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Relevant bibliographies by topics / Ercole d'Este

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Journal articles

Academic literature on the topic 'Ercole d'Este'

Author: Grafiati

Published: 10 March 2023

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Journal articles on the topic "Ercole d'Este"

1

Baldassarri, Stefano Ugo, and Thomas Tuohy. "Herculean Ferrara: Ercole D'Este (1471-1505) and the Invention of a Ducal Capital." Sixteenth Century Journal 28, no. 3 (1997): 883. http://dx.doi.org/10.2307/2543024.

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2

Friedman, David, and Thomas Tuohy. "Herculean Ferrara: Ercole D'Este, 1471-1505, and the Invention of a Ducal Capital." American Historical Review 103, no. 1 (1998): 222. http://dx.doi.org/10.2307/2650876.

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3

Nugent, George. "Anti-Protestant Music for Sixteenth-Century Ferrara." Journal of the American Musicological Society 43, no. 2 (1990): 228–91. http://dx.doi.org/10.2307/831615.

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This study explores the motivations that lie behind three polyphonic works by musicians active at Ferrara and Mantua in the first half of the sixteenth century: a motet by Maistre Jhan, and a motet and mass by Jacquet. The background that links all three is the intense campaign that was waged between reform and orthodoxy. Music and visual art were sometimes put to use as propaganda. The Este and Gonzaga families who ruled the two states were related by blood and political alliances. They had strong reasons to defend the orthodox religion; they were also deeply persuaded of music's communicative power. Not surprisingly, their court musicians were often called on for music with a political message. The three works chosen here, each in its own way, reflect the religious convictions and personal ambitions of leading members of the two families caught up in crises: duke Ercole II D'Este, uneasy vassal of the pope; his wife Renée de France, habitual protector of religious rebels; and Cardinal Ercole Gonzaga, a career diplomat hopeful of wearing the triple crown.

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4

Licht, Meg. "Elysium: A Prelude to Renaissance Theater." Renaissance Quarterly 49, no. 1 (1996): 1–29. http://dx.doi.org/10.2307/2863263.

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In late spring of 1473 an elaborate wooden building was constructed in the piazza before the Roman church of Ss. Apostoli. This structure was to provide the setting for entertainments offered in honor of the marriage of Eleonora of Aragon, daughter of Ferrante, king of Naples, to Ercole d'Este, duke of Ferrara. The bride and her Neapolitan retinue, together with the Ferrarese contingent sent to Naples to fetch her, stayed in Rome for five days, from 5 June to 9 June. They were the guests of nephews of Sixtus IV: Pietro Riario, the cardinal of San Sisto, and Giuliano della Rovere, the cardinal of San Pietro in Vincoli.

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5

Campbell, Stephen J. "Herculean Ferrara: Ercole d'Este, 1471-1505, and the Invention of a Ducal Capital Thomas Tuohy." Journal of the Society of Architectural Historians 56, no. 3 (1997): 354–56. http://dx.doi.org/10.2307/991251.

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6

Shepherd, Rupert. "Giovanni Sabadino degli Arienti, Ercole I d'Este and the decoration of the Italian Renaissance court." Renaissance Studies 9, no. 1 (1995): 18–57. http://dx.doi.org/10.1111/j.1477-4658.1995.tb00300.x.

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7

Shepherd, Rupert. "Giovanni Sabadino Degli Arienti, Ercole I D'este and the Decoration of the Italian Renaissance Court." Renaissance Studies 9, no. 1 (1995): 18–57. http://dx.doi.org/10.1111/1477-4658.00165.

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8

Manca, Joseph. "The Presentation of a Renaissance Lord: Portraiture of Ercole I d'Este, Duke of Ferrara (1471-1505)." Zeitschrift für Kunstgeschichte 52, no. 4 (1989): 522. http://dx.doi.org/10.2307/1482468.

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9

Steib, Murray. "HERCULEAN LABOURS: JOHANNES MARTINI AND THE MANUSCRIPT MODENA, BIBLIOTECA ESTENSE, MS α.M.1.13". Early Music History 33 (2014): 183–257. http://dx.doi.org/10.1017/s0261127913000132.

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Modena, Biblioteca Estense, MS α.M.1.13 (ModD) is a collection of masses compiled in Ferrara around 1480 for the court of Ercole I d'Este. Although several scholars have argued that the changes in ModD were the result of composers reworking their own music or intervention by the scribe, the situation is far more complex. Through a careful examination of the textual and musical changes in ModD, this essay substantiates three hypotheses: that ModD had a separate and independent editor (Johannes Martini) apart from the scribe who copied it (Fra Filippo), and that both tampered with the music to a different extent; that the reasons behind the changes were in part politically and religiously motivated; and finally that several of the masses in ModD contain sections written by someone other than their original composer, a practice that may have been more common than we currently believe.

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10

Gundersheimer, Werner. "The Este Monuments and Urban Development in Renaissance Ferrara.Charles M. RosenbergHerculean Ferrara: Ercole d'Este, 1471-1505, and the Invention of a Ducal Capital.Thomas Tuohy." Speculum 73, no. 2 (1998): 584–87. http://dx.doi.org/10.2307/2887236.

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