Journal articles on the topic 'Emotions in the performing arts'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Emotions in the performing arts.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
Coad, Luman. "Movement – Puppet Sized." Canadian Theatre Review 95 (June 1998): 17–20. http://dx.doi.org/10.3138/ctr.95.004.
Full textTait, Peta. "Performing Species Kinship and Strange Emotions." Performance Research 23, no. 3 (April 3, 2018): 92–99. http://dx.doi.org/10.1080/13528165.2018.1495953.
Full textSon, Ji-Yeong, and Byeong-Ju Ahn. "The Effect of Performing Arts Viewing Experience on Youth Emotions." Korean Journal of Sports Science 31, no. 6 (December 31, 2022): 609–24. http://dx.doi.org/10.35159/kjss.2022.12.31.6.609.
Full textJohnson-Laird, P. N., and Keith Oatley. "Emotions, Simulation, and Abstract Art." Art & Perception 9, no. 3 (October 25, 2021): 260–92. http://dx.doi.org/10.1163/22134913-bja10029.
Full textTubillejas-Andrés, Berta, Amparo Cervera-Taulet, and Haydee Calderón García. "Feeling emotions in the public performing arts sector: does gender affect?" International Review on Public and Nonprofit Marketing 16, no. 1 (November 29, 2018): 1–22. http://dx.doi.org/10.1007/s12208-018-0216-4.
Full textTroilo, Gabriele, Maria Cristina Cito, and Isabella Soscia. "Repurchase Behavior in the Performing Arts: Do Emotions Matter without Involvement?" Psychology & Marketing 31, no. 8 (July 9, 2014): 635–46. http://dx.doi.org/10.1002/mar.20724.
Full textFan, Jinming, Xiaoli Ni, Ting Wu, Yidi Wang, and Yuyan Qian. "Psychological Benefits of Arts Participation for Emerging Adulthood: A Pathway to Flourishing." Behavioral Sciences 14, no. 6 (May 26, 2024): 448. http://dx.doi.org/10.3390/bs14060448.
Full textRadulescu, Raluca L. "Introduction: Performing Emotions in the Arthurian World." Arthuriana 29, no. 4 (2019): 3–7. http://dx.doi.org/10.1353/art.2019.0038.
Full textHanich, Julian. "How Many Emotions Does Film Studies Need?" Projections 15, no. 2 (June 1, 2021): 91–115. http://dx.doi.org/10.3167/proj.2021.150204.
Full textBrand, Alice G., and John Chibnall. "The Emotions of Apprentice Poets." Empirical Studies of the Arts 7, no. 1 (January 1989): 45–49. http://dx.doi.org/10.2190/kmm8-yv9t-x53b-u4w7.
Full textSanders, Ed. "THE EMOTIONS OF MEDEA: AN INTRODUCTION." Greece and Rome 68, no. 1 (March 5, 2021): 1–7. http://dx.doi.org/10.1017/s0017383520000200.
Full textDolese, Melissa J., and Natalie A. Kacinik. "What Color as an Integrated Pictorial Element in Himalayan Art Can Communicate: Cross-Cultural Congruence of Color-Emotion Conceptualizations in Himalayan Art." Empirical Studies of the Arts 39, no. 1 (September 25, 2019): 36–60. http://dx.doi.org/10.1177/0276237419868948.
Full textStamatopoulou, Despina, and Gerald C. Cupchik. "The Feeling of the Form: Style as Dynamic ‘Textured’ Expression." Art and Perception 5, no. 3 (August 10, 2017): 262–98. http://dx.doi.org/10.1163/22134913-00002066.
Full textZaiets, Vіtalіi, and Oksana Zaiets. "Modifying Processuality of Emotions of a Musician-Performer." Studia Universitatis Babeş-Bolyai Musica 68, Sp.Iss. 2 (August 10, 2023): 197–206. http://dx.doi.org/10.24193/subbmusica.2023.spiss2.12.
Full textvan Paasschen, Jorien, Elisa Zamboni, Francesca Bacci, and David Melcher. "Consistent Emotions Elicited by Low-Level Visual Features in Abstract Art." Art & Perception 2, no. 1-2 (2014): 99–118. http://dx.doi.org/10.1163/22134913-00002012.
Full textDharwadker, Vinay. "Emotion in Motion: The Nāṭyashāstra, Darwin, and Affect Theory." Publications of the Modern Language Association of America 130, no. 5 (October 2015): 1381–404. http://dx.doi.org/10.1632/pmla.2015.130.5.1381.
Full textRatner, Megan. "Maximum Emotions, Minimum Words." Film Quarterly 68, no. 4 (2015): 52–58. http://dx.doi.org/10.1525/fq.2015.68.4.52.
Full textWobalis, Mirosław. "Mechanizmy zarządzania emocjami w grach wideo." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 33, no. 42 (July 3, 2023): 175–88. http://dx.doi.org/10.14746/i.2023.33.42.12.
Full textTait, Peta. "Contemporary Politics and Empathetic Emotions: Company B's Antigone." New Theatre Quarterly 26, no. 4 (November 2010): 351–60. http://dx.doi.org/10.1017/s0266464x10000655.
Full textLeslie, Esther. "This other atmosphere: against human resources, emoji and devices." Journal of Visual Culture 18, no. 1 (April 2019): 3–29. http://dx.doi.org/10.1177/1470412919825816.
Full textFouche, Mienke, Janine Lewis, and Laetitia A. Orlandi. "Performing emotions through technology: towards a degree of agency tool (DoAT) for assessing and applying agency to operated performing objects." South African Theatre Journal 34, no. 3 (September 2, 2021): 131–49. http://dx.doi.org/10.1080/10137548.2022.2072381.
Full textAlawi*, Nizar Ihza, and Hafid Zuhdan Bachtiar. "Ndarboy Genk Music Performing Arts Management on the 2022 Cidro Asmoro Album Tour." Riwayat: Educational Journal of History and Humanities 7, no. 1 (January 10, 2024): 426–36. http://dx.doi.org/10.24815/jr.v7i1.37371.
Full textBaranowski, Andreas M., Rebecca Teichmann, and Heiko Hecht. "Canned Emotions. Effects of Genre and Audience Reaction on Emotions." Art and Perception 5, no. 3 (August 10, 2017): 312–36. http://dx.doi.org/10.1163/22134913-00002068.
Full textHan, Eunjung, Chee-Onn Wong, Keechul Jung, and Kyung Ho Lee. "Emotion Gesture Art." Leonardo 43, no. 3 (June 2010): 308–9. http://dx.doi.org/10.1162/leon.2010.43.3.308.
Full textDavies, Stephen. "Kivy on Auditors' Emotions." Journal of Aesthetics and Art Criticism 52, no. 2 (1994): 235. http://dx.doi.org/10.2307/431170.
Full textSuhendra, Eka Ari. "Cultural Communication through Gambuh Dance : A Historical Performing Art from Bali." Bali Tourism Journal 7, no. 3 (December 25, 2023): 43–46. http://dx.doi.org/10.36675/btj.v7i3.95.
Full textChang, Angela, and Matthew Tingchi Liu. "What to Say to Patrons About Buying Tickets Again? Modelling a Modern Relationship for Traditional Performing Arts." Journal of Creative Communications 13, no. 3 (September 3, 2018): 167–84. http://dx.doi.org/10.1177/0973258618792789.
Full textPouivet, Roger. "On the Cognitive Functioning of Aesthetic Emotions." Leonardo 33, no. 1 (February 2000): 49–53. http://dx.doi.org/10.1162/002409400552234.
Full textMaciel, João Marcos, Marília Lyra Bergamo, and Judd D. Bradbury. "Mr. Market's Emotions." Leonardo 53, no. 2 (April 2020): 174–78. http://dx.doi.org/10.1162/leon_a_01634.
Full textMetros, Susan E. "Making Connections: A Model for On-Line Interaction." Leonardo 32, no. 4 (August 1999): 281–91. http://dx.doi.org/10.1162/002409499553433.
Full textActis-Grosso, Rossana, and Daniele Zavagno. "E-motions." Art & Perception 3, no. 1 (2015): 53–66. http://dx.doi.org/10.1163/22134913-00002022.
Full textZhang, Xiqui. "Interpretive properties of recitation in the vocalist’s performing arts." Aspects of Historical Musicology 21, no. 21 (March 10, 2020): 247–60. http://dx.doi.org/10.34064/khnum2-21.16.
Full textJacob-Dazarola, Ruben, Manuel Martínez Torán, and Katherine Mollenhauer Gajardo. "(ED)2 Emotion-Driven Experience Design: A Method to Design Tourist Experiences Starting from Emotions." International Journal of Design Education 18, no. 1 (2024): 57–81. http://dx.doi.org/10.18848/2325-128x/cgp/v18i01/57-81.
Full textMcGuinness, Max. "Proust's Political Emotions." Paragraph 45, no. 1 (March 2022): 77–95. http://dx.doi.org/10.3366/para.2022.0386.
Full textChakravarty, Kheya, and Thenmozhi M. "Understanding Human Emotion: An Intervention of Anger through Raudra Rasa in Dina Mehta’s Drama Brides Are Not for Burning." World Journal of English Language 13, no. 7 (August 16, 2023): 387. http://dx.doi.org/10.5430/wjel.v13n7p387.
Full textCzarnowus, Anna. "The Medievalism of Emotions in King Lear." Multicultural Shakespeare: Translation, Appropriation and Performance 23, no. 38 (June 30, 2021): 181–96. http://dx.doi.org/10.18778/2083-8530.23.11.
Full textKramer, Mette. "Humour, emotional well-being and the anti-heroine in modern dramedy." Journal of Scandinavian Cinema 9, no. 1 (March 1, 2019): 39–52. http://dx.doi.org/10.1386/jsca.9.1.39_1.
Full textGoldman, Alan. "Emotions in Music (A Postscript)." Journal of Aesthetics and Art Criticism 53, no. 1 (1995): 59. http://dx.doi.org/10.2307/431737.
Full textDAVIES, STEPHEN. "Discussion: Kivy on Auditors' Emotions." Journal of Aesthetics and Art Criticism 52, no. 2 (March 1, 1994): 235. http://dx.doi.org/10.1111/1540_6245.jaac52.2.0235.
Full textGOLDMAN, ALAN. "Emotions in Music (A Postscript)." Journal of Aesthetics and Art Criticism 53, no. 1 (December 1, 1995): 59–70. http://dx.doi.org/10.1111/1540_6245.jaac53.1.0059.
Full textBrauerhoch, Annette. "Mixed Emotions: "Mommie Dearest." Between Melodrama and Horror." Cinema Journal 35, no. 1 (1995): 53. http://dx.doi.org/10.2307/1225807.
Full textMircioagă, Ion. "Performing Arts And Limitation As A Motive." Theatrical Colloquia 10, no. 2 (December 1, 2020): 7–18. http://dx.doi.org/10.2478/tco-2020-0017.
Full textBurstein, Joyce. "Integrating Arts: Cultural Anthropology and Expressive Culture in the Social Studies Curriculum." Social Studies Research and Practice 9, no. 2 (July 1, 2014): 132–44. http://dx.doi.org/10.1108/ssrp-02-2014-b0010.
Full textKivy, Peter. "Auditor's Emotions: Contention, Concession and Compromise." Journal of Aesthetics and Art Criticism 51, no. 1 (1993): 1. http://dx.doi.org/10.2307/431965.
Full textKIVY, PETER. "Auditor's Emotions: Contention, Concession and Compromise." Journal of Aesthetics and Art Criticism 51, no. 1 (December 1, 1993): 1–12. http://dx.doi.org/10.1111/1540_6245.jaac51.1.0001.
Full textTubillejas Andrés, Berta, Amparo Cervera-Taulet, and Haydee Calderón García. "Social servicescape effects on post-consumption behavior." Journal of Service Theory and Practice 26, no. 5 (September 12, 2016): 590–615. http://dx.doi.org/10.1108/jstp-12-2014-0289.
Full textStopel, Bartosz. "A Cognitive-Affective Approach to Foregrounding Categorical-Thematic Patterns in Popular Cinema." Projections 15, no. 3 (December 1, 2021): 1–23. http://dx.doi.org/10.3167/proj.2021.150301.
Full textKwon, Hyeogin, and Junyoung Chae. "The Effects of Performing Arts Service Failure Types on Service Recovery: Mediating Effects of Cognitive and Emotional Response Compensation." Korean Society of Culture and Convergence 45, no. 2 (February 28, 2023): 775–86. http://dx.doi.org/10.33645/cnc.2023.02.45.02.775.
Full textShearcroft, Geoff. "The Joy of Architecture: Evoking Emotions Through Building." Architectural Design 91, no. 1 (January 2021): 108–17. http://dx.doi.org/10.1002/ad.2660.
Full textHamana, Emi. "A Cognitive Approach to Shakespeare Plays in Immersive Theatre: With a Special Focus on Punchdrunk’s "Sleep No More" in New York (2011-) and Shanghai (2016-)." Multicultural Shakespeare: Translation, Appropriation and Performance 21, no. 36 (June 30, 2020): 13–26. http://dx.doi.org/10.18778/2083-8530.21.02.
Full text