Relevant bibliographies by topics / Epigrammata

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  2. Dissertations / Theses
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Academic literature on the topic 'Epigrammata'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Epigrammata"

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Farkas, Zoltán. "Epigrammata Pselli." Acta Antiqua Academiae Scientiarum Hungaricae 50, no. 1 (June 2010): 97–102. http://dx.doi.org/10.1556/aant.50.2010.1.7.

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Vučko, Tine. "Marcial: Martialis epigrammata selecta." Keria: Studia Latina et Graeca 3, no. 2 (December 15, 2001): 169. http://dx.doi.org/10.4312/keria.3.2.169-171.

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Piše se že tretje tisočletje in živimo v času »moderne književnosti«, na čelu katere se je v zadnjem času - volens nolens- znašel predvsem Harry Potter. Pa tudi on ne more shajati brez latinščine - že ko boste odprli katero od knjig, boste še pred prvim poglavjem najprej naleteli na kaligrafsko izpisano misel Draco dormiens nunquam titillandus. Nadaljnje razmišljanje prepuščam vsakemu posamezniku. Za prevajanje Marciala me je navdušil predvsem literarni večer, ki so ga v šolskem letu 1999/2000 na Gimnaziji Poljane pripravili študentje oddelka za klasično filologijo (izbor prevedenih epigramov so tudi izdali, gl. seznam literature). Do tedaj te zvrsti niti nisem poznal, saj se ji pri rednem pouku latinščine nismo posvečali, zato je bil tisti večer zame pravzaprav čisto novo odkritje. Vzhičen sem bil ob brezhibnih distihih in odličnih prevodih in se obenem spraševal, ali sem česa takega sposoben tudi sam.
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Doyle, Charles Clay. "Bourbon’s Nugae and More’s Epigrammata." Moreana 32 (Number 123-, no. 3-4 (December 1995): 3–12. http://dx.doi.org/10.3366/more.1995.32.3-4.4.

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Grace, Damian. "Subjects or Citizens ? Populi and cives in More’s Epigrammata." Moreana 25 (Number 97), no. 1 (March 1988): 133–36. http://dx.doi.org/10.3366/more.1988.25.1.23.

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Ransom, Emily Ann. "The Intersection of Poetry and Politics in More’s Epigrammata." Moreana 47 (Number 181-, no. 3-4 (December 2010): 219–34. http://dx.doi.org/10.3366/more.2010.47.3-4.11.

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Though the obvious understanding of Thomas More’s Epigrammata, initially published with the 1518 edition of Utopia, is that of the poetic portfolio of a rising statesman, the intensity of the proceeding dispute with the French poet Brixius indicates a significance beyond the poems at hand. As his letter in response to Brixius explains, More writes with a particular concern for the plight of poetry and the character of the poet. Though he criticizes Brixius for cheap imitation of the ancients, he adapts and composes lines capable of containing both the mockery and the moralizing of his Latin and Greek predecessors. While it is undoubtedly More’s wit that commends his collection to his contemporaries, it is his commitment to truth that proves transformative in the development of the Renaissance epigram. These often-neglected poems and their commitment to laughter and learning may inform our understanding of the author and his ever-celebrated works.
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Höschele, Regina. "Nikarchos II: Epigrammata. Einleitung, Texte, Kommentar by Andreas Schatzmann." Classical World 107, no. 4 (2014): 565–66. http://dx.doi.org/10.1353/clw.2014.0031.

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McCutcheons, Elizabeth. "Laughter and Humanism: Unity and Diversity in Thomas More’s Epigrammata." Moreana 52 (Number 201-, no. 3-4 (December 2015): 221–33. http://dx.doi.org/10.3366/more.2015.52.3-4.15.

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Pawłowska, Beata. "In memoriam sanctorum martyrum. Epigramaty damazjańskie w rzymskich katakumbach." Vox Patrum 46 (July 15, 2004): 489–97. http://dx.doi.org/10.31743/vp.6853.

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Der Kult der Martyrer entwickelte sich besonders in der zweiten Haifte des IV. Jahrhunders (wahrend des Pontifikats von Damasus). Ihm verdanken wir vor ailem Ausbau, Verbreitung und Zugangiichkeit von christiischen loca sancta. Damasus hat kein Geid gespart, um die Grabstatte zu erweitern, sie mit Marmorpiatten, Goid und Inschriften zu schmucken. Epigrammata damasiana enthaiten Biographien der Martyrer, Beschreibungen ihrer martyrerischen und lobenswerten Tod. Heutzutage ist ihre Roiie unersetziich fur die Lokaiisation und Identifikation von Martyrergrabstatten.
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Nowaszczuk, Jarosław. "Epigrammata longiora sine vitio. Egzemplifikacje Jakuba Masena w cyklu Narodzenie Chrystusa." Roczniki Humanistyczne 63, no. 3 (2015): 123–47. http://dx.doi.org/10.18290/rh.2015.63.3-8.

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Grace, Damian. "Thomas More's Epigrammata: political theory in a poetic idiom." Parergon 3, no. 1 (1985): 115–29. http://dx.doi.org/10.1353/pgn.1985.0005.

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Dissertations / Theses on the topic "Epigrammata"

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Francis, Charlotte, and n/a. "Martial Epigrammata Book X : a commentary." University of Otago. Department of Classics, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070614.133509.

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This thesis represents the first full-scale commentary on Book 10 of Martial�s Epigrams. Jenkins� commentary on Book 10, a thesis from Cambridge in 1982, is the other detailed commentary on Book 10, but examines only 23 of the 104 epigrams from the book, selected according to significance or as being representative of broad categories and themes. My primary purpose is to present a literary analysis of the complete book, taking into account the literary tradition, and explaining the poems from a historical, social and political perspective. Most commentaries follow a traditional approach where the focus is investigation of the philological aspects of each epigram. These commentaries in their analysis of individual poems often fail to provide insight into Martial�s literary intentions for a particular poem, and the book as a coherent whole is generally not taken into consideration. My commentary provides an exploration of programmatic and structural issues which contribute to the book�s thematic continuity and unity. Aspects for consideration include the function and application of themes and motifs throughout the book, interrelationships of poems and their position within the book. Examination of these features is fundamental towards understanding Martial�s literary objectives in Book 10.
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Ransom, Emily Ann. "Fingerprints of Thomas More's Epigrammata on English Poetry." NCSU, 2009. http://www.lib.ncsu.edu/theses/available/etd-11122009-145232/.

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Thomas Moreâs Latin epigrams, published with the second edition of Utopia in 1518, were apparently widely read both among contemporary European intellectuals and during the subsequent development of English poetry. With a humble audacity that could engage Classical authors in a Christian posture, More cultivated a literary climate that could retain the earthiness of the middle ages in dialogue with the ancients, and is more responsible for the ensuing expansion of vernacular poetry than perhaps any other Henrican author. This thesis probes the Classical influences and Humanist practices at work in the epigrams, explores their contemporary reception on the continent, and traces their legacy among sixteenth- and seventeenth-century English poets.
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Agnolon, Alexandre. "Uns epigramas, certas mulheres: a misoginia nos \"Epigrammata\" de Marcial (40 d.C - 104 d.C)." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-10012008-112116/.

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O presente trabalho tem por objetivos: em primeiro lugar, arrolar, traduzir e analisar epigramas de Marcial em que a mulher é objeto de invectiva; em segundo lugar, visa a rastrear, na tradição anterior ao poeta, o tema da misoginia, desde Hesíodo, no célebre episódio de Pandora (Teogonia, vv. 570- 612), passando pelos poetas iâmbicos arcaicos (Arquíloco, Hipônax e Semônides), até o uso que poetas latinos, como Catulo, Horácio e Juvenal, fizeram do tema, entendido agora como tópos. Em terceiro lugar, o presente trabalho pretende observar de que maneira o epigrama, ou melhor, sua possibilidade invectiva, se apropriou da misoginia, adequando-a às características principais do gênero, a saber, brevidade e agudeza, e, finalmente, tentar demonstrar que o vitupério a mulheres em Marcial é regulado e percebido mediante práticas retóricas (como os progymnásmata) e alguns trópoi (como a écfrase), que à época do poeta participavam da formação educacional do cidadão. Nesse sentido, pretendemos estudar particularmente as relações que a invectiva mantém, nos epigramas de Marcial, com a construção de imagens viciosas de mulher e suas relações com o gênero epidítico.
The aims of the present work are first, to list, translate and analyse Martial\'s epigrams in which women are the object of invective; second, to try to investigate, in the former tradition, the theme of misogyny, both in Greece (from Hesiod, in the celebrated episode of Pandora (Teogony, vv. 570-612), to the archaic iambic poets, Archilochus, Hipponax and Semonides), and in Rome (how misogyny, as a tópos, is treatead by Catullus, Horace and Juvenal). In the third place, the present research intends to study in what manner epigram, or more precisely, its vituperative possibility, appropriated the theme of misogyny, adapting it to the main characteristics of the genre, such as conciseness and acuteness. Finally, we attempt to demonstrate that the vituperation against women, in Martial, is regulated and perceived through various rhetorical practices (such as the progymnásmata) and trópoi (such as ekphrasis) that at the poet\'s time were an important part of the citizen\'s education. Therein, we intend to study, in particular, the analogies that the invective maintain, in Martial\'s epigrams, non only with the construction of images in which women are corrupted, but also with the relationship between these images and the epidictic genre.
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Vallat, Daniel. "Les anthroponymes dans les Epigrammes de Martial." Lyon 2, 2004. http://theses.univ-lyon2.fr/documents/lyon2/2004/vallat_d.

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L'onomastique des Epigrammes de Martial permet de mener, pour la première fois, une étude à la fois linguistique et littéraire, des anthroponymes dans un corpus latin. En nous appruyant sur la recherche linguistique moderne, nous organisons notre analyse à partir des concepts de notoriété du référent de l'anthroponyme (modèle du nom propre) et d'emploi du nom propre. Sont notoires pour Martial tous les noms dotés d'un référent (par exemple les patrons, ou l'empereur) au sein du monde flavien (dont toutes les strates sont représentées), tandis que la sphère culturelle introduit l'exemplum, modèle traditionnel que Martial subvertit volontiers. Les noms notoires sont les seuls à pouvoir supporter des modifications rhétoriques et tropiques : ce sont les emplois métaphoriques (à visée satirique) et métonymiques (plus poétiques). Dans la seconde partie, nous avons regroupé les noms sans notoriété, c'est-à-dire à référent fictif. Martial seul les choisit, mais pas au hasard : nous distinguons ainsi un emploi mimétique, qui imite un référent notoire ; un emploi typique, par inter- ou intra-textualité onomastiques ; des emplois mimétiques secondaires (sociolinguistiques et poétiques) ; l'emploi signifiant, enfin, qui double la rérérence par un signifié lexical reconnaissable dans le nom propre. C'est au sein de ces emplois que se développe le mieux la verve martialienne. Si nombre d'entre eux s'inscrivent dans une longue tradition littéraire (emploi signifiant, par exemple), Martial y fait preuve d'une richesse et d'une originalité inégalées
The onomastics of Martial's epigrams allow an original study of anthroponyms, both linguistic and literary, in a Latin corpus. Using the modern linguistics, we have organized our research from the concepts on notoriety of the name's referent, ans of name use. For Martial, all names endowed with a stable, associated referent are notorious. Social notoriety plays with the production of the referent (such as patrons, or the emperor) in the Flavian world (of which each element is represented) ; whereas the cultural one provides the traditional exempla, which Martial uses to modifying ironically. Notorious names are the only ones that can bear rhetoric and tropic changes : these are metaphoric use (with a satiric aim) and metonymic use (more poetic). In the second part, we have brought together names without notoriety, i. D. Names with a fictitious referent. Martial is the only one who chooses them, but certainly not at random. We have distinguished mimetic use, which imitates a notorious referent ; typical use, within onomastic intertextuality and intratextuality ; secondary mimetic uses (with sociolinguistic and poetical implications) ; significant use, that leads to read a lexical meaning into the name. In these uses, Martial's eloquence appears at best. Although some of them belong to an ancient literary tradition, through them, Martial shows unequalled abundance and originality
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Boijoux, Déborah. "Encomiastique, uarietas générique et philologie à la fin du XVe siècle : édition, traduction et commentaire des Epigrammata et des Epistolae d’Antonio Urceo Codro." Thesis, Nantes, 2020. http://archive.bu.univ-nantes.fr/pollux/show.action?id=49e54e6b-6b52-4e1a-ac63-41637000f866.

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Cette thèse propose, pour la première fois, l’édition critique des Épigrammes et des Lettres d’Antonio Urceo Codro, un humaniste né à Rubiera en 1446 et mort à Bologne en 1500 : poète de cour au service des Ordelaffi puis des Bentivoglio, ce philologue, helléniste réputé, fut aussi professeur de « grammaire, poétique et rhétorique » à l’Université de Bologne. Le travail philologique se double d’une enquête historique qui tente de définir le contexte politique et institutionnel précis dans lequel s’inscrit la composition de certaines pièces de circonstance. Enfin, une étude poétique souligne la profonde continuité des savoirs et leur mobilisation permanente chez un humaniste qui, à l’instar de ses contemporains, s’emploie, parallèlement à la relecture des textes antiques, à leur établissement et à la pratique de l’exégèse, à s’en faire l’émule et l’imitateur au sein d’une oeuvre personnelle. L’édition critique des Épigrammes d’Urceo Codro est accompagnée d’une traduction rythmée, ainsi que d’un apparatus fontium, d’un conspectus metrorum et d’un commentaire qui s’efforcent, pour chaque poème, de repérer ses sources et ses modèles, antiques et renaissants, afin de préciser l’esthétique de la uarietas mise en oeuvre par l’auteur. Pour mieux saisir le contexte intellectuel dans lequel s’insèrent les Épigrammes d’Urceo, et pour mettre en valeur les pratiques de composition qui s'y dessinent, viennent s’ajouter l’édition critique et la traduction annotée de ses dix Lettres, qui comptent, entre autres, Ange Politien et Alde Manuce parmi leurs destinataires. Enfin, un florilège de textes vient éclairer la poétique de Codro et ses problématiques essentielles (édition de l’un de ses poèmes manuscrits et de trois de ses Silves), tout en s’intéressant à la réception et à la postérité du maître bolonais par ses contemporains (édition de la Vita Codri de Bartolomeo Bianchini et de certains poèmes composés par Virgilio Porto en l’honneur de Codro). Soixante-dix-sept notices biographiques complètent, en annexes, le portrait des contemporains cités par Codro dans ses Lettres et Épigrammes. L’édition des Epigrammata et des Epistolae d’Antonio Urceo s’articule ainsi à l’étude de leur cadre historique, intellectuel et littéraire, et à l’analyse de leur intertexte riche et foisonnant
This thesis proposes, for the first time, the reviewed edition of the Epigrammata (Epigrams) and the Epistolae (Letters) by Antonio Urceo Codro. Born in Rubiera in 1446, he was a humanist and court poet in service of the Ordelaffis, then the Bentivoglios. This well-known philologist and Hellenist was also a professor of “grammar, poetic and rhetoric” at the University in Bologna, where he died in 1500. The philological work is coupled with a historical study attempting to define the precise political and institutional context in which some of the pièces de circonstances were composed. Finally, a poetical study underlines the deep continuity of the knowledge and its permanent use by a humanist who, like his contemporaries, applied himself proofreading ancient texts, and, in parallel, writing them and practicing exegesis, becoming both a disciple and an imitator of it through his personal work. The reviewed edition of Urceo Codro’s Epigrammata is accompanied by a traduction rythmée (rhythm-based translation) along with an apparatus fontium, a conspectus metrorum and a commentary which, as far as is possible, tries to identify the sources of each poem and the models they are based on, ancient and Renaissance, in order to identify the aesthetics of the uarietas used by the author. To better understand the intellectual context of Urceo’s Epigrammata, and highlight the composition practices outlined by them, we added the reviewed edition and the annotated translation of his ten Lettres whose addressees are, among others, Ange Politien and Alde Manuce. Finally, an anthology of texts sheds light on Codro’s poetic and its essential questions (in a review of one of his handwritten poems and of three of his Silves), while taking an interest in the reception and the posterity of the Bolognese by his contemporaries (review of Bartolomeo Bianchini’s Vita Codri and of several poems written by Virgilio Porto in honour of Codro). An appendix of seventy-seven biographic records completes the portraits of contemporaries quoted by Codro in his Epistolae and Epigrammata. The review of Antonio Urceo’s Epigrammata and the Epistolae is thus coherent with the study of the historical, intellectual and literary context, as well as the analysis of a rich and teeming intertext
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Garrido-Hory, Marguerite. "Recherches sur la dépendance chez Martial et Juvénal." Besançon, 1998. http://www.theses.fr/1998BESA1004.

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Les Épigrammes de Martial et les Satires de Juvénal reproduisent la vie sociale et politique de la Rome impériale. Elles dénoncent, avec ironie, humour et souvent même violence, les travers de la société romaine de la fin du 1er siècle, et du début du IIème siècle de notre ère, société où les esclaves et les affranchis tiennent une place décisive dans le jeu des relations clientélaires. A l'aide de l'index thématique établi au centre d'histoire ancienne de Besançon, nous avons tenté d'analyser ces deux œuvres afin de comprendre la vision de la dépendance chez deux poètes, amis, imprégnés de culture classique et de même niveau social, attentifs l'un et l'autre à tenir leur rang dans une société où la possession de richesses, et tout particulièrement d'esclaves, joue un rôle déterminant. Les esclaves, essentiellement des esclaves domestiques, reproduisent les qualités et les défauts de leur maitre, témoignent de son standing et médiatisent toute la pratique sociale. Exploités et méprisés, souvent victimes de répression brutale autant que de passions irraisonnées, ils vivent dans une dépendance qui semble immuable. Si des affranchis " apparaissent en grand nombre, ce sont d'anciens affranchis (pratiquement pas de cas d'affranchissement dans les deux œuvres), privés ou impériaux, présentés comme des parvenus grossiers et vulgaires mais redoutés parce qu'influents, puissants parce que riches et dont la présence rend de plus en plus critique la situation d'une clientèle libre, pour la plupart des intellectuels mais aussi nombre de descendants d'anciennes familles connues de tout Rome, en voie d'appauvrissement. L'esclavage et l'affranchissement mettent en lumière les dangers de la mobilité sociale qui, pour Martial et Juvénal, posent le problème de la reproduction de l'ordre social des libres.
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PEZZOTTI, MARIA PAOLA. "EPIGRAMMA E MUSICA. ELEMENTI E SUGGESTIONI MUSICALI NELL'EPIGRAMMA GRECO DI ETA' ELLENISTICA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2014. http://hdl.handle.net/10280/3374.

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Partendo da un punto di vista lessicale, la ricerca si ripropone di investigare la presenza di elementi musicali all’interno della produzione epigrammatica del periodo ellenistico, con riferimenti, talora, anche ad autori più tardi. Sono stati analizzati due tipi di fonti: epigrammi di tradizione letteraria (che includono componimenti dall’Anthologia Palatina, dal Nuovo Posidippo, e dal materiale raccolto da Gow e Page) ed epigrafi (che comprendono iscrizioni dagli Steinepigramme aus dem Griechischen Osten e dalle Inscriptions métriques de l’Égypte greco-romain), in modo tale da poter agire su un campo di indagine coerente e bilanciato. Il materiale è stato articolato in due sezioni principali, “Mousikà stoikheia” e “Organikè mousa”, rispettivamente dedicate alle categorie musicali e agli strumenti musicali. L’analisi, partendo dalla ricostruzione della potenzialità semantica di ogni termine, basata sull’origine etimologica e sullo sviluppo letterario e teorico, e procedendo attraverso l’interpretazione delle occorrenze più significative all’interno dei testi epigrammatici, evidenzia una particolare sensibilità verso la componente musicale, richiamando sia la terminologia specifica musicale sia, più spesso, il tradizionale trattamento di alcuni temi appartenenti alla tradizione letteraria. Il presente lavoro include anche una Appendice finale, nella quale sono indicizzati i termini emersi durante l’indagine testuale.
Starting from a lexical point of view, this research aims at investigating the presence of musical elements within the epigrammatic production of the Hellenistic period, with references also to later authors. Two kinds of sources have been analysed: literary epigrams (including poems from the Greek Anthology, the New Posidippus, and the material collected by Gow-Page) and epigraphic epigrams (including inscriptions from Steinepigramme aus dem Griechischen Osten and Inscriptions métriques de l’Égypte greco-romain), in order to have a coherent and balanced field of investigation. The material has been divided into two main parts, “Mousikà stoikheia” and “Organikè mousa”, referred to musical categories and musical instruments. The analysis, starting from the reconstruction of the potential musical meaning of each term, based on etymology and literary and theoretical development, and going on through the interpretation of the most relevant occurrences of the term in epigrammatic texts, shows a particular sensibility towards the musical element, recalling both the terminology of musical theory and, more often, the traditional treatment of some themes belonging to the literary tradition. A final Appendix provides an index with the terms found during the textual investigation.
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Johannsen, Nina. "Dichter über ihre Gedichte : die Prosavorreden in den" Epigrammaton libri"Martials und in den" Silvae"des Satius /." Göttingen : Vandenhoeck & Ruprecht, 2006. http://catalogue.bnf.fr/ark:/12148/cb402137836.

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Sänger, Astrid [Verfasser], and Claudia [Akademischer Betreuer] Schindler. "Gegner, Gönner und Gelehrte : Studien zu den Epigrammatum libri IX (1529) des humanistischen Dichters Euricius Cordus (1486 – 1535) / Astrid Sänger ; Betreuer: Claudia Schindler." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2019. http://d-nb.info/1192442687/34.

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RAPELLA, ESTER. "GLI EPIGRAMMI DI MNASALCE DI SICIONE. INTRODUZIONE, TRADUZIONE E COMMENTO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58406.

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La ricerca è dedicata all’analisi della poesia e della poetica di Mnasalce di Sicione, epigrammatista greco della metà del III sec. a.C. La prima parte del lavoro consiste in un’introduzione generale relativa a tutti gli aspetti più importanti concernenti il poeta e la sua opera: dati biografici e cronologia; fonti degli epigrammi, con particolare attenzione a P. Köln V 204; sottogeneri epigrammatici coltivati; lingua e stile; usi metrici e prosodici. La seconda parte, che costituisce il corpo principale della tesi, è invece dedicata all’analisi dei singoli epigrammi, disposti secondo un criterio tematico. Il corpus esaminato consta di ventiquattro componimenti, di cui due dubbi; rispetto alle precedenti edizioni commentate di W. Seelbach (1964) e di A.S.F. Gow e D.L. Page (1965), esso risulta ampliato da cinque nuovi epigrammi conservati da P. Köln V 204 e dal dubbio SGO I 06/02/05. Di ciascun componimento si presenta il testo, corredato di traduzione e apparato critico, e, dopo una breve introduzione, il commento lemmatico, volto a evidenziare le relazioni di transtestualità intessute da Mnasalce e gli elementi di continuità e innovazione rispetto alla tradizione epigrammatica, sia letteraria che epigrafica. Il lavoro comprende inoltre un index verborum.
The research is focused on the poetry and poetics of Mnasalces of Sicyon, a Greek epigrammatist of the middle of the III century B.C. The first part of the dissertation is a general introduction that deals with all the most important aspects concerning the poet and his work: biographical information and chronology; sources of the epigrams, with particular attention to P. Köln V 204; epigrammatic subgenres; language and style; metrics and prosody. The second part, which represents the main body of the dissertation, is devoted to the analysis of the epigrams, arranged thematically. The examined corpus consists of twenty-four poems, including two dubia; the corpus of the previous editions by W. Seelbach (1964) and A.S.F. Gow and D.L. Page (1965) is thus enriched by five new epigrams from P. Köln V 204 and the dubium SGO I 06/02/05. The critical text of each poem is followed by a translation, a brief introduction and a word-by-word commentary, aimed at investigating the elements of transtextuality and those of continuity and innovation in relation to the epigrammatic tradition, both literary and epigraphic. The dissertation also includes an index verborum.
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Books on the topic "Epigrammata"

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Callimachus. Epigrammata. Athēna: Ekdoseis Meleagros, 1992.

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Epigrammata Bobiensia. Soveria Mannelli: Rubbettino, 2011.

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Philodemus. Ta epigrammata. [Thessalonike ]: Ekdoseis Thyrathen, 2004.

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4

Janus. Iani Pannonii Epigrammata. [Budapest]: Corvina Kiadó, 1985.

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Chrysanthis, Kypros. Ta deutera epigrammata. Leukōsia: Pneumatikē Kypros, 1991.

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Chrysanthis, Kypros. Ta deutera epigrammata. Leuko sia: Pneumatike Kypros, 1991.

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Schatzmann, Andreas. Nikarchos II: Epigrammata. Göttingen: Vandenhoeck & Ruprecht, 2012. http://dx.doi.org/10.13109/9783666252884.

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Antōniou, Takēs Chr. Epigramme = Epigrammata: Griechisch - deutsch. Berlin: Publica, 1985.

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Fresi, Franco. Epigrammata e versi d'amore. Manduria: Lacaita, 1989.

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Martial. M. Valerii Martialis Epigrammata. Stutgardiae: B.G. Teubner, 1990.

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Book chapters on the topic "Epigrammata"

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Mellein, Richard. "Martial: Epigrammata." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15870-1.

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Hörandner, Wolfram. "Philēs, Manuēl: Epigrammata." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15250-1.

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Hörandner, Wolfram. "Prodromos, Theodōros: Epigrammata." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15256-1.

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Haye, Thomas. "Cordus, Euricius: Epigrammata." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_910-1.

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Bockelmann, Eske. "Celtis, Conradus: Libri quinque epigrammatum." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_906-1.

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Consolino, Franca Ela. "Le mot et les choses: epigramma chez Sidoine Apollinaire." In Culture and Literature in Latin Late Antiquity, 69–98. Turnhout, Belgium: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.stta-eb.5.111493.

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Zand, Gertraude. "''Super-Sexdadaismus!'' – Zur Epigrammatik in der Edice Půlnoc und zur Poetik von Bohumil Hrabal." In Haiku – Epigramm – Kurzgedicht, 109–18. Köln: Böhlau Verlag, 2021. http://dx.doi.org/10.7788/9783412513481.109.

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Trout, Dennis. "Peter beyond Rome: Achilleus of Spoleto, Neon of Ravenna, and the Epigramma Longum." In Cultural Encounters in Late Antiquity and the Middle Ages, 141–64. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.celama-eb.5.118161.

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"Epigrammata." In Lyrik in Zyklen, 1–46. Berlin, Boston: De Gruyter, 1989. http://dx.doi.org/10.1515/9783110858433-001.

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Ausonius], Ausonius [Decimus Magnus. "Epigrammata." In Oxford Classical Texts: Decimi Magni Ausonii: Opera, edited by Roger P. H. Green. Oxford University Press, 1999. http://dx.doi.org/10.1093/oseo/instance.00077443.

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Conference papers on the topic "Epigrammata"

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Nedbalik, Sabina. "ABOUT MAIN TRENDS OF EPIGRAMMATIC ART DEVELOPMENT IN EUROPEAN LITERATURE (FROM ANTIQUITY TILL NOWADAYS)." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s11.017.

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