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Books on the topic 'Epistemologia civica'
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1
Minazzi, Fabio. Contestare e creare: La lezione epistemologico-civile di Ludovico Geymonat. Napoli: La città del sole, 2004.
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Jasanoff, Sheila. Cosmopolitan Knowledge: Climate Science and Global Civic Epistemology. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199566600.003.0009.
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Sabetti, Filippo. Democracy and Civic Culture. Edited by Carles Boix and Susan C. Stokes. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199566020.003.0015.
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This article attempts to take stock of the state of research on democracy and culture by providing answers to several sets of questions. It seeks to improve the understanding of the relationship between culture and action, and between political culture and democratic outcomes. The article begins by exploring the way the literature has dealt with the possible meaning of culture and political culture and their relationship to action. It also suggests why there has been little contribution to democracy derived from political culture research, and identifies how the efforts to rethink how and why the subject matter is approached in certain ways led many analysts to break out of established epistemological demarcations. This eventually led to the reinvigorated tools of investigation and research on democracy and civic culture. The article concludes with a discussion on the implications of improved tools of investigation for future research.
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Epistemologies of African Conflicts. Palgrave MacMillan, 2012.
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Wai, Zubairu. Epistemologies of African Conflicts: Violence, Evolutionism, and the War in Sierra Leone. Palgrave Macmillan, 2012.
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Mowry, Melissa. Collective Understanding, Radicalism, and Literary History, 1645-1742. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192844385.001.0001.
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Collective Understanding, Radicalism, and Literary History reaches back to the English civil wars (1642–1646, 1648) when a distinctive and anti-authoritarian hermeneutic emerged from the dissident community known as the Levellers. Active between 1645 and 1653, the Levellers argued that a more just political order required that knowledge, previously structured by the epistemology of singularity upon which sovereignty had built its authority, be reorganized around the interpretive principles and practices of affiliation and collectivity. Defined by the century’s central ideological conflict between sovereignty’s epistemology of singularity and the civil war era plebeian “hermeneutics of collectivity,” the book contends that late Stuart and eighteenth-century literature played a central role in marginalizing the non-elite methods of interpretation and knowledge production that had emerged in the 1640s.
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Stone-Mediatore, Shari. Storytelling/Narrative. Edited by Lisa Disch and Mary Hawkesworth. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199328581.013.27.
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This article traces debates within feminist theory since the 1980s over the critical and democratic potential of experience-based storytelling. Focusing on accounts of storytelling that have developed within feminist standpoint theory, transnational feminism, feminist democratic theory, and feminist epistemology, the article examines arguments that experience-based narratives are necessary for more rigorous and inclusive civic and scholarly discussions. The article also examines the challenges that have been posed to storytelling from within feminist theory, including analyses that highlight the power relations, exclusions, and cultural conventions that characterize storytelling itself. The article explores what we might learn about the politics of knowledge from such varied but persistent feminist engagements with storytelling.
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Finseth, Ian. Plotting Mortality. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190848347.003.0005.
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In returning to the Civil War, postbellum American writers depended on the literary conventions and mythic structures of meaning by which a vast and violent history could be incorporated into fictional narrative. The result was a struggle between “romantic” and “realist” patterns of meaning that reflected the existential anxieties of American modernity: the sense of epistemological limitation and the dread of ontological purposeleᶊneᶊ. In the former, the war prompts the expreᶊion of nostalgia for a pre-capitalist, premodern, and pre-secular world. In the latter, the war is linked to the rise of complex networks of information, technology, and economics, and seems to embody the disenchanted condition of modernity. The Civil War dead are central to both modes of representation, and yet they resist the systems of mediation by which they are turned into moral exempla, symbolic commodities, and icons of national identity.
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Warren, Christopher N. Henry V, Anachronism, and the History of International Law. Edited by Lorna Hutson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199660889.013.41.
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Historians, literary scholars, and international lawyers interested in the early modern period have all grappled with the problem of anachronism, yet mostly independently of one another. This essay uses the question of war crime in Shakespeare’s Henry V to argue that early modernists interested in international law need not reject synchronic historicism for explicitly anachronistic or presentist approaches. Proposing as a new context for Shakespeare’s play a little-known humanist disputation by the civil lawyer Alberico Gentili, De amis Romanis (1599), it illuminates a juridical approach to the international past cultivated in the early modern period alongside the rise of international law—an approach closely linked with literary epistemologies.
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Blome-Tillmann, Michael. ‘More Likely Than Not’Knowledge First and the Role of Bare Statistical Evidence in Courts of Law. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198716310.003.0014.
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In this chapter, Michael Blome-Tillmann argues that embracing a knowledge-first approach can help to resolve important epistemological problems in legal philosophy. Blome-Tillmann takes, as a starting point, a puzzle arising from the evidential standard Preponderance of the Evidence and its application in civil procedure. The evidential standard captured by Preponderance of the Evidence is usually glossed as ‘greater than 0.5 given the admissible evidence’. But this characterization generates puzzles, where our intuitions about whether a defendant should be found liable diverge in case pairs where the evidential probability captured this way is the same. Blome-Tillmann argues that the tension generated by such puzzles can be resolved fairly straightforwardly within a knowledge-first framework.
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Callard, Caroline. Spectralities in the Renaissance. Translated by Trista Selous. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198849476.001.0001.
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A major contribution of this work is to characterize the ‘spectral moment’ of early modernity. Two developments in the sixteenth century characterize this moment in particular: the presence of ghosts as an autonomous rhetorical commonplace freed from the confines of theology or votive literature, and the striking epistemological promotion of ghosts as objects of a knowledge legitimised by natural philosophy. By highlighting the ‘spectral moment’ of early modernity, Spectralities in the Renaissance foregrounds the agency of ghosts particularly in property disputes over haunted houses as they were tried before civil courts in Paris, Tours and Bordeaux. Ghosts in these cases did not simply appear as products of their dire and distressing times but rather they had an active role in the resolution of conflicts. Conflicts over haunted houses occurred within both communities (Protestant and Catholic) and families at a time of civil war. And they involved both lay and religious powers, who strove sometimes to confirm their jurisdiction over these affairs and sometimes to thwart the actions of spectral agents. The chronology of this book’s enquiry stops on the brink of trials for superstition conducted against ghosts, by the middle of the seventeenth century. At that precise moment ghosts lost their agency in justice and their very existential substance. A concluding chapter considers the consequences of this pragmatic history of ghosts for the Enlightenment and beyond.
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Yory, Carlos Mario, Augusto Forero-La-Rotta, John Anderson Ángel-Peña, Elvia Isabel Casas-Matiz, Andrés Moreno-Sierra, Angelo Páez-Calvo, and Luis Alfonso Castellanos-Gómez. Hábitat sustentable, diseño integrativo y complejidad: una aproximación multifactorial. Edited by Carlos Mario Yory. Editorial Universidad Católica de Colombia, 2020. http://dx.doi.org/10.14718/9789585133570.2020.
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The conceptualization of the notions of sustainable habitat, integrative design and complexity raises the need to address the questions, how to contribute to the habitat sustainable from transdisciplinary processes? What is the responsibility of design in the current context? Moreover, how to face the complexity of thinking and responding to the urban, architectural and technological phenomena? These approximations are built from three perspectives: cultural and comprehensive management of the territory; technology, environment and sustainability; and integrative design, habitat and project. For this, it begins with a reflection on the meaning of design in relation to way, and how this is understood as a meta-discipline that integrates the voice of experts with that of people who live, enjoy or suffer from design objects. Subsequently, the relation between the notions of integrative design, habitat and complexity, in light of transdisciplinarityFrom this framework, it deepens the link among governance, resilience and urban reconversion, in times of neoliberal and hypercompetitive globalization, based on ecological ethics, civic participation and co- responsibility. On another scale, the connection among technology, environment and sustainability, from a vision of the future based on the use of energy; resource consumption; waste recycling, among others. As closure, addresses the matter of project research from an epistemological reflection that compromises the relationship between processes, maps and territories, to establish strategic notes for research-creation. As a conclusion, the commitment to reflection and the exercise of a responsible and integrative design.
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Lambright, Anne. Andean Truths. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781382516.001.0001.
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Andean Truths: Transitional Justice, Ethnicity, and Cultural Production in Post-Shining Path Peru studies how literature, drama, film, and the visual arts contest the dominant narrative of national peace and reconciliation, as constructed by Peru’s Truth and Reconciliation Commission. Established in 2001, the Commission aimed to ‘investigate and make public the truth’ of the country’s twenty-year civil war, drawing upon homologous predecessors that provided a highly scripted model of truth-gathering and national healing. In this model, a predetermined collective mourning, catharsis, and reconciliation would move the nation forward in a consensually-determined fashion. Andean Truths shows that the Peruvian case proves internationally-endorsed models insufficient for arriving at the ‘truth’ of a national trauma that primarily affected disenfranchised ethnic groups, namely, the Andean Quechua speaking populations that accounted for the overwhelming majority of victims of the violence. Even as scholars recognize the importance of bringing multiple voices to the table in discussing post-Shining Path Peru, the question remains of what a more Andean-oriented transitional justice process might entail. Drawing on theories of decoloniality, intercultural communication and epistemological diversity (following scholars such as Enrique Dussel, Aníbal Quijano and Boaventura de Sousa Santos), this book analyzes cultural products, from the theater of Yuyachkani to the narrative of Oscar Colchado Lucio, the art of Edilberto Jiménez, and other popular artistic responses, that highlight Andean understandings of the conflict and its aftermath. These cultural products challenge dominant understandings of the conflict and question Peru’s ability to overcome its collective trauma without seriously reconsidering prevailing cultural paradigms.
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Horvath, Christina, and Juliet Carpenter, eds. Co-Creation in Theory and Practice. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447353959.001.0001.
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In the current context of neo-liberal policies, market deregulation and global flows, cities around the world have been faced with the increasingly complex challenges of fragmentation and marginalisation, while ideals of close-knit communities, belonging, and citizenship have become ever harder to sustain. To understand processes of marginalisation and resilience from a multiplicity of viewpoints, there has been a growing demand for inclusive ways of knowledge production, taking into account approaches advocated by the civil society sector and knowledges carried by communities which have been encapsulated in the term ‘epistemologies of the South’. This volume seeks to respond to this need by arguing that collaborations between scholars, activists, stakeholders and communities together with artists can be used as a springboard to strengthen resilience in vulnerable urban areas by taking into account different viewpoints expressed through creative practice. It proposes to employ ‘Co-Creation’, reconceptualised as an alternative way to produce knowledge by bringing together academics, activists and artists and involving them in generating shared understandings of neighbourhoods and wider injustices in the city, through commonly-created artistic outputs. The authors use a multi-disciplinary framework to explore the relevance and suitability of Co-Creation as a broadly applicable methodology to challenge marginalisation in various contexts, primarily in Western Europe and Latin America. This comparative approach provides opportunities to test Co-Creation in various contexts and to address different forms of marginalisation including ethnic, racial, social, postcolonial and generational inequalities, and to discuss these experiences in the light of international debates on cohesive cities and active citizenship.
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Lerner, Ross. Unknowing Fanaticism. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823283873.001.0001.
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We may think we know what defines religious fanaticism: violent action undertaken with dogmatic certainty. But the term “fanatic,” from the European Reformation to today, has never been a stable term. Then and now it has been reductively defined to justify state violence and to delegitimize alternative sources of authority. Unknowing Fanaticism rejects the simplified binary of fanatical religion and rational politics and turns to Renaissance literature to demonstrate that fanaticism was integral to how both modern politics and poetics developed, from the German Peasant Revolts of the 1520s to the English Civil War in the mid-seventeenth century. This book traces two entangled approaches to fanaticism in the long Reformation: the targeting of it as a political threat and the engagement with it as an epistemological and poetic problem. In the first, thinkers of modernity from Martin Luther to Thomas Hobbes and John Locke positioned themselves against fanaticism to dismiss dissent and abet theological and political control. In the second, the poets of fanaticism investigated the link between fanatical self-annihilation—the process by which one could become a vessel for divine violence—and the practices of writing poetry. Edmund Spenser, John Donne, and John Milton recognized in the fanatic’s claim to be a passive instrument of God their own incapacity to know and depict the origins of fanaticism. This crisis led these writers to experiment with poetic techniques that would allow them to address fanaticism’s tendency to unsettle the boundaries between reason and revelation, human will and divine agency.
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Mikkola, Mari. Pornography. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190640064.001.0001.
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Everyday and philosophical debates concerning pornography are fraught with many difficult questions. These include: What is pornography? What does pornography do (if anything at all)? Is the consumption of pornography a harmless private matter, or does pornography violate women’s civil rights? What, if anything, should legally be done about pornography? Can there be feminist pornography? Answering these questions is complicated by confusion over the conceptual and political commitments of different anti- and pro-pornography positions, and whether these positions are even in tension with one another: different people understand the concept of pornography differently and easily end up talking past one another. This book provides an opinionated and accessible introduction to contemporary philosophical debates on pornography, which will be conducted from a feminist perspective. The book’s starting point is morally neutral, and it provides a comprehensive discussion of various philosophical positions on pornography that are found in ethics, aesthetics, feminist philosophy, political philosophy, epistemology, and social ontology. Topics include: whether pornography subordinates and silences women; free speech versus hate speech; whether pornography produces a distinct kind of knowledge; whether it objectifies and if so, in what sense; how should we think about the aesthetics of pornography; what difference do nonheteronormative, female-friendly and/or queer pornography make to philosophical debates. The book clarifies different stances in the debate, thus helping readers to understand what is at stake in philosophical examinations of pornography. In so doing, it also offers readers important methodological insights about doing philosophical work on something so this-worldly as pornography.
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Ferme, Mariane C. Out of War. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520294370.001.0001.
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Out of War is an ethnographic engagement with the nature of intercommunal violence and the material returns of history during and after the 1991–2002 Sierra Leone civil war. The questions raised concern the nature and reckoning of time and reality, fact and fiction; the experience of violence and trauma; the reversibility of perpetrator and victim, friend and enemy; and past, present, and future in the colony and postcolony. The book is a reflection on West African epistemologies and ontologies that contribute to questions in counterpoint with those of international humanitarianism, struggling with the possibilities of truth and quandaries of justice. In the context of massive population displacements and humanitarian interventions, the ethnography traces strategies of psychological, political, and cultural survival and material dwelling in liminal spaces in the midst of the destruction of the social fabric engendered by war. It also examines the juridical creation of new figures of crimes against humanity at the Special Court for Sierra Leone. The Sierra Leone scene, in the aftermath of war, is visualized as a landscape of chronotopes, neologisms that summon the uncertainty of war: the sobel (“soldier by day, rebel by night”), pointing to the instability of distinctions between enemy and friend, or of opposing parties in the war (the rebels of the Revolutionary United Front [RUF] and soldiers in the national army), and the rebel cross, pointing to the possibility that the purported neutrality of the Red Cross masked partisan interests alongside the RUF. Chronotopes also testify to the difficulty of discerning between facts and rumors in war, and they freeze in time collective anxieties about wartime events. Finally, beyond the traumas of war, the book explores the returns of material traces in counterpoint to the more “monumental” presence of Chinese investments in Africa today, and it explores the forgotten sensory history of another China (Taiwan versus the People’s Republic of China) and another Africa inscribed in ordinary agrarian practices on rural landscapes, and in the fabric of domestic life, particularly since the non-aligned movement emerged from the Bandung conference in 1955.