Academic literature on the topic 'Emma Watson'

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Journal articles on the topic "Emma Watson"

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Indriyana, Bernadeta Siska, Maria Wisendy Sina, and Barli Bram. "Fillers and Their Functions in Emma Watson’s Speech." Ranah: Jurnal Kajian Bahasa 10, no. 1 (June 30, 2021): 13. http://dx.doi.org/10.26499/rnh.v10i1.1350.

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Fillers are utterances or phrases that are used in speaking to fill in the moment of silence to connect thoughts or ideas. This paper investigated the types and functions of fillers used by Emma Watson in her speeches. The researchers formulated two questions to be resolved. First, what are the types of fillers used in Emma Watson’s speeches? Second, what are the functions of filler words in the speeches? Data, consisting of 93 occurrences of fillers, were collected from Emma Watson’s speech scripts in three videos. To solve the research questions, the researchers used the descriptive qualitative approach and discourse analysis. Results showed that Watson used two types of fillers, namely unlexicalized filled pauses (71 occurrences) and lexical filled pauses (22 occurrences) and five functions of fillers, namely hesitating, empathizing, mitigating, editing term and time-creating devices. AbstrakFiller atau kata pengisi merupakan ujaran atau frase yang digunakan dalam jeda percakapan untuk menghubungkan gagasan atau ide berikutnya. Makalah ini menyelidiki jenis dan fungsi kata pengisi yang digunakan oleh Emma Watson dalam pidatonya. Para peneliti merumuskan dua permasalahan. Pertama, apa jenis kata pengisi yang digunakan dalam pidato Emma Watson? Kedua, apa fungsi dari kata pengisi dalam pidato Emma Watson? Data, yang terdiri atas 93 kata pengisi, dikumpulkan dari tiga naskah video pidato Emma Watson. Untuk menjawab kedua permasalahan dalam studi ini, para peneliti menggunakan pendekatan kualitatif deskriptif dan analisis wacana. Hasil analisis menunjukkan bahwa Watson menggunakan dua jenis kata pengisi, yaitu jeda terisi non-leksikal (71 kali) dan jeda terisi leksikal (22 kali), serta lima fungsi kata pengisi, yaitu sebagai perangkat keragu-raguan, berempati, mengurangi efek, memperbaiki istilah, dan menambah waktu.
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Izza Humaera Almisri, Nurul, and Farahdiba Rahma Bachtiar. "PERAN EMMA WATSON SEBAGAI UN WOMEN GOODWILL AMBASSADOR DALAM MENANGANI KESETARAAN GENDER DAN PEMBERDAYAAN PEREMPUAN." JURNAL SIPAKALEBBI 6, no. 2 (December 31, 2022): 153–73. http://dx.doi.org/10.24252/sipakallebbi.v6i2.33741.

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The authors used liberal feminism theory and the concept of celebrity diplomacy to answer the research question in this study. This research is classified as library research by using data provided by UIN Women. The aims of this study are to: 1) find out the reasons why Emma Watson was appointed as UN Women Goodwill Ambassador, 2) describe and analyze the influence of Emma Watson as UN Women Goodwill ambassador in addressing issues of gender equality and women's empowerment. The result of this research is that the authors found the fact that Emma Watson was chosen as a UN Women Goodwill Ambassador because she met the criteria as a UN Women Goodwill Ambassador in terms of having talent that is widely recognized in the field of acting and having a broad influence beyond national boundaries so that she is able to promote UN Women's values internationally. Emma Watson as the UN Women Goodwill Ambassador has a role ini realizing five focus areas that are prioritized within the UIN Women organization by making country visit to see first hand yhe inequality that occurs in poor countries, advocating for the wider community about gender equality in the speech she gave at the launch the HeForShe campaign and influencing young people through social media.
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Valiantien, Nita Maya. "EMMA WATSON’S MAGIC SPELL IN GENDER EQUALITY: THE USE OF RHETORICAL DEVICES IN “HEFORSHE” CAMPAIGN." Journal of Culture, Arts, Literature, and Linguistics (CaLLs) 1, no. 2 (February 24, 2017): 45. http://dx.doi.org/10.30872/calls.v1i2.691.

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A movement to raise awareness towards gender equality issue has been promoted by the UN through the campaign called “HeforShe”. To influence people toward the issue, Emma Watson, who is famous with her character as Hermione Granger in Harry Potter series, is appointed as the ambassador of this campaign. Emma Watson capability to convey messages about gender equality cannot be underrated. It can be seen from the strategies that she used in presenting her speech, which is in particular called as rhetorical devices. In that case, this paper aims to explore the use of rhetorical devices in Emma Watson’s speech which includes the rule of three, parallelism, and variation of personal pronoun use.Keywords: discourse, speech, rhetorical devices
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Ascalonicawati, Adinda Prasty. "Fitur-Fitur Tuturan Emma Watson dalam Wawancara (The Features of Speech of Emma Watson in Interview[s])." JALABAHASA 16, no. 1 (June 10, 2020): 1. http://dx.doi.org/10.36567/jalabahasa.v16i1.401.

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Perempuan memiliki karakteristik tersendiri saat berbicara. Fitur-fitur tuturan perempuan memungkinkan mereka menggunakan bahasa dengan fungsi yang berbeda, yaitu melemahkan maupun menguatkan tuturan. Penelitian ini bertujuan mengidentifikasi fitur-fitur tuturan perempuan yang digunakan dalam wawancara oleh Emma Watson dengan menerapkan teori Lakoff (1975). Metode yang digunakan dalam penelitian ini adalah kualitatif-kuantitatif. Metode kualitatif untuk menjabarkan fitur-fitur tuturan perempuan yang ditemukan dalam penelitian ini. Sementara itu, metode kuantitatif untuk mengidentifikasi frekuensi penggunaan fitur tuturan yang paling sering digunakan oleh Emma Watson dalam wawancara. Ditemukan ada sembilan fitur tuturan perempuan dalam penelitian ini, yaitu lexical hedges, tag questions, rising intonation on declaratives, empty adjectives, intensifiers, hypercorrect grammar, super polite forms, avoidance of strong swear words, dan emphatic stress. Fitur tuturan yang paling sering digunakan dalam penelitian ini adalah lexical hedges. Women have their own characteristics when they were speaking compared with men. Women’s speech feature made them possible to use language with different functions, such as hedging and boosting utterances. This research aimed to identify women’s speech feature used in the interview by Emma Watson by applying the theory from Lakoff (1975). Method used in this research is qualitative-quantitative. Qualitative method is used to explain women’s speech feature found in this research. While, quantitative method is used to identify the frequency of speech feature used the most by Emma Watson in the interview. There are 9 women’s speech features in this research, such as lexical hedges, tag questions, rising intonation on declaratives, empty adjectives, intensifiers, hypercorrect grammar, super polite forms, avoidance of strong swear words, and emphatic stress. Women’s speech feature used the most in this research is lexical hedges.
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Ammang Latifa. "Language Varieties of Woman's Conversation in Yutube Channel of Emma Watson in HeForShe Program: A Conversation Analysis Study." International Journal of Linguistics, Literature and Translation 4, no. 1 (January 30, 2021): 221–27. http://dx.doi.org/10.32996/ijllt.2021.4.1.22.

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Language and gender are always being exciting topics to be discussed because gender is not only about the difference between men and women based on sex, but this is about the roles and status that determine the position between men and women (Maciuszek et al., 2019). This research aims to find out some language varieties used by Emma Watson on her conversation in International women's day 2015 in HeForShe video YouTube. This research is descriptive qualitative, and to obtain the data, the researcher took the video about the conversation of Emma Watson in International women's day 2015 on YouTube channel then analyzed some language varieties. The result of this research found that there were four types of varieties of communication utilized by Emma to present her goals in the conversation. These varieties include rising intonation, intensifier, super polite form, and avoidance of strong swear words. The majority of the language variety is frequently used by Emma to show her feeling about her seriousness, her emotion, her empathy, and to firm her statement, especially about gender equality. The majority of Emma's utterances based on women's language varieties are used to show her emotion as well as her seriousness.
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Hunter, Siân. "Coppola's postfeminism: Emma Watson and The Bling Ring." Film, Fashion & Consumption 9, no. 1 (May 1, 2020): 81–98. http://dx.doi.org/10.1386/ffc_00013_1.

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Abstract Sofia Coppola's The Bling Ring explores the contemporary obsession with commodities and celebrity culture which leads a group of Californian teenagers to break into the homes of celebrities, in order to steal their clothes and accessories. This article examines Coppola's critique of celebrity culture and consumerism through the movie itself, and through her casting of British actor Emma Watson and the ways in which she mobilizes the celebrity persona of Watson in order to further her critique. The Bling Ring will be compared to Coppola's work to understand how it contributes to her postfeminist image. Coppola's position as a celebrity figure through her association with her father, through her own work and through her participation within the worlds of fashion and music are also explored, in order to problematize the position from which she critiques celebrity culture.
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Sutedjo, Ika Setyowati. "SPEECH ACT STRATEGY UTTERED BY EMMA WATSON AND MALALA YOUSAFZAI AS THE INSTRUMENT OF EMPOWERMENT." Lire Journal (Journal of Linguistics and Literature) 5, no. 1 (March 21, 2021): 54–68. http://dx.doi.org/10.33019/lire.v5i1.103.

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Women’s voice has been heard by the society for the past few years. There are a lot of movements created by women to support each other, for example, Women’s March, Time’s Up, #MeToo, and HeForShe. This movement will lead to more recognition of women in various expertise. Consequently, those amazing women are able to meet in one situation. The certain situation leads women to do a conversation. The conversation between women also includes different kinds of speech acts. This study aims to find the speech act uttered by Emma Watson and Malala Yousafzai as the instrument of empowerment. The result of the study shows that Emma Watson and Malala Yousafzai are mostly using directive speech acts in their speeches. The purpose of the directive speech act is to make people do something. Emma and Malala use directive speech act to empower people to accomplish something. The use of the directive speech act also related to the third-wave feminism movement. This movement establishes women to be bold, empowered, and brave. So, the third wave of feminism also influences Emma and Malala as bold and empowered women. They empower other people to do something through their speech act because they are empowered, women.
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Aprilia, Lulu’ Ulfiyah, and Misnadin Misnadin. "AN ANALYSIS OF MODALITY IN EMMA WATSON AND MICHAEL KIMMEL’S SPEECH TEXTS." Prosodi 15, no. 1 (April 24, 2021): 23–34. http://dx.doi.org/10.21107/prosodi.v15i1.10484.

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This study used Palmer’s (1986) theory to analyzed Modality and Halliday (2008) to analyze the meaning of modality. Relating to the statements above, this study was proposed to answer two articulated research problems, namely; (1) what are the types of modality found in Emma Watson and Michael Kimmel’s Speech Texts? And (2) To what extent do Emma Watson and Michael Kimmel’s Speech Texts show similarities and differences, if any, in their use of types of modality? This study employs a descriptive qualitative design. The data were all of the speech by Emma Watson and Michael Kimmel’s Speech Texts that contain modality. In terms of types of modality, 30 data of modality were found. The data are classified into two types of modality: Epistemic modality consists of 10 data; judgments (5 data) and modifications (5 data). Deontic modality consists of 20 data; directives (3 data), modifications (4 data), subjectivity (5 data), imperatives (3 data), commissives (2 data), and volitives (3 data). Moreover, in terms of similarities and differences, the data are classified into two terms similarities and differences. We found 11 data of similarities and differences in types of modality: In terms of similarities in types of epistemic modality (3 data) and similarities in types of deontic modality (2 data). In terms of differences in epistemic modality (2 data) and differences in deontic modality (4 data). Keywords: Modality, Epistemic, and Deontic
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Ponton, D. M. "Corporate Feminism? Emma Watson and the UN’s #HeForShe Movement." Язык и текст 9, no. 2 (2022): 76–90. http://dx.doi.org/10.17759/langt.2022090209.

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This study regards actress Emma Watson’s key speech launching HeForShe at the United Nations in 2014, with a special focus on the way she refers to men. The #HeForShe initiative ostensibly differs from traditional feminist approaches in its recognition of the importance of reaching out to men. This study aims to explore tensions in her argumentation and within the movement itself. It uses a mixed method analysis that consists in the application of some traditional tools in the analysis of political rhetoric, evaluative language, framing, problem-solution, naturalisation, erasure. Results are to highlight a discursive tension in the portrayal of men that downplays their role as perpetrators of historical injustice for women and instead emphasises their victimhood. The conclusion brings out some of the corporate contradictions inherent in the HeForShe project.
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Haastrup, Helle Kannik. "Hermione’s feminist book club: celebrity activism and cultural critique." MedieKultur: Journal of media and communication research 34, no. 65 (December 21, 2018): 98–116. http://dx.doi.org/10.7146/mediekultur.v34i65.104842.

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In this article, I analyse how a celebrity can perform cultural critique and feminist activism using her Instagram account and online book club. The celebrity in question is British film star Emma Watson, famous for playing Hermione Granger in the Harry Potter franchise. Watson is performing her activism on gender equality and cultural critique by recommending feminist literature. This study undertakes an analysis of Watson’s presentations of self on Instagram and in her letters in the Our Shared Shelf book club. The analysis takes its point of departure from theories of social media and celebrity culture and film studies as well as investigations of celebrity book clubs and celebrity activism. This case study of Emma Watson’s performance of cultural critique and activism on specific media platforms demonstrates that Watson’s authority is based on her star image as well as the fact that her book club letters and Instagram posts mutually reinforce one another’s written personal arguments and visual documentation.
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Books on the topic "Emma Watson"

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Joan, Aiken. The Watsons and Emma Watson. Naperville: Sourcebooks, Inc., 2008.

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Joan, Aiken. Emma Watson: The Watsons completed. New York: St. Martin's Press, 1996.

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Joan, Aiken. Emma Watson: The Watsons completed. Leicester: Ulverscroft, 1997.

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Joan, Aiken. Emma Watson: The Watsons completed. Boston: Compass Press, 1997.

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Joan, Aiken. Emma Watson: The Watsons completed. London: Gollancz, 1996.

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Bryan, Dale-Marie. Emma Watson. Mankato, MN: Childs World, 2013.

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Tracy, Kathleen. Emma Watson. Hockessin, Del: Mitchell Lane Publishers, 2010.

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Nolan, David. Emma Watson: The biography. London: John Blake, 2011.

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Tieck, Sarah. Emma Watson: Harry Potter star. Edina, Minn: ABDO Pub. Company, 2010.

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Joan, Aiken. The Watsons: And Emma Watson : Jane Austen's unfinished novel completed. Naperville, Ill: Sourcebooks Landmark, 2008.

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Book chapters on the topic "Emma Watson"

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Troxler, Carina. "Emma Watson als Vorbild – Nabil Belmezouar, Gründer von We Unikorns." In Startups international: Gründergeschichten rund um den Globus, 227–30. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-21722-8_32.

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Troxler, Carina. "Emma Watson als Vorbild – Nabil Belmezouar, Gründer von We Unikorns." In Start-ups international: Gründergeschichten rund um den Globus, 211–14. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-10082-7_32.

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Smith, Angela. "“Enough of this PC-crazed Nonsense”: The Backlash Against Gender Equality as Personified by Emma Watson." In Gender Equality in Changing Times, 131–51. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-26570-0_7.

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Walker-Andrews, Laura M. "Emma Watson." In Women Community Leaders and Their Impact as Global Changemakers, 1–5. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-2490-2.ch001.

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This chapter outlines the activism of Emma Watson, a renowned actor. As a prominent advocate and ambassador, her human rights initiatives are centralized in women's rights, gender equality, and fashion sustainability in which to focus as a result of her feminist perspective. Highlights include her work for the HeForShe campaign, her involvement in the #MeToo and Time's Up movements, the launch of a legal-advice hotline for sexual harassment in the workplace, and her emphasis on sustainable fashion with Good On You. Emma has contributed significantly to the equality agenda through her work as an ambassador and consultant on key human issues and is looked to as a spokesperson for gender equality and imminent initiatives for human rights.
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McMaster, Juliet. "Emma Watson: Jane Austen's Uncompleted Heroine." In Critical Reconstructions, 212–30. Stanford University Press, 1994. http://dx.doi.org/10.1515/9780804766555-013.

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Austen, Jane. "Opinions of Emma." In Lady Susan, The Watsons, and Sanditon. Oxford University Press, 2021. http://dx.doi.org/10.1093/owc/9780198835899.003.0057.

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Captain Austen.* — liked it extremely, observing that though there might be more Wit in P & P — & an higher Morality in MP — yet altogether, on account of it’s peculiar air of Nature throughout, he preferred it to either. Mrs F. A.* — liked & admired...
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"The Disappeared African Roots of Emma Watson’s UN Feminism." In Who Owns the Problem?, 47–52. Michigan State University Press, 2020. http://dx.doi.org/10.14321/j.ctvs32tn2.10.

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Conference papers on the topic "Emma Watson"

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Puspita, Roza, and Condra Antoni. "Transitivity and Critical Discourse Analysis on Emma Watson's Speech at the Launching of UN Women "HeForShe" Campaign." In Proceedings of the 1st International Conference on Applied Economics and Social Science (ICAESS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icaess-19.2019.37.

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