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Books on the topic 'Emotion perception'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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1

D, Ellis Ralph, and Newton Natika, eds. Consciousness & emotion: Agency, conscious choice, and selective perception. Amsterdam: John Benjamins Pub., 2004.

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2

Badenhop, Dennis. Praktische Anschauung: Sinneswahrnehmung, Emotion und moralisches Begründen. Freiburg: Verlag Karl Alber, 2015.

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3

Seymour, Julie, Abigail Hackett, and Lisa Procter. Children's spatialities: Embodiment, emotion and agency. Houndmills, Basingstoke Hampshire: Palgrave Macmillan, 2015.

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4

P, Forgas Joseph, ed. Emotion and social judgments. Oxford: Pergamon Press, 1991.

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5

Emotional intelligence. London: Teach Yourself, 2007.

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6

Why we like music: Ear, emotion, evolution. Hudson, NY: Music Word Media, 2011.

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7

A, Howard Judith, and Callero Peter L, eds. The Self-society dynamic: Cognition, emotion, and action. Cambridge [England]: Cambridge University Press, 1991.

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8

Cook, Norman D. Tone of voice and mind: The connections between intonation, emotion, cognition, and consciousness. Amsterdam: J. Benjamins Pub., 2002.

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9

Jolley, Richard Paul. Children's production and perception of visual metaphors for mood and emotion in line drawings and art. Birmingham: University of Birmingham, 1995.

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10

Tony, Angell, ed. Gifts of the crow: How perception, emotion, and thought allow smart birds to behave like humans. New York: Free Press, 2012.

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11

Deeper than reason: Emotion and its role in literature, music, and art. Oxford: Clarendon Press, 2005.

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12

Laird, James D. Feelings: Perception of self. New York: Oxford University Press, 2006.

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13

Feelings: The perception of self. Oxford: Oxford University Press, 2007.

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14

Brownstein, Michael. Perception, Emotion, Behavior, and Change. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190633721.003.0002.

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This chapter describes the four components of unplanned spontaneous inclinations. These are (1) noticing a salient Feature in the ambient environment; (2) feeling an immediate, directed, and affective Tension; (3) reacting Behaviorally; and (4) moving toward Alleviation of that tension in such a way that one’s spontaneous reactions can improve over time. Noticing a salient feature (F), in other words, sets a relatively automatic process in motion, involving co-activating particular feelings (T) and behaviors (B) that either will or will not diminish over time (A), depending on the success of the action. The interaction of FTBA components is described in terms of recent debates about the contents of perception, affective representation, and model-free and model-based evaluative learning.

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15

(Editor), Ralph D. Ellis, and Natika Newton (Editor), eds. Consciousness & Emotion: Agency, Conscious Choice, And Selective Perception (Consciousness & Emotion). John Benjamins Publishing Co, 2005.

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16

Doyle, Cameron M., and Kristen A. Lindquist. Language and Emotion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190613501.003.0022.

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Growing evidence suggests that emotion perception is psychologically constructed when processes in the mind of the perceiver, such as emotion concept knowledge, impact how visual sensations are made meaningful as instances of different emotions. In this chapter, we propose three key psychological constructionist hypotheses about facial emotion perception: (1) facial muscle movements do not automatically communicate emotion, (2) conceptual knowledge that is supported by language is used to make meaning of facial muscle movements and construct perceptions of emotion, and (3) language enables perceivers to see emotion on faces by reactivating sensorimotor representations of prior experiences that shape perception of the present sensory array in a top-down manner. We discuss growing evidence in support of these psychological constructionist hypotheses of emotion perception.

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17

Pliner, Patricia. Perception of Emotion in Self and Others. Springer, 2012.

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18

Perception, memory, and emotion: Frontiers in neuroscience. Oxford, U.K: Pergamon, 1996.

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19

Raab, Markus, Babett Lobinger, Sven Hoffmann, Alexandra Pizzera, and Sylvain Laborde. Performance Psychology: Perception, Action, Cognition, and Emotion. Elsevier Science & Technology Books, 2015.

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20

Raab, Markus, Babett Lobinger, Sven Hoffmann, Alexandra Pizzera, and Sylvain Laborde. Performance Psychology: Perception, Action, Cognition, and Emotion. Elsevier Science & Technology Books, 2015.

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21

Gendron, Maria, Batja Mesquita, and Lisa Feldman Barrett. Emotion Perception: Putting the Face in Context. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780195376746.013.0034.

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22

Consciousness & emotion: Agency, conscious choice, and selective perception. Amsterdam: John Benjamins, 2003.

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23

Sypher, Howard E., E. Tory Higgins, and Lewis Donohew. Communication, Social Cognition, and Affect (PLE: Emotion). Taylor & Francis Group, 2015.

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24

Sypher, Howard E., E. Tory Higgins, and Lewis Donohew. Communication, Social Cognition, and Affect (PLE: Emotion). Taylor & Francis Group, 2015.

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25

Sypher, Howard E., E. Tory Higgins, and Lewis Donohew. Communication, Social Cognition, and Affect (PLE: Emotion). Taylor & Francis Group, 2015.

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26

Sypher, Howard E., E. Tory Higgins, and Lewis Donohew. Communication, Social Cognition, and Affect (PLE: Emotion). Taylor & Francis Group, 2015.

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27

Seymour, Julie, Abigail Hackett, and Lisa Procter. Children's Spatialities: Embodiment, Emotion and Agency. Palgrave Macmillan, 2016.

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28

Trainor, Laurel J., and Robert J. Zatorre. The Neurobiology of Musical Expectations from Perception to Emotion. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780198722946.013.21.

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29

Nishijo, Hisao, Robert Rafal, and Marco Tamietto, eds. Limbic-Brainstem Roles in Perception, Cognition, Emotion and Behavior. Frontiers Media SA, 2018. http://dx.doi.org/10.3389/978-2-88945-540-9.

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30

Milligan, Karen Victoria. Attachment and depression: Communication and perception of emotion through song. 2000.

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31

Nightwine, Staci. Study Perception : Exploring the Areas of Consciousness, Emotion, Meditation and Physics: Types of Perception. Independently Published, 2021.

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32

Emotional Intelligence. Hodder Education Group, 2007.

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33

Psychology Library Editions : Emotion: Communication, Social Cognition, and Affect. Psychology Press, 2014.

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34

Callero, Peter L., and Judith A. Howard. Self-Society Dynamic: Cognition, Emotion and Action. Cambridge University Press, 2011.

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35

Callero, Peter L., and Judith A. Howard. Self-Society Dynamic: Cognition, Emotion and Action. Cambridge University Press, 2009.

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36

Entangled Brain: How Perception, Cognition, and Emotion Are Woven Together. MIT Press, 2022.

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37

Gatzia, Dimitria Electra, and Berit Brogaard, eds. The Epistemology of Non-Visual Perception. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190648916.001.0001.

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Most of the research on the epistemology of perception has focused on visual perception. This is hardly surprising given that most of our knowledge about the world is attributable to our visual experiences. This edited volume is the first to instead focus on the epistemology of non-visual perception—hearing, touch, taste, and cross-sensory experiences. Drawing on recent empirical studies of emotion, perception, and decision-making, it breaks new ground on discussions of whether perceptual experience can yield justified beliefs and how to characterize those beliefs. The Epistemology of Non-Visual Perception explores questions not only related to traditional sensory perception, but also to proprioceptive, interoceptive, multisensory, and event perception, expanding traditional notions of the influence that conscious non-visual experience has on human behavior and rationality. Contributors investigate the role that emotions play in decision-making and agential perception and what this means for justifications of belief and knowledge. They analyze the notion that some sensory experiences, such as touch, have epistemic privilege over others, as well as perception’s relationship to introspection, and the relationship between action, perception, and belief. They engage with topics in aesthetics and the philosophy of art, exploring the role that artworks can play in providing us with perceptional knowledge of emotions. The essays collected here, written by top researchers in their respective fields, offer perspectives from a wide range of philosophical disciplines and will appeal to scholars interested in philosophy of mind, epistemology, and philosophical psychology, among other topics.

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38

Konar, Amit, and Aruna Chakraborty. Emotion Recognition. Wiley & Sons, Incorporated, John, 2015.

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39

(Editor), Judith A. Howard, and Peter L. Callero (Editor), eds. The Self-Society Dynamic: Cognition, Emotion and Action. Cambridge University Press, 2006.

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40

(Editor), Judith A. Howard, and Peter L. Callero (Editor), eds. The Self-Society Dynamic: Cognition, Emotion and Action. Cambridge University Press, 1991.

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41

Prinz, Jesse J. Gut Reactions: A Perceptual Theory of Emotion. Oxford University Press, 2010.

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42

Oxford Handbook of Emotion, Social Cognition, and Problem Solving in Adulthood. Oxford University Press, Incorporated, 2014.

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43

Context and Cognition in Consumer Psychology: How Perception and Emotion Guide Action. Taylor & Francis Group, 2017.

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44

Foxall, Gordon. Context and Cognition in Consumer Psychology: How Perception and Emotion Guide Action. Taylor & Francis Group, 2017.

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45

Foxall, Gordon. Context and Cognition in Consumer Psychology: How Perception and Emotion Guide Action. Taylor & Francis Group, 2017.

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46

Foxall, Gordon. Context and Cognition in Consumer Psychology: How Perception and Emotion Guide Action. Taylor & Francis Group, 2017.

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47

Foxall, Gordon. Context and Cognition in Consumer Psychology: How Perception and Emotion Guide Action. Taylor & Francis Group, 2017.

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48

Gut Reactions: A Perceptual Theory of Emotion (Philosophy of Mind). Oxford University Press, USA, 2004.

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49

Audi, Robert. Moral Perception Defended. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198786054.003.0004.

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This chapter extends Robert Audi's theory of moral perception and answers some objections from the literature. It distinguishes the perceptible from the perceptual; develops a structural analogy between perception and action; explains how moral perception can be causal; clarifies respects in which moral perception is representational; and indicates how it can ground moral knowledge. The presentational character of moral perception is described, particularly the phenomenological integration between moral sensibility and non-moral perception of the natural properties that ground moral properties. The question whether moral perception is inferential is approached by clarifying the notion of inference and pursuing an analogy between moral perception and perception of emotion. Aesthetic perception is also considered as instructively analogous to moral perception. The final sections explore cognitive penetration in relation to moral perception, conceptual and developmental aspects of moral perception, and the latitude Audi’s account of it allows in the epistemology and ontology of ethics.

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50

Erickson, Rebecca Jane. When emotion is the product: Self, society, and (in)authenticity in a postmodern world. 1991.

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