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Relevant bibliographies by topics / Epigrams

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Academic literature on the topic 'Epigrams'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Epigrams"

1

Śmiłek, Ewa. "De mu(d/t)ación. Un acercamiento a los “epigramas descompuestos” de Mario Martín Gijón." Monteagudo, no. 27 (March 9, 2022): 365–78. http://dx.doi.org/10.6018/monteagudo.477531.

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Classical literature, regardless of genre, has an influence on even the most recent Spanish poetry. The goal of this article is to show that Greco-Latin heritage is visible also in the works of Mario Martín Gijón (1979), although modified, adapted and (re)created in its own way. The object of this analysis is one of the parts of Latidos y desplantes (2011), the one titled “epigramas descompuestos” (decomposed epigrams). The article attempts to demonstrate that the epigrams that make up this section of the poet's first book are a reinvention of the epigrams of Marcus Valerius Martialis, reflecting the poetics and aesthetics of the Spanish author. La literatura clásica, independientemente del género, influye incluso en la poesía española más reciente. El objetivo del presente artículo es demostrar que en la lírica de Mario Martín Gijón (1979) se percibe la herencia grecolatina. No obstante, esta queda demudada y apropiada, (re)creada de una manera propia. El objeto del análisis lo constituye una de las partes de Latidos y desplantes (2011), la titulada “epigramas descompuestos”. Se intenta probar que los epigramas que componen esta sección del primer libro del poeta son una reinvención del epigrama marcialesco, que refleja la poética y la estética del autor extremeño.

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Overduin, Floris. "Drie broers en een schipbreukeling." Lampas 52, no. 4 (December 1, 2019): 453–72. http://dx.doi.org/10.5117/lam2019.4.005.over.

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Summary In this article I will apply an intertextual perspective to a selection of epigrams from the Greek Anthology in order to assess the role of variation within these epigrams. Within the tradition of the literary epigram, the element of variation had always been important, yet some Hellenistic and Imperial epigrammatists, such as Archias and Zosimus, took this dimension of the genre to extremes, in creating strings of epigrams which intentionally vary on their Imperial models and on their Imperial models´ Hellenistic models. This article charts some of these epigrammatic ‘chain reactions’: the poems on the three hunting brothers Damis, Clitor and Pigres, the birthday epigrams of Leonides of Alexandria, the epigrams on the shipwrecked Antheus, and several epigrams on ships that were destroyed prematurely. All serve to assess the way in which intertextual processes develop within the epigrammatic tradition, and to show that such a perspective is essential to their appreciation.

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Mattiacci, Silvia, José Amarante, and Renato Ambrosio. "QUANDO A IMAGEM NECESSITA DA PALAVRA: REFLEXÕES SOBRE A POÉTICA DA ÉCFRASE NO EPIGRAMA LATINO | WHEN THE IMAGE NEEDS THE WORD: REFLECTIONS ON THE POETICS OF EKPHRASIS IN THE LATIN EPIGRAM." Estudos Linguísticos e Literários, no. 62 (June 26, 2019): 3. http://dx.doi.org/10.9771/ell.v0i62.32074.

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<p>Este artigo se centra em alguns epigramas de Marcial (7, 84; 9, 76; 10, 32; 1, 109; 9, 43-44) e Ausônio (<em>epigr</em>. 12; <em>Biss</em>. 5; <em>epigr</em>. 11 Green) com o objetivo de refletir sobre a relação complexa entre arte e texto. Os exemplos selecionados destacam as estratégias com as quais o epigrama ecfrástico pretende apresentar-se não como o pálido reflexo do poder de uma imagem, mas como um produto criativo e competitivo que expressa algo que a imagem visual não consegue expressar.</p><p><strong>Abstract:</strong> <em>This article focuses on some epigrams by Martial (7.84; 9.76; 10.32; 1.109; 9.43- 44) and Ausonius (</em>epigr<em>. 12; </em>Biss<em>. 5; </em>epigr<em>. 11 Green) with the aim of reflecting on the complex relationship between art and text. The examples selected highlight the strategies with which ekphrastic epigram intends to present itself not as the pale reflection of the power of an image, but as a creative and competitive product expressing something that visual image cannot express</em>.</p><p>Keywords: <em>Ekphrastic epigram; Martial; Ausonius; Art/text</em>.</p>

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Ritter, Bradley. "“Our very prison this earth is”: the world as prison and other images common to More's Epigrams and later works." Moreana 60, no. 2 (December 2023): 178–95. http://dx.doi.org/10.3366/more.2023.0150.

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More's Epigrams of 1518, usually associated with More's humanist phase, contain a number of poems designed as meditations on proper attitudes towards the goods of fortune. Special attention is given to how phrasing and argumentation used in the Epigrams reappears within a number of More's later works, including Last Things, Treatise on the Passion, and A Dialogue of Comfort against Tribulation. Both briefer and longer examples are discussed, the latter including More's more elaborate description of the world as prison (Epigram 119) and fame as an insubstantial wind (Epigram 132). Numerous parallels between the arguments of these epigrams and his later works, written for “spirituall profytt” ( The Correspondence of Sir Thomas More, ed. Elizabeth Frances Rogers [Princeton, NJ: Princeton University Press, 1947], 531), are examined, giving us insights into the writings of the humanist More. As much of his earlier English poetry, some of the More's Latin poems were written with an eye towards “the happy continuannce and graciouse encreace of vertue” ( CW 1:51/20–21)

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Orłowska, Ewa. "Przekład epigramatów wotywnych Leonidasa z Tarentu z VI ks. „Antologii Palatyńskiej”." Classica Wratislaviensia. Series Altera 1 (February 22, 2024): 65–76. http://dx.doi.org/10.19195/2956-8897.1.4.

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This paper presents a Polish translation of the votive epigrams by Leonidas of Tarentum from Book VI of Anthologia Palatina. Leonidas, a Hellenistic poet typically assigned to the first half of the third century BC, who has approximately 100 epigrams attributed to him. While adhering to the conventional structure of votive epigram and epitaph, his poetry stands out for its innovation. The epigrammatist employs a language that is both lavish and ornamental, utilizing numerous poetic devices to vividly depict ordinary people and artisans. However, his poems extend beyond these subjects, with Leonidas also lauding renowned poets, crafting ecphrases of artworks, and composing reflective epigrams on philosophical themes.

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Ruiz Sánchez, Marcos, and María Ruiz Sánchez. "Elementos iconográficos y emblemáticos en los epigramas de Interián de Ayala." IMAGO. Revista de Emblemática y Cultura Visual, no. 10 (February 4, 2019): 217. http://dx.doi.org/10.7203/imago.10.13132.

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ABSTRACT: The Neo-Latin poetry of Interián conveys the interest of the author of the Pictor Christianus in iconography and emblems. This interest is expressed in all of his compositions. But it is in the epigrams in particular where this side of the Mercedarian writer can be best observed. KEYWORDS:Juan Interián de Ayala,Epigrams, Iconography, Emblems. RESUMEN: La poesía neolatina de Interián refleja el interés del autor del Pictor Christianus por la iconografía y los emblemas. Este interés se manifiesta en todas sus composiciones. Pero es sobre todo en los epigramas donde mejor puede observarse esta faceta del escritor mercedario. PALABRAS CLAVES: Juan Interián de Ayala; epigramas; iconografía; emblemas.

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Kapsoli Escudero, Wilfredo. "relectura de Semblanzas (sátira y política de Ricardo Palma)." Aula Palma, no. 20 (January 2, 2023): 249–64. http://dx.doi.org/10.31381/ap.v20i20.4456.

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Ricardo Palma es el creador del género literario conocido como tradición, que son narraciones cortas con fines de difundir una historia sonriente del Perú desde el mundo de los incas hasta la sociedad republicana. Aunque no las desarrolló en extenso, nuestro autor también nos ha dejado epigramas1 satíricos dedicados a parlamentarios y autoridades gubernamentales del país en su libro Semblanzas (1867). Precisamente la importancia de esta creación la dio a conocer nuestro maestro Alberto Tauro del Pino con un prólogo a dicha creación literaria (1965) y que nosotros lo respaldamos con una nueva lectura del documento mencionado. Palabras claves: Tradición, Semblanzas, epigrama, sátira, diputado. Abstract Ricardo Palma is the creator of the literary genre known as Las Tradiciones, which are short stories with the purpose of spreading a Smiling History of Peru from the world of the Incas to the republican society. Although he did not develop it extensively, he has also left us satirical epigrams dedicated to parliamentarians and government authorities of the country. In fact, the importance of this creation was made known by our teacher Alberto Tauro del Pino with a prologue to this literary creation, which we support with a new reading of the paper mentioned. Keywords: Tradition, portraits, epigram, satire, deputy.

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Bértola, Julián. "Ephraim of Ainos at work: a cycle of epigrams in the margins of Niketas Choniates." Byzantinische Zeitschrift 114, no. 3 (September 1, 2021): 929–1000. http://dx.doi.org/10.1515/bz-2021-0052.

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Abstract This article offers the first critical edition of a cycle of epigrams found in the margins of six manuscripts of Niketas Choniates’ History. This paper also proposes the attribution of the poems to Ephraim of Ainos, an author mainly known for his verse chronicle, which has Niketas Choniates as a source. Our poems occur in a group of manuscripts which we already knew Ephraim had used for his chronicle. Many formal parallels between the epigrams and the chronicle point to the same author and a book epigram connects one important manuscript with the city of Ainos. This paper reassesses the manuscript tradition of the epigrams with special emphasis on the marginalia of Niketas Choniates. The critical text of the poems is accompanied by two apparatuses and an English translation. The edition is preceded by some methodological considerations and followed by two appendices and three indices.

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Begass, Christoph. "Kaiserkritik in Konstantinopel. Ein Spottepigramm auf Kaiser Anastasius bei Johannes Lydus und in der Anthologia Palatina." Millennium 14, no. 1 (February 23, 2017): 103–50. http://dx.doi.org/10.1515/mill-2017-0004.

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Abstract In De magistratibus John Lydus refers to an epigram of eight lines insulting emperor Anastasius (491-518) as a money-collecting Charybdis. A similar version of this poem can be found in the Greek Anthology where it is divided into two epigrams of four lines each (AP XI 270 -71). In a first step, a critical edition of the epigram is established. On this basis it becomes clear that the earlier version referred to by Lydus comes close to the original poem. A detailed commentary reveals it as work of an able and witty poet who was familiar with both classical epic poetry and the formulas used in late antique laudatory epigrams. Looking at the historical background of the epigram, the paper highlights the history and varieties of Kaiserkritik in Late Antiquity and Byzantium, while another chapter takes a closer look at the far-reaching reforms undertaken by Anastasius which were heavily criticized by contemporaries. Taking into account the function of the epigram in Lydus’ work, it seems certain that John Lydus himself composed the poem to support his general criticism of the administrative reforms of both Anastasius and Justinian.

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Jones, Kenneth R. "ALCAEUS OF MESSENE, PHILIP V AND THE COLOSSUS OF RHODES: A RE-EXAMINATION OF ANTH. PAL. 6.171." Classical Quarterly 64, no. 1 (April 16, 2014): 136–51. http://dx.doi.org/10.1017/s0009838813000591.

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Among the poems of the Greek Anthology is one (Anth. Pal. 6.171) which purports to be the dedicatory inscription of the Colossus of Rhodes built to celebrate the Rhodians' successful resistance to the siege of their island by Demetrius Poliorcetes in the years 305–304 b.c. It has long been assumed by scholars that this epigram represents the authentic dedicatory inscription carved on the base of the Colossus, which was completed in the 280s and stood for some sixty years before being destroyed by an earthquake that rocked the island of Rhodes in the 220s. There are, however, strong reasons to doubt the epigram's authenticity, some of which come from considerations of the poem itself and others which come from a comparison with a closely related epigram (Anth. Pal. 9.518) composed by Alcaeus of Messene to celebrate Philip V's military successes during his Aegean campaign of 203–200. Verbal and thematic parallels between the two epigrams make a connection certain. It is the aim of the present study to re-examine the Rhodian epigram and its relation to Anth. Pal. 9.518 in order to propose a new date for the former in the context of Rhodes' defeat of Philip V and the advent of Rome in the affairs of the states ringing the Aegean.

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Dissertations / Theses on the topic "Epigrams"

1

Markwald, Georg. "Die homerischen Epigramme sprachliche und inhaltliche Untersuchungen /." Königstein/Ts : A. Hain, 1986. http://catalogue.bnf.fr/ark:/12148/cb34885579t.

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Ypsilanti, Maria. "An edition with commentary of selected epigrams of Crinagoras." Thesis, University College London (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405635.

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Rossi, Laura. "The epigrams ascribed to Theocritus : a method of approach /." Leuven ; Paris ; Sterling (Va.) : Peeters, 2001. http://catalogue.bnf.fr/ark:/12148/cb39233621x.

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Littlewood, Rosemary. "A comparison of the epigrams of Martial and John Owen." Thesis, University of Leeds, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634531.

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This comparison of the epigrams of Martial and Owen endeavours to assess whether the title of Martialis Redivivus, bestowed on Owen by scholars and critics as soon as his epigrams were first published, was justified. The comparison covers their lives, their literary output and problems of authorship against the background of life in the Roman Empire of the 1st century A.D. and the early Stuart period in England. Owen's contemporary popularity and later neglect is noticed. Their use of patronage is treated in detail and includes their own attitude to it, their relationship with their patrons and with the court. The subjects of their epigrams also receive detailed comment and comparison. These reveal the poets' own attitude to the genre of epigram and deal with the traditional themes of satiric verse as well as serious topics such as death, philosophy of life, friendship and especially Owen's strong support for the Protestant religion. Martial's and Owen's own epigrams are throughout quoted as important evidence. Their literary and linguistic technique is reviewed and Owen's debt to the Welsh Cynghanedd is noted. Finally some of the verdicts, past and present, on Owen as a writer are collated, before a final summary of similarities and differences. At the end an answer is attempted to the question posed at the beginning.

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Colton, Robert E. "Juvenal's use of Martial's epigrams : a study of literary influence /." Amsterdam : A.M. Hakkert, 1991. http://catalogue.bnf.fr/ark:/12148/cb36657664v.

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Ribeiro, Marcio Luiz Moitinha. "Epigramas de Henrique Caiado: estudo e tradução dos livros I e II." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-19012012-142630/.

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Focalizamos o estudo e a tradução dos livros I e II dos Epigramas do poeta renascentista português Henrique Caiado. A tese está dividida em três partes: a primeira diz respeito à vida e obras do poeta; depois passamos às origens do gênero epigramático, subdivididas nas origens propriamente ditas, nos tipos, nas características e nos poetas epigramáticos gregos e romanos; na última parte, a partir da tradução dos poemas originais fazemos um estudo analítico dos epigramas no qual tecemos comentários linguísticos, estilísticos, moralizantes e laudatórios. Nesses últimos analisamos alguns encômios que o poeta faz a personagens portugueses e italianos ilustres, e retiramos exemplos que comprovem nossas afirmações. Para a elaboração deste trabalho, servimo-nos sobretudo da edição, cada vez mais rara, do Corpus Illustrium Poetarum Lusitanorum do Pe. Antonio dos Reis e de Manuel Monteiro, editada em 1748 e fotocopiada gentilmente pelo professor Doutor Sebastião Tavares, da Universidade de Coimbra.
We focus on the study and translation of Books I and II of epigrams of the Portuguese renaissance poet, Henrique Caiado. The thesis is divided into three parts: the first concerns the life and works of the poet, after we have the origins of the epigrammatic genre, subdivided into their respective origins, types, features, and the epigrammatic Greek and Roman poets; in the last part from the translation of the original poems, we make an analytical study of the epigrams in which we weave linguistic, stylistic, uplifting and laudatory comments. In the latter, we analyze a passage in which the poet extols the distinguished Portuguese and Italian characters always presenting examples which prove our claim. In carrying out this work, we used mainly the increasingly rare issue of the Corpus Illustrium Poetarum Lusitanorum of Father Antonio dos Reis and Manuel Monteiro, published in 1748 and kindly photocopied by Professor Dr. Sebastião Tavares of the University of Coimbra .

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Hayes, Sam Alexander. "Martial the book poet : contextu(r)alising the Flavian poetry book." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/26157.

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This thesis explores how the reader is invited to read the books of Martial’s Epigrams, arguing that the epigrammatist has arranged the poems in his libelli in a specific order that rewards a sequential reading of the text from start to finish. Instead of viewing Martial as an anthologist who collated a series of occasional poems for their later publication, the thesis demonstrates that the poet showed awareness of his epigrams’ position within a larger ‘contexture’, and that he primes the reader throughout the Epigrams to envisage the books as thematically unified wholes. By viewing the Epigrams as a text to be read from beginning to end, rather than a text to be excerpted and anthologised, one can read each epigram in the wider context of its book, and better appreciate that book’s structural unity. Chapter one introduces the issues at stake in how one reads a book of epigrams, and provides the thesis’ methodological approach. Special attention is paid to the phenomenology of reading as a hermeneutic act, drawing together approaches to the Epigrams from classical scholarship as well as from reception and comic book theories to detail the method of ‘cumulative reading’ employed in the thesis. The second chapter then examines how Martial characterises the lector studiosus in his text, and how this depicted reader acts as a model for the actual reader to follow in their own sequential reading of the Epigrams. Chapter three focuses on Epigrams 7, demonstrating that the opening poems of the book establish the emperor Domitian as a thematic centrepiece around whom the rest of the book’s themes cluster. The fourth chapter also examines book 7, demonstrating how two different uses of watery motifs develop their individual thematic unity across the book, while also linking themselves back to the book’s opening imperial cycle to craft an overarching structural unity for the libellus. Chapter five then gives an overview of the larger structure of the Epigrams, arguing that the paratextual prose prefaces in books 1, 2, 8, 9, and 12 reinforce the individuality of the books they precede as well as establishing their own place within the wider corpus. Overall, this thesis puts the epigrammatic libellus back into the context of late first century AD book culture, emphasising that Martial paid attention not only to his epigrams’ position within their own books, but also their place within the wider corpus.

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Stevenson, Harald Edward. "The French and neo-Latin epigram (1530-1560)." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648873.

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Carson, Keiran Desmond. "A commentary on the prose preface and epigrams 1-20 of Martial Book 12." Thesis, Durham University, 2018. http://etheses.dur.ac.uk/12530/.

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This PhD thesis provides a commentary for the prefatory epistle and the opening twenty epigrams of Martial Book 12. The texts will be analysed through an interpretative method and focus will be placed upon intra- and intertextual references in order to orientate the work within the broader framework of Ancient literature. Beyond the concentration upon literary allusions, attention will be paid to metrical and philological concerns in order to distinguish Martial’s particular techniques and innovations from conventional or generic usages. Each text will be accompanied with a translation and an introductory essay, which will focus upon the structure, style and content of the text, in order to provide a clear and unambiguous interpretation for each work. A supplementary thematic essay will also be supplied, when it is necessary to pursue particular points that cannot be catered for in the lemmatised entries or the initial essay on the content and structure of each text.

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Althaus, Thomas. "Epigrammatisches Barock." Berlin : De Gruyter, 1996. http://books.google.com/books?id=3zZZAAAAMAAJ.

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Books on the topic "Epigrams"

1

Martial. Epigrams. Cambridge, Mass: Harvard University Press, 1993.

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Ndi, Bill F. Epigrams. Mankon, Bamenda, North West Region, Cameroon: Langaa Research & Pub., 2012.

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3

Martial. Epigrams. Cambridge, Mass: Harvard University Press, 1993.

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Martial. Epigrams. Cambridge, Mass: Harvard University Press, 1993.

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Wilde, Oscar. Epigrams. White Plains, N.Y: Peter Pauper Press, 1990.

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1965-, Williams Craig A., ed. Epigrams. Oxford, England: Oxford University Press, 2004.

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1941-, Howell Peter, ed. Epigrams V. Warminster, England: Aris & Phillips, 1995.

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translator, McLean Susan 1953, ed. Selected epigrams. Madison, Wisconsin: The University of Wisconsin Press, 2014.

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1947-, Watson Lindsay, and Watson Patricia A. 1947-, eds. Select epigrams. Cambridge, U.K: Cambridge University Press, 2003.

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Annette, Harder, Regtuit R. F, and Wakker G. C, eds. Hellenistic epigrams. Leuven, Belgium: Peeters, 2002.

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Book chapters on the topic "Epigrams"

1

Breitenbach, Alfred. "Pseudo-Senecan Epigrams." In A Companion to Ancient Epigram, 557–73. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118841709.ch32.

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Bold, Alan. "Epitaphs and Epigrams." In A Burns Companion, 360–64. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21165-4_17.

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Rainier, Priaulx. "Three Greek Epigrams (1937)." In New Vocal Repertory, 160–62. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18494-1_48.

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Leishman, J. B. "Epigrams, Elegies, Satires, Verse Letters." In The Monarch of Wit, 50–140. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003214601-3.

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Brown, Robert D., and Robert DeMaria. "Translations of Two Greek Epigrams." In The Complete Poems of Samuel Johnson, 238–40. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003273257-43.

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Coiro, Ann Baynes. "Epigram." In The Oxford History of Poetry in English, 190–207. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198930259.003.0019.

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Abstract The epigram, an ancient form, is both fundamental to humanist education and shapes new ways of thinking in the seventeenth century. The epigram’s classical models, Martial and the Greek Anthology, arrange epigrams into networks. Martial arranges his epigrams in groups of about a hundred, conveying a self that interacts with and observes contemporary society. The Greek Anthology gathers thousands of strikingly heterogeneous epigrams, and this more expansive model of gathering rivals Martial’s or subsumes it during the seventeenth century. Emblems develop inscriptions into image, motto, and epigram. Visual and concrete, seventeenth-century epigrams abet new scientific thinking. Assembled in networks, they allow new political and philosophical speculation. Concise, witty, and often tightly rhymed, they shape English writing from the sonnet through the prose essay, from metaphysical poetry through the heroic couplet’s dominance. The seventeenth-century epigram is exemplified by eight paired poets: Donne and Jonson; Herbert and Crashaw; Herrick and Cavendish; Marvell and Milton.

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Smith, Steven D. "Art, Nature, Power." In Greek Epigram from the Hellenistic to the Early Byzantine Era, 339–54. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198836827.003.0020.

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This final chapter demonstrates the importance of contextualizing epigrams into the sociohistorical circumstances of their era if we want to achieve a deeper comprehension of the transformations that various motifs undergo through space and time. The chapter analyses a cluster of epigrams on imperial gardens that date from the first to the seventh century CE, and shows how these poems reflect diverse views about imperial power, aesthetics, pagan culture, and Christianity. The chapter discusses first an epigram from the Neronian era, then moves forward to late antiquity to consider a sequence of garden epigrams from the age of the Emperor Justinian (sixth century CE). The chapter concludes with an explicitly Christian garden epigram from the reign of the Emperor Heraclius (seventh century CE).

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Ausonius], Ausonius [Decimus Magnus. "Epigrams." In The Works of Ausonius, edited by Roger P. H. Green, 376–77. Oxford University Press, 1991. http://dx.doi.org/10.1093/oseo/instance.00090083.

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Martialis], Martial [Marcus Valerius. "Epigrams." In A Commentary on Martial, Epigrams Book 9, edited by Christer Henriksen, 1. Oxford University Press, 2012. http://dx.doi.org/10.1093/oseo/instance.00087719.

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Martialis], Martial [Marcus Valerius. "Epigrams." In Martial: Epigrams: Book Two, edited by Craig A. Williams, 15. Oxford University Press, 2004. http://dx.doi.org/10.1093/oseo/instance.00088173.

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Conference papers on the topic "Epigrams"

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Morris, Peter. "Epigram prime." In the third ACM SIGPLAN workshop. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1863597.1863610.

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Uesugi, Hideyuki, Masayuki Uesugi, and Teruhiro Tani. "Image Processing Scheme for Archiving Epigraphs." In 2018 3rd Digital Heritage International Congress (Digital Heritage) held jointly with 2018 24th International Conference on Virtual Systems & Multimedia (VSMM 2018). IEEE, 2018. http://dx.doi.org/10.1109/digitalheritage.2018.8810059.

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Lin, K. F., and W. Yang. "Steel-plate magic mirror." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1993. http://dx.doi.org/10.1364/oam.1993.thdd.64.

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The so called “light-penetrating mirror” was considered an ingenious achievement in optical and metallurgical techniques in ancient China.1 The front side of the mirror is a smooth reflecting surface and the rear side is engraved with several Chinese epigraphs.

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Dong, Guang, Weili Shi, Yu Miao, Honghua Xu, and Rui Feng. "Research of the Edge Extraction about Archaic Epigraph." In 2010 International Conference on E-Product E-Service and E-Entertainment (ICEEE 2010). IEEE, 2010. http://dx.doi.org/10.1109/iceee.2010.5661483.

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Liguo Shuai, Chunxiao Gu, Huiling Chen, and Zhiting Zhou. "Research on the tactile recognition to epigraph and inscription." In 2009 IEEE 10th International Conference on Computer-Aided Industrial Design & Conceptual Design. IEEE, 2009. http://dx.doi.org/10.1109/caidcd.2009.5375180.

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Soumya, A., and G. Hemantha Kumar. "Recognition of ancient Kannada Epigraphs using fuzzy-based approach." In 2014 International Conference on Contemporary Computing and Informatics (IC3I). IEEE, 2014. http://dx.doi.org/10.1109/ic3i.2014.7019645.

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Zabotin, Igor, and Ksenia Kazaeva. "Cutting-plane method with embedding of epigraphs of auxiliary functions." In 2017 Constructive Nonsmooth Analysis and Related Topics (dedicated to the memory of V.F. Demyanov) (CNSA). IEEE, 2017. http://dx.doi.org/10.1109/cnsa.2017.7974033.

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Soumya, A., and G. Hemantha Kumar. "Classification of Ancient Epigraphs into Different Periods Using Random Forests." In 2014 Fifth International Conference on Signal and Image Processing (ICSIP). IEEE, 2014. http://dx.doi.org/10.1109/icsip.2014.33.

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Martín, Gonzalo, David E. Singh, Maria-Cristina Marinescu, and Jesús Carretero. "Parallel algorithm for simulating the spatial transmission of influenza in EpiGraph." In the 20th European MPI Users' Group Meeting. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2488551.2488585.

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Tofighi, Mohammad, Kivanc Kose, and A. Enis Cetin. "Denoising using projections onto the epigraph set of convex cost functions." In 2014 IEEE International Conference on Image Processing (ICIP). IEEE, 2014. http://dx.doi.org/10.1109/icip.2014.7025548.

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Reports on the topic "Epigrams"

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Zhytaryuk, Maryan. UKRAINIAN JOURNALISM IN GREAT BRITAIN. Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11115.

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Professor M. Zhytaryuk’s review is about a book scientific novelty – a monograph by Professor M. Tymoshyk «Ukrainian journalism in the diaspora: Great Britain. Monograph. K.: Our culture and science, 2020. 500 p. – il., Them. pok., resume English, German, Polish.». Well-known scientist and journalism critic, Professor M. S. Tymoshyk, wrote a thorough work, which, in terms of content, is a combination of a monograph, a textbook and a scientific essay. This book can be useful for both students and practicing journalists or anyone interested in the history of the Ukrainian diaspora, Ukrainian journalism and Ukrainian culture. The author dedicated his work to Stepan Yarmus from Winnipeg, Canada – archpriest, journalist, editor, professor. As the epigraph to the book were taken the words of Ivan Bagryany: «Our press, born under the sword of Damocles of repatriation», not only survived and survived to this day, but also showed a brilliant ability to grow and develop. It was shown that beggars that had come to the West without money at heart can and know how to act so organized. It was also an example of how a modern «enbolshevist» and «denationalized» by the occupier man person is capable of a combined mass action».

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