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1

Pygmalion and Galatea: The history of a narrative in English literature. Aldershot, Hants, England: Ashgate, 2001.

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2

Shakespeare's Greek drama secret. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2010.

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3

Transparency and dissimulation: Configurations of Neoplatonism in early modern English literature. New York: De Gruyter, 2010.

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4

Arkins, Brian. Greek and Roman themes in Joyce. Lewiston, N.Y: E. Mellen Press, 1999.

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5

Afro-Greeks: Dialogues between Anglophone Caribbean literature and classics in the twentieth century. Oxford: Oxford University Press, 2010.

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6

Kabitoglou, E. Douka. Plato and the English romantics: Dialogoi. London: Routledge, 1990.

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7

English literature and ancient languages. New York: Oxford University Press, 2003.

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8

A dictionary of classical references in English poetry. Totowa, N.J: Barnes & Noble, 1986.

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9

Sotelo, Patricia Cruzalegui. El platonismo romántico de Shelley. San Miguel [Lima]: Pontificia Universidad Católica del Perú, Fondo Editorial, 2001.

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10

La experiencia platónica en la Inglaterra decimonónica. Oviedo: Septem Ediciones, 2002.

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11

Younger, Kelly. Irish adaptations of Greek tragedies: Dionysus in Ireland. Lewiston, N.Y: Edwin Mellen Press, 2001.

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12

D'Agostino, Nemi. Shakespeare e i greci. Roma: Bulzoni, 1994.

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13

Nyusztay, Iván. Myth, telos, identity: The tragic schema in Greek and Shakespearean drama. Amsterdam: Rodopi, 2002.

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14

Keeley, Edmund. Inventing paradise: The Greek journey, 1937-47. Evanston, Ill: Northwestern University Press, 2002.

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15

Inventing paradise: The Greek journey, 1937-47. New York: Farrar, Straus and Giroux, 1999.

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16

Builders of my soul: Greek and Roman themes in Yeats. Savage, Md: Barnes and Noble Books, 1990.

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17

Builders of my soul: Greek and Roman themes in Yeats. Gerrards Cross, Buckinghamshire: C. Smythe, 1990.

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18

British aestheticism and Ancient Greece: Hellenism, reception, gods in exile. Basingstoke: Palgrave Macmillan, 2009.

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19

Schork, R. J. Greek and Hellenic culture in Joyce. Gainesville: University Press of Florida, 1998.

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20

Macintosh, Fiona. Dying acts : death in ancient Greek and modern Irish tragic drama. New York: St. Martin's Press, 1995.

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21

Spenser's supreme fiction: Platonic natural philosophy and The faerie queene. Toronto: University of Toronto Press, 2001.

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22

Sotelo, Patricia Cruzalegui. The Platonic experience in nineteenth-century England. Lima, Peru: Pontificia Universidad Católica del Perú, Fondo Editorial, 2006.

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23

Lohmann, Dieter. Kalypso bei Homer und James Joyce: Eine vergleichende Untersuchung des 1. und 5. Buches der Odyssee und der 4. Episode (Calypso) im Ulysses von J. Joyce. Tübingen: Stauffenburg, 1998.

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24

Mishra, Karuna Shanker. The tragic hero through ages. New Delhi: Northern Book Centre, 1992.

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25

Agonistic poetry: The Pindaric mode in Pindar, Horace, Hölderlin, and the English ode. Berkeley: University of California Press, 1987.

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26

Dying acts: Death in ancient Greek and modern Irish tragic drama. Cork, Ireland: Cork University Press, 1994.

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27

Aristotle, ed. Aristotle anatomised: The Poetics in England, 1674-1781. Frankfurt am Main: Verlag Peter Lang, 1988.

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28

Lewis, Linda M. The Promethean politics of Milton, Blake, and Shelley. Columbia: University of Missouri Press, 1992.

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29

Berley, Marc. After the heavenly tune: English poetry and the aspiration to song. Pittsburgh, Pa: Duquesne University Press, 2000.

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30

Tragedy: A very short introduction. Oxford: Oxford University Press, 2005.

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31

English epicures and stoics: Ancient legacies in early Stuart culture. Amherst: University of Massachusetts Press, 1998.

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32

In Byron's shadow: Modern Greece in the English & American imagination. Oxford: Oxford University Press, 2002.

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33

Silent urns: Romanticism, Hellenism, modernity. Stanford, Calif: Stanford University Press, 2000.

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34

Milton and Homer: "written to aftertimes". Pittsburgh, Pa: Duquesne University Press, 2011.

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35

Olverson, T. D. Women writers and the dark side of late Victorian Hellenism. New York: Palgrave Macmillan, 2010.

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36

Women writers and the dark side of late-Victorian Hellenism. Basingstoke [England]: Palgrave Macmillan, 2010.

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37

Vulgar eloquence: On the Renaissance invention of English literature. New Haven: Yale University Press, 2006.

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38

Passerini, Luisa. L' Europa e l'amore. Milano: Il saggiatore, 1999.

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39

Parker, Barbara L. Plato's Republic and Shakespeare's Rome: A political study of the Roman works. Newark: University of Delaware Press, 2004.

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40

Lewis, Jayne Elizabeth. The English fable: Aesop and literary culture, 1651-1740. Cambridge: Cambridge University Press, 1996.

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41

Heretical Hellenism: Women writers, ancient Greece, and the Victorian popular imagination. Athens: Ohio University Press, 2008.

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42

Patterson, Annabel M. Fables of power: Aesopian writing and political history. Durham: Duke University Press, 1991.

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43

Nigro, August J. The net of nemesis: Studies in tragic bond/age. Selinsgrove, [Penn.]: Susquehanna University Press, 2000.

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44

1838-1891, Reece Robert, ed. Cassandra, the fortune-teller: Prophets, gipsies and Victorian burlesque. Bari: Levante, 2011.

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45

Plazenet, Laurence. L' ébahissement et la délectation: Réception comparée et poétiques du roman grec en France et en Angleterre aux XVIe et XVIIe siècles. Paris: H. Champion, 1997.

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46

The classical tradition in operation. Toronto: University of Toronto Press, 1994.

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47

Krstovic, Jelena O. Classical and medieval literature criticism. Detroit, Mich: Gale, 2010.

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48

Krstovic, Jelena O. Classical and medieval literature criticism. Detroit, Mich: Gale, 2010.

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49

Krstovic, Jelena O. Classical and medieval literature criticism. Detroit, Mich: Gale, 2010.

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50

Krstovic, Jelena O. Classical and medieval literature criticism. Detroit, Mich: Gale, 2010.

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