Academic literature on the topic 'English Printers'

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Journal articles on the topic "English Printers"

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Rutkowska, Hanna. "Morphological Spelling." International Journal of English Studies 20, no. 2 (October 19, 2020): 31–45. http://dx.doi.org/10.6018/ijes.392581.

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This study aims at contributing to the discussion on the role of the early printers in the regularisation and standardisation of the English spelling. It assesses the degree of early printers’ (in)consistency concerning morphological spelling, in particular the spelling of third person singular present tense (indicative) inflectional endings of verbs in six editions of The book of good maners (1487–1526), printed by William Caxton, Richard Pynson and Wynkyn de Worde. The analysis suggests that early printers could have been interested in regularising spelling already before normative guidance from scholars became available in the form of grammars and spelling books, that is before the middle of the sixteenth century. However, the levels of the printers’ spelling consistency varied, depending on the particular printing house and edition.
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Gillespie, Alexandra. "Poets, Printers, and Early English Sammelbande." Huntington Library Quarterly 67, no. 2 (June 2004): 189–214. http://dx.doi.org/10.1525/hlq.2004.67.2.189.

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Coatesworth, Jessica. "The Design of the Golden Legend: English Printing in a European Context." Bulletin of the John Rylands Library 91, no. 2 (September 2015): 21–49. http://dx.doi.org/10.7227/bjrl.91.2.2.

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The first 100 years of printing in Europe was a vibrant period full of innovation and adaptation. Continental printers controlled the production of Latin books, many of which were imported into England. English printers worked hard to create an audience for their editions and achieved,this by adopting specific design features from the Latin editions. Yet despite this connection, English printing is often studied in separation from European printing. This article studies the Golden Legend, a hagiographic text popular throughout England and Europe, and shows that the two traditions were interrelated, especially in book design. On the continent, printers found themselves in a crowded marketplace and some adopted established designs to target a particular audience. In contrast, English printers were inspired by the design of continental books. Design was governed by the intended audience but not restricted to national demarcations. Not only was English printing integrated with European printing, it sustained a distinctive character while remaining part of the European tradition.
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Gasquet, F. A. "The Bibliography of Some Devotional Books Printed by the Earliest English Printers." Library TBS-7, no. 1 (January 20, 2010): 163–89. http://dx.doi.org/10.1093/libraj/tbs-7.1.163.

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Slights, William W. E. "The Edifying Margins of Renaissance English Books." Renaissance Quarterly 42, no. 4 (1989): 682–716. http://dx.doi.org/10.2307/2862277.

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When Horatio tells Hamlet, “I knew you must be edified by the margent ere you had done” (V.ii. 156-57), we find ourselves amused and bemused trying to imagine what conceiveable edification could be gleaned from a marginal gloss on the courtly gabble of Osric's invitation to the duel. Yet while Horatio was having his little joke about edifying margents, Renaissance commentators, scholarly annotators, translators, editors, printers, and authors of all kinds were busily constructing elaborate scaffolds of printed marginalia around texts both ancient and modern, ranging from Holy Writ to handbooks for New World entrepreneurs and manuals on the courtly art of self-defense. The ostensible and frequently advertised purpose of this marginal material was to make texts more accessible to the “general reader,” to provide the non-specialist working on a difficult text a place to stand that was grounded on more familiar books, ideas, and experience.
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Waterschoot, Werner. "Jan van der Noot among English and German Printers." Quaerendo 42, no. 3-4 (January 1, 2012): 316–21. http://dx.doi.org/10.1163/15700690-12341251.

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Howard-Hill, T. H. "Early Modern Printers and the Standardization of English Spelling." Modern Language Review 101, no. 1 (January 2006): 16–29. http://dx.doi.org/10.1353/mlr.2006.0060.

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FENS-DE ZEEUW, LYDA, and ROBIN STRAAIJER. "Long-s in Late Modern English manuscripts." English Language and Linguistics 16, no. 2 (June 1, 2012): 319–38. http://dx.doi.org/10.1017/s136067431200010x.

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It is a generally accepted fact that the use of long-s, or <ſ>, was discontinued in English printing at the close of the eighteenth century and that by the end of the first quarter of the nineteenth century this allograph had all but disappeared. This demise of <ſ> in printing has been fairly well documented, but there is virtually no literature on what happened to it in handwritten documents. The disappearance of <ſ> and <ſs> (as in ʃeems and buʃineʃs) in favour of <s> and <ss> is generally ascribed to the printers’ wishes to simplify their type-settings. But at what point and to what extent did this simplifying process influence private writing of the period? In this article we have documented the rules, as observed by printers, for the use of long-s in the Late Modern English period, and we illustrate how printing practice during this period compared to the usage of this particular grapheme in letters written by two well-known codifiers of the English language, the grammarians Joseph Priestley and Lindley Murray.
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DESIDOC, Director. "Copiers and Copy Printers from Gestetner." DESIDOC Bulletin of Information Technology 14, no. 2 (March 1, 1994): 3–11. http://dx.doi.org/10.14429/dbit.14.2.3096.

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Vogler, Nikolai, Kartik Goyal, Kishore PV Reddy, Elizaveta Pertseva, Samuel V. Lemley, Christopher N. Warren, Max G'Sell, and Taylor Berg-Kirkpatrick. "Contrastive Attention Networks for Attribution of Early Modern Print." Proceedings of the AAAI Conference on Artificial Intelligence 37, no. 4 (June 26, 2023): 5285–93. http://dx.doi.org/10.1609/aaai.v37i4.25659.

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In this paper, we develop machine learning techniques to identify unknown printers in early modern (c.~1500--1800) English printed books. Specifically, we focus on matching uniquely damaged character type-imprints in anonymously printed books to works with known printers in order to provide evidence of their origins. Until now, this work has been limited to manual investigations by analytical bibliographers. We present a Contrastive Attention-based Metric Learning approach to identify similar damage across character image pairs, which is sensitive to very subtle differences in glyph shapes, yet robust to various confounding sources of noise associated with digitized historical books. To overcome the scarce amount of supervised data, we design a random data synthesis procedure that aims to simulate bends, fractures, and inking variations induced by the early printing process. Our method successfully improves downstream damaged type-imprint matching among printed works from this period, as validated by in-domain human experts. The results of our approach on two important philosophical works from the Early Modern period demonstrate potential to extend the extant historical research about the origins and content of these books.
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Dissertations / Theses on the topic "English Printers"

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Nuttall, D. "English printers 1600-1700 and their supra-text roman and italic types." Thesis, University of Reading, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.370815.

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Provvidera, Tiziana. "Giordano Bruno's Italian dialogues and late sixteenth century English book production." Thesis, University College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324623.

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Dunne, Adair Michael. "Books and readers 1605 : a descriptive catalogue of all books printed in England, Scotland, and Ireland, or in English abroad in the year 1605." Thesis, University of Birmingham, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391750.

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Pett, Craig Francis. "I am no inconsiderable Shop-Keeper in this Town Swift and his Dublin Printers of the 1720's| Edward Waters, John Harding and Sarah Harding." Thesis, Monash University (Australia), 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10291098.

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This thesis represents the first-ever full-length study of Swift’s dealings and working relationships with the Dublin printers who took the risk on his seditious Irish pamphlets of the 1720’s. These printers were: Edward Waters, who endured a violent and protracted prosecution for printing Swift’s A Proposal for the Universal Use of Irish Manufacture in May 1720; John Harding, who died as a consequence of his imprisonment for printing the fourth of Swift’s Drapier’s Letters in October 1724; and Harding’s widow, Sarah, who came to print occasional works for Swift a few years after her husband’s death. Written from the perspectives of the printers, the thesis discloses a substantial amount of never-before-seen evidence pertaining to the lives and careers of the printers, the form and nature of their working relationships with Swift, the legal and moral obligations Swift owed them as a pseudonymous author, as well as the circumstances of Harding’s death. Historians have assumed that Harding died of jail fever – an assumption that wholly absolves Swift. But new evidence suggests the clear possibility that Harding, who was due to appear in the Court of King’s Bench, where he would have been examined at length on the true identity of this ‘M.B. Drapier’, met with foul play, and that the persons behind it were Swift’s friend, Lord Lieutenant Carteret, and Swift himself. Further never-before-seen evidence concerns Sarah’s Harding’s suppressed complaints and the persistent pressure that Swift’s friends brought to bear upon the author to support her in the years following Harding’s death.

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Murphy, Tara Kathleen. "The Porcupine's Quill and the Gaspereau Press : studies in the history, philosophy, and production values of two English-Canadian printer-publishers." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112507.

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This thesis examines the histories, publishing philosophies, and printing practices of two English-Canadian small-press publishers (The Porcupine's Quill of Erin, Ontario, and the Gaspereau Press of Kentville, Nova Scotia). By researching their publishing influences as well as the social and political climates in which each press operated, it is possible to analyze the decisions they made about why and how to publish certain kinds of texts. From there the thesis summarizes their publishing philosophies, and conducts extended analyses of the production of two specific literary texts: Endeared by Dark: The Collected Poems of George Johnston (PQL 1990), and Execution Poems (George Elliott Clarke, Gaspereau 2001). The historical research relies partly on secondary sources, and more generally the methodology was supplied by contemporary work in book history and textual criticism; however, the majority of the research, in chapters two and three particularly, has been culled from primary texts, press releases, newspaper features, web pages, and archival materials (letters, financial records, and so on). Overall, this thesis concludes that both the Porcupine's Quill and the Gaspereau Press emphasize an holistic approach to bookmaking, wherein each component part is capable of contextualizing, augmenting, celebrating, interpreting, historicizing, or socializing a literary text.
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Blackburn, Nicholas Robin. "Gnomic marking in English printed dramas, 1570-1623." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.596689.

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In 1951, G. K. Hunter wrote a piece for The Library drawing readers’ attention to certain kinds of marks in the margins of Elizabethan and Jacobean texts. Particular passages were emphasised, mainly using comma-shaped markings or a change of font. This thesis presents a thoroughly revised and expanded account of the field which Hunter first explored, establishing a grammar for reading marks which critical editions have rendered for the most part invisible. By situating gnomic marking in its historical context, from the first uses of the diple [“] by the Greek scholar Aristarchus, the thesis shows how it was the general uses which persisted into the early modern period. While Hunter suggested that emphatic marking was primarily attached to rhetorical figures, it is shown that printed marks were used by authors to achieve a rich variety of semantic effects and by their readers to create personal editions. The first chapter provides the historical background to early modern marking, from its Greek origins through its transmission across the medieval period to its adoption by continental printers and subsequent arrival in England. The way features of mis-en-page were translated along with the text of editions of Terence, Seneca, Chaucer and Robert Garnier is shown to be the primary factor for the development of marking practices, particularly when the annotations of previous readers were accidentally fossilised as printed marks. This lays the foundation for the thesis as a whole, where printed emphases stand witness to lost networks of readers and the circulation and emulation of valued editions. The second and third chapters present a detailed survey of the surviving marks in dramatic editions of the Elizabethan and Jacobean period, the developing role of publishers in calibrating mis-en-page to suit contemporary readers and shows how authors used marking as part of their overall style.
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Maahlamela, David wa. "The hoof-printed rock." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013076.

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Many of these poems, although written in English, are inspired by Sepedi idioms and proverbs. Some invoke township and village life, others the observations and questions that come from writing poetry and experiences of travelling to different countries to read my poems. Others dwell on the political transformation in South Africa, or its absence, and on my own spiritual transformation.
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Börjesson, Mattias. "Swedes’ Understanding of Printed Ads in English : A Study of How Well Swedish Adults Understand the Message of Printed Ads in English." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-22396.

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Advertising in English is becoming more and more common in Sweden, as well as in other non-Anglophone countries, and not all previous studies agree on how well these ads are understood by the local population. Therefore, the aim of the present study is to achieve a broader understanding as to how well the message of printed ads in English are understood by the Swedish adult population. Moreover, this study aims to establish whether there are any common tendencies or patterns in the levels of understanding between the five ads chosen for this study, and how these relate to the personal and demographic characteristics present within my sample. The findings of this study indicate that 60% of the printed ads in English are properly understood by most people. Moreover, this study found that the reason for not understanding an ad in English most often is that the ad is drawing on a myth that could not be recognized as something natural by the reader. However, as only 12 subjects were included in this study, no generalizations could be made for the whole Swedish population, and a more extensive research study is thus encouraged.
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Williams, Tamsyn Mary. "Polemical prints of the English Revolution 1640-1660." Thesis, Courtauld Institute of Art (University of London), 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245386.

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Baue, Frederic William 1949. "A bibliographical catalogue and first-line index of printed anthologies of English poetry to 1640." Diss., The University of Arizona, 1997. http://hdl.handle.net/10150/289289.

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Early English poetry anthologies are important because they reflect the poetic taste of their age. This dissertation is a reference work on those anthologies--a bibliographical catalogue and first-line index of early printed anthologies of English poetry to 1640. There are four parts to the dissertation. The introduction gives an overview of the subject and relates it to larger critical issues, such as authorship, style, and the manuscript culture. Next is a short-title list of anthologies and their subsequent editions. Part Three is comprised of quasi-facsimile bibliographical descriptions of the first editions of the anthologies followed by the first lines of their poems in sequence. Last is a comprehensive index of all of the first lines of all of the anthologies. This reference work will be useful to scholars working with Renaissance lyric poetry.
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Books on the topic "English Printers"

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Plomer, Henry Robert. English printers' ornaments. Mansfield Center, CT: Martino Pub., 2008.

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Isaac, Frank Swinton. English printers' types of the sixteenth century. OXFORD, UK: Pergamon, 1985.

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McKerrow, Ronald Brunlees. A dictionary of printers and booksellers in England, Scotland and Ireland, and offoreign printers of English books 1557-1640. Oxford: Pergamon, 1985.

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1863-1919, Aldis Harry Gidney, and McKerrow Ronald Brunlees 1872-1940, eds. A dictionary of printers and booksellers in England, Scotland, and Ireland, and of foreign printers of English books 1557-1640. Mansfield Centre, CT: Martino Pub., 2005.

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McKerrow, Ronald Brunlees. A dictionary of printers and booksellers in England, Scotland and Ireland, and of foreign printers of English books 1557-1640. Edited by Aldis Harry Gidney 1863-1919 and Bibliographical Society (Great Britain). London: Printed for the Bibliographical Society, by Blades, East & Blades, 1987.

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Nuttall, Derek. English printers, 1600-1700: And their supra-text roman and italic types. Reading: University of Reading, 1985.

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Society, American Antiquarian, ed. Printers of ballads, books, and newspapers: Biographical notes and checklists for Nathaniel Coverly, Sr., Nathaniel Coverly, Jr., and Joseph White. Worcester, MA: American Antiquarian Society, 2008.

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Tombeur, Jef. Femmes et métiers du livre: Pays anglophones & francophones européens = Women in the printing trade : English & French speaking countries. Paris: Convention typographique, 2004.

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Mary, Major. Vision splendid: Theodore Major, 1908-1999. Chichester: Phillimore, 2008.

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Tarling, Alan. Titles from a poetry press: An account of small-press publishing at Poet & Printer, 1965 to 1990. [Hatch End, Middx [i.e. Middlesex]: Poet & Printer, 1990.

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Book chapters on the topic "English Printers"

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Whiting, Robert. "Writers, Translators, Printers." In Local Responses to the English Reformation, 194–201. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-26487-2_28.

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Boffey, Julia. "Banking on translation: English printers and continental texts." In The Medieval Translator. Traduire au Moyen Age, 317–29. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.tmt.1.101442.

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Pender, Patricia. "“A Veray Patronesse”: Margaret Beaufort and the Early English Printers." In Gender, Authorship, and Early Modern Women’s Collaboration, 219–43. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58777-6_10.

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Nowak, Jessica, and Stefan Hartmann. "The rise and fall of sentence-internal capitalization in English." In Unlocking the History of English, 33–59. Amsterdam: John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/cilt.364.02now.

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This paper addresses an empirically under-researched aspect of English historical orthography: the rise and fall of sentence-internal capitalization of common nouns. Our corpus study supports previous findings with respect to the developmental course of common noun capitalization, i.e., a steady rise until 1750 with a steep decline thereafter. The analysis of contemporary grammars shows that animacy was a key factor in determining the practice of sentence-internal capitalization. Moreover, the grammaticographic advice parallels the development found in actual usage, suggesting that grammarians did not significantly influence its rise or fall. With respect to its decline, we argue that it was mainly a matter of the printers, who introduced lowercase for practical reasons, once sentence-internal capitalization had been extensively used.
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McKay, Barry. "5. Anthony Soulby, Chapbook Printer of Penrith (1740–1816)." In Cheap Print and Street Literature of the Long Eighteenth Century, 113–36. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0347.05.

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The chapbooks printed in Penrith, a small market town in northern England, may be regarded as somewhat underwhelming when compared to those of London and Newcastle, but in terms of those known from other English provincial chapbook printing towns they are worthy of note. The number of chapbooks printed in Penrith is largely the work of two printers, Ann Bell and Anthony Soulby, and it is the work of the latter that this essay seeks to record. In seeking to trace Soulby’s career, his trading as a bookseller, publisher, and circulating library proprietor is discussed, before he added the role of printing to his portfolio of book trades. Thereafter, his output of chapbooks is noted in some detail and an attempt is made subjectively to date much of his undated output by reference to the ‘advertisements’ that follow his name on the imprints.
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Shefrin, Jill. "Chapter 13. “Travel […] is a part of education”." In Children’s Literature, Culture, and Cognition, 296–314. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.15.13she.

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Early modern and Enlightenment children travelled. They toured, emigrated, visited family, or fled persecution. Silvia Cole, the Dutch-English granddaughter of a Huguenot, moved to London. An Austrian ambassador’s daughter read English children’s books. Colonial civil servants and military officers fathered children while posted abroad, sometimes with local women. Teachers, female and male, also travelled, whether as religious, political, or economic migrants. Writing masters travelled to the American colonies. The French Revolution spread educators across Europe. Booksellers and printers published in more than one language and advertised to colonial markets. Drawing on paratexts, life writing, manuscripts, ephemera, and marginalia, this chapter seeks commonalities of reading experiences among children living abroad or in the care of foreign teachers, exploring how booksellers catered to both groups.
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Rutkowska, Hanna. "Typographical and graphomorphemic features of five editions of the Kalender of Shepherdesas elements of the early printers’ community of practice." In Communities of Practice in the History of English, 123–50. Amsterdam: John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/pbns.235.09rut.

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Smith, Jeffery A. "The English Experience." In Printers and Press Freedom, 17–30. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195064735.003.0002.

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Abstract In 1754 Benjamin Franklin was performing his duties as a member of the Pennsylvania Assembly, as one of two deputy postmasters general for North America, and as a delegate to the Albany Congress which adopted his proposals for uniting the colonies against the French. He was also preoccupied with the task of starting a printing business in New Haven, Connecticut. After receiving an honorary master’s degree from Yale the previous autumn, Franklin had determined, as he wrote to William Strahan, his London business associate, that the location offered “a considerable Town in which there is an University, and a Prospect that a Bookseller’s Shop with a Printing House may do pretty well.” Franklin asked Strahan to ship books, stationery, type, and a press modified to meet his specifications.
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Finkelstein, David. "Roving Printers." In Movable Types, 13–65. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826026.003.0002.

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Using archival records and primary sources derived from English, Scottish, Irish, Australasian, South African, and North American print trade union sources, this chapter examines the phenomenon of the ‘tramping typographer’ in the long nineteenth century. English-speaking printers circulated across regions and continents, acting as transmitters of union values and trade skills, and becoming central to the expansion of labour interests in new territories. Such circulation of highly skilled workers played its part in the development of nineteenth-century anglophone print economies. Between 1830 and 1914, supported by emigration and removal grant schemes, printers and print union members circulated overseas, setting up businesses, engaging in labour and union politics, and creating the print culture infrastructures that sustained social, communal, and national communication and identity.
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da Costa, Alexandra. "Introduction." In Marketing English Books, 1476-1550, 1–28. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198847588.003.0001.

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The Introduction foregrounds the ways in which printers paid attention to market developments, both in England and in Europe, and the successes and failures of the books they and their competitors printed. It establishes how books were physically sold in this period, including the role of printers’ advertisements, what bookshops were like, and the importance of browsing in the buying process. A final section summarizes the development of different paratexts to market books within that context, including title-pages, woodcuts, tables of contents and indices, and errata notices. It also considers how printers exploited similarities and complementarity between books to suggest sammelbände (compilations).
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Conference papers on the topic "English Printers"

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Hakim, M. Arif Rahman, Mohamad Jafre Zainol Abidin, and Agustina Indah Bahari. "Dictionary Use to Increase Students’ Vocabulary Mastery: Electronic Dictionary or Printed One?" In 1st Bandung English Language Teaching International Conference. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0008215001500159.

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Wang, Hua, and Xiaoqing Ding. "Comprehensive printed Tibetan/English mixed text segmentation method." In Electronic Imaging 2004, edited by Elisa H. Barney Smith, Jianying Hu, and James Allan. SPIE, 2003. http://dx.doi.org/10.1117/12.528949.

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Glennon, Emma, Lalitha Sankar, and H. Vincent Poor. "Twitter vs. printed English: An information-theoretic comparison." In ICASSP 2012 - 2012 IEEE International Conference on Acoustics, Speech and Signal Processing. IEEE, 2012. http://dx.doi.org/10.1109/icassp.2012.6288563.

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Wang, Hua, and Xiaoqing Ding. "New statistical method for multifont printed Tibetan/English OCR." In Electronic Imaging 2004, edited by Elisa H. Barney Smith, Jianying Hu, and James Allan. SPIE, 2003. http://dx.doi.org/10.1117/12.528977.

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Mahasukhon, Puttipong, Hossein Mousavinezhad, and Jeong-Young Song. "Hand-printed English character recognition based on Fuzzy theory." In 2012 IEEE International Conference on Electro/Information Technology (EIT 2012). IEEE, 2012. http://dx.doi.org/10.1109/eit.2012.6220772.

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Rahiman, M. Abdul, C. V. Adheena, R. Anitha, N. Deepa, G. Manoj Kumar, and M. S. Rajasree. "Bilingual OCR system for printed documents in Malayalam and English." In 2011 3rd International Conference on Electronics Computer Technology (ICECT). IEEE, 2011. http://dx.doi.org/10.1109/icectech.2011.5941797.

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Astutik, Yuli Puji. "The Influence of Using Flipbook Media (Printed Vs. Displayed) to Students Reading Comprehension Achievement At Stit.M Berau." In Proceedings of the UNNES International Conference on English Language Teaching, Literature, and Translation (ELTLT 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/eltlt-18.2019.35.

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Breuel, Thomas M., Adnan Ul-Hasan, Mayce Ali Al-Azawi, and Faisal Shafait. "High-Performance OCR for Printed English and Fraktur Using LSTM Networks." In 2013 12th International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2013. http://dx.doi.org/10.1109/icdar.2013.140.

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Skoufaki, Sophia, and Bojana Petrić. "Academic vocabulary in an English for Academic Purposes course." In 11th International Conference of Experimental Linguistics. ExLing Society, 2020. http://dx.doi.org/10.36505/exling-2020/11/0048/000463.

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Academic vocabulary instruction can be beneficial to students in EMI universities since academic vocabulary knowledge predicts performance in academic tasks. With the aim to inform EAP materials design, this study examines the occurrence and repetition of high-frequency academic vocabulary in the printed teaching materials used in a presessional EAP course at a UK university. Findings indicate that even when EAP teachers do not design materials with the intention to include high-frequency AVL lemmas, as indicated from the interviews, they do include many. However, the average repetition rate of academic vocabulary was below 10 occurrences and, hence, unlikely to lead to incidental vocabulary learning. Implications for research and pedagogy are discussed.
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Sharma, Nisha, Bhupendra Kumar, and Vandita Singh. "Recognition of off-line hand printed English Characters, Numerals and Special Symbols." In 2014 5th International Conference- Confluence The Next Generation Information Technology Summit. IEEE, 2014. http://dx.doi.org/10.1109/confluence.2014.6949270.

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Reports on the topic "English Printers"

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Melnyk, Yuriy. Academic Journal Website Model. KRPOCH, 2018. http://dx.doi.org/10.26697/preprint.melnyk.1.2018.

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Background: The tens of thousands of academic journal websites that are on the Internet today often do not have a clear organizational structure for their website. If most of them are convenient enough for readers (if the journal is open access), then many have problems informing authors about the conditions, the process of submitting and reviewing the manuscript. The Editorial Offices empirically populate the journal's website with content that can change dramatically (both in terms of website design and content) as the journal develops. Aim of Study: To develop a website model for an academic journal that takes into account the basic requirements for the preparation, publication, and archiving of high quality scientific manuscripts. Material and Methods: The academic journal website model is based on a structural-functional approach. The website content consists of text and integrated applications. This model takes into account the basic requirements for the preparation, publication, and archiving of high-quality open access scientific manuscripts, as well as the indexing of journal articles by leading indexing agencies. Results: The academic journal website model is structured with the following menu and submenu elements: 1. HOME: 1.1. Journal information; 1.2. From the editorial office; 1.3. Databases, Indexing; 2. EDITORIAL BOARD: 2.1. Editorial board; 2.2. Reviewers; 2.3. Editing and reviewing process; 3. EDITORIAL POLICIES: 3.1. Editorial policies; 3.2. Plagiarism policy; 3.3. Open access policy; 3.4. The ethics codex of scientific publications; 3.5. Disclaimer; 3.6. License terms; 3.7. Terms of publications (fee); 4. ARCHIV: 4.1. Previous issues; 4.2. Current issue; 4.3. Articles online first; 5. INSTRUCTIONS FOR AUTHORS: 5.1. General recommendations; 5.2. Manuscript templates; 5.3. Supplemental materials; 6. STATISTICS: 6.1. Publications; 6.2. Authors; 6.3. Readers; 7. CONTACTS: 7.1. Contact; 7.2. Subscriptions; 7.3. Search. Conclusions: This academic journal website model was implemented for the International Journal of Science Annals (IJSA). Authors and readers of IJSA noted the advantages of the model proposed by the author, including: a convenient and understandable website interface, the availability of the necessary hyperlinks to the pages of the journal's website and external media (sites of indexed agencies, library archives, etc.), convenient search for information on the website and published in the journal articles (by author, publication, text of the article), availability of integrated applications (online submission of manuscripts, filing appeals against the decision of reviewers and complaints about published articles, viewing the interactive printed version of the journal, etc.), availability of templates (for authors, reviewers), availability of multiple formats for archiving articles (PDF, DOAJ, XML, TXT), the ability to choose the style of citing the article and the website language (English, Ukrainian), etc. Keywords: journal, model, website, academic, indexing
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Health Education Materials for the Workplace: Tools. Population Council, 2017. http://dx.doi.org/10.31899/sbsr2017.1007.

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Companies can derive many benefits from educating workers on health. Yet workplaces in many lower income countries have a need for easy-to-access, on-demand health education materials. The Evidence Project/Meridian in partnership with Bayer has developed a set of health education materials for these industrial and agricultural workplaces. The materials cover important health issues facing women and men workers: - Family Planning - Engaged Fathers and Health - Healthy Timing and Spacing of Pregnancy - Menstrual Hygiene - Handwashing These materials are designed to be printed at the workplace on desktop printers, making the materials easy to access and available on demand. They are available in English, Bengali (approved by the Ministry of Health), and Arabic. The materials, in color and black and white (to save on printing costs), come in three types: - Mini-Posters (MP), to be posted in public areas - Handouts (HO), for workers to take home and containing a bit more information - Supplemental materials (QA) to reinforce learning. Each workplace can determine how best to use these materials. The Implementation Guide gives workplace health staff and managers ideas for fitting the materials into their health promotion activities. There is also a User’s Guide for Brands/Retailers, NGOs and other interested parties explaining how the materials can be used in their workplace programs in global supply chains.
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The CIE 2016 Colour Appearance Model for Colour Management Systems: CIECAM16. International Commission on Illumination, March 2022. http://dx.doi.org/10.25039/tr.248.2022.

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A colour appearance model provides a viewing-condition-specific method for the transformation of the tristimulus values, X, Y, Z, to or from perceptual attribute correlates. This publication describes a specific colour appearance model, CIECAM16, which may be useful for colour management systems, used in the imaging industries, that involve related colours. The main applications of the model are the evaluation of photographic prints and self-luminous displays, where the colours will be perceived as related colours. This model is based on the CAM16 colour appearance model. It consists of a chromatic adaptation transform and equations to calculate a set of perceptual attribute correlates using the CIE 1931 standard colorimetric observer. This report provides revisions to the CIE colour appearance model for colour management systems that involve related colours, CIECAM02. The CIECAM16 model is simpler than the original CIECAM02 model, but it maintains the same prediction performance for visual data as the original model. The evolution and application of this colour appearance model, CIECAM16, are presented, as is additional information about the use of the model in practical applications. The publication is written in English, with a short summary in French and German. It consists of 38 pages with 6 figures and is readily available from the CIE Webshop or from the National Committees of the CIE.
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