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Books on the topic 'English poetry'

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Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Sibani, Raychaudhuri, and Read Ruth, eds. Bengali poetry English poetry. London: Kavita, 1988.

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2

Harold, Bloom, ed. English romantic poetry. Philadelphia: Chelsea House, 2004.

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3

Stephanie, Trigg, ed. Medieval English poetry. London: Longman, 1993.

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4

Kang, Sun Koo. Understanding English poetry. South Korea?]: Hannam University Press, 2005.

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5

Kabwato, Ethel. Traps: English poetry. Harare, Zimbabwe: Zimbabwe Women Writers, 2015.

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6

Sophie, Cogan, and BBC Education, eds. English file poetry. London: BBC Education, 1997.

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7

Post, Jonathan F. S. English Lyric Poetry. London: Taylor & Francis Group Plc, 2004.

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8

Asanaliev, Mukan, Joel Freitas, and Burul Mukanova. Kyrgyz poetry in English. Bishkek: Gulchynar, 2010.

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9

B, Germain Edward, ed. Surrealist poetry in English. London: Penguin Books, 1993.

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10

James, Swanton Michael, ed. English poetry before Chaucer. Exeter, UK: University of Exeter Press, 2002.

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11

1960-, Paranjape Makarand R., ed. Indian poetry in English. Madras: Macmillan, 1993.

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12

Mohan, Prasad Hari, and Singh Chakradhar Prasad, eds. Indian poetry in English. London: Oriental P., 1986.

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13

Yousufi, Hamid. Purple horizon: English poetry. Rawalpindi: Idara-i-Iblagh-i-Khudi, 2000.

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14

Fritz, Blackwell, and Stevens A. Wilber 1921-, eds. English poetry by Indians. Calcutta, India: Writers Workshop, 1988.

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15

Kinshuk, Rudra. NEW POETRY IN ENGLISH. 2nd ed. Calcutta: Writers Workshop, 1996.

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16

Drinkwater, John, and St John Ervine. English Poetry. Routledge, 2018. http://dx.doi.org/10.4324/9781315123516.

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17

Newberry Library. English Poetry . . Creative Media Partners, LLC, 2018.

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18

Newberry Library. English Poetry . . Creative Media Partners, LLC, 2022.

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19

English Poetry. Nabu Press, 2011.

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20

Anonyma. English Poetry. Arkose Press, 2015.

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21

English Poetry. tredition Verlag, 2013.

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22

Löffler, Arno, and Eberhard Späth. English Poetry. Quelle & Meyer, 1998.

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23

Newberry Library. English Poetry .. Franklin Classics Trade Press, 2018.

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24

Newberry Library. English Poetry .. Franklin Classics Trade Press, 2018.

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25

Newberry Library. English Poetry . . Creative Media Partners, LLC, 2018.

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26

English Poetry. Lulu Press, Inc., 2010.

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27

English Poetry. tredition Verlag, 2013.

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28

Post, Jonathan. English Lyric Poetry. Routledge, 2002. http://dx.doi.org/10.4324/9780203006313.

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29

English Romantic Poetry. Caedmon, 1996.

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30

Speirs, John. Medieval English Poetry. Faber & Faber, 1986.

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31

English Lyric Poetry. London: Taylor & Francis Inc, 2004.

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32

On English Poetry. Creative Media Partners, LLC, 2023.

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33

English Romantic Poetry. Scarecrow Press, 1991.

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34

Leeson, Edward. English Verse (Poetry). HarperCollins Audio, 2000.

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35

(Narrator), Isla Blair, and Julian Glover (Narrator), eds. English Verse (Poetry). HarperCollins Audio, 2000.

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36

ANDREWS. Poetry Macm English. Nelson Thornes (Publishers) Ltd, 1991.

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37

Brandl, Alois. Popular English Poetry. Anmol Publications Pvt. Ltd., 1998.

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38

Harold, Bloom. English Romantic Poetry. Chelsea House Publications, 2004.

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39

Graves, Robert. On English Poetry. Creative Media Partners, LLC, 2018.

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40

Fitzgibbon, H. Macaulay. Early English Poetry. Creative Media Partners, LLC, 2018.

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41

Multimedia, Classical Conversations. English Epic Poetry. Classical Conversations, Incorporated, 2024.

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42

Agarwal, Smita. Marginalized : Indian Poetry in English: Indian Poetry in English. Rodopi, 2013.

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43

Knoppers, Laura L., ed. The Oxford History of Poetry in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780198852803.001.0001.

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Abstract By taking as its purview the full seventeenth century, 1603–1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into seventeenth-century literary history, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, Katherine Philips, and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume’s attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organisation of volume is both thematic and (in the authors’ section) chronological. After a comprehensive Introduction, organisational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets.

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44

Allsopp, Niall. Poetry and Sovereignty in the English Revolution. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861065.001.0001.

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This book presents a new interpretation of the poetry of the English Revolution, by focusing on royalist poets who left royalism behind following the execution of the king. These poets reimagined the traditional language of allegiance, articulating a flexible yet absolute form of sovereignty, applicable to a republic, or even to a Cromwellian monarchy. This sovereignty was artificial, and generated through the poetic imagination. Several chapters chart the poets’ close acquaintance with Thomas Hobbes, offering new readings of the reception and adaptation of Hobbes’s ideas in contemporary poetry. This context yields new insights into well-known poems by Andrew Marvell, Edmund Waller, and John Dryden. But it also newly opens up major works that have been neglected, including the two original English epics of the Commonwealth period, by William Davenant and Abraham Cowley, along with the early career of Margaret Cavendish, and the plays of Roger Boyle, Earl of Orrery. A final chapter traces how the poets survived the restoration of Stuart monarchy, showing how they continued to apply their ideas in the heroic drama of the 1660s. The book builds on recent work in both literary criticism and the history of political thought, to contextualize the poets within a distinctive strain of absolutism inflected by reason of state, neostoicism, scepticism, and anti-clericalism. It demonstrates a vivid poetic effort to imagine the expanded state delivered by the English Revolution.

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45

English Poetry the English Poetry Full-text Database (Voume 1). Chadwyck-Healey Ltd, 1994.

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46

Hetherington, Paul, and Cassandra Atherton. Prose Poetry. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691180656.001.0001.

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This is the first book of its kind — an introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. The book introduces prose poetry's key characteristics, charts its evolution from the nineteenth-century to the present, and discusses many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today's most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. The book explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry' s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women's essential but frequently unacknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.

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47

Pearsall, Derek. Old English and Middle English Poetry. Taylor & Francis Group, 2019.

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48

Pearsall, Derek. Old English and Middle English Poetry. Routledge, 2019. http://dx.doi.org/10.4324/9780429200076.

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49

Pearsall, Derek. Old English and Middle English Poetry. Taylor & Francis Group, 2020.

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50

Pearsall, Derek. Old English and Middle English Poetry. Taylor & Francis Group, 2019.

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