Journal articles: 'Epistolary literature'

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BRADBURY, NICOLA. "EPISTOLARY." Essays in Criticism XLIII, no. 2 (1993): 150–57. http://dx.doi.org/10.1093/eic/xliii.2.150.

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HINE, DARYL. "EPISTOLARY." Yale Review 101, no. 4 (2013): 52. http://dx.doi.org/10.1353/tyr.2013.0001.

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Notomi, Noburu. "Plato, Isocrates and Epistolary Literature." PLATO JOURNAL 23 (March 29, 2022): 67–79. http://dx.doi.org/10.14195/2183-4105_23_5.

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Working against the recent arguments against Plato’s authorship of the Seventh Letter in the Anglophone scholarship, this paper demonstrates the historical possibility that Plato wrote his letters for philosophical purposes, most likely in competition with Isocrates, who skilfully used the literary genre of letters for his rhetorical and philosophical purposes. Because Isocrates and Plato experimented with various writing styles in response to each other, letters and autobiographies may well have been their common devices. The paper concludes that we should respect the tradition that had included and respected the Seventh Letter as Plato’s own writing.

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Tanović, Una. "Letters to nowhere." When Dialogue Fails 12, no. 1 (March 7, 2022): 72–90. http://dx.doi.org/10.1075/ld.00112.tan.

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Abstract In her study of epistolarity and world literature, Bower (2017) observes that letters “travel easily” and so are an obvious form for writing about migration and transnational dialogue. From another perspective, however, the epistolary may contain an empty promise: letters, after all, are sometimes waylaid or mislaid, unsent or undeliverable. This paper investigates the epistle and epistolary conventions in two short stories by US migrant writers – Edwidge Danticat’s “Children of the Sea” (1993) and Aleksandar Hemon’s “A Coin” (1997) – in which dialogue across national borders is made impossible under extreme political circumstances. I argue that Danticat and Hemon undermine the dialogic writing that is a basic generic epistolary convention to caution against ignoring asymmetries of power in situations of forced migration.

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MIRALLES GUARDIOLA, ALMUDENA. "Dacia Maraini y el género epistolar: Chiara d'Assisi. Elogio della Disobbedienza." Estudios Románicos 28 (December 19, 2019): 99–113. http://dx.doi.org/10.6018/er/372141.

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El género epistolar ha sido muy frecuentemente elegido por Dacia Maraini como un recurso atractivo y eficaz a la hora de hacer llegar el mensaje al lector. El presente trabajo propone un recorrido por las distintas obras en las que la escritora italiana se ha decantado por este formato y lleva a cabo un análisis de la intención de Maraini al elegir el intercambio epistolar en una de sus novelas más recientes: Chiara d’Assisi. Elogio della disobbedienza. The epistolary genre has profusely been chosen by Dacia Maraini as an appealing and effective resource when it comes to transmit the message to the reader. The present paper suggests a tour through the several works in which the Italian writer has opted for this format and carries out an analysis of Mariani’s intention when choosing the epistolary exchange in one of his most recent novels: Chiara d'Assisi. Elogio della Disobbedienza.

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Barbantani, Silvia. "EPISTOLARY FICTIONS." Classical Review 52, no. 1 (March 2002): 32–34. http://dx.doi.org/10.1093/cr/52.1.32.

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Usher, M. D. "EPISTOLARY FUNCTIONS." Classical Review 53, no. 2 (October 2003): 313–14. http://dx.doi.org/10.1093/cr/53.2.313.

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Kuzmina, Marina D. "The most “personal” genre of Old Russian literature." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 161–73. http://dx.doi.org/10.37816/2073-9567-2021-59-161-173.

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The paper attempts to identify the originality of epistolary genre against the background of other genres of Old Russian literature, which, as is known, was characterized by the interaction of genres, genre synthesis. The message stands out against the general background as the most “personal” genre. It articulates quite clearly the situation of communication of, as a rule, two specific personalities — addresser and addressee. It is thereby very targeted and situational, focused on the needs and goals of participants in the epistolary dialogue. It more or less actualizes the images of both communicants. The author of the letter enjoys freedom in choosing the self-characteristics and characteristics of the addressee, in choosing the forms of addressing the latter as well as choosing the composition of the text, etc. However in reality the “personality” of the epistolary genre is reserved and rather arbitrary. Addressers to addressees, widely varying in the whole body of messages, differ, in essence, only in form. In content, they are synonymous. They carry not so much personal as depersonalized, transpersonal characteristics, usual for ancient Russian literature, reflecting social situation, spiritual relations of the participants in correspondence (spiritual father / spiritual child, etc.), etc. They reflected in their own way the requirement of etiquette of epistolary communication established in the era of antiquity and involving complementarity of appeals to the addressee. Thus, the “personality” of the message, on the one hand, ensured its organic inclusion in the system of genres of ancient Russian literature. On the other hand, it allowed him to preserve and develop characteristic features that distinguished the epistolary genre from antiquity and could provide him with a future at a time when the genre system would lose its synthetics, each of them would have to defend its right to autonomy; but at the same time, “personality” was fraught with a danger of exclusion of the epistolary genre from literature.

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Pritchard, William H., Joseph Conrad, Frederick R. Karl, Lawrence Davies, Thomas Hardy, Richard Little Purdy, Michael Millgate, et al. "Epistolary Styles." Hudson Review 38, no. 4 (1986): 673. http://dx.doi.org/10.2307/3851571.

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Pritchard, William H., Valerie Eliot, and T. S. Eliot. "Epistolary Eliot." Hudson Review 42, no. 1 (1989): 141. http://dx.doi.org/10.2307/3851175.

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Maher, Eamon. "Epistolary McGahern." Irish Studies Review 30, no. 1 (January 2, 2022): 98–102. http://dx.doi.org/10.1080/09670882.2022.2037195.

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Mason, Hugh J., and Patricia A. Rosenmayer. "Ancient Epistolary Fictions: The Letter in Greek Literature." Phoenix 57, no. 1/2 (2003): 175. http://dx.doi.org/10.2307/3648505.

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Stewart, Joan Hinde, and Elizabeth S. Goldsmith. "Writing the Female Voice: Essays on Epistolary Literature." Tulsa Studies in Women's Literature 9, no. 1 (1990): 150. http://dx.doi.org/10.2307/464192.

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AŞCI, Yasemin. "LETTER TRADITION AND EPISTOLARY NOVEL IN AMERICAN LITERATURE." Journal of International Social Research 13, no. (74-1) (January 1, 2020): 5–12. http://dx.doi.org/10.17719/jisr.11210.

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Əflatun qızı Pirəliyeva, Elnurə. "History of the development of epistolary style: from the past to the present." SCIENTIFIC WORK 15, no. 2 (March 9, 2021): 107–9. http://dx.doi.org/10.36719/2663-4619/63/107-109.

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The first example of epistolary style in world literature is Horace`s Letter to the Pisons. It has been used in the history of Azerbaijani literature in three genres of epistolary style: verse letter, literary letter and open letter. The first example of a poetic letter is in the works of G. Tabrizi in the 11th century by M.F.Akhundov. We meet withopen letters in Akhundov`s works. Open letter is a genre of literary criticsm, verse letter and literary letter are genres of literary criticism. Key words: criticism, epistolary style, verse letter, literary letter, open letter

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Schiffman, Robyn L. "Wertherand the epistolary novel." European Romantic Review 19, no. 4 (October 2008): 421–38. http://dx.doi.org/10.1080/10509580802407318.

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Gutas, Dimitri. "On Graeco-Arabic Epistolary ‘Novels’." Middle Eastern Literatures 12, no. 1 (April 2009): 59–70. http://dx.doi.org/10.1080/14752620902760590.

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JUÁREZ LÓPEZ, Andrés. "EL EDITOR COMO AUTOR: PRÁCTICAS ECDÓTICAS EN TEXTOS EPISTOLARES." Signa: Revista de la Asociación Española de Semiótica 30 (January 6, 2021): 501. http://dx.doi.org/10.5944/signa.vol30.2021.26426.

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Resumen: La constante publicación de textos epistolares en España contrasta con la ausencia de una reflexión sistemática sobre sus criterios de edición. Además, las especiales características de la carta privada propician, de modo significativo, la apropiación de decisiones autoriales por parte del editor. En el presente artículo se aborda la figura del editor como autor en los procesos ecdóticos de selección, disposición y transcripción de los materiales epistolares, a través del examen de setenta y cinco ediciones de correspondencia. Ello permite dibujar la orientación y mecanismos de tales apropiaciones y su tendencia a la alteración ficcional de textos documentales y autobiográficos.Abstract: The constant publishing of epistolary texts in Spain makes a contrast with the lack of a systematic reflexion about its editing criteria. The private letter’s special features also lead to a significant appropriation of authorial decisions by the editor. On this article, we adress the figure of the editor as author in the selection, arrangement and transcription processes for epistolary materials through the exam of sixty five correspondence editions. This makes it possible to draw the orientation and mechanisms of such appropriations and their trend to fictional alterations on documentary and autobiographical texts.

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Yufereva, Olena. "THEORY OF «MINOR» LITERATURE AND INTERPRETATION OF EPISTOLARY TEXT: CASE OF P. KULISH." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 11(79) (September 29, 2021): 181–84. http://dx.doi.org/10.25264/2519-2558-2021-11(79)-181-184.

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The article is devoted to the consideration of P. Kulish's epistolary in the context of «minority» literature. The authors of this theory are J. Deleuze and F. Guattari. Rethinking the key categories of «minor» writing in modern interdisciplinary studies produces a differentiation and refinement of the definitions of «minor»/«small»/«minority» via interpreting various in-between phenomena of literature. Given that in the Ukrainian humanities this theory has not been carefully considered and as a methodological tool has not been updated, the analysis of these works revealed the feasibility of distinguishing concepts derived from the concept of «minor». The main purpose of the study is to reveal the features of Kulish's correspondence through the criteria of minor literature, in particular de(re)territorialization, formation, political semantics. The choice of material is determined by the ambiguity, «encryption» (V. Petrov) of the creative manner, the bilingual nature of the writer's epistolary. The process of self-determination within the Russian epistolary canon affects the nature of language codes. Linguistic transformations in this correspondence, in particular, the mixing of different linguistic elements, have a comedic, parodic character. There is a peripheralization of the dominant n language in terms of social and territorial affiliation. The transmission of Ukrainian pronunciation can be seen not only through the transformation of the Russian epistolary canon, but also as its subversive approach to the creation of a new quality of language in the future.

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Stroganova, N. A. "FEATURES OF CHINESE EPISTOLOGRAPHY AT AN EARLY STAGE OF ITS FORMATION." Bulletin of Udmurt University. Series History and Philology 29, no. 6 (December 25, 2019): 997–1004. http://dx.doi.org/10.35634/2412-9534-2019-29-6-997-1004.

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The article is devoted to the consideration of writing letters - one of the oldest prose genres in the world literature. In contrast to the Western epistolary heritage, not deprived of the attention of researchers, Chinese epistolary literature and culture are still little studied areas of synology. In this article, we will find out the role that epistolography played in the life of ancient Chinese people, trace the emergence and formation of traditional Chinese epistolography, note the various types of material carriers of epistolary text, clarify the details of the process of writing and sending a letter, try to “find” the genre nature of writing, schematically denote its typological structure; we will list the most common epistolary topoi, outline the themes prevailing in letters, highlight the key function of a letter, the allegorical perception of a letter in the minds of the ancient (and not only) Chinese. The article is intended to vividly show that the fictional epistle in the form in which it originated and developed in the depths of traditional Chinese literature deserves a more detailed examination and is capable of generating interest not only among specialists, but also among a wide circle of readers.

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Bizer, Marc. "Letters from Home: The Epistolary Aspects of Joachim Du Bellay's Les Regrets." Renaissance Quarterly 52, no. 1 (1999): 140–79. http://dx.doi.org/10.2307/2902018.

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It is my contention that the poetic collection Les Regrets by Joachim Du Bellay is a product of the humanist epistolary heritage. This essay attempts to demonstrate not only the importance of the epistolary and secretarial traditions for our understanding of Les Regrets, but also how Du Bellay uses them to elaborate a new poetics. Specifically, beginning with the epistolary and secretarial traditions in Europe, this study then moves to a discussion of the epistolary genre in French literary history and subsequently to the figure of the secretary in Renaissance poetry before focusing on Du Bellay's correspondance with Ronsard.

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Duyfhuizen, Bernard. "Epistolary Narratives of Transmission and Transgression." Comparative Literature 37, no. 1 (1985): 1. http://dx.doi.org/10.2307/1770522.

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Kauffman, L. S. "Epistolary Fiction in Europe 1500-1850." Comparative Literature 52, no. 3 (January 1, 2000): 259–61. http://dx.doi.org/10.1215/-52-3-259.

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William H. Pritchard. "Epistolary Tennyson: The Art of Suspension." Victorian Poetry 47, no. 1 (2009): 331–47. http://dx.doi.org/10.1353/vp.0.0041.

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WALLACE, ROBERT K. "Douglass, Melville, Quincy, Shaw: Epistolary Convergences." Leviathan: A Journal of Melville Studies 6, no. 2 (October 2004): 63–71. http://dx.doi.org/10.1111/j.1750-1849.2004.tb00093.x.

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Filippova, Elena Mikhailovna. "LETTERS OF I. A. GONCHAROV IN THE EPISTOLARY AND LITERARY CONTEXT." Russkaya literatura 2 (2021): 78–87. http://dx.doi.org/10.31860/0131-6095-2021-2-78-87.

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The epistolary of I. A. Goncharov has not yet been reliably compared with the letters of his predecessors. Meanwhile, the search for the typological parallels in the epistolary and literary context of the era is instrumental for outlining the connections between the novelist’s letters and a whole range of artistic traditions of salon correspondence, romantic mystifi cation and familiar letter as a literary genre.

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Tymofieieva, Kateryna. "Panteleimon Kulish as a Ukrainian informator (based on epistolary literature)." Obraz 3, no. 32 (2019): 30–38. http://dx.doi.org/10.21272/obraz.2019.3(32)-30-38.

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The article is devoted to the coverage of the epistolary work of Panteleimon Kulish, who by his titanic work was able to cover all spheres of the then cultural and political life of Ukraine and to become an informant. The purpose of the article is to identify the communicative and informational components in the cultural and political activity of P. Kulish. Through persistent and tireless publishing, journalistic, translation, literary-critical, writing, pedagogical, historical-ethnographic work and public-political and educational activities, Kulish has proved to be a brilliant Ukrainian informant. All of Kulish’s informative activity was aimed at the ascending mission – awakening the national consciousness of the Ukrainian people! The creation of the Ukrainian national space is the key to the successful and dignified life of the Ukrainian people. Keywords: P. Kulish, epistolary, communication, informative activity, national consciousness.

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Lincicum, David. "Mirror-Reading a Pseudepigraphal Letter." Novum Testamentum 59, no. 2 (March 9, 2017): 171–93. http://dx.doi.org/10.1163/15685365-12341555.

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This study investigates the implications of pseudonymity for the interpretative process, arguing that we need to take into account the pseudepigraphal attempt to achieve a “reality effect” by employing tropes and concerns from authentic Pauline letters to lend the forged writing an air of verisimilitude. But in this way our ability, if we judge a text pseudepigraphal, to discern reality from appearance is severely problematized, and we should therefore consider the possibility that pseudepigraphal letters should be treated more as rhetorical compositions than as epistolary literature, since all the ostensive elements of epistolarity are fictionalized in a pseudepigraphal letter.

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McCue Gill, Amyrose. "Fraught Relations in the Letters of Laura Cereta: Marriage, Friendship, and Humanist Epistolarity*." Renaissance Quarterly 62, no. 4 (2009): 1098–129. http://dx.doi.org/10.1086/650024.

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AbstractLaura Cereta is unique among Quattrocento female humanists in directly addressing the position of women as wives and as friends in her substantial corpus of erudite Latin epistolary prose. Questioning the ideals that governed intellectual, social, and personal expectations of matrimony, Cereta's letters reflect her self-consciously double status as humanist and spouse. Her fierce critique of marriage as a site of female oppression and complicity implies an alternative that requires of humanists, husbands, and wives a radical rethinking of marriage in terms of friendship, as well as of the very project of humanist epistolarity.

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Pelli, Moshe. "The Epistolary Story in Haskalah Literature: Isaac Euchel's "Igrot Meshulam"." Jewish Quarterly Review 93, no. 3-4 (2003): 431–69. http://dx.doi.org/10.1353/jqr.2003.0026.

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Salmon-Mack, Tamar. "The Experience of Urbanization in Nineteenth Century Hebrew Epistolary Literature*." Modern Judaism - A Journal of Jewish Ideas and Experience 38, no. 3 (October 1, 2018): 261–83. http://dx.doi.org/10.1093/mj/kjy015.

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Classen, Albrecht. "Female epistolary literature from antiquity to the present: An introduction." Studia Neophilologica 60, no. 1 (January 1988): 3–13. http://dx.doi.org/10.1080/00393278808587983.

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Katz. "James Schuyler's Epistolary Poetry: Things, Postcards, Ekphrasis." Journal of Modern Literature 34, no. 1 (2010): 143. http://dx.doi.org/10.2979/jml.2010.34.1.143.

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Duffy, Timothy. "Epistolary Copulation in John Donne's Verse Letters." SEL Studies in English Literature 1500-1900 59, no. 1 (2019): 67–90. http://dx.doi.org/10.1353/sel.2019.0003.

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Misnikevich, T. V. "VASILY KAMENSKY, A MASTER OF EPISTOLARY GENRE." Russkaya literatura 1 (2021): 232–33. http://dx.doi.org/10.31860/0131-6095-2021-1-232-233.

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Equestri, Alice. "Writers and readers in early modern Italianate verse narratives." Cahiers Élisabéthains: A Journal of English Renaissance Studies 97, no. 1 (August 6, 2018): 20–38. http://dx.doi.org/10.1177/0184767818788881.

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The article considers some examples from the often overlooked genre of Elizabethan verse translations of Italian novellas, concentrating in particular on the poems where the flow of the narration is interrupted by interpolated speeches, namely letters. I consider how epistolary correspondence in these stories often brings about violent outcomes, how the rhetoric of letters can complicate the reader’s interpretation and how the poets describe the material actions of writing and reading. Paratextual epistolary material is also analysed to determine the authors’ purpose.

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Messina, Luisa. "Le roman épistolaire français au siècle des Lumières." Estudios Románicos 28 (December 19, 2019): 89–98. http://dx.doi.org/10.6018/er/371111.

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The eighteenth century is considered as the golden age of epistolary art. If we analyze the historical and social value of letters, we will notice that epistolary change soon becomes one of the principal ways of communication and of providing information. The most relevant merit, which is attributed to the epistolary novel, is the immediate reproduction that touches feelings. So, the epistolary novel removes the temporal distance existing between the personal history and its written reproduction. The most famous writers of the time (like Montesquieu) and libertine writers (Laclos and Sade particularly) have employed the epistolary novel showing several intentions. Le dix-huitième siècle est l’âge d’or qui concerne le roman épistolaire. Si l’on analyse la portée historique et sociale de la lettre, il est fondamental de mettre en relief que l’échange épistolaire représente l’un des principaux moyens d’information et de communication de l’époque. Le plus grand mérite que l’on attribue à la lettre est de représenter l’expression « à chaud » des sentiments parce qu’elle supprime la distance temporelle existant entre le sentiment vécu et sa reproduction écrite. Enfin, l’absence du narrateur garantit l’authenticité des faits car personne ne pense et ne parle à la place des personnages. Les auteurs les plus célèbres de l’époque (Montesquieu) ainsi que les écrivains libertins (Laclos et Sade en particulier) ont fait recours au roman épistolaire en montrant des propos très différents.

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Kuzmina, Marina D. "(Auto)biographic Discourse in A.S. Khomyakovʼs Epistolary." Studia Litterarum 6, no. 1 (2021): 192–205. http://dx.doi.org/10.22455/2500-4247-2021-6-1-192-205.

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The article discusses autobiographical and biographical discourse in the epistolary of A.S. Khomyakov. It turns out that both, and especially the former, are underrepresented. Khomyakov steadily replaces autobiographical elements typical of the epistolary genre and thereby expected by the reader with biographical elements, almost always in the form of obituary. As a rule, those are obituaries to public figures who had left a mark in history, influenced contemporaries, and possibly descendants — what mostly interests Khomyakov as the author. Paying primary attention to personal qualities, the scope and degree of self-realization of these qualities, he almost never covers external, factual side of their lives. Thus, the epistolary includes, on the one hand, paradoxical elements of the obituary and the biographical genre without a typical biographic narrative, while on the other hand, a highly individualized version of the obituary, a genre that, at a time, seemed to have hopelessly exhausted itself and become clichéd.

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Bauschatz, Cathleen M. "Writing the Female Voice: Essays on Epistolary Literature (review)." Philosophy and Literature 17, no. 1 (1993): 147–48. http://dx.doi.org/10.1353/phl.1993.0050.

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Bundock, Christopher. "The (inoperative) epistolary community in Eliza Fenwick’sSecresy." European Romantic Review 20, no. 5 (December 2009): 709–20. http://dx.doi.org/10.1080/10509580903407894.

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Whyman, Susan E. "Epistolary Fiction in Europe 1500-1850 (review)." Comparative Literature Studies 38, no. 4 (2001): 372–74. http://dx.doi.org/10.1353/cls.2001.0039.

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Pohl, Nicole. "“Perfect Reciprocity”: Salon Culture and Epistolary Conversations." Women's Writing 13, no. 1 (March 2006): 139–59. http://dx.doi.org/10.1080/09699080500436265.

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Siker, Jeffrey S., and G. Walter Hansen. "Abraham in Galatians: Epistolary and Rhetorical Contexts." Journal of Biblical Literature 110, no. 2 (1991): 353. http://dx.doi.org/10.2307/3267102.

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Monterrubio Ibáñez, Lourdes. "Yves Navarre. About a postmodern epistolary writing." Romance Quarterly 68, no. 1 (January 2, 2021): 33–49. http://dx.doi.org/10.1080/08831157.2020.1854555.

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Pawlak, Matthew. "Is Galatians an Ironic Letter?" Novum Testamentum 63, no. 2 (March 17, 2021): 249–70. http://dx.doi.org/10.1163/15685365-12341694.

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Abstract This article queries whether Paul wrote Galatians with reference to epistolary conventions for ironic letters. First, the author explores the use of the θαυµάζω + conjunction “epistolary formula” in the non-literary papyri to determine the relationship between this expression, irony, and Gal 1:6. Then, he weighs the evidence for an ironic reading of Gal 1:6 itself before turning to the extant ancient letter writing handbooks to assess the extent to which Gal 1:6 meaningfully parallels the ironic letters in the handbooks. The author argues that while an ironic reading of Gal 1:6 is plausible, there is no evidence that Paul has crafted Galatians with reference to epistolary conventions for ironic letters.

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Carlos Mendes de Sousa and Translated by Sara Brandellero. "Epistolary Connections: João Cabral and Murilo Mendes." Portuguese Studies 30, no. 2 (2014): 159. http://dx.doi.org/10.5699/portstudies.30.2.0159.

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Mendes de Sousa, Carlos. "Epistolary Connections: Joo Cabral and Murilo Mendes." Portuguese Studies 30, no. 2 (2014): 159–73. http://dx.doi.org/10.1353/port.2014.0000.

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Howe, Anthony. "Lamb, Coleridge, and the Poetics of Publication." Romanticism 26, no. 3 (October 2020): 245–54. http://dx.doi.org/10.3366/rom.2020.0475.

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This essay explores the poetics of Lamb's early letters to Coleridge. I argue for a sharp awareness, on Lamb's part, of the potentially negative effect publication can have on literary writing. Lamb resists this at the level of epistolary form, by entwining his sonnets with the letters into which he writes them. Where Lamb's poems, taken in themselves, remain modest performances, the letter-poem hybrid texts in which they participate are of significant critical interest. Among other things they establish a critique of Coleridge and his paying court to the literary marketplace. These insights, I go on to suggest, can also help us to understand both writers’ more mature work, notably the complex lyric-epistolary compound that is Coleridge's ‘This Lime-Tree Bower My Prison’.

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Perlina, Nina. "Ol'ga Freidenberg on Myth, Folklore, and Literature." Slavic Review 50, no. 2 (1991): 371–83. http://dx.doi.org/10.2307/2500212.

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Ol'ga Mikhailovna Freidenberg (1890-1955) has recently emerged from oblivion in the Soviet Union and in the west. In the Soviet Union, she has gained renown for the extraordinary diversity of her scholarly interests, from classical philology to a broad range of topics in theoretical poetics. In the west she is now known for her correspondence with her cousin, Boris Pasternak, and as the author of voluminous memoir notes, Probeg zhizni. The epistolary part of Freidenberg's archive was published in Russian and in English by Elliott Mossman in The Correspondence of Boris Pasternak and Olga Freidenberg: 1910-1954.

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Anossova, Oksana. "FANNY BURNEY’S EPISTOLARY ROMANTICISM AND BLOGGING." SWS Journal of SOCIAL SCIENCES AND ART 1, no. 1 (July 23, 2019): 35–44. http://dx.doi.org/10.35603/ssa2019/issue1.04.

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Fanny Burney at 15 wrote in her diary addressing her thoughts to ‘Nobody’, to her silent ‘self’ and interlocutor. Nobody learnt about this fact until her diaries were published. She became famous with her first epistolary novel about a young lady entering the world, though in the Preface to the novel the author pretended to be an editor of the letters. Her writing could be compared to contemporary blogs. Novelty and variety of subjects, personally coloured irony and wit, acute eyesight, ability to entertain a reader with an unusual insight of the ordinary event or situation (e.g., ‘Directions for Coughing, Sneezing, or Moving Before the King and Queen’), a dramatist talent to create dialogues and remember speaker’s intonation and other speech parameters, a lot of short fragments imprinting emotions and restoring the epoch in diaries and letters, - everything features her style and specifies her as a Romanticism writer. Some of the subjects could be accepted as obsolete though regarding different situations, circumstances and the performance the given descriptions of the royal household politely discussed by the Keeper of the Robe to Queen Charlotte, wife of George III, and a close acquaintance of British famous actor David Garrick (1717-1779) and even world-known painter Joshua Reynolds (1723-1792) some of the episodes described in diaries could be praised for their author’s dramatic playwright talent. Blogging in its well-written form, the one possessing style and distinguishing good literature characteristics, could be compared to diaries reflecting every instant of modern life and becoming immediately public. Freedom of female voice in Romantic era and freedom of mass-media writer and reader on the verge of Millennium are manifested in both epochs

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Journal articles on the topic 'Epistolary literature'

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