generic boundaries but also echo the desiring subject's fantasy of gender identity, wholeness and unity. By drawing attention to the role of vision in the constitution of gendered subjectivity and the (re)production of the phallus as the primary signifier of desire, I explore how Nin's erotica undermines a position of phallic certainty by drawing attention to the out-of-sight spaces, of 'ob/scene' pleasures that disturb and disrupt the illusion of 'masculine' phallic mastery. I argue that it is in the 'inter view', this dialogue or movement between (at least) two genres - autobiography and erotica - that other possible representations might be glimpsed.

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Watson, Bruce Wallace. "Androgyny and Dominance: Gender Construction in Anaïs Nin's Erotica Series." Thesis, Virginia Tech, 1999. http://hdl.handle.net/10919/42182.

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Anaïs Nin's Diary and her fiction have been lauded by critics for their imagery, Freudian allusions, and creativity. What has not been considered, and is equally important, is her Erotica series, Delta of Venus and Little Birds. These books, her most popular, not only address the issues that she covers in her other works, but also ask questions about how humans are gendered, and consider the degree to which individuals construct their own gender identities. In exploring these questions, she presages not only the theorists who effectively deconstruct her message, but also the gender-bending society which inspired them. Queer theory is particularly effective for considering the sexual messages with which Nin populates her writings. Much as Judith Butler de-emphasizes totalizing gender roles, Nin allows her characters to occupy multiple gender roles. Thus, Nin's female protagonists often take on the sexual positions generally granted to men in American society. Conversely, her male characters are often relegated to less-empowered roles. Although these shifts might not seem particularly impressive in our more liberated society, they were undoubtedly surprising in Nin's day. Moreover, it is impressive that these role-reversing characters were created over forty years before the advent of queer theory, and long before the popular rise of the Feminist movement.
Master of Arts

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Sampaio, Higor Alberto [UNESP]. "O mecanismo sacrificial em Poemas malditos, gozosos e devotos de Hilda Hilst." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/99133.

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Made available in DSpace on 2014-06-11T19:29:50Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-03-15Bitstream added on 2014-06-13T19:18:27Z : No. of bitstreams: 1 sampaio_ha_me_sjrp.pdf: 424248 bytes, checksum: e510be6337cbb550bfd06cb4cb9c2069 (MD5)
O objetivo da pesquisa é propor uma leitura de Poemas malditos, gozosos e devotos (1984), de Hilda Hilst, a partir do tema e do paradigma do sacrifício. Segundo Hubert e Mauss (2005), o sacrifício é uma dádiva, um presente, que o homem religioso oferece a seres superiores aos quais lhe convém se ligar. Em todo o sacrifício, um objeto (a vítima) passa do domínio comum ao domínio sagrado. Bataille (1987) estabeleceu uma similitude entre o ato erótico e o sacrificial. O ato amoroso, segundo ele, não desintegra menos o ser que o sacrificante ao imolar sua vítima. O domínio do erotismo torna-se o domínio da violência, da violação. A parte feminina, enquanto vítima, se dissolve e a parte masculina toma o lugar do sacrificador, e ambos se perdem, durante a consumação do ato erótico, numa continuidade estabelecida por um ato que se fundamenta na destruição. Nesse sentido, uma vez que a obra de Hilda Hilst, desde seu surgimento, perscruta o Sagrado (COELHO, 1993), a relação entre erotismo e sacrifício é uma via privilegiada de leitura para essa poesia. Considerando-se o modo de representação do discurso poético hilstiano, que encena o jogo entre eu e tu, a leitura do conjunto evidencia a anulação do sujeito poético, configurando-se como vítima, e a figuração do Outro como grande sacrificador. O tema do sacrifício conteria em si uma possibilidade de elucidação do sentido estético dessa poesia, como a admissão mais radical de sua lógica contraditória, na qual a retórica místico-religiosa convive com o sensualismo mais desbravado. Nesse contexto, os paradoxos sobejam, fazendo comunicar o mais alto e o mais baixo, seja tematicamente, seja linguisticamente
The objective of this reflection is to scrutinize one of the topics dear to Hilda Hilst’s poetic: the representation of the Sacred, in order to establish a knowledge about the construction of the lyrical subjectivity in such poetry. According to Hubert and Mauss (2005), the sacrifice is a gift that religious man offers to the gods. In every sacrifice, an object becomes sacred. Bataille (1987) has established a similarity between the act erotic and the sacrificial. The loving act, according to him, not least disintegrates the being that sacrificer to slay his victim. The field of eroticism becomes the field of violence and violation. The female part, as victim, is dissolved and the male part takes the place of the sacrificer. Since Hilda Hilst’s poetic scrutinizes the Sacred (COELHO, 1993), the relationship between eroticism and sacrifice is a privileged way of reading for this poetry. The theme of sacrifice would contain within itself a possibility of elucidation of aesthetic sense that poetry, such as the admission more radical in its contradictory logic, in which the rhetoric mystical-religious coexists with the sensuality more uncovered. In this context, the paradoxes were stationed, and communicate the ‘highest’ and the ‘lowest’, thematically and linguistically

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Harvey, Karen Louise. "Representations of bodies and sexual difference in eighteenth century English erotica." Thesis, Royal Holloway, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267310.

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Tsang, Ka-kin Kevin. "Youth crime in Hong Kong : an analysis of policy instruments /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25140796.

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Books on the topic "Erotica"

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1946-, Barbach Lonnie, ed. The erotic edge: Erotica for couples. London: Warner, 1995.

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1946-, Barbach Lonnie Garfield, ed. The Erotic edge: Erotica for couples. New York: Dutton, 1994.

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Barbach, Lonnie Garfield. The Erotic edge: Erotica for couples. New York: Plume, 1996.

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Milt, Simpson. Folk erotica: Celebrating centuries of erotic Americana. New York, NY: HarperCollins, 1994.

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Erotika: Erotica. Tōkyō: Ribure Shuppan, 2012.

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forbes, james shaqulle. Foreplay Erotica: Erotic. BookPatch LLC, The, 2016.

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Rossi, Cristina Peri. Fantasias Eroticas (Biblioteca erotica). Planeta Pub Corp, 1995.

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Robert, Professor. Playboy's Erotica: Erotic Gallery. Independently Published, 2021.

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Sade. Erotica: Classic Erotic Fiction. CreateSpace Independent Publishing Platform, 2010.

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Polo, Rod. Erotica: 27 Erotic Stories. Lulu Press, Inc., 2016.

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Book chapters on the topic "Erotica"

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Luna. "Erotica." In Compañeras: Latina Lesbians (An Anthology), Lesbianas Latinoamericanas (Expandido en Español), 134–36. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003320166-29.

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Ruan, Fang Fu. "Classical Chinese Erotica." In Sex in China, 85–105. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4899-0609-0_6.

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Peakman, Julie. "Erotica or Pornography?" In Mighty Lewd Books, 5–11. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230512573_2.

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Peakman, Julie. "Erotica and Science." In Mighty Lewd Books, 67–92. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230512573_5.

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Peakman, Julie. "Anti-Catholic Erotica." In Mighty Lewd Books, 126–60. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230512573_7.

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Qi, Lintao. "Translating Chinese Erotica." In The Routledge Handbook of Translation and Sexuality, 125–39. London: Routledge, 2024. http://dx.doi.org/10.4324/9780429462962-11.

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Peakman, Julie. "Sexual Utopias in Erotica." In Mighty Lewd Books, 93–125. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230512573_6.

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Amissah-Arthur, Hannah Woode. "The humour of erotica." In Sexual Humour in Africa, 215–40. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003172130-17.

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Beazer, Jamese, Sacriana Ware, and Anshu Saxena Arora. "Exotic, Erogenous, Erotica: Veiled Signs of “Advertising Erotica” for Luxury Brands." In International Business Realisms, 55–65. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137376466_4.

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Siisiäinen, Lauri. "From Cynicism to Ars Erotica." In Foucault, Biopolitics and Resistance, 129–51. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315180496-7.

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Conference papers on the topic "Erotica"

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Santos, Marta Souza. "Michel Foucault, historiador da arte?: algumas considerações a respeito da influência da filosofia foucaultiana na historiografia contemporânea." In Encontro da História da Arte. Universidade Estadual de Campinas, 2014. http://dx.doi.org/10.20396/eha.10.2014.4164.

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Segundo Judith Revel, Michel Foucault utiliza o termo “arte” em três sentidos diferentes. Inicialmente em La Volonté de savoir, no início da década de setenta, ao problematizar a ars erotica (cuja verdade é extraída da experiência do prazer) em oposição à scientia sexualis (que se constitui a partir do século XIX), delimitando-as como duas formas distintas de organizar as relações entre o poder, a verdade e o prazer. Já entre 1977 e 1978, com o curso Sécurité, territoire, population no Collège de France, Foucault, ao analisar a complexidade da economia das formas de governar que são reformuladas entre os séculos XVI e XVII, faz uso da expressão “artes de governar”. Finalmente, o terceiro sentido faz-se presente na recuperação dos escritos de Foucault sobre a literatura, o cinema, a pintura, a fotografia e a música, ainda que o tema da arte não seja explicitamente sistematizado.

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Yonggang, Li, and Yin Haiming. "Detection Model of Knotty Erotic Image." In 2013 Fourth International Conference on Intelligent Systems Design and Engineering Applications (ISDEA). IEEE, 2013. http://dx.doi.org/10.1109/isdea.2013.466.

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Bertelsen, Olav W., and Marianne Graves Petersen. "Erotic Life as a New Frontier in HCI." In Proceedings of HCI 2007 The 21st British HCI Group Annual Conference University of Lancaster, UK. BCS Learning & Development, 2007. http://dx.doi.org/10.14236/ewic/hci2007.48.

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Singha, Nilkamal, Oinam Singh, and Deepak Kumar. "Sakta-Tantric Icons and Erotic Images from Assam." In The First Pamir Transboundary Conference for Sustainable Societies- | PAMIR. SCITEPRESS - Science and Technology Publications, 2023. http://dx.doi.org/10.5220/0012500300003792.

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Shen, Xuanjing, Wei Wei, and Qingji Qian. "A pornographic image filtering model based on erotic part." In 2010 3rd International Congress on Image and Signal Processing (CISP). IEEE, 2010. http://dx.doi.org/10.1109/cisp.2010.5647823.

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Yi-Ding Wang and Jing-Nan Gu. "A method of erotic images filtering in real internet." In 2009 International Conference on Machine Learning and Cybernetics (ICMLC). IEEE, 2009. http://dx.doi.org/10.1109/icmlc.2009.5212315.

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Lem, Nolan. "BDSMR: Velcro as a Sensory Material and Erotic Interface." In Politics of the Machines - Art and After. BCS Learning & Development, 2018. http://dx.doi.org/10.14236/ewic/evac18.27.

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Bantjes, Rod. "Pre-Cinema, Pre-GIFF, or Auto-Erotic Machine Art?" In ARTECH 2019: 9th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3359852.3359897.

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Wang, Donghui, Miaoliang Zhu, Xin Yuan, and Hui Qian. "Identification and annotation of erotic film based on content analysis." In Photonics Asia 2004, edited by Chung-Sheng Li and Minerva M. Yeung. SPIE, 2005. http://dx.doi.org/10.1117/12.577235.

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Yulianeta, Yulianeta. "Between Erotic and Sensual - Representation of Ronggeng in Indonesian Film." In Tenth International Conference on Applied Linguistics and First International Conference on Language, Literature and Culture. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007175307970801.

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Reports on the topic "Erotica"

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Peralta García, L., and V. Saiz-Echezarreta. Sociodemographic imagery of women in sexual and erotic ‘markets’ in Moroccan filmography. Revista Latina de Comunicación Social, May 2018. http://dx.doi.org/10.4185/rlcs-2018-1300en.

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