Books on the topic 'Entrepreneurship in motion pictures'

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1

Higgins, Shaun. Movies for business: Big-screen lessons in corporate vision, entrepreneurship, logistics and ethics. Spokane, Wash: New Media Ventures, 2003.

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2

Lakshmipriya, N. Entrepreneurs in the Indian film industry. Bangalore: IBH Prakashana, 2006.

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3

Cole, Sonia Nassery. Will I live tomorrow?: One woman's mission to create an anti-Taliban film in war-torn Afghanistan. Dallas, Texas: BenBella Books Inc., 2013.

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4

Amit, Tami. Motion pictures. Blou: Monografik, 2008.

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5

Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1991.

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6

Conley, Robyn. Motion pictures. New York: Franklin Watts, 2004.

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7

Canada. Industry, Science and Technology Canada. Motion pictures. Ottawa, Ont: Industry, Science and Technology Canada, 1988.

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8

Iris, Newsom, and Library of Congress, eds. Performing arts: Motion pictures. Washington: Library of Congress, 1998.

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9

Lea, Bandy Mary, Biesenbach Klaus, and Kunst-Werke Berlin, eds. Andy Warhol: Motion pictures. Berlin: KW Institute for Contemporary Art, 2004.

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10

Hollander, Anne. Moving pictures. London: Harvard University Press, 1991.

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11

Hollander, Anne. Moving pictures. New York: Knopf, 1989.

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12

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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13

Carroll, Noël. The philosophy of motion pictures. Malden, MA: Blackwell Pub. Ltd, 2008.

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14

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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15

Reed, David. David Reed paintings: Motion pictures. LaJolla, CA: Museum of Contemporary Art, San Diego, 1998.

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16

Olson, Nancy B. Cataloging motion pictures and videorecordings. Lake Crystal, Minn: Soldier Creek Press, 1991.

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17

What's on at the pictures? Cheltenham: Evergreen, 1995.

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18

Loader, Jayne. Between pictures. New York: Grove Press, 1987.

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19

Alberto, Mira, ed. The cinema of Spain and Portugal. London: Wallflower, 2005.

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20

Congress, Library of, ed. Motion picture agreement. [Washington, D.C.?]: Library of Congress, 1985.

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21

Kam, Tan See. Chinese connections: Critical perspectives on film, identity and diaspora. Philadelphia PA: Temple University Press, 2008.

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22

The attractive empire: Transnational film culture in Imperial Japan. Honolulu: University of Hawai'i Press, 2008.

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23

Harris, Mark. Pictures at a Revolution. New York: Penguin Group USA, Inc., 2008.

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24

McIlroy, Brian. Irish cinema: An illustrated history. Dublin: Anna Livia Press, 1988.

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25

Qi mao qiu le. Taibei Shi: Xiao zhi tang wen hua shi ye you xian gong si, 2003.

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26

Dawar, Ramesh. Best from Bollywood. London: ibs Books, 2008.

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27

Cravenne, Robert. Le tour du monde du cinéma français: Histoire du cinéma français à l'étranger. Paris: Dixit, 1995.

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28

Hong Kong cinema since 1997: The post-nostalgic imagination. Basingstoke, Hampshire, UK: Palgrave Macmillan, 2009.

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29

Unterwegs zum Nachbarn: Deutsch-polnische Filmbegegnungen. Trier: WVT, Wissenschaftlicher Verlag Trier, 2015.

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30

E, Helt Marie, ed. West German cinema since 1945: A reference handbook. Metuchen, N.J: Scarecrow Press, 1987.

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31

McIlroy, Brian. World cinema. Trowbridge: Flicks Books, 1989.

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32

Wimal, Dissanayake, ed. Indian popular cinema: A narrative of cultural change. Stoke-on-Trent, UK: Trentham, 2004.

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33

Wimal, Dissanayake, ed. Indian popular cinema: A narrative of cultural change. New Delhi: Orient Longman, 1998.

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34

hÉireann, Bord Scannán na. [List of Irish films]. Galway: Bord Scannán na hÉireann, 1998.

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35

1946-, Talens Jenaro, and Zunzunegui Díez Santos, eds. Modes of representation in Spanish cinema. Minneapolis: University of Minnesota Press, 1998.

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36

Kamineni, Rajeev, and Ruth Rentschler. Indian Movie Entrepreneurship: Not Just Song and Dance. Taylor & Francis Group, 2020.

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37

Kamineni, Rajeev, and Ruth Rentschler. Indian Movie Entrepreneurship: Not Just Song and Dance. Taylor & Francis Group, 2020.

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38

Indian Movie Entrepreneurship: Not Just Song and Dance. Taylor & Francis Group, 2020.

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39

Li, David Leiwei. Economy, Emotion, and Ethics in Chinese Cinema: Globalization on Speed. Taylor & Francis Group, 2016.

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40

Li, David Leiwei. Economy, Emotion, and Ethics in Chinese Cinema: Globalization on Speed. Taylor & Francis Group, 2016.

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41

Li, David Leiwei. Economy, Emotion, and Ethics in Chinese Cinema: Globalization on Speed. Taylor & Francis Group, 2016.

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42

Li, David Leiwei. Economy, Emotion, and Ethics in Chinese Cinema: Globalization on Speed. Taylor & Francis Group, 2016.

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43

Li, David Leiwei. Economy, Emotion, and Ethics in Chinese Cinema: Globalization on Speed. Taylor & Francis Group, 2017.

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44

Li, David Leiwei. Economy, Emotion, and Ethics in Chinese Cinema: Globalization on Speed. Taylor & Francis Group, 2016.

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45

Will I Live Tomorrow?: The Making of the Black Tulip. BenBella Books, 2012.

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46

Sweeney, John. Successful Business Models For Filmmakers. AuthorHouse, 2007.

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47

Meyer-Clement, Elena. Party Hegemony and Entrepreneurial Power in China: Institutional Change in the Film and Music Industries. Taylor & Francis Group, 2015.

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48

Meyer-Clement, Elena. Party Hegemony and Entrepreneurial Power in China: Institutional Change in the Film and Music Industries. Taylor & Francis Group, 2015.

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49

Meyer-Clement, Elena. Party Hegemony and Entrepreneurial Power in China: Institutional Change in the Film and Music Industries. Taylor & Francis Group, 2015.

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50

Meyer-Clement, Elena. Party Hegemony and Entrepreneurial Power in China: Institutional Change in the Film and Music Industries. Taylor & Francis Group, 2018.

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