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Journal articles on the topic 'Empereur de Rome (Romance)'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

Budner, Keith. "How Does a Moorish Prince Become a Roman Caesar? Fictions and Forgeries, Emperors and Others from the Spanish "Flores" Romances to the Lead Books of Granada." Medieval Globe 5, no. 2 (2019): 149–70. http://dx.doi.org/10.17302/tmg.5-2.8.

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This article reads the two Spanish versions of the Flores romance as ideologically embedded in the conflict and contact between Christians and Muslims in medieval Iberia, as well as after the "Reconquista" of 1492 and the subsequent renegotiation of Spanish-Morisco relations. It argues that the printed version of the romance, published in 1512 and frequently reprinted, imagines a fictional resolution to the problem of the Moriscos' socio-political status by making its Morisco protagonist an emperor of Rome. It contrasts this successful fiction with a failed contemporary forgery that had a simi

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Reichert, Stephie. "Vivre selon son ethos : Le cas du prince en tant que magister legum , de César à Néron." Revue historique 709, no. 1 (2024): 95–120. http://dx.doi.org/10.3917/rhis.241.0095.

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L’article analyse le rapport étroit entre la loi et le pouvoir des princes en tant que magister legum , de César à Néron. L’analyse porte sur la dualité entre le bon prince, démontrant ses vertus grâce à des décisions sages, et le mauvais prince, terrorisant son peuple. César est l’exemple type du bonus princeps , il se laisse guider par sa bienveillance et son indulgence et est considéré par les sources littéraires comme iustus , même s’il agit à l’encontre de la loi. Il est clair qu’Auguste doit suivre le modèle du bon prince qui accomplit les vertus prédéterminées par son père adoptif. L’ar

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Lovenjak, Milan. "Roman Tribune Cola di Rienzo (1347), Res Gestae Divi Augusti and Lex de Imperio Vespasiani." Keria: Studia Latina et Graeca 20, no. 1 (2018): 47–104. http://dx.doi.org/10.4312/keria.20.1.47-104.

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The anonymous and fragmentarily preserved Romance-dialect Chronicle describing the history of Rome in 1325–1360, the extensive correspondence between Cola di Rienzo (1313–1354) and rulers, nobles, Church dignitaries, and intellectuals (especially Petrarch) in Italy and abroad, as well as various documentary sources allow us to trace Rienzo’s career in considerable detail. A papal notary, a scholar in Classical literature, an exceptional orator and a copyist and translator of Ancient Roman inscriptions, Rienzo, aided by a group of followers, overthrew the baron rule in Rome in May 1347, assumed

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Amon, Hermann. "Usurpation et coup d’État dans l’empire romain : nouvelles approches." Cahiers d'histoire 31, no. 2 (2013): 33–65. http://dx.doi.org/10.7202/1019283ar.

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Après sa victoire à Actium, Octave devint le seul maître de Rome. Il lui incombait donc de réaliser les réformes nécessaires pour mettre fin au long cycle de guerres civiles qui avaient agité la République. La réorganisation de l’État romain par Octave conduit à la naissance d’une nouvelle structure politique : le Principat. Pendant de nombreuses décennies, le concept d’usurpation fut préféré à celui de coup d’État pour qualifier la contestation de la « légitimité » d’un empereur régnant par un autre prétendant dans cette structure politique. Les historiens de l’Antiquité considéraient le conc

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Reshetnikova, E. S. "On one of the symbolical Aspects of the Medieval Romance." Izvestiya of Saratov University. Philology. Journalism 10, no. 3 (2010): 51–57. http://dx.doi.org/10.18500/1817-7115-2010-10-3-51-57.

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The article deals with the symbolical meaning of the medieval romance and its genre nomination – «romanz». The word «romanz» and the genre itself refer to Rome and the prestigious, legitimating tradition concerned with Rome. Thus, romance may be considered as a specific secular and literary analogy of «translatio imperii» strategy.

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Meulder, Marcel. "Auguste et Othon face au présage du Tibre." Revue des Études Anciennes 111, no. 2 (2009): 493–508. http://dx.doi.org/10.3406/rea.2009.6640.

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Selon Suétone, Othon lors de son départ de Rome pour combattre Vitellius commet des impiétés à l’encontre du Tibre, du dieu Mars et de la déesse Cybèle . Le mépris par T empereur du signal religieux que constitue la crue du fleuve, le différencie totalement d’Auguste, qui, lui aussi, dut faire face à une crue tibérine au début de son règne ; qui plus est, sa négligence des cérémonies en l’honneur de Mars sera fatale à Othon aux yeux de ses adversaires.

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Prigent, Vivien. "Les empereurs isauriens et la confiscation des patrimoines pontificaux d’Italie du Sud." Mélanges de l École française de Rome Moyen Âge 116, no. 2 (2004): 557–94. http://dx.doi.org/10.3406/mefr.2004.9334.

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L’auteur revient sur la question du transfert au patriarche de Constantinople de la juridiction sur l’Italie du sud et de la saisie des patrimoines pontificaux de Sicile et Calabre. Traditionnellement mises au compte de l’empereur Léon III et datées du début des années 730 sur la foi du témoignage de Théophane le Confesseur, ces réformes devraient être dissociées en plusieurs phases distinctes. La modification juridictionnelle aurait bien été le fait du premier empereur isaurien mais serait à dater des années 720. Au début des années 730, le gouvernement impérial n’orchestra qu’une simple réfo

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Rodríguez Garrido, Jacobo. "Non enim iam servi nostri principis amici . Trajano y las reglas de la quaestio servi." Dialogues d'histoire ancienne 49/2, no. 2 (2023): 167–93. http://dx.doi.org/10.3917/dha.492.0167.

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Dans la procédure médico-légale typique de la Rome du Principat et du droit romain dit classique, le recours à l’interrogatoire par la torture est intrinsèquement lié au monde servile, puisque ce n’est que par le tormentum que le témoignage de l’esclave était considéré comme valable. Cette affirmation trouve une réserve importante dans la quaestio servi contra dominos , c’est-à-dire l’utilisation du témoignage de l’esclave contre les intérêts de son propre maître. Cet article analyse la législation impériale de Trajan concernant le tormentum servi et la nuance sur la base du discours central d

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Blave Gómez, Raquel. "Art at the Service of Progress in The Marble Faun." VERBEIA. Revista de Estudios Filológicos. Journal of English and Spanish Studies 5, no. 4 (2019): 153–72. http://dx.doi.org/10.57087/verbeia.2019.4062.

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Contrary to what we read in Hawthorne’s previous books, little is discussed about thedichotomy novel vs. romance in the preface to The Marble Faun. Art, a key subtext in thestory, is more powerfully introduced than the novel /romance issue. Nevertheless, theword romance appears directly in the title of the book, The Romance of Monte Beni, turningthe genre issue into one of the structuring principles of the text while diverting thereaders’ /critics’ attention to art itself. In general, Hawthorne’s texts present an artist asthe main character, an artist with whom the author himself empathizes. T

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Mennella, Vincent. "Vexed Relationships with Rome." Explorations in Renaissance Culture 50, no. 1-2 (2024): 40–67. https://doi.org/10.1163/23526963-05001001.

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Abstract Because the Faerie Queene of a borderless empire allies herself with Arthur in a battle against the Paynim King on “Bryton fieldes with Sarazin blood bedyde,” Spenser inverts the relationship between Christendom and the borderless Saracen world of Italian epic-romance. Some critics consider Spenser’s itinerant Saracens representative of the threat to Protestant England posed by the See of Rome and Ottoman Empire, but The Faerie Queene also allegorizes the threat Protestant England and the Ottoman Empire posed to the See of Rome. Instead of an epic conflict between two rival empires, S

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Amitay, Ory. "Alexander between Rome and Carthage in the Alexander Romance (A)." Phoenix 77, no. 1-2 (2023): 23–42. http://dx.doi.org/10.1353/phx.2023.a926362.

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Abstract: The Alexander Romance takes Alexander to Italy and to Carthage, synchronizing him with the First Punic War. It represents the Alexandrian perspective, commenting on Ptolemaic interests through Alexander's character. This interpretation adds to the recognized Ptolemaic elements in the AR and sheds new light on an event of the First Punic War. Réesumé: Le Roman d'Alexandre emmène Alexandre en Italie et à Carthage, ce qui le place dans le cadre de la première guerre punique. Les événements sont présentés du point de vue alexandrinà travers le personnage d'Alexandre, qui représente les i

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Aleksandar, Simić, and Mitrović Nemanja. "Djerdap Through the Centuries." Transylvanian Review Supplement 2, no. 2020 (2021): 227–51. https://doi.org/10.33993/TR.2020.suppl.2.14.

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This paper provides a diachronic overview of the history of the Djerdap Gorge (Porþile de Fier, Iron Gates) and the civilizations that have been associated with it from prehistory to modern times. The Djerdap Gorge had a very troubled history. In antiquity, it was thought to have divided the river into Danubius and Ister. Both banks of Djerdap were inhabited. The north was mostly inhabited by Dacians, and the south was eventually ruled by the Romans. From Emperor Trajan to Emperor Aurelian, the Romans held both banks of the Danube in that area. After the retreat of the Romans, numerous p

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Patlagean, Evelyne. "Byzance et la Question du Roi-Prêtre." Annales. Histoire, Sciences Sociales 55, no. 4 (2000): 871–78. http://dx.doi.org/10.3406/ahess.2000.279886.

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Le dernier livre de Gilbert Dagron, place sous le doublé vocable du Marc Bloch des Rois thaumaturges et d'Ernst Kantorowicz, met en ceuvre ensemble et l'un par l'autre deux thèmes qui ont déjà inspiré son travail: l'inépuisable figure de l'empereur romain christianisé depuis Constantin et l'empreinte de l'Ancien Testament dans la culture de Byzance, qui pousse évidemment à considérer la place des Juifs de chair et de sang dans 1'Empire. On rappellera son mémoire de 1967 qui dessinait face à face, dans l'Orient impérial du ive siècle, Constantin et la romanité, Mien et l'hellénisme ; puis le li

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Morozova, Darya. "The Syrian romance of St. Clement of Rome, and its early Slavonic version." Ukrainian Religious Studies, no. 91 (September 11, 2020): 45–65. http://dx.doi.org/10.32420/2020.91.2141.

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The article analyzes the ethical and theological content of the apocryphal Syrian "autobiography" of St. Clement of Rome (Epytome), as well as its early Slavic translation (Life of St. Clement). The study uses historical-philosophical, patristic and philological methodology to outline the specific teachings, attributed to St. Clement by this Greek-speaking Syrian text from the pseudo-Clementine cycle. The methods of comparative textology and translation studies are used to analyze the features of the Slavic version of the work.  The study revealed that, contrary to the ideas of the publi

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Bastardas Rufat, Maria-Reina, Joan Fontana I Tous, and José Enrique Gargallo Gil. "Dictons romans avec les douze mois : la caractérisation parémique et mensuelle de l’année." Studia Universitatis Babeș-Bolyai Philologia 65, no. 4 (2020): 9–38. http://dx.doi.org/10.24193/subbphilo.2020.4.01.

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Romance Proverbs with the Twelve Months: the Paremical and Monthly Characterization of the Year. There are various types of weather and calendar proverbs in the Romance languages. Not only concerning their motivation, but also concerning their length. Among the proverbs referring to the months, some are very short, just two or three words, the so-called “minimal proverbs”, while others are quite long, and curiously defy any kind of mnemonics. Our corpus will be made up of the latter type: thirteen proverbs mentioning all the twelve months of the year, which represent five different Romance var

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Korhonen, Kalle. "The role of onomastics for diachronic sociolinguistics." Journal of Historical Linguistics 1, no. 2 (2011): 147–74. http://dx.doi.org/10.1075/jhl.1.2.02kor.

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The article focuses on the roles of Greek, Latin/Romance and Arabic in the onomastics of Northeastern Sicily between the 11th and 13th centuries. The first part deals with landless peasants from four villages at the turn of the 11th and 12th centuries. I argue that the role played by Arabic in the nomenclature of these communities was more important than has previously been suggested and the role of Romance speakers may have been minimal. The important role of Arabic is interpreted as a consequence of a situation of linguistic dominance and borrowing of word-forms. In the second part, I analyz

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Fischer, Rachel K. "The Alert Collector: The Gothic Aesthetic: From the Ancient Germanic Tribes to the Contemporary Goth Subculture." Reference & User Services Quarterly 58, no. 3 (2019): 143. http://dx.doi.org/10.5860/rusq.58.3.7040.

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Goths. How did we get from warlike Germanic tribes sacking Rome, to an aesthetic or subculture imbued with “the dark and melancholy, a hint of horror tinged with romance.” This column will show you how widely this aesthetic is represented in art, architecture, film, literature and more, and along the way you will undoubtedly find some great resources to add to your collections, from music CD, to academic journals, reference works and the usual popular and academic books. Rachel Fischer has ably put together an excellent resource for anyone wanting to build a collection from the ground-up, or a

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Trumper, John Bassett. "Italo-Albanian (Arbëresh) and Albanian: language and cultural contact and retransmission." STUF - Language Typology and Universals 78, no. 1 (2025): 117–47. https://doi.org/10.1515/stuf-2025-2008.

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Abstract The study aims at showing the multiple and mediating relations of Albanian, as well as the Italo-Albanian Tosk variety, with other languages and cultures of the Balkans and Mediterranean studied in a typical contact-language situation. The contact analysed is lexical, sometimes semantic, and involves Middle Greek, Slav, Iranic sources (principally Persian), Arabic and Turkish elements, alongside the presence of some fairly rare Latin lexemes that appear as Albanian/Arbëresh allvan, kodër, kuvënt, mat, ndregullarënj, shesh, and which are not generally attested in the Romance languages.

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Rabinovich, Irina. "Hawthorne’s Rome – A city of evil, political and religious corruption and violence." Ars Aeterna 9, no. 1 (2017): 1–6. http://dx.doi.org/10.1515/aa-2017-0001.

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Abstract Hawthorne’s Rome is the home of dark and evil catacombs. It is a city haunted by evil spirits from the past that actively shape the romance’s plot. Rome’s dark gardens, endless staircases, hidden corners and vast catacombs, as well as the malodorous Jewish ghetto, affect Donatello’s and Miriam’s judgment, almost forcing them to get rid of the Model, Miriam’s persecutor. Hawthorne’s narrator’s shockingly violent, harsh and seemingly anti-Semitic description of the ghetto in Rome is just one among many similarly ruthless, and at times offensive, accounts of the city wherein Hawthorne si

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Faure, Patrice, Frédéric Hurlet, and Mélanie Lioux-Ramona. "En quête de pouvoir. Empereur, légitimité et violence à Rome au miroir de l’exposition du Musée Lugdunum (du 6 octobre 2021 au 27 février 2022)." Anabases, no. 36 (November 2, 2022): 229–44. http://dx.doi.org/10.4000/anabases.14962.

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Danylykha, Nataliia. "The Ethical Values Formation in the Roman Empire as a Cultural Phenomenon." Issues in Cultural Studies, no. 36 (December 28, 2020): 166–76. https://doi.org/10.31866/2410-1311.36.2020.221061.

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The purpose of the article is to study the influence of cultural and psychological motivation on the formation of ethical values in the Roman Empire. The article identifies the main factors of influence of the internal and external environment of the Roman Empire on the formation of moral values of the Roman Emperor. It is relevant to form a system of Ideas, notions and values of the ancient Rome society based on the synthesis of different cultures, propaganda, image building and moral reform. The research methodology consists in studying the evolution processes of the ancient tradition under

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Bezio, Kristin MS. "From Rome to Tyre to London: Shakespeare’s Pericles, leadership, anti-absolutism, and English exceptionalism." Leadership 13, no. 1 (2016): 48–63. http://dx.doi.org/10.1177/1742715016663753.

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Discussions on the nature of leadership—and, specifically, the nature of kingship or sovereignty—are ubiquitous to most historical overviews of leadership studies. This paper suggests that leadership studies would benefit from the use of complex literary and historical analyses, which can then be applied to aid in the understanding of appropriate modern-day corollaries. In particular, the paper presents an interrogation of Shakespeare’s late romance Pericles to examine how early moderns saw the development of proto-democratic ideals. In addition, this paper suggests that Pericles was an open c

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Holderness, Graham. "Editorial." Critical Survey 34, no. 4 (2022): v—vi. http://dx.doi.org/10.3167/cs.2022.340401.

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Shakespeare’s interest in ancient Rome spans the whole of his dramatic career, from Titus Andronicus to Cymbeline, while Roman history and Latin culture permeate the whole of his work, well beyond the explicitly ‘Roman’ plays and poems. Critical interest has to some extent shifted from the historicist Roman plays based on Plutarch, Julius Caesar and Antony and Cleopatra, and the pseudo-historical Coriolanus, to the outlying Roman plays that evidence greater generic diversity and stylistic innovation, the early Senecan tragedy Titus Andronicus and the late ‘British’ romance Cymbeline. In these

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Ochonicky, Adam. "“A Better Civilization” through Tourism." Nineteenth-Century Literature 70, no. 2 (2015): 221–37. http://dx.doi.org/10.1525/ncl.2015.70.2.221.

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Adam Ochonicky, “‘A Better Civilization’ through Tourism: Cultural Appropriation in The Marble Faun” (pp. 221–237) This essay argues that Nathaniel Hawthorne’s The Marble Faun: Or, The Romance of Monte Beni (1860) is an attempt to situate the United States within a lineage of “great” nations via the depiction of tourism abroad in the nineteenth century. In The Marble Faun, Hawthorne suggests that the historical legacies of nations are dependent on the production of art objects, literature, and cultural sites that demonstrate the sophistication of a given national identity. As such, the novel’s

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Klimkowski, Tomasz. "Terminologia religioasă românească și diviziunile confesionale – versiunea ortodoxă și cea greco-catolică a Dumnezeieștii Liturghii." Numéro spécial 23, no. 2 (2023): 251–60. http://dx.doi.org/10.4467/20843917rc.23.027.18521.

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Religious Terminology in Romanian and Confessional Divisions – the Orthodox and Greek Catholic Versions of the Divine Liturgy The articles presents some differences regarding the terminology used by the Romanian Orthodox Church, on the one hand, and the Romanian Church United with Rome, Greek-Catholic, on the other. The analysis is based on the text of the Divine Liturgy of Saint John Chrysostom. The differences concern not only strictly religious terms, but also neutral words. This seems to be the result of a deliberate linguistic policy of the Greek Catholic Church, which often uses differen

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Looney, Dennis, and Jane E. Everson. "The Italian Romance Epic in the Age of Humanism: The Matter of Italy and the World of Rome." Modern Language Review 98, no. 3 (2003): 733. http://dx.doi.org/10.2307/3738340.

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Buchsenschutz, Olivier. "Stéphane Verger, Rites et espaces en pays celte et méditerranéen. Étude comparée à partir du sanctuaire d’Acy-Romance (Ardennes, France) Rome, École française de Rome, «Collection de l’École française de Rome-276», 2000, 356 p." Annales. Histoire, Sciences Sociales 57, no. 3 (2002): 722–24. http://dx.doi.org/10.1017/s0395264900034880.

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Le Pape, Yannick. "Peindre l’Antiquité romaine à l’heure du pacifisme victorien : considérations sur un portrait d’Hadrien par Alma-Tadema." Vita Latina 202, no. 1 (2022): 205–25. http://dx.doi.org/10.3406/vita.2022.2004.

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Roman antiquity was a major reference for artists all along the 19th century. In this time of European crisis, critics as public did appreciate how striking pictures (battles and sacrifices) depicted heroism and bravery. Although Sir Lawrence Alma-Tadema was the flagship of the British Classic Revival, he definitely chose to paint a different kind of serene Antiquity that was known to illustrate, at the very end, the current mood of English society. Hadrian in England Visiting a Romano-British Pottery, a 1884 painting, let us guess how Alma-Tadema used Antiquity that way, as Hadrian was the on

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Rabinovich, Irina. "Hawthorne’s True Artist in The Marble Faun: The Jewish Miriam?" ATHENS JOURNAL OF PHILOLOGY 8, no. 4 (2021): 283–96. http://dx.doi.org/10.30958/ajp.8-4-3.

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The Marble Faun (MF), besides being a travelogue account of Rome, is a story about sin, guilt, suffering and abuse; it is also a tale about love and friendship. It is a story about the relationships between four different individuals united by their mutual love of art. The more interesting and convincing woman of the two female characters in the novel is unquestionably Miriam. Miriam is a rebel, an artist, and a compassionate and redemptive figure. Nevertheless, her art has been almost totally neglected, probably because most critics maintained that Miriam is an allegorical character lacking m

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Sauli, Meici, Hayat Marwan Ohorella, and Ibrahim Ibrahim. "The Analysis of Intrinsic Elements of Sally Rooney’s Novel Beautiful World, Where Are You." JOLIES : Journal of Linguistic and English Studies 1, no. 2 (2024): 71–78. https://doi.org/10.33506/jole.v1i2.3404.

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This research aims to find out the intrinsic elements of Sally Rooney’s novel “Beautiful World, Where Are You”. This research used a qualitative descriptive method. The result is finding: 1) Theme of novel are find a way to happiness, romance and friendship and religious. 2) Plot in the story is start when the main characters, Alice and Eileen become adult whose has been unhappy since childhood. Thereafter, recounting the reason why they are not happy and later try to find out either way to find a beautiful world, the resolution when Eileen is pregnant. 3) Setting of places of the novel is Dub

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Bromiley, Geoffrey, and Mary B. Speer. "Le Roman des Sept Sages de Rome: A Critical Edition of the Two Verse Redactions of a Twelfth-Century Romance." Modern Language Review 86, no. 1 (1991): 195. http://dx.doi.org/10.2307/3732134.

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Randall, Vicky. "The Romance of the Republic: Class Conflict and the Problem of Progress in Thomas Arnold's History of Rome (1838–42)." Journal of the History of Ideas 84, no. 2 (2023): 287–311. http://dx.doi.org/10.1353/jhi.2023.0013.

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Corley, Corin. "Arthurian intertexts: Le Roman de Laurin, the First Continuation of Perceval and the Prose Tristan ." Journal of the International Arthurian Society 11, no. 1 (2023): 19–44. http://dx.doi.org/10.1515/jias-2023-0002.

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Abstract This article argues that elements from the First Continuation of Chrétien de Troyes’s Perceval (or Le Conte du Graal) (c. 1190–1200) were remodelled in the anonymous late thirteenth-century text Le Roman de Laurin, which belongs to the cycle of the Seven Sages of Rome, to create the pseudo-Gawain episode (or episode of the White Knight). This is followed by a consideration of the reasons the author may have had for making use of these Arthurian elements. These include the idea that this section of the Laurin may have formed part of the apparent literary backlash against the denigratio

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Treloar, Alan. "Aspect and Tense." Antichthon 37 (November 2003): 62–70. http://dx.doi.org/10.1017/s0066477400001428.

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In 1998 at the age of 94, Giuliano Bonfante published a book that he had written in 1940. He was an Italian, educated in Italy, but he withdrew to Paris for his advanced studies and to Spain for his first academic posts where he founded Emerita. He went on to Geneva and in 1939 sailed to America and a chair at Princeton. This was where he wrote a book ultimately published in English concerning the origin of the romance languages. Fifteen years later he left Princeton where he had helped to found Word, the journal of the Linguistic Circle of New York, to take up appointments successively at Gen

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Autelli, Erica, and Christine Konecny. "Introduzione al volume speciale Fraseografia e metafraseografia delle varietà diatopiche." Linguistik Online 125, no. 1 (2024): 3–14. http://dx.doi.org/10.13092/lo.125.10784.

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In the introductory article to this special issue, the two editors first provide a brief insight into how it arose and then give an overview of the contents of the individual papers, all of which are dedicated to phraseography or metaphraseography. These two fields of linguistic research belong to both phraseology and (meta-)lexicography and deal with the inclusion of phrasemes in dictionaries and the corresponding practical and theoretical issues. The articles also have in common that they focus on various diatopic Romance varieties spoken in Italy (Genoese, Trentino, Piedmontese, Tuscan, reg

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Zhirkova, Marina Anatolyevna. "The image of the Beautiful Lady in Sasha Chorny’s poem "The Child"." Philology. Theory & Practice 18, no. 6 (2025): 2324–30. https://doi.org/10.30853/phil20250326.

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The article presents an analysis of Sasha Chorny’s poem "The Child," written in Rome and later published in the Parisian Russian Gazette in 1925. At the center of the poem is the depiction of a single day spent by the lyrical protagonist playing with a little Italian girl. The purpose of this study is to identify the distinctive features of the child’s image as portrayed in "The Child." The scientific novelty lies in the fact that, for the first time, the images of the lyrical hero and the little heroine in Sasha Chorny’s poem are correlated with the literary traditions of the medieval chivalr

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Marchal, Matthieu. "Figures of Secular Saints: the Portraits of Female Heroines in the vraye histore de la belle Flourence de Romme and 15th-Century Burgundian Prose Romance." Visages de femmes dans la littérature bourguignonne (XIVe-XVIe siècles), no. 36 (October 1, 2021): 167–94. http://dx.doi.org/10.54563/bdba.226.

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La chanson d’aventures Florence de Rome a connu en 1454 un remaniement en prose à la cour de Bourgogne sous le règne de Philippe le Bon. Réputée dès sa jeunesse pour sa beauté, sa sagesse et sa clergie, Florence représente une figure de souveraine exemplaire, héritière légitime du pouvoir, auquel elle accède pleinement à la mort de son père. Toutefois, sa beauté exceptionnelle la rend victime des attaques répétées d’hommes fous de désir pour elle et c’est en gagnant un pouvoir thaumaturgique qu’elle acquiert le statut de sainte dans le siècle. La comparaison entre la chanson source et la mise

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Buzdalina, Ekaterina. "Breviarium rerum gestarum populi romani in Russian and foreign historiography: concerning Festus' sources." Hypothekai 8 (May 2024): 168–83. http://dx.doi.org/10.32880/2587-7127-2024-8-8-168-183.

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The transformative processes within the Roman Empire during the late 3rd and early 4th centuries brought about significant changes across various aspects of societal life, including the educational sphere. The proliferation of Christianity played a pivotal role in reshaping existing pedagogical prac-tices, ideologies, and standards, particularly among the elite class. With the emergence of a new political landscape during the dominatum era, there arose a demand for revised didactic norms. These norms aimed to provide administrators and officials with comprehensive insights into the history of

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Furrow, Melissa. "Dalhousie University." Florilegium 20, no. 1 (2003): 125–27. http://dx.doi.org/10.3138/flor.20.038.

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There are only a handful of scholars who have their primary appointments in Dalhousie departments and a primary interest in medieval fields. In French, we have Hans Runte, best known among medievalists for his work on the Seven Sages of Rome, but his more recent publications have been in the field of Acadian letters. In English, we have Hubert Morgan, who works in Middle English, Old Norse, and Old English (romance, saga, and epic are particular interests), and Melissa Furrow, who has finally completed a long labour on reception of romances in medieval England (Expectations of Romance: Drasty

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HOLDEN, A. J. "Review. Le Roman des Sept Sages de Rome: A Critical Edition of the Two Verse Redactions of a Twelfth-Century Romance. Speer, Mary B. (ed.)." French Studies 46, no. 1 (1992): 53. http://dx.doi.org/10.1093/fs/46.1.53-a.

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Bespalchikova, Yana. "A Review of MARION KRUSE, THE POLITICS OF ROMAN MEMORY: FROM THE FALL OF THE WESTERN EMPIRE TO THE AGE OF JUSTINIAN. Philadelphia: University of Pennsylvania Press, 2019, 304 pp." Antropologicheskij forum 17, no. 49 (2021): 233–40. http://dx.doi.org/10.31250/1815-8870-2021-17-49-233-240.

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The monograph by M. W. Kruse—professor of Classics at the University of Cincinnati—investigates the difficulties of building a new historical memory and identity in the late Roman Empire at the end of the 5th—first half of the 6th century. At that time, the emperors did not actually control Italy and Rome, a previous center and origin of imperial statehood. The study is based on an analysis of the texts of the most influential authors of this period, in particular historians of the era of the emperor Justinian, as well as the narrative of his own laws—Novellae of the Corpus Juris Civilis. The

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Lian, Yuanmei. "“Dans Venise la Rouge…” by A. de Musset – Ch. Gounod: the “Venetian text” in French chamber vocal music." Aspects of Historical Musicology 21, no. 21 (2020): 44–63. http://dx.doi.org/10.34064/khnum2-21.03.

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Introduction. The attitude to Venice as one of the most poetic and picturesque cities in the world is firmly established in artistic practice. The city appears multifaceted and contradictory in numerous literary works. It appears as a space of eternal carnival and an education center (C. Gozzi, C. Goldoni), a place of secret conspiracies, gloomy massacres (“Angelo, Tyrant of Padua” by V. Hugo), a dream, an earthly paradise (I. Kozlov, “Eugene Onegin” by A. Pushkin). But always Venice is a special place where antiquity is closely intertwined with youth (G. Byron, J. W. von Goethe, A. Ch&#23

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Estiot, Sylviane. "L’Empereur Probus, l’imitation d’Alexandre et la question des médaillons d’or du trésor d’Aboukir." Revue numismatique 6, no. 178 (2021): 187–230. http://dx.doi.org/10.3406/numi.2021.3519.

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L’existence de deux aurei au nom de Probus frappés en 280. dans les ateliers impériaux de Serdica (Thrace) et de Cyzique (Mysie) et porteurs d’une très grande ressemblance avec les médaillons d’or à l’effigie d’Alexandre du trésor d’Aboukir Dressel M et N permet de rouvrir le dossier de la datation de ces médaillons d’or et de leur rapport avec les bronzes du koinon macédonien «à la légende d’Alexandre » émis entre 218 et 246. L’étude fournit des éléments nouveaux pour leur rapprochement avec la production monétaire de l’atelier provincial de Beroia de Macédoine d’une part, d’autre part avec l

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Gerbino, Lucia. "La progettualità CLIL e l'autonomia del discente: un'analisi meta-cognitiva e di mediazione psico-linguistica nella didattica della Filosofia." International Journal of Developmental and Educational Psychology. Revista INFAD de Psicología. 2, no. 1 (2016): 457. http://dx.doi.org/10.17060/ijodaep.2015.n1.v2.88.

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Abstract:Considering the romance languages, especially spanish, it is of vital importance, to study the autonomous feedback of every single student, basing the analysis on the description of CLIL's independence and general characteristics. Furthermore, I will examine the didactic method as a result of the idea of "Bildung", discussed in Philosophy, Science Education and IT. in the third part, the paper will underline the philosophycal and practical foundation of education in both CLIL (Content and Language Integrated Learning) and the autonomy of the student. Moreover it will consider these de

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Melvin-Koushki, Matthew. "Imperial Talismanic Love: Ibn Turka’s Debate of Feast and Fight (1426) as Philosophical Romance and Lettrist Mirror for Timurid Princes." Der Islam 96, no. 1 (2019): 42–86. http://dx.doi.org/10.1515/islam-2019-0002.

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Abstract This study presents and intellectual- and literary-historically contextualizes a remarkable but as yet unpublished treatise by Ibn Turka (d.&#x00A0;1432), foremost occult philosopher of Timurid Iran: the Munāẓara-yi bazm u razm. As its title indicates, this ornate Persian work, written in 1426 in Herat for the Timurid prince-calligrapher Bāysunghur (d.&#x00A0;1433), takes the form of a literary debate, a venerable Arabo-Persian genre that exploded in popularity in the post-Mongol period. Yet it triply transgresses the bounds of its genre, and doubly marries Arabic-Mamluk liter

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Lèbano, Edoardo A. "Jane E. Everson. The Italian Romance Epic in the Age of Humanism: The Matter of Italy and the World of Rome. Oxford and New York: Oxford University Press, 2001. xvi + 386 pp. $74. illus. bibl. index. ISBN: 0-19-816015-1." Renaissance Quarterly 56, no. 4 (2003): 1174–76. http://dx.doi.org/10.2307/1261994.

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Маркелов, Андрей Юрьевич. "ИЗ ИСТОРИИ РАСКОПОК МАВЗОЛЕЯ АВГУСТА". Археология Евразийских степей, № 5 (31 жовтня 2020): 151–58. http://dx.doi.org/10.24852/2587-6112.2020.5.151.158.

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В статье рассматривается история раскопок крупнейшей римской гробницы, а именно мавзолея императора Цезаря Августа. Основное внимание уделяется результатам недавних археологических работ и тому, как они повлияли на представление о памятнике. Гробница первого римского императора в пост-античную эпоху претерпела различные трансформации и неоднократные грабежи, в результате которых сильно пострадала. Памятнику находили практическое применение вплоть до 1930-х гг. За многовековую историю мавзолей использовали как каменоломню, крепость, которую не раз разрушали, виноградник, сад, амфитеатр для корр

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Heffernan, Carol F. "Jonathan Stavsky, ed. and trans., Le Bone Florence of Rome: A Critical Edition and Facing Translation of a Middle English Romance Analogous to Chaucer’s “Man of Law’s Tale”. (New Century Chaucer.) Cardiff: University of Wales Press, 2017. Paper. Pp. x, 205. $60. ISBN: 978-1-78683-063-0." Speculum 93, no. 3 (2018): 914–15. http://dx.doi.org/10.1086/698612.

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Stoddart, Simon. "Late Iron Age sacred space in western Europe - Alexander Smith. The differential use of constructed sacred space in southern Britain, from the late Iron Age to the 4th century AD (British Archaeological Reports British series 318). 278 pages, 25 figures, 79 maps. 2001. Oxford: Archaeopress; 1-84171-213-2 paperback £35. - Stéphane Verger (ed.). Rites et espaces en pays celte et méditerranéen: étude comparée à partir du sanctuaire d'Acy-Romance (Ardennes, France) (Collection de l'École française de Rome 276). i+357 pages, 130 figures, 6 tables. 2000. Rome: École française de Rome; 2-7283-0601-X (ISSN 0223-5099) paperback." Antiquity 76, no. 294 (2002): 1143–44. http://dx.doi.org/10.1017/s0003598x00092073.

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Ortiz Córdoba, José. "De Hispania a Gallia. La emigración hispana en las provincias galas a través de las evidencias epigráficas." Vínculos de Historia Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 12 (June 28, 2023): 175–91. http://dx.doi.org/10.18239/vdh_2023.12.09.

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RESUMENEn este trabajo estudiamos la documentación epigráfica generada por los hispanos desplazados a Gallia. A partir de ella determinaremos sus orígenes, sus centros de destino, y analizaremos las causas que motivaron sus desplazamientos. De igual modo, prestaremos atención al estudio de otros aspectos como las ocupaciones profesionales, la onomástica o las actividades que estos personajes desarrollaron en sus nuevos lugares de residencia. Palabras clave: emigración, movilidad, integración, epigrafía.Topónimos: Hispania, GalliaPeriodo: Imperio romano (siglos i-v d. C.) ABSTRACTIn this paper

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