Academic literature on the topic 'Erotic literature'

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Journal articles on the topic "Erotic literature"

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Finn, Michael R., Gaëtan Brulotte, and John Phillips. "Encyclopedia of Erotic Literature." Modern Language Review 103, no. 3 (July 1, 2008): 820. http://dx.doi.org/10.2307/20467926.

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Johnston, Lisa N. "Sources: Encyclopedia of Erotic Literature." Reference & User Services Quarterly 46, no. 3 (March 1, 2007): 92–93. http://dx.doi.org/10.5860/rusq.46n3.92.

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Khanna, Neetu. "Obscene Textures: The Erotics of Disgust in the Writings of Ismat Chughtai." Comparative Literature 72, no. 4 (December 1, 2020): 361–76. http://dx.doi.org/10.1215/00104124-8537720.

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Abstract This article revisits the Marxist anticolonial feminist writings of Urdu author Ismat Chughtai through a materialist exploration into how the female body—with its erotic curvatures and grotesque protuberances, its sticky and viscous textures and fluids—becomes the focalized object of what the author terms the erotics of disgust. Chughtai is perhaps most famous for her being tried for obscenity in 1942 for her most famous short story, “The Quilt” (“Lihaaf”), which narrates a young girl’s encounter with the erotic relationship of a middle-class Muslim woman and her female servant. As Chughtai herself recounts, however, she was acquitted because the prosecution could never point to the exact words that were to be considered obscene. The author argues that we read Chughtai’s extraordinary inquiries into the imbrication of desire and disgust as the visceral sites of gender discipline, as the question of the “modern” Muslim female citizen subject hangs in the balance of an emergent Indian nationhood. The author offers a queer feminist critique of the traditional phenomenology of disgust by analyzing the codes of erotic texture produced out of histories of colonial hygiene and bourgeois sexual discipline in late colonial India.
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Twichell, Chase. "Erotic Energy." Yale Review 85, no. 4 (October 1997): 22. http://dx.doi.org/10.1111/0044-0124.00175.

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Goodrich, Peter. "Erotic Melancholia: Law, Literature, and Love." Law and Literature 14, no. 1 (March 2002): 103–30. http://dx.doi.org/10.1525/lal.2002.14.1.103.

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Creese, Helen, and Laura Bellows. "Erotic Literature in Nineteenth-Century Bali." Journal of Southeast Asian Studies 33, no. 3 (October 2002): 385–413. http://dx.doi.org/10.1017/s0022463402000309.

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Two nineteenth-century Balinese genres in which the erotic predominates are epic kakawin poetry and tutur (religious manuals) on sexual yoga. The article points to the strong intertextual links between these diverse genres. Through their focus on practical sexual matters and on the pursuit of sexual pleasure as integral to spiritual growth, tutur and kakawin also offer insight into notions of gender and sexuality in nineteenth-century Bali.
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Isachenko, O. M., and He Sin. "Euphemistic Means of the Erotic Narrative in the Cycle <i>Dark Alleys</i> by I. Bunin." Vestnik NSU. Series: History and Philology 23, no. 2 (February 21, 2024): 20–30. http://dx.doi.org/10.25205/1818-7919-2024-23-2-20-30.

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Purpose. The article analyses the features of the erotic narrative of I. A. Bunin in his cycle Dark Alleys, which became a phenomenon in Russian classical literature – a kind of artistic “encyclopedia of love”, written in defiance of ethical and ideological prohibitions.Results. Erotica in this cycle is presented in descriptions of the physiology of sex and sexual communication. The research examines 209 contexts extracted from the cycle. They describe actions of a sexual nature, including violent or commercial ones, human physiology and anatomy (59 contexts), which determine human sexual behavior. The writer widely uses various methods of euphemization of erotic meanings: synonymous replacements, generalization techniques, allusion, ellipsis, silence. Quantitative data show that the main speech strategy in the Bunin cycle is silence, which is implemented in a whole series of stylistic tropes and figures. I. A. Bunin uses a diverse arsenal of units of the lexical, lexico-morphological and syntactic levels. Euphemisms appear in areas of maximum erotic tension. With their help, the author reduces the “emotionogenicity” of erotica in accordance with his own ideas about the boundaries of what is acceptable and permissible.Conclusion. In the vertical context of Russian culture, I. Bunin’s erotic narrative, his restraint and precision in the choice of linguistic means, the deliberate exclusion of naturalism and reduced style serve to preserve harmony in the triad “LOVE – PASSION – SEX”. The Bunin language of Dark Alleys can be considered a classic standard of the sacrament of physical love, which the writers of the 20th century were guided by, accepting or rejecting it.
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Liveley, Genevieve. "EROTIC ETHICS." Classical Review 54, no. 1 (April 2004): 77–80. http://dx.doi.org/10.1093/cr/54.1.77.

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Kizer, Carolyn. "The Erotic Philosophers." Yale Review 86, no. 4 (October 1998): 38–42. http://dx.doi.org/10.1111/0044-0124.00266.

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Perkins, P. "The Erotic Whitman." American Literature 74, no. 3 (September 1, 2002): 640–42. http://dx.doi.org/10.1215/00029831-74-3-640.

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Dissertations / Theses on the topic "Erotic literature"

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Panya, Orathai. "Gender and sexuality in Thai erotic literature." Thesis, SOAS, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430881.

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Skipp, Jennifer Anne. "British eighteenth-century erotic literature : a reassessment." Thesis, University of Leeds, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439581.

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Hendrickson, Ruth Ann. "Narrative strategies of erotic fictional autobiography /." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487592050228985.

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Hunt, Amanda. "Investigating smara : an erotic dialectic." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33290.

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This thesis is an investigation of smara. Smara is a Sanskrit word and means memory and desire. It has no equivalent in the English language and so the attempt to understand smara becomes both a linguistic and an ontological task.
The reader is introduced to the similarities and idiosyncrasies between Western and Indian notions of memory and desire and then invited into the search for the junction between memory and desire in Indian thought.
Analysis of anthropological and philosophical texts as well as a semantic mapping of Kalidasa's masterpiece entitled Sakuntala: The Ring of Recollection, reveals not only the co-existence of memory and desire in smara but also the notion of smara as a process.
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Kuzma, Joseph Dlaboha. "Erotic scenographies : Blanchot, Nietzsche & the exigency of return." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/47816/.

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It is undoubtedly one of Kafka's finest erotic scenes – the description of K.'s furtive tryst on the tap-room floor. – Wrapped in Frieda's arms, he rolls back and forth through small puddles of beer and rubbish, her small body burning in his reluctant hands. "Hours passed there," writes Kafka, "hours breathing together with a single heartbeart [gemeinsamen Herzschlags], hours in which K. constantly felt he was lost or had wandered farther into foreign lands [der Fremde] than any human being before him ..." What makes this passage so compelling is the manner in which Kafka, in four short lines, manages to distil everything ambiguous and terrifying about the erotic relation into a scene which, otherwise, could almost pass for sentimental.
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Driscoll, Mark W. "Erotic empire, grotesque empire work and text in Japan's imperial modernism /." online access from Digital dissertation consortium, 2000. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9953667.

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Rutter-Jensen, Chloe. "Drugs, revolution, and sports : narrating the erotic other in recent Colombian fiction /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3064475.

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Armstrong, Jeanne Marie. "Uncivilized women and erotic strategies of border zones or demythologizing the romance of conquest." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/187509.

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The contact of two different cultures in the colonization process produces a zone of cultural mingling that resembles Victor Turner's concept of "liminality" referring to states or persons that elude classification. This study considers the repercussions of colonization on the lives of women characters in novels about four different "post-colonial" contexts--Native American, Jamaican, Irish and Mexican American. These novels reflect both the unique historical circumstances of each context and common themes that occur due to colonization and transcend the specific cultures such as the mourning of personal and collective loss, liminal states of consciousness and mingling of cultures. The introductory chapter examines the particular historical contexts of each novel and the theories of Abdul JanMohamed and Frantz Fanon on colonization. This study also applies the work of Victor Turner, Mary Douglas, Julia Kristeva, Gloria Anzaldua, Homi Bhaba and others to an examination of the subversive cultural formations that evolve through the boundary dissolution of colonization. Chapter two considers Louise Erdrich's novel Tracks in which the decimation of the Anishinabe people is the context for the three primary characters who have experienced personal and collective loss and respond by resisting or adapting to colonization. Chapter three examines Erna Brodber's Myal and the impact of the manichean colonial ideology on a Jamaican woman who is literally half-black and half-white. Chapter four addresses Julia O'Faolain's No Country for Young Men, a novel about two women, one who lived through the early twentieth century movement for Irish independence and the other who is her great niece, that have both been silenced and sexually controlled by colonialism and Irish Catholicism. The fifth and final chapter examines Lucha Corpi's Delia's Song about a young Chicana activist who has suffered losses on several levels and recovers by writing an autobiographical novel that weaves the personal and political issues of her life. All four novels are concerned with the liminal states of consciousness in these women characters and their efforts to both find love and tell their stories, thus counteracting the colonizer's version of history.
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Pappa, Joseph. "Carnal reading early modern language and bodies /." Diss., Online access via UMI:, 2008.

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Petropoulos, John Constantine Boulgaris. "Continuity and erotic motifs and imagery in ancient and modern Greek popular poetry." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385592.

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Books on the topic "Erotic literature"

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1946-, Barbach Lonnie Garfield, ed. The Erotic edge: Erotica for couples. New York: Dutton, 1994.

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Charlotte, Hill, and Wallace William, eds. Erotica III: An illustrated anthology of sexual art and literature. New York: Carroll & Graf Publishers, 1996.

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1949-, Palumbo Donald, ed. Erotic universe: Sexuality and fantastic literature. New York: Greenwood Press, 1986.

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Natanson, Maurice Alexander. The erotic bird: Phenomenology in literature. Princeton, N.J: Princeton University Press, 1998.

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1944-, Steinberg David, ed. Erotic by nature. Berkeley, CA: Shakti Press, 1987.

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1948-, Mills Jane, ed. Erotic literature: Twenty-four centuries of sensual writing. New York: HarperCollins Publishers, 1993.

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Gomes, Manuel Teixeira. Erotic stories. Manchester: Carcanet, 1999.

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Brandon, Toropov, ed. Banned: Classical erotica : forty sensual and erotic excerpts from Aristophanes to Whitman--uncensored. Holbrook, Mass: B. Adams, 1992.

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Garfield, Barbach Lonnie, ed. Erotic interludes. New York: Perennial Library, 1987.

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Pynk. Erotic City. New York: Grand Central Publishing, 2008.

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Book chapters on the topic "Erotic literature"

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Pillai, S. Devadas. "Erotic pursuits." In Sociology Through Literature, 24–35. New York : Routledge, 2019.: Routledge India, 2019. http://dx.doi.org/10.4324/9780429288050-3.

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Sokolova, Boika. "Erotic Poems." In A Companion to English Renaissance Literature and Culture, 392–403. Malden, MA, USA: Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch35.

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Sokolova, Boika. "Ovidian Erotic Poems." In A New Companion to English Renaissance Literature and Culture, 299–316. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch62.

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Chakraborty, Soumyadeep. "A Saga of Erotic Love and Juxtaposition of Contraries." In Indian Classical Literature, 43–50. London: Routledge India, 2024. http://dx.doi.org/10.4324/9781003482499-6.

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Salih, Sarah. "When is a Bosom Not a Bosom? Problems with ‘Erotic Mysticism’." In Medieval Literature, 105–14. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003416791-12.

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Heffner, Kathryn, and Edward Guimont. "Mesozoic Miscegenation: Erotic Fiction’s Resurrection of Dinosaurs." In Palgrave Studies in Animals and Literature, 331–44. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-41695-8_19.

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Balázs, Zsuzsanna. "Sadomasochistic Attachments: Reverse Power and Erotic Stimulations." In New Directions in Irish and Irish American Literature, 145–89. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42068-9_4.

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Gottesman, Rachel. "The Unpardoned Gaze: Forbidden Erotic Vision in Greek Mythology." In Sensational Pleasures in Cinema, Literature and Visual Culture, 21–34. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137363640_2.

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"Phenomenology in Literature I." In The Erotic Bird, 3–21. Princeton University Press, 2021. http://dx.doi.org/10.2307/j.ctv1t1kfnt.5.

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"Phenomenology in Literature III." In The Erotic Bird, 41–62. Princeton University Press, 2021. http://dx.doi.org/10.2307/j.ctv1t1kfnt.7.

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Conference papers on the topic "Erotic literature"

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Yulianeta, Yulianeta. "Between Erotic and Sensual - Representation of Ronggeng in Indonesian Film." In Tenth International Conference on Applied Linguistics and First International Conference on Language, Literature and Culture. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007175307970801.

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Fuad, Khairul, Syarifah Lubna, Binar Febrianti, and Dewi Juliastuty. "From Erotic to Esoteric: The Relation of Imagination-Creative of Sufistic Literature." In Proceedings of the First International Conference on Democracy and Social Transformation, ICON-DEMOST 2021, September 15, 2021, Semarang, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.15-9-2021.2315605.

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Lin, Fang Shin. "Study for the Key Success Factors of Female Direct Selling Business." In Japan International Business and Management Research Conference. RSF Press & RESEARCH SYNERGY FOUNDATION, 2020. http://dx.doi.org/10.31098/jibm.v1i1.214.

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The purpose of this study is to understand the key factors which result in the success of female direct selling businesses. Investigate the reasons why women support most of their performance in the direct selling industry. According to the Taiwan Fair Trade Commission's 2018 direct selling industry survey report, the total direct selling of Taiwan in 2018 was 83.027 billion NTD, with a total of 3.0838 million distributors. There were 2.158 million female distributors, accounting for 3.083 million total distributors. It is a proportion of 69.99 percentage points, an increase of 1.67 percentage points compared with 2017. This proportion is also comparable to 74% of global distributors is female, calculated by the World Federation of Direct Selling Associations(WDSFA)! The number of female distributors is more than twice that of men. The proportion is getting higher and higher! In the literature review, issues such as “female enterpriser” related literature and “gender roles” and “personality traits," “erotic capital” in the “direct selling industry” have been used as the main resource axis for collecting relevant domestic and foreign literature. Based on the literature summary and the expression of the expert's intention, the expert questionnaire will be based on the professors and the female distributors who have been in the top direct selling companies in Taiwan for more than two years in 2018 to find indicators of success factors, and then use the Analytic Hierarchy Process Method (AHP) Design a general questionnaire. The general questionnaire is for the distributors in Taiwan. Expected to recover 100 copies in the web questionnaire, After obtaining the resources, it will be processed and analyzed. The research results show that the influence facets and factors may have: Female Entrepreneur, Gender roles, Personality Traits, and direct selling business. In particular, the female gender role play and erotic capital may have a greater impact on the results of operating the direct selling business. The study includes the following topics are understanding the background of the female direct selling entrepreneurs, explain the challenges and difficulties of female direct selling entrepreneurs, relevant resources related to female direct selling entrepreneurs and research on the key success factors of female direct selling business.Today, female entrepreneurs are very hard and required to play multiple roles. Between family and business, how do female entrepreneurs make a good performance? I hoped that through this study, key factors could be identified in order to minimize entrepreneurial risks and allocate resources effectively.
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Abdullah, Md Abu Shahid. "“Indeed, the King has a Cunt! What a Wonder!”: Sex, Eroticism and Language in One Thousand and One Nights." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.1-1.

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One Thousand and One Nights, which can be traced back to as early as the 9th century, is probably the greatest introduction to Arabic culture through literature. This colossal and diverse book has drawn the attention of scholars, researchers and students to classic Arabic literature as well as influenced many prominent authors and filmmakers. It is not just a book of careless and unconnected stories but rather a piece of esteemed literature which has been read and analysed in many countries all over the world. However, it is also true that this book has been criticised for its sexual promiscuity and degraded portrayal of women. The aim of the presentation is to prove that underneath the clumsy and seemingly funny structures of One Thousand and One Nights, there is a description of overflowing sexuality. Through the sexualised or erotic description of female bodies, the book gives agency to women but at the same time depicts them derogatively, and thus fulfils the naked desire of the then patriarchal society. The presentation will highlight how sexual promiscuity or fathomless female sexual craving is portrayed through figurative and grammatical language, which objectifies the female characters but at the same time enables them to be playful with the male characters, and thus motivates them to become more powerful than the males. Finally. the presentation will focus on language or narrative as an act of survival from the perspectives of the female characters, which is most evident in the case of Scheherazade who saved not only her life but also lives of countless maidens by her mesmerizing storytelling talent.
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Khovanchuk, Olga, and Tatiana Breslavets. "THE MAN IMAGE IN OKAMOTO KANOKO’S FICTION." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.45.

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The paper is devoted to the peculiarities of the man image in Japanese woman writer Okamoto Kanoko’s fiction. As a rule, the hero-lover (victim) has not the indispensable vitality and innate power. He is sickly or weak-minded. His fragility and passivity are contrasted with heroine’s (vampire) strength and assertiveness. The demonic motif is ubiquitous in Okamoto Kanoko’s stories. In other side, the man image is not a “lover”, but a “son”, which cult was set in her works. In certain cases heroine’s attitude to a hero leads to the erotic conflict.
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Beal, Colin M., Robert E. Hebner, Michael E. Webber, Rodney S. Ruoff, and A. Frank Seibert. "The Energy Return on Investment for Algal Biocrude: Results for a Research Production Facility." In ASME 2010 International Mechanical Engineering Congress and Exposition. ASMEDC, 2010. http://dx.doi.org/10.1115/imece2010-38244.

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This study is an experimental determination of the energy return on investment (EROI) for algal biocrude production at a research facility at the University of Texas at Austin (UT). During the period of this assessment, algae were grown at several cultivation scales and processed using centrifugation for harvesting, electromechanical cell lysing, and lipid separation in an enhanced coalescence membrane. The separated algal lipids represent a biocrude product that could be refined into fuel. To determine the EROI, a second order analysis was conducted, which includes direct and indirect energy flows, but does not consider capital energy expenses. At the time that the data in this study was collected, the research program was focused on improving biomass and lipid productivity. As a result, some higher efficiency processing steps were replaced by lower efficiency ones to permit other experiments. Although the production process evaluated here was energy negative, the majority of the energy consumption resulted from non-optimized growth conditions. Therefore, the experimental results do not represent an expected typical case EROI for algal fuels, but rather outline the important parameters to consider in such an analysis. The results are the first known experimental energy balance for an integrated algal biocrude production facility. A Reduced Case is presented that speculates the energy use for a similar system in commercial-scale production. In addition, an analytical model that is populated with data that have been reported in the literature is presented. For the experiments, the Reduced Case, and Literature Model, the estimated EROI was 1.3 × 10−3, 0.13, and 0.57, respectively (refining energy requirements are not included in the experimental or Reduced Case EROI value). These results were dominated by growth inputs (96.59%, 94.15%, and 76.32% of the total energy requirement, respectively). For the experiments and Literature Model, lipid separation was the most energy intensive processing step (2.47% and 10.06%, respectively), followed by harvesting, refining, and then electromechanical cell lysing.
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Santos, Marta Souza. "Michel Foucault, historiador da arte?: algumas considerações a respeito da influência da filosofia foucaultiana na historiografia contemporânea." In Encontro da História da Arte. Universidade Estadual de Campinas, 2014. http://dx.doi.org/10.20396/eha.10.2014.4164.

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Segundo Judith Revel, Michel Foucault utiliza o termo “arte” em três sentidos diferentes. Inicialmente em La Volonté de savoir, no início da década de setenta, ao problematizar a ars erotica (cuja verdade é extraída da experiência do prazer) em oposição à scientia sexualis (que se constitui a partir do século XIX), delimitando-as como duas formas distintas de organizar as relações entre o poder, a verdade e o prazer. Já entre 1977 e 1978, com o curso Sécurité, territoire, population no Collège de France, Foucault, ao analisar a complexidade da economia das formas de governar que são reformuladas entre os séculos XVI e XVII, faz uso da expressão “artes de governar”. Finalmente, o terceiro sentido faz-se presente na recuperação dos escritos de Foucault sobre a literatura, o cinema, a pintura, a fotografia e a música, ainda que o tema da arte não seja explicitamente sistematizado.
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