Dissertations / Theses on the topic 'Emily Frances Criticism and interpretation'
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Rey, Catherine. "La nouvelle Babel : langage, identite et morale dans les oevres de Emil Cioran, Milan Kundera et Andrei Makine." University of Western Australia. School of Humanities, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0051.
Full textStewart, Janice 1966. "Violent femmes : identification and the autobiographical works of Virginia Woolf, Radclyffe Hall, and Emily Carr." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36712.
Full textThis project traces the written vestiges of Woolfs, Hall's, and Carr's individual internalised struggles to formulate an artistic identity in specific relationship with an already established 'model' of artistic creativity and identity. Woolfs, Hall's, and Carr's struggles to claim a personal artistic identity, in some ways from their individual model of the artist, are waged within the minds of the authors themselves. However, the violence enacted within their imaginations---the violence perpetrated against the models of the artist---is thrust into the external world, not only within the writings of these three women, but also by the ways in which each author resolves or fails to resolve her own violent conflict with her imaginary model of the artist.
Nuckels, Rosa Turner. "Visions of Light In the Poetry of William Blake and Emily Dickinson." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279349/.
Full textHogue, Cynthia Anne. "Figuring woman (out): Feminine subjectivity in the poetry of Emily Dickinson, Marianne Moore, and H.D." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/185054.
Full textKalkwarf, Tracy Lin. "Questioning Voices: Dissention and Dialogue in the Poetry of Emily and Anne Brontë." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2571/.
Full textPrice, Kenneth Robert 1962. ""Nobody knows, so still it flows"—The Discourse of Water in the Poetry of Emily Dickinson." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277904/.
Full textPaddock, Virginia Lee. "Madness as metaphor : a study of mysticism in the life and art of Emily Dickinson." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/762988.
Full textDepartment of English
Singh, Jyoti. "The presentation of the orphan child in eighteenth and early nineteenth century English literature in a selection of William Blake's 'Songs of innocence and experience', and in Charlotte Brontë's 'Jane Eyre', and Emily Brontë's 'Wuthering Heights'." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1005628.
Full textAngel-Cann, Lauryn. "Stretched Out On Her Grave: The Evolution of a Perversion." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2586/.
Full textNotarangelo, Maria Luisa Douglas. "Connecting composition and literature through the rhetorical situation." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2146.
Full textMelo, Franco Lenon Rogerio de. "A maldição como processo = leituras de Gaspard de la Nuit." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270320.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituo de Estudos da Linguagem
Made available in DSpace on 2018-08-15T22:23:26Z (GMT). No. of bitstreams: 1 MeloFranco_LenonRogeriode_M.pdf: 1830662 bytes, checksum: d63fce9d22e9ed1808c6436f83f0a25d (MD5) Previous issue date: 2010
Resumo: A dissertação se ocupa da recepção da obra francesa Gaspard de la Nuit: fantaisies à la manière de Rembrandt et de Callot desde sua publicação nos anos românticos até nossos dias. As leituras de Sainte-Beuve, Baudelaire, Mallarmé e André Breton, sobretudo, são revisadas à luz de exames sincrônicos e diacrônicos. Os diferentes acolhimentos do texto são oportunidade e aporte para discutirmos seus aspectos prevalentes, tais como a relação da poesia com as artes plásticas, a fundação de um novo gênero que é o poema em prosa moderno e a noção de poète maudit. Após o decantamento crítico de numerosos leitores, apresentamos então nossa exegese particular da obra - que se acrescenta a esses registros recepcionais que foram analisados
Abstract: Not informed
Mestrado
Literatura Geral e Comparada
Mestre em Teoria e História Literária
Twidale, Kathleen M. (Kathleen Mary). "Sensibility in Frances Burney's novels / Kathleen M. Twidale." 1994. http://hdl.handle.net/2440/21567.
Full textiii, 364 leaves ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
Thesis (Ph.D.)--University of Adelaide, Dept. of English, 1995
Twidale, Kathleen M. (Kathleen Mary). "Sensibility in Frances Burney's novels / Kathleen M. Twidale." Thesis, 1994. http://hdl.handle.net/2440/21567.
Full textMiranda, Pamela C. "Eternal years : religion, psychology, and sexuality in the art of Emily Bronte." Thesis, 1990. http://hdl.handle.net/1957/37545.
Full textGraduation date: 1991
Resler, Johanna Elizabeth. "SARA’S TRANSFORMATION: A TEXTUAL ANALYSIS OF FRANCES HODGSON BURNETT’S SARA CREWE AND A LITTLE PRINCESS." Thesis, 2007. http://hdl.handle.net/1805/1614.
Full textFrances Hodgson Burnett’s life revolved around her love of story-telling, her sons, nature, and the idealized notion of childhood. Burnett had an ability to recapture universal aspects of childhood and transform them into realistic stories containing elements of the fantastic or fairy tales. Her ability to tell stories started at a young age when she and her sisters were given permission to write on old pieces of paper. Burnett’s love for storytelling, reading, and writing was fostered in her parents’ household, in which a young Burnett was given free reign to explore her parents’ book collection and also left unhindered to imagine and act out stories by herself and with her sisters and close friends. Later her love for telling tales became a means of providing for her family—beginning with short story submissions to magazines. Although Burnett did not necessarily start out writing for children her career ended up along that path after the success in 1886 of her first children’s book, Little Lord Fauntleroy. After this success, she was a recognizable author on both sides of the Atlantic. Sara Crewe; or, What Happened at Miss Minchin’s, the 1887–88 serial publication in St. Nicholas magazine and the 1888 short story publication both were titled the same, and the subsequent reworkings of Sara’s world in the forms of two plays, A little un-fairy princess (England, 1902), and A Little Princess; Being the Whole Story of Sara Crewe, Now Told for the First Time (United States, 1903), and the 1905 full-length novel which retained the American 1903 play’s title, outlines the creative process that Burnett undertook while exploring the world of Sara Crewe. By examining the above forms, readers and scholars gain an insight into not only the differences between the forms, but also a view of how the author approached adapting an already published work, and the influence of editors on an authors work. The examination of the development of Sara’s timeline will bring light onto Burnett’s growth as a writer and specifically her transition into her role as a children’s literature author.
Pillay, Ivan Pragasan. ""Could it be madness - this?" : bipolar disorder and the art of containment in the poetry of Emily Dickinson." Thesis, 2007. http://hdl.handle.net/10413/827.
Full textThesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2007.
Burkhart, Claire Lovell. "Reading and writing women : representing the femme de lettres in Stendhal, Balzac, Girardin and Sand." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2836.
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