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Books on the topic 'Environmental Theatre'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 January 2023

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1

Houston, Andrew. Environmental and site-specific theatre. Toronto, Canada: Playwrights Canada Press, 2007.

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2

Kershaw, Baz. Theatre ecology: Environments and performance events. Cambridge: Cambridge University Press, 2007.

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3

Kershaw, Baz. Theatre ecology: Environments and performance events. Cambridge: Cambridge University Press, 2007.

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4

Fried, Larry K. Greening up our houses: A guide to a more ecologically sound theatre. New York: Drama Book Publishers, 1994.

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5

Fried, Larry K. Greening up our houses: A guidebook to an ecologically sensitive theatre organization. Seattle, WA: Theatre in the Wild, 1992.

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6

International Engineering Conference (Nigerian Society of Engineers) (1994 Iganmu, Lagos, Nigeria). Proceedings of the 1994 International Engineering Conference: Theme, environmental impact of developmental projects, date, 6th-10th December 1994, venue, National Arts Theatre, Iganmu, Lagos. Lagos: Nigerian Society of Engineers, 1994.

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7

Environmental theater. New York: Applause, 1994.

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8

Todd, A. The open circle: Peter Brook's theatre environments. London: Faber, 2003.

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9

Jean-Guy, Lecat, ed. The open circle: Peter Brook's theater environments. New York: Palgrave Macmillan, 2003.

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10

Purnell, John. The Birmingham Repertory Theatre: Creating a cultural environment. Birmingham: Bournville College of Art, 1989.

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11

Lücker, Reiner. Wasser im Eimer: Umwelt-Theater für Menschen ab 10. Ravensburg: O. Maier, 1985.

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12

B, Raitz Karl, ed. The theater of sport. Baltimore: Johns Hopkins University Press, 1995.

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13

Aronson, Arnold, editor of compilation and Divadelní ústav (Prague, Czech Republic), eds. The disappearing stage: Reflections on the 2011 Prague Quadrennial. Prague: Arts and Theatre Institute, 2012.

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14

United States. Federal Transit Administration. Addendum to supplemental environmental impact statement/supplemental environmental impact report: [Central Subway]. San Francisco: Planning Dept., 2013.

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15

Environment stories from Indian mythology. Gurgaon: Bestsellers, 2010.

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16

Wilson, Robert. Robert Wilson: Erinnerung an eine Revolution : Environment. [Stuttgart]: Die Galerie, 1987.

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17

San Francisco (Calif.). Planning Dept. Notice of preparation of an environmental impact report: [75 Howard Street Project]. San Francisco, CA: Planning Dept., 2012.

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18

San Francisco (Calif.). Dept. of City Planning., ed. 1000 Van Ness Avenue mixed use development/theater complex: Draft environmental impact report. San Francisco, CA: The Dept., 1996.

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19

Glackin, Aideen Doherty. The impact and effects of community theatre in a rural environment: An evaluation. [S.l: The Author], 1997.

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20

San Francisco (Calif.). Planning Dept. and Gus Murad & Associaties., eds. Notice of preparation of an environmental impact report: [New Mission Theater mixed-use project]. San Francisco, CA: San Francisco Planning Dept., 2007.

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21

M, Wedwick Daryl, and Landes William-Alan, eds. Corrugated cardboard scenery: Environmentally acceptable, biodegradable, recyclable, economical : a cost effective solution for the theatre of the 1990's and beyond--. 2nd ed. Studio City, CA: Players Press Inc., 1993.

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22

Theatre & Environment. Red Globe Press, 2019.

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23

Theatre Ecology: Environments and Performance Events. Cambridge University Press, 2009.

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24

Environmental and Site Specific Theatre (Critical Perspectives on Canadian Theatre in English Vol. VIII). Playwrights Canada Press, 2007.

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25

Theatre Ecology: Environments and Performance Events. Cambridge University Press, 2008.

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26

Capri Theatre, Inc. Watershed Forestry Management Plan draft environmental impact assessment. Bellingham WA: Huxley College of Environmental Studies, Western Washington University, 1996.

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27

Theatre Country: Essays on Landscapes and Whenua. Victoria University Press, 2007.

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28

Dodds, Chris, Chandra M. Kumar, and Frédérique Servin. Anaesthesia for non-theatre environments. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780198735571.003.0013.

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This chapter reviews the challenges in providing safe anaesthesia outside of the operating theatre complex and the particular risks this may pose to the elderly. Generic issues with remote sites are discussed, and key points are identified: these include patient assessment, appropriate staffing and support, safety drills, environmental safety, and anaesthetic equipment and drug provision. Sedation in the elderly is identified as an area of risk, and the chapter details the problems of providing safe sedation. The areas where sedation is administered vary from endoscopy and imaging including CT and MRI, to interventional suites such those used for cardiothoracic catheterization and GI stenting. Major advances in technology have allowed the development of endovascular aortic aneurysm repair (EVAR) and transthoracic aortic valve implantation (TAVI). Psychiatric units still prescribe electroconvulsive therapy (ECT) for severe suicidal depression, especially in the elderly because of the fast response, and the related challenges for anaesthetists are reviewed.

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29

The hybrid in the limen: British and Polish environment-oriented theatre in theory and practice. Torun: Wydawnictwo Universytetu Mikolaja Kopernika, 2003.

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30

Bleeker, Maaike, Adrian Kear, Joe Kelleher, and Heike Roms, eds. Thinking Through Theatre and Performance. Bloomsbury Publishing Plc, 2019. http://dx.doi.org/10.5040/9781472579645.

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Thinking Through Theatre and Performance presents a bold and innovative approach to the study of theatre and performance. Instead of topics, genres, histories or theories, the book starts with the questions that theatre and performance are uniquely capable of asking: How does theatre function as a place for seeing and hearing? How do not only bodies and voices but also objects and media perform? How do memories, emotions and ideas continue to do their work when the performance is over? And how can theatre and performance intervene in social, political and environmental structures and frameworks? Written by leading international scholars, each chapter of this volume is built around a key performance example, and detailed discussions introduce the methodologies and theories that help us understand how these performances are practices of enquiry into the world. Thinking through Theatre and Performance is essential for those involved in making, enjoying, critiquing and studying theatre, and will appeal to anyone who is interested in the questions that theatre and performance ask of themselves and of us.

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31

Practical Guide to Greener Theatre: Introduce Sustainability into Your Productions. Taylor & Francis Group, 2013.

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32

Jones, Ellen E. Practical Guide to Greener Theatre: Introduce Sustainability into Your Productions. Taylor & Francis Group, 2013.

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33

Jones, Ellen E. Practical Guide to Greener Theatre: Introduce Sustainability into Your Productions. Taylor & Francis Group, 2013.

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34

Schechner, Richard. Environmental Theater. Applause Books, 2000.

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35

Schechner, Richard. Environmental Theater. Leonard Corporation, Hal, 2000.

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36

Schechner, Richard. Environmental Theater. Leonard Corporation, Hal, 2000.

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37

Schechner, Richard. Environmental Theater. Leonard Corporation, Hal, 2000.

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38

The ecological footprint of cities: A series of public debates organised by the International Institute for the Urban Environment in Theatre de Balie, Amsterdam, March 1997. Delft: International Institute for the Urban Environment, 1998.

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39

Szczepaniak-Gillece, Jocelyn. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190689353.003.0001.

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This introduction lays out the direction of the book on the whole by discussing the movie palace, Ben Schlanger, modernism, and new cinema histories. Schlanger’s life and career are briefly introduced, and the importance of using archival materials and the Better Theatres section of Motion Picture Herald for documenting Schlanger’s theory of theater design is explained. From such writings, one can gather that Schlanger’s ideal theaters would be places of both bodily passivity and contemplation, yet also of immersion in the sense that the local environment and fellow viewers would fall away in service of the screen. Furthermore, the term “neutral” is examined via Bertrand Russell and neutral monism; in addition, the introduction explores the neutral and neutralization’s connections to the apparatus. All of these strands are connected via a modern approach to spectatorship explicated by Schlanger in his theaters.

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40

FitzGerald, Lisa. Re-Place: Irish Theatre Environments. Lang AG International Academic Publishers, Peter, 2017.

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41

FitzGerald, Lisa. Re-Place: Irish Theatre Environments. Lang AG International Academic Publishers, Peter, 2017.

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42

FitzGerald, Lisa. Re-Place: Irish Theatre Environments. Lang AG International Academic Publishers, Peter, 2017.

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43

Re-Place: Irish Theatre Environments. Lang AG International Academic Publishers, Peter, 2017.

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44

Prout, Jeremy, Tanya Jones, and Daniel Martin. Anaesthesia in the non-theatre environment. Oxford University Press, 2014. http://dx.doi.org/10.1093/med/9780199609956.003.0017.

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Anaesthetists regularly provide anaesthesia or sedation in remote sites such as radiology or endoscopy. This is associated with a number of extra considerations which are explained in this chapter. Some sites or procedures may pose more specific hazards and these are described in more detail in the sections on anaesthesia for MRI and ECT. Standards for providing safe sedation are also included.

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45

History and Theory of Environmental Scenography. Bloomsbury Publishing Plc, 2018.

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46

Neil, Wallace, ed. Making Space: Theatre Environments of Peter Brook. Methuen Drama, 1994.

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47

Turner, Cathy. Dramaturgy and Architecture: Theatre, Utopia and the Built Environment. Palgrave Macmillan, 2017.

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48

Dramaturgy and Architecture: Theatre, Utopia and the Built Environment. Palgrave Macmillan, 2015.

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49

Turner, Cathy. Dramaturgy and Architecture: Theatre, Utopia and the Built Environment. Palgrave Macmillan Limited, 2015.

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50

Szczepaniak-Gillece, Jocelyn. Cinephilia in Ruins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190689353.003.0005.

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Chapter 4 considers the second wave of cinephilia and the art house theater boom particularly in New York City alongside the emergence of underground cinemas intended for the cultural elite (1960–1970). The art house is discussed alongside Robert Moses’s urban development plans for the city, which exemplifies its attempts to sell an illusion of transportation and class and cultural upward mobility. Both kinds of theaters represented versions of cinematic ruins: the art house theater for its debt to luxurious capital, and the underground cinema, like Aldo Tambellini’s Black Gate, for its fallout shelter-like environment. Both are also examples of the kinds of “serious” moviegoing ultimately made possible by Schlanger and neutralization.

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