Relevant bibliographies by topics / Epistolary literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Epistolary literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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Journal articles on the topic "Epistolary literature"

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BRADBURY, NICOLA. "EPISTOLARY." Essays in Criticism XLIII, no. 2 (1993): 150–57. http://dx.doi.org/10.1093/eic/xliii.2.150.

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HINE, DARYL. "EPISTOLARY." Yale Review 101, no. 4 (2013): 52. http://dx.doi.org/10.1353/tyr.2013.0001.

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Notomi, Noburu. "Plato, Isocrates and Epistolary Literature." PLATO JOURNAL 23 (March 29, 2022): 67–79. http://dx.doi.org/10.14195/2183-4105_23_5.

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Working against the recent arguments against Plato’s authorship of the Seventh Letter in the Anglophone scholarship, this paper demonstrates the historical possibility that Plato wrote his letters for philosophical purposes, most likely in competition with Isocrates, who skilfully used the literary genre of letters for his rhetorical and philosophical purposes. Because Isocrates and Plato experimented with various writing styles in response to each other, letters and autobiographies may well have been their common devices. The paper concludes that we should respect the tradition that had included and respected the Seventh Letter as Plato’s own writing.
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Tanović, Una. "Letters to nowhere." When Dialogue Fails 12, no. 1 (March 7, 2022): 72–90. http://dx.doi.org/10.1075/ld.00112.tan.

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Abstract In her study of epistolarity and world literature, Bower (2017) observes that letters “travel easily” and so are an obvious form for writing about migration and transnational dialogue. From another perspective, however, the epistolary may contain an empty promise: letters, after all, are sometimes waylaid or mislaid, unsent or undeliverable. This paper investigates the epistle and epistolary conventions in two short stories by US migrant writers – Edwidge Danticat’s “Children of the Sea” (1993) and Aleksandar Hemon’s “A Coin” (1997) – in which dialogue across national borders is made impossible under extreme political circumstances. I argue that Danticat and Hemon undermine the dialogic writing that is a basic generic epistolary convention to caution against ignoring asymmetries of power in situations of forced migration.
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MIRALLES GUARDIOLA, ALMUDENA. "Dacia Maraini y el género epistolar: Chiara d'Assisi. Elogio della Disobbedienza." Estudios Románicos 28 (December 19, 2019): 99–113. http://dx.doi.org/10.6018/er/372141.

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El género epistolar ha sido muy frecuentemente elegido por Dacia Maraini como un recurso atractivo y eficaz a la hora de hacer llegar el mensaje al lector. El presente trabajo propone un recorrido por las distintas obras en las que la escritora italiana se ha decantado por este formato y lleva a cabo un análisis de la intención de Maraini al elegir el intercambio epistolar en una de sus novelas más recientes: Chiara d’Assisi. Elogio della disobbedienza. The epistolary genre has profusely been chosen by Dacia Maraini as an appealing and effective resource when it comes to transmit the message to the reader. The present paper suggests a tour through the several works in which the Italian writer has opted for this format and carries out an analysis of Mariani’s intention when choosing the epistolary exchange in one of his most recent novels: Chiara d'Assisi. Elogio della Disobbedienza.
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Barbantani, Silvia. "EPISTOLARY FICTIONS." Classical Review 52, no. 1 (March 2002): 32–34. http://dx.doi.org/10.1093/cr/52.1.32.

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Usher, M. D. "EPISTOLARY FUNCTIONS." Classical Review 53, no. 2 (October 2003): 313–14. http://dx.doi.org/10.1093/cr/53.2.313.

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Kuzmina, Marina D. "The most “personal” genre of Old Russian literature." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 161–73. http://dx.doi.org/10.37816/2073-9567-2021-59-161-173.

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The paper attempts to identify the originality of epistolary genre against the background of other genres of Old Russian literature, which, as is known, was characterized by the interaction of genres, genre synthesis. The message stands out against the general background as the most “personal” genre. It articulates quite clearly the situation of communication of, as a rule, two specific personalities — addresser and addressee. It is thereby very targeted and situational, focused on the needs and goals of participants in the epistolary dialogue. It more or less actualizes the images of both communicants. The author of the letter enjoys freedom in choosing the self-characteristics and characteristics of the addressee, in choosing the forms of addressing the latter as well as choosing the composition of the text, etc. However in reality the “personality” of the epistolary genre is reserved and rather arbitrary. Addressers to addressees, widely varying in the whole body of messages, differ, in essence, only in form. In content, they are synonymous. They carry not so much personal as depersonalized, transpersonal characteristics, usual for ancient Russian literature, reflecting social situation, spiritual relations of the participants in correspondence (spiritual father / spiritual child, etc.), etc. They reflected in their own way the requirement of etiquette of epistolary communication established in the era of antiquity and involving complementarity of appeals to the addressee. Thus, the “personality” of the message, on the one hand, ensured its organic inclusion in the system of genres of ancient Russian literature. On the other hand, it allowed him to preserve and develop characteristic features that distinguished the epistolary genre from antiquity and could provide him with a future at a time when the genre system would lose its synthetics, each of them would have to defend its right to autonomy; but at the same time, “personality” was fraught with a danger of exclusion of the epistolary genre from literature.
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Pritchard, William H., Joseph Conrad, Frederick R. Karl, Lawrence Davies, Thomas Hardy, Richard Little Purdy, Michael Millgate, et al. "Epistolary Styles." Hudson Review 38, no. 4 (1986): 673. http://dx.doi.org/10.2307/3851571.

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Pritchard, William H., Valerie Eliot, and T. S. Eliot. "Epistolary Eliot." Hudson Review 42, no. 1 (1989): 141. http://dx.doi.org/10.2307/3851175.

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Dissertations / Theses on the topic "Epistolary literature"

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Devine, Jodi A. "Epistolary revelations." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 205 p, 2007. http://proquest.umi.com/pqdweb?did=1397966931&sid=2&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Sharp, Krista. "The Epistolary Form| A Familiar Fiction." Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10118620.

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During the 18th century, the novel was criticized for a lack of representation of reality and in turn a public distrust of fiction was established. The epistolary form addressed these issues by presenting a narrative that was bound by a real-life structure that allowed for the illusion of reality and authenticity. Today, this distrust of fiction is nonexistent but the epistolary form is still present and a frequently used literary device, providing the real-life structure for an escape from reality. However, while commercial fiction has embraced the form and moved past the historical justification of the epistolary novel, most artists’ books have not. This paper will prove how the artist book has struggled to move past the historical epistolary form and what lessons it can take from the world of contemporary commercial fiction.

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Gubernatis, Catherine. "The epistolary form in twentieth-century fiction." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1184950116.

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Fowler, Steve Allen. "A layman's guide for preparing expository messages from epistolary literature." Lynchburg, Va. : Liberty University, 1995. http://digitalcommons.liberty.edu.

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Powers, Paula Sian. "Home economics : identity and substitutability in the eighteenth-century epistolary novel /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9901444.

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Mitchell-Foust, Michelle. "The five dreams of the body /." free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9821345.

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Miller, Andrew Kei. "Jamaica to the world : a study of Jamaican (and West Indian) epistolary practices." Thesis, University of Glasgow, 2012. http://theses.gla.ac.uk/3597/.

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The Caribbean islands have been distinguished by mass migratory patterns and diasporic communities that have moved into and out of the region; as a consequence, the genre of the letter has been an important one to the culture and has provided a template for many creative works. This dissertation is the first major study on West Indian epistolary practices: personal letters, emails, verse epistles, epistolary novels, letters to editors, etc. It focuses on a contemporary period – from the 1930s to the present, and on examples that have come out of Jamaica. The dissertation offers both close-readings on a range of epistolary texts and theoretical frameworks in which to consider them and some of the ways in which Caribbean people have been addressing themselves to each other, and to the wider world. My first chapter looks at the non-fictional letters of Sir Alexander Bustamante and Sir Vidia Naipaul. It reflects on the ways in which the public personas of these two men had been created and manipulated through their public and private letters. My second chapter tries to expand a critical project which has been satisfied to simply place contemporary epistolary fiction within an eighteenth century genealogy. I propose another conversation which understands recent examples of West Indian epistolary fiction within their contemporary cultures. My third chapter looks at examples of Jamaican verse epistles and considers how three poets – Lorna Goodison, James Berry and Louise Bennett – have attempted, with varying degrees of success, to create an epistolary voice that is both literary and oral. My fourth chapter looks at the popular Jamaican newspaper advice column, Dear Pastor. It considers the ways in which evangelical Christianity has impacted on the construction of a West Indian epistolary voice and consequently the shape of a West Indian public sphere. My final chapter considers how technology has changed epistolography; specifically how the email, Facebook messages, and tweets have both transformed and preserved the letter. I end with a presentation of a personal corpus of emails titled The Cold Onion Chronicles with some reflections on remediation of epistolary forms.
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Souza, Ariane Carvalho. "Presença do naturalismo francês no romance epistolar "O marido da adúltera", de Lúcio de Mendonça /." Assis [s.n.], 2012. http://hdl.handle.net/11449/94054.

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Orientador: Daniela Mantarro Callipo
Banca: Marcos Antonio de Moraes
Banca: Ana Maria Carlos
Resumo: No romance epistolar O marido da adúltera, publicado em 1882 pelo escritor e jornalista Lúcio de Mendonça, encontram-se traços marcantes e inequívocos da estética naturalista desenvolvida, sobretudo, por Émile Zola. Neste trabalho, pretende-se verificar de que modo o idealizador da Academia Brasileira de Letras recebeu as ideias do Naturalismo e as inseriu em sua obra, verificando o processo de adaptação executado pelo autor brasileiro, que soube dialogar com a estética naturalista em voga na época, aplicando muitos de seus princípios, discordando de alguns deles. Cabe observar, igualmente, o fato de que Lúcio de Mendonça optou pelo romance epistolar, gênero pouco utilizado no Brasil do século XIX, mas fundamental para a construção desta obra. Esta pesquisa visa, portanto, analisar de que maneira o autor de O marido da adúltera utilizou-se do naturalismo francês para criar um romance epistolar brasileiro, publicado, originalmente, no periódico O Colombo, em forma de folhetim; característica, aliás, que se conserva no momento da publicação do romance em livro, em 1882
Abstract: On the epistolary novel The adulterer's husband, published in 1882 by the writer and journalist Lúcio de Mendonça, it‟s found distinctive features and unequivocal from the naturalist theory developed, especially, by Émile Zola. In the present paper, it‟s intended to verify what way the creator from the Brazilian Academy of Letters received the ideas of Naturalism and put them into his work, checking the adaptation process performed by the Brazilian author, who knew how to dialog with the naturalist aesthetics in common use that time, enforcing lots of his principles, disagreeing with some of them. It must be noted, equally, the fact that Lúcio de Mendonça chose the epistolary novel, a not very used gender in Brazil in XIX century, but something fundamental to this work to be made. Therefore, this research aims to analyze what way The adulterer's husband's author used the French naturalism to create the Brazilian epistolary novel, published, at first, by Colombo journal, as a soap opera; characteristics that, by the way, are preserved at the book‟s publishing moment, in 1882
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De, Pretis Anna. "'Epistolarity' in the First Book of Horace's Epistles." Thesis, University of Bristol, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299365.

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Garner-Mack, Naomi Jayne. "Eighteenth-century women writers and the tradition of epistolary complaint." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:a4b7a20d-b36f-4657-929b-e5f375a49cd7.

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This thesis considers the presence of the epistolary tradition of female complaint in the writings of five late eighteenth-century women writers: Hester Thrale Piozzi, Mary Wollstonecraft, Charlotte Turner Smith, Mary Robinson, and Frances Burney D’Arblay. The epistolary female complaint tradition is premised on the suggestion that readers are permitted, through the literary endeavours of male authors/transcribers, a glimpse into the authentically felt woes of women; the writers in this study both question and exploit this expectation. Often viewed by critics like John Kerrigan as a tradition that stifled female creativity, epistolary female complaint proves, this thesis argues, a lively and enlivening tradition for women writers; it provided opportunities for literary experimentation and enabled them to turn their experiences into artistic form. Five themes central to the epistolary female complaint tradition are considered: betrayal, absence, suicide, falls, and authorship. Each chapter looks at one theme and one author specifically. Chapter 1 examines the narrative of betrayal Hester Thrale Piozzi established in her journals from 1764 to 1784. Chapter 2 turns to Mary Wollstonecraft and her accounts of absence in her private letters to Gilbert Imlay, and her epistolary travel account, A Short Residence in Sweden, Norway, and Denmark (1796). Chapter 3 discusses Charlotte Turner Smith’s engagement with the theme of suicide in her Elegiac Sonnets (1784) and her epistolary novel, Desmond(1792). Chapter 4 considers the strategies employed in Mary Robinson’s autobiographical, poetic, and fictional writings, which work to move beyond the moral fall the tradition implied. Chapter 5 focuses on the recurrent theme of authorial debt in Frances Burney D’Arblay’s journals, plays, and fiction. I conclude by considering Jane Austen’s appropriation of the tradition in her final novel, Persuasion (1818), and her transformation of the tradition by providing a resolution to the cause of complaint.
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Books on the topic "Epistolary literature"

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Ancient epistolary fictions: The letter in Greek literature. Cambridge: Cambridge University Press, 2001.

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1941-, Richards Jonathan, ed. Nick & Jake: An epistolary novel. New York: Arcade Pub., 2012.

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Discourses of desire: Gender, genre, and epistolary fictions. Ithaca: Cornell University Press, 1986.

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Voltaire's correspondence: An epistolary novel. New York: P. Lang, 1994.

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Kauffman, Linda S. Special delivery: Epistolary modes in modern fiction. Chicago: University of Chicago Press, 1992.

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The epistolary novel: Representation of consciousness. London: Routledge, 2003.

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Mail and female: Epistolary narrative and desire in Ovid's Heroides. Madison, Wis: University of Wisconsin Press, 2003.

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M, Grow L., ed. The epistolary criticism of Manuel A. Viray: In memoriam. Quezon City: Giraffe Books, 1998.

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Extravagant narratives: Closure anddynamics in the epistolary form. Princeton, N.J: Princeton University Press, 1990.

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Aprea, Giuseppe. L'aria blu: Lettere da Capri mai scritte, mai spedite. Capri (Napoli, Italia): Conchiglia, 2008.

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Book chapters on the topic "Epistolary literature"

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Skinner, Gillian. "‘Spoken from the Impulse of the Moment’: Epistolarity, Sensibility, and Breath in Frances Burney’s Evelina." In The Life of Breath in Literature, Culture and Medicine, 241–59. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_12.

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AbstractSkinner explores the neglected role of breath in the mapping and understanding of eighteenth-century sensibility. Thematically rich in their associations with body and spirit, life and death, breath and breathlessness are also woven into the stylistic particularities of both sentimental and epistolary fiction. Examination of the epistolarity of Evelina, and the dramatic use of dialogue Burney became known for, reveals breathlessness as the signifier of intense and instinctive moral discernment of the kind described by eighteenth-century philosophers such as Frances Hutcheson, complicating the view that the heroine of epistolary fiction more generally, and Evelina in particular, is purely passive. Instead, she emerges as actively involved in numerous scenarios that at once challenge her capacity for moral conduct and allow her to demonstrate her power to act.
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Keymer, Thomas. "Epistolary Writing in the Long Eighteenth Century." In A Companion to British Literature, 159–73. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch62.

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Alexander, J. H. "Wordsworth, Regional or Provincial? The Epistolary Context." In The Literature of Region and Nation, 24–33. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19721-7_3.

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Griffith, Glyne A. "Chapter 4 A Sustaining Epistolary Community." In The BBC and the Development of Anglophone Caribbean Literature, 1943-1958, 111–39. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32118-9_5.

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Moretti, Paola Francesca. "Nisi modum epistolici characteris excederem. Jerome and Epistolary brevitas." In Culture and Literature in Latin Late Antiquity, 247–61. Turnhout, Belgium: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.stta-eb.5.111503.

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Bower, Rachel. "Letters and Epistolary Encryption: John Berger’s From A to X (2008)." In Epistolarity and World Literature, 1980-2010, 31–67. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58166-8_2.

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Hidber, Thomas. "Libanios: Epistolai." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15110-1.

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Smits, Edmé R., and Thomas Haye. "Abaelard: Epistolae." In Kindlers Literatur Lexikon (KLL), 1–4. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_829-1.

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Sleigh, Charlotte. "Epistolarity and the Democratic Ideal." In Literature and Science, 56–77. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-1-137-26811-2_3.

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Haye, Thomas. "Epistolae obscurorum virorum." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_926-1.

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Conference papers on the topic "Epistolary literature"

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Kuzmina, Luiza, and Elena Remchukova. "RUSSIAN CLASSICAL LITERATURE TEXT AS A PRECEDENT PHENOMENON OF THE MODERN MEDIA SPACE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/18.

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The article is devoted to the functioning features of precedent texts in modern media discourse. Texts by F.M. Dostoevsky, namely, fiction, journalism and epistolary heritage, served as the research material. The relevance of the study is explained by the intertextual nature of the modern media space. The article shows that along with the use of Dostoevsky's precedent texts as signs of high culture, the modern media space also actively manifests the features of the postmodern cultural paradigm. The specifics of the latter include metatextuality, irony, various kinds of transformation, e.g., in headlines, which indicates their game foregrounding. Special attention is paid, firstly, to various types of intertextuality and ways of precedent phenomena foregrounding; secondly, to their use in various media areas (advertising, urban naming) and genres (interviews, internet blogs, etc.). The problem of recoding precedent phenomena is considered against the background of the use of signs of high culture as a form of reflection of modern mass consciousness in modern media communication, which is of research interest from an axiological point of view.
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Bandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.

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The paper focuses on the interlacement of literary and iconographic elements by displaying an innovatory philological and stylistic approach, from a comparative perspective, in thematizing multilingual translational and adaptive aspects, ranging across Bernard Berenson's diaristic and epistolary corpus, in conjunction with his works on Italian visual culture. This interweaving gives occasion to the elaboration of multilinguistic textual influences and their verbo-visual artistic representations deduced from his innovative interpretative readings in the domain of world literature in modern times. Such analysis of the discourse of theoretical and literary nature, and of the pictoricity, refers to Bernard Berenson's multilingual considerations about canonical authors in English, Italian, French, German language, belonging to the Neoclassical and Romantic period, as well as to the contemporary era, as conceptualized in his autobiographical works, in correlation with his writings on Italian figurative art. The scope of this presentation is to discern and articulate Berenson's aesthetic ideas evoking literary and artistic modernity, that are infused with crucial notions of translational theory and conveyed through the methodology of close reading and comprising at the same time, in an omnicomprehensive manner, a plurality of tendencies intrinsic to social paradigms of cultural studies. Unexplored premises reflecting Berenson's vision of Italian culture, most notably of a visual stamp, will be analyzed through author's understandings of such adaptive translations or volumes to be subsequently translated in Italian, and through their intertwined intertextual applications, significantly contributing to further critical and hermeneutic reception thereof. Particular attention is drawn to its instancing in the field of Romantic literary production (Emerson, Byron), originally underscoring the specificities of each literary genre and expressive mode, of the narrative, lyric or theatrical nature, as well as concomitantly involving parallel notions as adapted variants within visual arts, and in such a way expressing theoretical views pertainable to Italian artworks too. Other analogous elements relevant to literary expression in the most varied cultural sectors such as philosophy, music, civilisational history (Goethe, Hegel, Kant, Wagner, Chateaubriand, Rousseau, Mme de Staël, Taine) are furnished, as well as the examples of the resonances of non-western cultures, with the objective of exploring the effect among readership bringing also to the renewal of Italian tradition.
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