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Academic literature on the topic 'English Manuscripts Bibliography Catalogues'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "English Manuscripts Bibliography Catalogues"

1

Mar, Jonathan Del. "More about Beethoven in Steiner's Shop: Publishers’ Corrections to the First Edition of the Quartet in F Minor, op. 95. A tribute to Alan Tyson." Nineteenth-Century Music Review 3, no. 2 (November 2006): 95–112. http://dx.doi.org/10.1017/s1479409800000616.

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Alan Tyson (1926–2000) was one of the most remarkable, influential and prolific Beethoven scholars of his generation. Yet his achievements ran wider than Beethoven, and even wider than music: he studied psychoanalysis, practised as a psychiatrist, and learnt German specifically in order to translate many of the writings of Siegmund Freud. Even before the claims of his musicological researches finally won over his medical career, he was the first to demonstrate the importance, and indeed authenticity, of many English editions of Beethoven. He published a huge amount of bibliographical material on Beethoven, both articles and books, particularly (in collaboration with Douglas Johnson and Robert Winter) a complete catalogue of Beethoven's sketchbooks. Not content with that, however, he turned his attention to Mozart, becoming the prime authority on the paper types and watermarks of Mozart's autograph manuscripts. Shortly before his death a Festschrift was dedicated to him, in which the complete bibliography of his publications occupies nine full pages.
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2

Harley, John. "An Early Source of the English Keyboard Suite." Royal Musical Association Research Chronicle 28 (1995): 51–58. http://dx.doi.org/10.1080/14723808.1995.10540971.

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Lambeth Palace Library MS 1040 has received less attention than a companion volume, MS 1041 (inscribed ‘The Lady Ann Blount’ on the first leaf). Although there appears to be no musical connection between the two manuscripts, they have been together for a long time. The Library's old catalogues do not allow the volumes to be identified with certainty, but if ‘Two Musick Books’ refers to them they have been in the collection since at least the mid-eighteenth century.
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Blanchet, Marie-Héléne. "Bilan des études sur Théodore Agallianos : 1966-2011." Gleaner 28 (December 30, 2011): 25. http://dx.doi.org/10.12681/er.123.

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A REPORT ON STUDIES ABOUT THEODORE AGALLIANOS (1966-2011)<br /><br /><br />C. Patrineles devoted his doctoral thesis to Theodore Agallianos’ life and writings and also edited two of his speeches. In this still authoritative book, he listed all the manuscripts containing Agallianos’ works and all the existing editions. This article provides an update of this information in light of recent studies; it also catalogues the entire bibliography published about Agallianos since 1966.<br /> <br />MARIE-HELENE BLANCHET<br />
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4

Lizán, Pilar, and Maria Jesús Sánchez. "La Seccion de Arte de la Biblioteca del Centro de Estudios Historicos de Madrid." Art Libraries Journal 15, no. 3 (1990): 33–35. http://dx.doi.org/10.1017/s0307472200006866.

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The Art Section of the Library of the Centre for Historical Studies in Madrid inherited part of the art library of the former Centro de Estudios Históricos (CEH) and the entire collection of the Instituto de Historia del Arte y Arqueologia ‘Diego Velazquez’. The Art Section is particularly well endowed with monographs on painting from the 15th to the 18th centuries, and on silver, and with guides and catalogues relating to regional art. The collection of periodicals is one of the best of its kind in Madrid. Other notable holdings include the manuscripts of the Catálogos Monumentales Nacionales, a collection of auction catalogues, and a magnificent collection of photographs. The CEH Library has been part of a libraries automation programme, the Programa de Informatización de Bibliotecas del Consejo Superior de Investigaciones Cientificas (PRIBIC) since 1988, and in 1989 made a start on the retrospective conversion of the catalogue records of the Art Section. The Art Section collaborates with other art libraries in Madrid and contributes data to documentation centres such as ISOC and to the Répertoire d’Art et Archéologie (now succeeded by the Bibliography of the History of Art). Projects currently under consideration include indexing and automating the auction catalogues, and copying the photograph collection onto videodisc.
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5

Da Rold, Orietta. "Tradition and Innovation in Cataloguing Medieval Manuscripts." Anglia 139, no. 1 (March 4, 2021): 32–58. http://dx.doi.org/10.1515/ang-2021-0003.

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Abstract In this essay, I offer a brief history of manuscript cataloguing and some observations on the innovations this practice introduced especially in the digital form. This history reveals that as the cataloguing of medieval manuscripts developed over time, so did the research needs it served. What was often considered traditional cataloguing practices had to be mediated to accommodate new scholarly advance, posing interesting questions, for example, on what new technologies can bring to this discussion. In the digital age, in particular, how do digital catalogues interact with their analogue counterparts? What skills and training are required of scholars interacting with this new technology? To this end, I will consider the importance of the digital environment to enable a more flexible approach to cataloguing. I will also discuss new insights into digital projects, especially the experience accrued by the The Production and Use of English Manuscripts 1060 to 1220 Project, and then propose that in the future cataloguing should be adaptable and shareable, and make full use of the different approaches to manuscripts generated by collaboration between scholars and librarians or the work of postgraduate students and early career researchers.
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6

O'Donnell, Daniel Paul. "Junius's knowledge of the Old English poem Durham." Anglo-Saxon England 30 (December 2001): 231–45. http://dx.doi.org/10.1017/s0263675101000096.

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Until recently, the late Old English poem Durham was known to have been copied in two manuscripts of the twelfth century: Cambridge, University Library, Ff. 1. 27 (C) and London, British Library, Cotton Vitellius D. xx (V). C has been transcribed frequently and serves as the basis for Elliott Van Kirk Dobbie's standard edition of the poem in the Anglo-Saxon Poetic Records. V was almost completely destroyed in the Cottonian fire of 1731. Its version is known to us solely from George Hickes's 1705 edition (H).In a recent article, however, Donald K. Fry announced the discovery of a third medieval text of the poem. Like V, the original manuscript of this ‘third’ version is now lost and can be reconstructed only from an early modern transcription - in this case a copy by Francis Junius no win the Stanford University Library (Stanford University Libraries, Department of Special Collections, Misc. 010 [J1]). Unlike V, however, Junius's copy is our only record of this manuscript's existence. No other transcripts are known from medieval or early modern manuscript catalogues.
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7

Johnson, Ryan E. "From the Westfjords to World Literature: A Bibliography on Fostbræðra saga." Scandinavian-Canadian Studies 26 (December 1, 2019): 312–19. http://dx.doi.org/10.29173/scancan173.

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ABSTRACT: This bibliography begins with full entries for Manuscripts. The Editions section attempts to be exhaustive to provide an idea of the current scope of Translations available. The Criticism section has been created with an inclusive set of languages to be as useful to as many as possible and to provide easy access to title information in English.
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8

Büyüklimanli, Gönül. "The Turkish National Library towards the Future." Alexandria: The Journal of National and International Library and Information Issues 7, no. 2 (August 1995): 77–82. http://dx.doi.org/10.1177/095574909500700202.

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Planning for the Turkish National Library (TNL) began in 1946, and the library was opened in 1948. It outgrew its first building, and in 1983 moved to a new one which contained several new facilities. Its main functions are to collect works produced in and relating to Turkey, to record them and produce bibliographies of them, to establish an information network in Turkey, and to perform a leadership role. The collection numbers 1,500,000 items, including non-book materials; the TNL has two thirds of all Turkish books published in the old script. Last year there were 222,000 users. The library's Bibliographical Institute issues monthly the national bibliography and a bibliography of articles in Turkish periodicals, as well as other bibliographies, and constructs union catalogues. Work on automation started in 1987, and the TNL's computer-based information system, with an OPAC (containing records of a third of the library's stock), information networks and various CD-ROMs, was opened to the public in 1993. Future projects include an online union catalogue of foreign language books, digitization of manuscripts and rare books, a conservation laboratory, and an improved automatic conveyor system. Main barriers to progress are the inadequacy of the Free Copy Act and insufficient numbers and quality of staff.
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9

Lerer, Seth. "Devotion and Defacement: Reading Children's Marginalia." Representations 118, no. 1 (2012): 126–53. http://dx.doi.org/10.1525/rep.2012.118.1.126.

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The study of children's marginalia in manuscripts and printed books enables us to reassess traditional assumptions about bibliography, subjectivity, and the literary imagination in the English and American traditions. Commentaries, signatures, and scribbling defacements—together with fictional representations of young people writing in books—illustrate relationships among canonical authority, playful subversion, commodity value, and archival preservation that all contribute to (and may critique) our current fascination with book history as a discipline.
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10

Daneshgar, Majid. "The Prophet Shaving: Persians and the Origin of the Malay Hikayat Nabi Bercukur." Der Islam 98, no. 2 (October 1, 2021): 394–424. http://dx.doi.org/10.1515/islam-2021-0028.

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Abstract This article is about a well-known anonymous folk story in the Malay-Indonesian world, called Hikayat Nabi Bercukur (“The Story of Prophet Shaving”), found in various different languages across the region. The only scholarly conjecture about its origin is based on the copy of a Malay manuscript held in Leiden which has been deliberately blackened and struck through by a reader who stated in the margin that the story is written by a Rāfiḍī and should not be believed. Although earlier scholars mentioned the title or the synopsis of this story in their works and bibliographical catalogues, the question “what is the origin of this story?” remained unanswered. In order to follow up on previous studies and to find an answer, this essay examines numerous original manuscripts and texts in various languages and provides a comparison between the Malay versions and their prototype. Also, to the best of my knowledge, the first edition and English translation of the prototype are presented.
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Books on the topic "English Manuscripts Bibliography Catalogues"

1

Pelteret, David A. E. Catalogue of English post-conquest vernacular documents. Woodbridge: Boydell, 1990.

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2

1940-, Rudick Michael, Ringler Susan J, and Ringler William A. 1912-, eds. Bibliography and index of English verse in manuscript, 1501-1558. London: Mansell, 1992.

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3

(Firm), Gloucester Road Bookshop. The annotated library of Graham Greene: A catalogue. [London: Gloucester Road Bookshop, 1993.

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4

Baker, John Hamilton. A catalogue of English legal manuscripts in Cambridge University Library. Woodbridge, Suffolk: Boydell Press, 1996.

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A catalogue of Chaucer manuscripts. Aldershot, England: Scolar Press, 1995.

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Baker, J. H. A catalogue of English legal manuscripts in Cambridge University Library. Woodbridge: Boydell Press, 1996.

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7

Manuscripts in Midland libraries. Woodbridge, Suffolk, UK: D.S. Brewer, 2001.

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8

Sotheby, Parke-Bernet, London. English literature and history: Comprising printed books, autograph letters and manuscripts ... [London]: Sotheby's, 1985.

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9

Society, Selden, ed. A catalogue of the legal manuscripts of Anthony Taussig. London: Selden Society, 2007.

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10

Hanna, Ralph. Smaller Bodleian collections: English miscellaneous, English poetry, English theology, Finch, Latin theology, Lyell, Radcliffe Trust. Woodbridge, Suffolk, UK: D.S. Brewer, 1997.

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Book chapters on the topic "English Manuscripts Bibliography Catalogues"

1

"Bibliography A: Manuscripts." In A Literary History of Latin & English Poetry, 504–15. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108131667.018.

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