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Journal articles on the topic 'Embroidery techniques'
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1
Baykaoglu, Nursel, and Hatice Feriha Akpinarli. "Sample of German embroidery from the hand embroidery applications in the city of Kahramanmaras." Global Journal of Arts Education 10, no. 1 (February 28, 2020): 85–92. http://dx.doi.org/10.18844/gjae.v10i1.4793.
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Forming one of the most important branches of our culture and traditional arts, embroidery was born by sewing in a decorative way and it is worth mentioning that it is as early as humanity. Embroidered clothing on the sculptures excavated and the narration that the daughter of Noah in Hebrew history wears an embroidered belt shows that this branch of art goes back to earlier times. Hand embroidery, which is the products of intelligence, skill and subtle wit, has reached the current time by preserving its value. Out of a great many embroidery techniques reaching large public masses, a technique called ‘German Embroidery’ was encountered in the researches carried out in the city of Kahramanmaras and its towns in the years 2013–2014. According to the information obtained from the source people in the research carried out in the city of Kahramanmaras, German Embroidery dating back to earlier times is not produced today; however, we are likely to find pillows, clothes and dresses embroidered with German Embroidery in houses. In the current paper, embroidery samples were determined in order to unveil this technique that was embroidered on any kind of cloth with a plain surface and it was aimed to make the embroidery alive and to promote it by analysing the way of embroidering. Keywords: Embroidery, ornament, technique, traditional.
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Larkin, Alison. "Replicating Captain Cook's Waistcoat: Exploring the Skills of a Named Embroiderer during the Eighteenth Century." Costume 51, no. 1 (March 2017): 54–77. http://dx.doi.org/10.3366/cost.2017.0005.
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This article discusses a project to replicate an unfinished waistcoat believed to have been embroidered in the late 1770s for Captain James Cook by his wife, Elizabeth. The intention was to explore the techniques of embroidery used during the eighteenth century, and to replicate a garment belonging to a major historical figure. The original waistcoat was embroidered on Tahitian tapa cloth with a linen backing. The embroidery used silk and metallic thread and silver-plated spangles, employing chain stitch, long-and-short stitch and tambouring. The replica was completed using materials closely approximating those available in the 1770s, and constructed using eighteenth-century methods. The project has shed light on the skills and abilities of a known amateur embroiderer of the late eighteenth century, in addition to providing insight into the tastes and physical characteristics of an important historical figure.
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Dewi, Aisyah Ratna, Heri Soeprayogi, and Sri Wiratma. "SULAM MOTIF FLORA DAN FAUNA DITINJAU DARI WARNA DAN KOMPOSISI." Gorga : Jurnal Seni Rupa 9, no. 1 (June 28, 2020): 187. http://dx.doi.org/10.24114/gr.v9i1.18792.
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AbstrakPenelitian ini bertujuan untuk mengetahui ketepatan siswa dalam memilih warna dan komposisi yang sesuai pada karya sulam teknik sulam bebas dengan motif flora dan fauna. Adapun populasi yang digunakan dalam penelitian ini adalah seluruh siswa kelas VIII-7 SMP Negeri 16 Medan dengan sampel 3 karya siswa dengan teknik Cluster Random Sampling. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan mendeskripsikan karya sulam yang diteliti dan dinilai berdasarkan unsur seni rupa yang telah ditentukan yaitu warna dan komposisi. Secara keseluruhan kemampuan siswa SMP Negeri 16 medan dalam praktik menyulam dikatakan Cukup Baik. Siswa sudah memiliki kemampuan dalam menyatukan motif-motif yang akan disulam dan hasil sulamnya pun rata-rata sudah mendekati kategori cukup.Kata Kunci: sulam, warna, komposisi.AbstractThis study aims to determine the accuracy of students in choosing the right color and composition in the embroidery work of free embroidery work of free embroidery techniques with flora and fauna motifs. As for the population used in this study were all students of class VIII-7 junior high school 16 terrain with a sample of 3 students’ work using a random sampling technique. The research method used is descriptive qualitative by describing the work of embroidery that is examined and assessed based on predetermined fine art elements, namely color and composition. As a whole the ability of 16 field students in the field of embroidery is said to be quite good. Students already have the ability to unify the motif to be embroidered and results of embroidery are on average already close to the sufficient category. Keywords: embroidery, color, composition.
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Sari, Anggun Kurnia, Wirdatul Aini, and Jalius Jalius. "Hubungan antara Internal Locus of Control dengan Minat Berwirausaha Alumni Pelatihan Bordir di LKP Muslimah Group." KOLOKIUM: Jurnal Pendidikan Luar Sekolah 6, no. 1 (April 30, 2018): 39–53. http://dx.doi.org/10.24036/kolokium-pls.v6i1.5.
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This research is motivated by the low interest of entrepreneurship of alumni of embroidery training at Lembaga Kursus Pelatihan (LKP) Muslimah Group of Solok City. This is allegedly due to lack of internal locus of control of embroidery alumni training. The purpose of this study is to describe (1) internal locus of control of embroidery alumni training, (2) interest in entrepreneurship of embroidery training alumni, and (3) relationship between internal locus of control with interest in entrepreneurship of embroidery training alumni. This type of research is correlational quantitative research. The population in this study amounted to 60 people and a sample of 30 people. The sampling technique uses cluster random sampling. Data collection techniques in this study in the form of questionnaires, while data collection tools using questionnaires. Data analysis techniques using the formula percentage and product moment. The result of research shows that: (1) Locus of internal control of embroidery alumni is still low, (2) Interest in entrepreneurship of alumni of low embroidery training, and (3) There is a significant relationship between internal locus of control with entrepreneurship interest alumni embroidery training in LKP Muslimah Solok City Group.
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Xie, Sisi, and Hyunzin Ko. "Investigation of the Four Chinese Embroidery Techniques : Focused on Xiang Embroidery." Journal of the Korean Society of Costume 69, no. 4 (June 30, 2019): 123–40. http://dx.doi.org/10.7233/jksc.2019.69.4.123.
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Shi, Jian Ping. "The Household Textile Bedding Embroidery Design and Expression of Decorative Techniques." Advanced Materials Research 332-334 (September 2011): 2018–22. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.2018.
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This article discusses the design method of bedding embroidery patterns, such as abstract simplification, Exaggerated beautification, alienation perspective, adding imagination and scattered layout; the decorative positions of embroidery pattern are centerpiece decoration, edge decoration and the change of decoration; Diversified technology of bedding embroidery patterns are decoration of the appearance accessories and analysis of the related factors and other decorations. Beautiful embroidery patterns and appropriate decorative techniques can not only play the role of sugar-coat textile bedding, but also enhance the aesthetic interest and artistic decoration design value.
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Li, Min, and Xiaoyan Zhang. "Research on the Application of Traditional Embroidery Technology in Modern Jewelry Creation." Journal of Arts and Humanities 6, no. 10 (October 23, 2017): 07. http://dx.doi.org/10.18533/journal.v6i10.1274.
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Tradition and modernity are the eternal topics of art, especially in the age of information.Efficient mechanical production methods to improve the traditional jewelry production process, which achieved the demand for mass production of jewelry.However, with the development of society and the progress of science and technology, many traditional arts and crafts are lost.From the traditional culture, this paper analyzes the work of embroidery jewelry by studying the traditional Chinese embroidery culture and technique, summarizes the traditional embroidery technology and modern jewelry design techniques combined approach to guide the creative practice.On the basis of studying the theoretical method of combining traditional embroidery technology with modern jewelry, this paper focuses on the application of traditional embroidery techniques in jewelry creation, inspire the potential of traditional craft, to provide reference for modern jewelry design rich Chinese characteristics and attract the attention of Chinese jewelry industry and inherit the traditional arts.
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Li, Yuhang. "Embroidering Guanyin: Constructions of the Divine through Hair." East Asian Science, Technology, and Medicine 36, no. 1 (August 13, 2012): 131–66. http://dx.doi.org/10.1163/26669323-03601005.
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Hair embroidery was a particular technique practiced by lay Buddhist women to create devotional images. The embroiderers used their own hair as threads and applied them on silk to stitch figures. This paper will analyze the religious connotation of hair embroidery, the ritual process and the techniques for making hair embroidery in the Ming (1368-1644) and Qing (1644-1911) dynasties. By tracing its appearance in both literary texts and actual surviving objects, this essay will ask how and in what circumstances human hair was applied to embroidery? What was the significance of transferring one’s own hair onto an icon? How did hair embroidery combine women’s bodies (their hair) with a womanly skill (embroidery) to make a unique gendered practice in late imperial China?
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Gil, Ignacio, Raul Fernández-García, and José Antonio Tornero. "Embroidery manufacturing techniques for textile dipole antenna applied to wireless body area network." Textile Research Journal 89, no. 8 (April 17, 2018): 1573–81. http://dx.doi.org/10.1177/0040517518770682.
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This paper addresses the design, simulation, manufacturing, and experimental test of textile dipole antennas based on advanced embroidery techniques. The proposed dipoles are intended to operate at the 2.45 GHz industrial scientific and medical radio band for wireless body area network applications. Two medium stitch density embroidery patterns have been studied, satin fill and contour fill, implemented according to the ISO 4915:1991 301 stitch type standard. The impact and viability of these embroidery techniques over the dipole performance in cotton and felt textile substrates are reported. Test results confirm notable antenna parameter results in terms of return loss, radiation pattern, realized gain, and efficiency. In particular, contour pattern has been revealed as the best embroidery manufacturing technique in terms of quality factor and losses, whereas the satin pattern fits the resonance frequency of the antenna with a higher degree of accuracy.
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Zhang, Yuwen. "Research on the Teaching and Learning of Traditional Gold and Silver Color Embroidery Technique for Out-of-school Education -- Taking the Design of Practical Activities of "Inheritance and Innovation of Gold and Silver Color Embroidery" as an Example." Journal of Educational Theory and Management 2, no. 2 (April 16, 2018): 55. http://dx.doi.org/10.26549/jetm.v2i2.730.
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Gold thread embroidery is a process in which gold and silver platinum paper are wound on a silk thread to form gold and silver threads, which are then discarded into various patterns or contour lines, and then colored lines are used to fasten the pattern lines on the base material. Gold thread mbroidery has a long history as a representative embroidery skill in traditional embroidery techniques. It has complex techniques and deep deposits. Due to the particularity of its materials and techniques, it is faced with many problems in its inheritance in the off-campus education. This paper discusses the problems of the traditional gold thread embroidery techniques for off-campus education, the innovation in the process of teaching, the design of practical activities, and their significance, so that traditional skills can promote the national spirit in the new concept and teaching of off-campus education, inheriting the human civilization, serving the social harmonious and cultural development, thus achieving the goal of education.
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Qian, Wenhua, Jinde Cao, Dan Xu, Rencan Nie, Zheng Guan, and Rui Zheng. "CNN-Based Embroidery Style Rendering." International Journal of Pattern Recognition and Artificial Intelligence 34, no. 14 (May 23, 2020): 2059045. http://dx.doi.org/10.1142/s0218001420590454.
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Nonphotorealistic rendering (NPR) techniques are used to transform real-world images into high-quality aesthetic styles automatically. NPR mainly focuses on transfer hand-painted styles to other content images, and simulates pencil drawing, watercolor painting, sketch painting, Chinese monochromes, calligraphy and, so on. However, digital simulation of Chinese embroidery style has not attracted researcher’s much attention. This study proposes an embroidery style transfer method from a 2D image on the basis of a convolutional neural network (CNN) and evaluates the relevant rendering features. The primary novelty of the rendering technique is that the strokes and needle textures are produced by the CNN and the results can display embroidery styles. The proposed method can not only embody delicate strokes and needle textures but also realize stereoscopic effects to achieve real embroidery features. First, using conditional random fields (CRF), the algorithm segments the target content and the embroidery style images through a semantic segmentation network. Then, the binary mask image is generated to guide the embroidery style transfer for different regions. Next, CNN is used to extract the strokes and texture features from the real embroidery images, and transfer these features to the content images. Finally, the simulating image is generated to show the features of the real embroidery styles. To demonstrate the performance of the proposed method, the simulations are compared with real embroidery artwork and other methods. In addition, the quality evaluation method is used to evaluate the quality of the results. In all the cases, the proposed method is found to achieve needle visual quality of the embroidery styles, thereby laying a foundation for the research and preservation of embroidery works.
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Liu, Yong Qing. "The Material and Technology of the Chu Embroidery." Advanced Materials Research 796 (September 2013): 527–31. http://dx.doi.org/10.4028/www.scientific.net/amr.796.527.
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The Material and Technology of the Chu Embroidery which, in the Spring and Autumn Period, is a Shining Pearl in Chinese Traditional Decorative-Arts Treasury Plays a Vital Role in the Chu Embroidery System. it is Not only a Crucial Support for its Art Level but also a Reflection of the Advanced Embroidery Production Technology in Chu for the Time. the Article Firstly Analyzes the Characteristics of Backing Fabric Used in Chu’s Embroidery which is Different from that of Previous Dynasties, which can Reflect the Blooming in Silk Industry in Chu. the Art of Embroidery just make Silk Industry Better. the Article also Specifies Details of Chu’s Embroidery Technology, and Elaborates Features and Advanced Techniques Involved in the Dyeing Technology, the Painting Technology as well as the Stitching Technology.
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Lee, Yi-Chin, and Daniel Cardoso Llach. "Hybrid Embroidery: Exploring Interactive Fabrication in Handcrafts." Leonardo 53, no. 4 (July 2020): 429–33. http://dx.doi.org/10.1162/leon_a_01931.
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This paper presents Hybrid Embroidery, a framework for interactive fabrication that leverages computational methods to broaden the possibilities of the craft of embroidery. Combining embroidery techniques, generative design methods, computer vision and a computerized embroidery machine, we show how this framework elicits a variety of innovative fabrication experiences that emphasize open-ended exploration, improvisation and play. The paper documents this framework, a series of sample results, challenges and next steps. It further outlines some of its implications for supporting creative exploration through real-time and direct manipulation of materials and close human-machine interaction.
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Masdupi, Erni, Rosyeni Rasyid, and Rahmiati Rahmiati. "PKM Pengembangan Bisnis Sulaman Sebagai Industri Kecil Keunggulan Daerah dan Budaya Minang Kabau Di Kanagarian Panampuang Kabupaten Agam Sumatera Barat." Jurnal Ecogen 1, no. 4 (December 5, 2018): 1014. http://dx.doi.org/10.24036/jmpe.v1i4.5746.
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The embroidery business is a business that has been hereditary in the village of Ampek Angkek, Agam Regency, West Sumatra Province. But in its development this business still faces several obstacles such as the motives, design, and diversification of embroidery products that are still limited, besides that there has not been a common goal in quality among craftsmen as business owners with their sewing children. Therefore the purpose of this activity is to increase the knowledge and skills of embroidery business partners in developing variations in motifs, designs, and diversification of embroidery products, and can improve the quality and quantity of embroidery products to be highly competitive while remaining grounded in the unique characteristics of Minang. Kabau. This activity was carried out by providing training and mentoring on techniques and how to make various variations of embroidery motifs and designs, as well as developing product diversification. The results of the activity showed an increase in partner knowledge and skills in making various variations of motifs and designs of embroidery products. Furthermore, the product diversification in the form of tablecloths, chair cushions and tissue boxes, with the right embroidery layout and quality as expected.Keywords: Craft embroidery, Product diversification, Quality standards
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Maskiell, Michelle. "Embroidering the Past: Phulkari Textiles and Gendered Work as “Tradition” and “Heritage” in Colonial and Contemporary Punjab." Journal of Asian Studies 58, no. 2 (May 1999): 361–88. http://dx.doi.org/10.2307/2659401.
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While the men worked in the fields in the wine-like [winter] air, the women sat in the afternoon sun spinning and embroidering while they sang together, before starting to cook for their men. They embroidered phulkaris….” (Tandon 1968, 65). These stereotypes of feminine and masculine work in Prakash Tandon's memory book Punjabi Century illustrate dominant literary representations of economic production in Punjab, a province of the British Raj from the mid-nineteenth century until it was partitioned between independent India and Pakistan in 1947 (see fig. 1). Many Punjabi women used phulkari (literally, “flower-work”) embroidery to decorate their daily garments and handmade gifts in the nineteenth century. Illustrations only partially convey the vibrant visual impact of phulkaris, and even color photographs fail to capture fully the sheen of the silk thread. The embroidery ranges from striking geometric medallions in reds, shocking pinks, and maroons, through almost monochromatic golden tapestry-like, fabric-covering designs, to narrative embroideries depicting people and objects of rural Punjab. Women stitched phulkaris generally on handwoven cotton cloth (khadi), and phulkaris shared linked construction techniques, a dominant embroidery stitch (the darning stitch), and several distinctive motifs (Frater 1993, 71–74; Yacopino 1977, 42–45; Askari and Crill 1997, 95–101).
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Rahmidani, Rose. "Potency of Creative Industry Embroidery and Weaving in West Sumatera in Developing the Common Economy." Jurnal Inovasi Pendidikan Ekonomi (JIPE) 10, no. 1 (May 5, 2020): 08. http://dx.doi.org/10.24036/011083620.
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The aims of this research are: 1) to describe the portrait of embroidery and weaving business in absorbing workforce in West Sumatera, 2) Exploring and formulating problems as well as mapping the needs assessment of embroidery/embroidery creative industry and Minangkabau weave. Population in this research is the entire business unit of embroidery and weaving industry in West Sumatera spread in Padang Pariaman, Agam, Tanah Datar, Sawahlunto, Padang, Payakumbuh, Bukittinggi and Pariaman, the sample is 93 business units spread in 8 regencies and cities above. This study uses a qualitative method. Data collection using survey methods, with qualitative descriptive analysis techniques. The results of this research are; 1) Embroidery and weaving business in West Sumatera are able to absorb 2.297 workforce, 2) Problems faced by embroidery and weaving business in West Sumatra can be formulated as follows: 1) Bookkeeping/finance aspect and management, 2) Production aspect, and 3) Marketing aspect
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Berezka, K. M., and O. M. Berezsky. "SYNTHESIS OF IMAGES-ORNAMENTS." Ukrainian Journal of Information Technology 3, no. 1 (2021): 56–62. http://dx.doi.org/10.23939/ujit2021.03.056.
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The article developed the mathematical model for the synthesis of ornamental images and implemented the software editor of ornamental images, based on symmetry theory. The paper shows the fundamental role of symmetry. It is analyzed that the symmetry theory methods are used in physics, chemistry, biology, and engineering. It was found that symmetry is based on transformation and storage. In addition, the symmetrical system is based on a set of invariants that are built according to certain rules. It is shown that the symmetry of borders and the symmetry of mesh ornaments are used in ornaments. The synthesis of ornamental images is considered on the example of Ukrainian folk embroidery. The contribution of foreign and domestic scientists to the development of the symmetry theory and synthesis of images is analyzed. It is indicated that Ukrainian folk embroidery is the valuable property of the cultural and material heritage of people and an important source of research. It is analyzed that there are more than 100 types of different embroidery techniques. The role of famous Ukrainian artists in the popularization and organization of Ukrainian folk embroidery museums is presented. It is investigated that embroidery is built from separate motives or from ornaments. Ornaments consist of sub-ornaments. A sub-ornament is a pattern consisting of rhythmically ordered identical elements (built on one group transformation). Subornaments are divided into reports. The report is called the minimum for the area of the area that can cover the sub-ornament, using only transfers. The report, in turn, is divided into even smaller particles: motive or elementary picture. It is found that in embroidery ornaments there are 7 groups of stripe and 12 - plan. Mathematical models of images-ornaments synthesis for groups of a strip and plan groups are developed. Mathematical models are given for ideal ornaments. If offsets of axes or centers of symmetries, it is necessary to adjust the coefficients of transformation matrices displacement. Samples of embroidered ornaments of the corresponding plane and stripe groups are provided. Editor of image-ornaments has been developed, which allows the synthesis of complex ornamental images based on analytical formulas of elementary picture, sub-ornament, and ornament. Examples of real and synthesized samples of Ukrainian folk embroidery are provided. The scientific novelty of the work lies in the development of mathematical models of ornaments on the basis of symmetry groups on the strip and the plane. The practical value of the work lies in the development of an image editor-ornaments.
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Hilton, Alison. "Threads of Tradition: Design and Meaning in Russian Peasant Clothing and Textile Arts." Experiment 22, no. 1 (November 15, 2016): 13–30. http://dx.doi.org/10.1163/2211730x-12341276.
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The diverse components and decoration of peasant costumes in the north and south of Russia are the focus of this examination of the materials, stitches, and colors of textile arts. The identification of the wearer’s stage of life, village, kinship, and local traditions is analyzed through the sartorial elements and embroidered designs of garments and headdresses. Other textile work, especially embroidery on towels and bed linens, with repeated patterns and stylized motifs, shows formal similarities with designs on wooden distaffs, suggesting shared historical origins of certain forms. The essay emphasizes both the conservative nature of peasant clothing and the adaptability of textile arts to new materials, techniques, and functions.
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Susiani, Riris, and Ernawati Ernawati. "STRATEGI PRODUK BORDIR DI KAPALO KOTO, KOTO TANGAH SIMALANGGANG, KOTA PAYAKUMBUH (Studi Kasus di Usaha Bordir Limpapeh”s Kebaya)." Gorga : Jurnal Seni Rupa 8, no. 1 (July 2, 2019): 111. http://dx.doi.org/10.24114/gr.v8i1.12877.
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AbstrakMasalah dalam penelitian ini yaitu pentingnya strategi produk dalam menjalankan sebuah usaha agar mampu bertahan dan bersaing dengan perusahaan lain yang sejenis dalam kondisi persaingan yang ketat dan perkembangan zaman yang sangat cepat. Strategi produk sangat diperlukan dalam mememenuhi tuntutan konsumen seperti meningkatkan kualitas, menciptakan merek, pelayanan serta jaminan terhadap produk yang ditawarkan agar usaha mampu berkembang. Limpapeh”s Kebaya adalah usaha yang sedang berkembang dan telah mampu memasarkan produk bordirnya hingga menembus pasar ekspor. Penelitian ini bertujuan untuk mendeskripsikan strategi produk bordir di Limpapeh”s Kebaya, Kapalo Koto, Koto Tangah Simalanggang, Kota Payakumbuh. Metode penelitian menggunakan metode deskriftif kualitatif, jenis data berupa data primer dan sekunder. Teknik pengumpulan data melalui observasi, wawancara dan dokumentasi. Teknik analisis data dilakukan dengan teknik analisa model interaktif yang berkaitan dengan pokok permasalahan yaitu dengan model reduksi data, penyajian data dan pengambilan kesimpulan. Hasil penelitian yaitu strategi produk yang dilakukan di Limpapeh”s Kebaya adalah dimulai dari menciptakan produk bordir yang berkualitas, desain motif bordir yang up to date dan kreatif, menyediakan ukuran yang special, memberi merek pada produk bordir, memberi kemasan yang menarik (paperbag) dan serbaguna, pelayanan yang cepat, tepat dan ramah serta pemberian jaminan terhadap produk border.Kata Kunci: strategi produk, pelayanan, bordir. AbstractThe problem in this study is the importance of product strategy in running a business in order to be able to survive and compete with other similar companies in conditions of intense competition and very rapid development of the times. Product strategy is very necessary in fulfilling consumer demands such as improving quality, creating brands, services and guarantees for products offered so that businesses are able to grow. Limpapeh's Kebaya is a growing business and has been able to market its embroidery products to penetrate the export market. This study aims to describe the strategy of embroidery products in Limpapeh's Kebaya, Kapalo Koto, Koto Tangah Simalanggang, Payakumbuh City. The research method uses qualitative descriptive method, the type of data in the form of primary and secondary data. The technique of collecting data through observation, interviews and documentation. Data analysis techniques are carried out with interactive model analysis techniques that are related to the subject matter, namely with a model of data reduction, data presentation and conclusion. The results of the research, namely the product strategy carried out at Limpapeh's Kebaya, are started from creating quality embroidery products, up-to-date and creative embroidery motifs, providing special sizes, giving brands to embroidery products, giving attractive packaging (paperbag) and versatile, fast, precise and friendly service and guarantee of embroidery products. Keywords: product, service, embroidery strategy.
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Labarge, Margaret Wade. "Stitches in Time: Medieval Embroidery in its Social Setting." Florilegium 16, no. 1 (January 1999): 77–96. http://dx.doi.org/10.3138/flor.16.008.
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Embroidery was an important decorative element in medieval art, known to exist but often overlooked. The surviving examples of the extraordinarily beautiful works created by the elegant stitches of a multitude of mostly unknown embroiderers over the centuries tend to be casually admired but intellectually overlooked. This survey does not deal with the techniques and methods of medieval embroiderers, but endeavours to draw attention to the place of embroidery as an overlooked component of medieval social history.
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Pikalova, Valentyna. "IMPLEMENTATION OF STEAM CONCEPT IN PREPARATION OF PRE-SERVICE MATHEMATICS TEACHERS." OPEN EDUCATIONAL E-ENVIRONMENT OF MODERN UNIVERSITY, no. 9 (2020): 95–103. http://dx.doi.org/10.28925/2414-0325.2020.9.8.
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The article considers the current problem of improving the education system, namely the application of the concept of STEAM as an innovative approach, which is today the subject of mass interest of both researchers and teachers-practitioners. Thanks to STEAM-education, teachers have the opportunity to develop students in several subject areas - computer science, physics, technology, engineering, art and mathematics. The necessity of introducing the concept of STEAM-education into the system of training pre-service teachers, which continues the implementation of STEM ideas, caused by the transition of society to the digital age, is substantiated. STEAM approaches in the educational process are considered. The experience of such developed countries as the USA, Finland, Australia, Great Britain, Israel, Korea, Singapore was analyzed and it was found out that they implement state programs in the field of STEAM education. In Finland, a LUMA center has been opened, in Spain teachers use STEAM-Makerspace to improve the knowledge of high school students in the field of geometry, in Australia the program STEAM Professionals in Schools has been implemented that brings together teachers with STEAM professionals to improve STEAM teaching practice and provide STEAM training at Australian schools. Possibilities of realization of three main ways of introduction of STEAM-education into the learning process, such as STEAM-project, STEAM-lesson, Maker-space are covered which can be effectively introduced into the educational process of higher education institutions. The implementation of the STEAM approach using the example of training pre-service mathematics teachers is considered. The author notes the important role of teachers who are ready to implement the ideas of STEAM-education in this process. The results of experimental work on the implementation of the concept of STEAM-education within the project activities of students using the example of the project "Ukrainian embroidery" are presented. The purpose and activity of students are revealed, the research tasks which they carried out are described. The result of the study was the development of a program that "embroiders", simulates the process of embroidery in different techniques, implementing different approaches to bypass the embroidery scheme. In addition, a set of tools was created in the GeoGebra package for research and design of various ornaments based on traditional elements of Ukrainian embroidery.
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Nolden, Ramona, Kerstin Zöll, and Anne Schwarz-Pfeiffer. "Development of Flexible and Functional Sequins Using Subtractive Technology and 3D Printing for Embroidered Wearable Textile Applications." Materials 14, no. 10 (May 18, 2021): 2633. http://dx.doi.org/10.3390/ma14102633.
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Embroidery is often the preferred technology when rigid circuit boards need to be connected to sensors and electrodes by data transmission lines and integrated into textiles. Moreover, conventional circuit boards, like Lilypad Arduino, commonly lack softness and flexibility. One approach to overcome this drawback can be flexible sequins as a substrate carrier for circuit boards. In this paper, such an approach of the development of flexible and functional sequins and circuit boards for wearable textile applications using subtractive and additive technology is demonstrated. Applying these techniques, one-sided sequins and circuit boards are produced using wax printing and etching copper-clad foils, as well as using dual 3D printing of conventional isolating and electrically conductive materials. The resulting flexible and functional sequins are equipped with surface mounted devices, applied to textiles by an automated embroidery process and contacted with a conductive embroidery thread.
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Shigurova, Tat'yana Alekseevna. "Permanent metal jewelry in Mordovian female costumes: ethno-culturological aspect." Культура и искусство, no. 7 (July 2021): 1–16. http://dx.doi.org/10.7256/2454-0625.2021.7.36111.
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This article trace the origins of using permanent metal jewelry in traditional clothing of the Mordovian people, as well as characterizes the role of metal products in culture. From the perspective of the currently popular brocade, sparkling fabrics, it seems relevant to refer to the domestic tradition of costume embroidery with metal pendants, beads, pearls that shine in the sun, and to the analysis of peculiarities of of Erzya and Moksha embroidery of the XIX – early XX centuries, known for simple but very effective methods of decorating female costume. The novelty of this work is defined by the absence of special research dedicated to permanent metal décor of the Mordovian costume; the need to determine the ratio between natural and synthetic materials used in embroidery; their interrelation with the traditional norms and aesthetic preferences of the Mordovian people. The object of this research is the traditional Mordovian costume, while the subject is the specificity of including small metal items (pendants, beads, pearls) into embroidery of the elements of festive and ritual clothes of the XIX – early XX centuries. The goal consists in analysis of the tradition of using metal items in embroidery, as well as in cognition of the meanings of this material in folk culture. Analysis is conducted on the new archaeological and ethnographic sources, archival materials on the history of culture and art of the Mordovian region. The author highlights and characterizes various techniques of using sequins in the Moksha and Erzya embroidery of the XIX – early XX centuries, which testify to the complexity of ethnogenesis of the Mordovian people.
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Banck-Burgess, Johanna. "‘Nothing like Textiles’: Manufacturing Traditions in Textile Archaeology." Światowit 56, no. 1 (January 14, 2019): 13–22. http://dx.doi.org/10.5604/01.3001.0012.8451.
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Textiles are evaluated mainly in regard to their visual appearance and technical features of textile production. From a modern point of view, it is their optical perception that is most often displayed in reconstructions. This, however, can rarely be achieved due to the poor and fragmentary preservation of archaeological textiles, which hinders gathering basic information about details of the production technique. Sources illustrating garments or putative textile patterns are often additionally consulted to achieve a better understanding of the textiles. Over the past two decades, the author has made an effort to present a different approach to textile archaeology, that is to demonstrate that the significance of textiles was predominantly governed by culture-specific production techniques whose differences were optical – i.e. at the first glance imperceptible even for experts. Textile patterns were predominantly applied during production. There was little subsequent embellishment where textiles acted as a carrier of the decoration. This means that patterns were rarely additionally integrated after the basic weave was complete, for instance as in the case of embroidery. In consequence, archaeological textiles assume a different cultural and historical significance than previously thought. They are not merely objects whose surfaces served as carriers for culture-specific patterns. In this context, embroidery is of particular significance, as it is a procedure for subsequent decoration of fabrics. In this article, the author presents prehistoric, including the Bronze and Iron Ages, textile finds that have been described as embroidery but are actually a combination of weaving and wrapping weaving techniques.
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Thomas, Partono, and Muhammad Umar Faruq. "The Role of Multi Purpose Cooperative in Developing Economic Independence or SME�s." JEJAK 10, no. 1 (March 10, 2017): 189–204. http://dx.doi.org/10.15294/jejak.v10i1.9135.
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Cooperatives are seen as one of the important instrument to improve economic and social conditions of societies, to arouse the spirit of initiative and improving the general knowledge and technical skills of the society. On the present cooperatives members are business people of small medium scale enterprises (SMEs) which need a guidance or development. The purpose of this study is to describe the role of cooperatives in small medium scale enterprises (SMEs) development. The method used is descriptive qualitative. Data collection techniques used are observation, documentation and interview.The results of research showed that KSU Padurenan Jaya is a multi-purpose cooperatives that has five business units i.e. save loan, store, embroidery service, marketing, research and development. KSU Padurenan Jaya was instrumental in developing the small medium scale enterprises (SMEs) embroidery and convection consists of (1) aspects of the market, by following the events of the exhibition or expo, online marketing, providing material needs in the cooperative store, and create innovative products according to consumer taste. (2) the aspect of technology, by socialization and demonstration of the use technology of embroidery machines, embroidery design with computer programs, internet information technology for promoting and marketing product, And to optimize the use of the machine by provide services embroidery using advanced machine in cooperation so that can improve the productivity and efficiency of the business. (3) the aspect of the capital, by providing save loan service with simple procedures, mentoring to access other sources of financing.
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Tsolis, Aris, William Whittow, Antonis Alexandridis, and J. Vardaxoglou. "Embroidery and Related Manufacturing Techniques for Wearable Antennas: Challenges and Opportunities." Electronics 3, no. 2 (May 30, 2014): 314–38. http://dx.doi.org/10.3390/electronics3020314.
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Cahyani, Diah, and Weni Nelmira. "KERAJINAN SULAMAN KRUISTIK DI NAGARI EMBUNPAGI KECAMATAN MATUR KABUPATEN AGAM SUMATERA BARAT." Gorga : Jurnal Seni Rupa 8, no. 1 (July 2, 2019): 243. http://dx.doi.org/10.24114/gr.v8i1.13616.
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AbstrakPermasalahan dalam penelitian ini adalah untuk mengetahui kerajinan sulaman kruistik di nagari Embunpagi Kabupaten Agam. Kerajinan sulaman kruistik merupakan salah satu kerajinan di Nagari Embunpagi yang mempunyai nilai keindahan tersendiri yang banyak diminati. Sulaman kruistik adalah sulaman yang memakai jahitan benang yang bersilangan membentuk huruf x diatas kain tenunan sejajar.Penelitian ini bertujuan untuk mendeskripsikan bentuk kerajinan sulaman kruistik dilihat dari segi desain dan motif di Nagari Embunpagi. Metode yang digunakan dalam penelitian ini adalah metode kualitatif. Jenis data yaitu berupa data primer yaitu data yang diperoleh dari pimpinan dan karyawan usaha dan data sekunder yang diperoleh dari dokumentasi. Teknik pengumpulan data dengan cara melalui wawancara, observasi dan dokumentasi. Teknik analisa data yang dilakukan bersifat induktif berdasarkan fakta- fakta yang ditemukan dan penarikan kesimpulan. Hasil penelitian yang diperoleh adalah bentuk desain motif berupa naturalis dengan bentuk bunga dan daun, dan bentuk geometris berupa garis- garis yang disusun.. Kata Kunci: sulaman, kruistik embunpagi.AbstractThe problem in this study was to find out about the crusical embroidery craft in the Embunpagi village of Agam Regency. Crystalline embroidery is one of the handicrafts in Nagari Embunpagi that has its own beauty value that is in great demand. Crewistic embroidery is embroidery that uses cross stitches forming letters x on parallel woven fabrics. The aim of this study is to describe the shape of the crew embroidery craft in terms of design and motif in Nagari Embunagi. The method used in this research is qualitative method. The type of data is in the form of primary data, namely data obtained from business leaders and employees and secondary data obtained from documentation. Data collection techniques by means of interviews, observation and documentation. Data analysis techniques performed are inductive based on facts found and conclusions drawn. The results of the research obtained are the form of motif design in the form of naturalists with flower and leaf shapes, and geometric shapes in the form of lines arranged. Keywords: needlepoint, embunpagi.
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Zulifatul Zuhriyah, Mohammad Dullah, Zaenullah, and Rachma Y. "Handmade Bordir Sebagai Produk Unggulan Di Kota Probolinggo." Community Development Journal 4, no. 2 (December 13, 2020): 145–55. http://dx.doi.org/10.33086/cdj.v4i2.1769.
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AbstractEmbroidered craft in Indonesia is believed to be carried by many traders from China and India who carry out lots of buying and selling transactions in Indonesia, that's when these traders began to introduce embroidery crafts and their techniques. One of the leading industrial sectors is handmade products in the form of embroidery craft where initially in Probolinggo there was a center for embroidery industry but after the monetary crisis occurred in Indonesia since 1998 many craftsmen could not survive due to the high raw materials and the lack of buyers and the inability of craftsmen to reach other markets, leaving only a few that still exist today. This Community Service Activity Partner is Rizza Bordir. To achieve this goal, theCommunity Service activities are carried out using the Participatory Rural Appraisal Model (PRA), Community Development Model, through Persuasive and Educational Approaches. The results of this activity concluded that: Solving financial problems experienced by partners is to make software software, 2) Creation of new markets through online media in the form of Websites, Youtube, and Social Media is done by re-uploading files and images on IG, Facebook, Update Youtube Appearance and Start looking for Subsribe by promoting it through WA groups and Facebook, and Giving Hastage #RizzabordirProbolinggo so that the media will start to know Rizza Embroidery and can be read by Google.com and 3) That the help of tools in the form of Machines and E-commerce is expected to be maximized by Partners to be able to develop their business and increase turnover.Keywords: Rizza Embroidery, Handmade, E-Commerce
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Nero, Agus, Kunto Sofianto, Maman Sutirman, and Dadang Suganda. "SENI BORDIR TASIKMALAYA DALAM KONSTELASI ESTETIK DAN IDENTITAS." Patanjala : Jurnal Penelitian Sejarah dan Budaya 11, no. 1 (March 30, 2019): 81. http://dx.doi.org/10.30959/patanjala.v11i1.476.
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Penelitian ini berjudul “Seni Bordir Tasikmalaya dalam Konstelasi Estetik dan Identitas”. Penelitian ini mengkaji seni bordir Tasikmalaya dilihat dari aspek estetik dan identitas. Metode yang digunakan adalah metode deskriptif-analitik. Teknik pengumpulan data dalam penelitian ini adalah survei ke lapangan melalui wawancara, pengamatan secara langsung, dan pengambilan sumber-sumber tertulis dari masyarakat dan pemerintah setempat. Sumber data yang digunakan dalam penelitian ini adalah data lapangan melalui participant observation sebagai data primer dan sumber kepustakan sebagai data sekunder. Objek penelitian ini adalah kerajinan bordir di Tasikmalaya. Hasil dari penelitian ini adalah bahwa latar kultural yang mengawali lahir dan berkembangnya kerajinan bordir Tasikmalaya adalah kondisi kultural Tasikmalaya yang identik dengan aspek religi. Perkembangan kerajinan bordir Tasikmalaya telah mengalami perluasan ke arah dimensi pemaknaan, tujuan, hingga pengaruh estetika modern, pada masanya nanti telah berpengaruh pada adanya bauran estetik antara estetika tradisional dan estetika modern.This study entitled "Tasikmalaya Embroidery Art in Estetic Constelation and Identity". This study reviewed Tasikmalaya embroidery art from the aspects of aesthetic and identity. The method used in this research is descriptive-analytic method. Data collection techniques in this study is a survey of the field through interviews, direct observations, and taking written sources from the community and local government.The object of this study is embroidery in Tasikmalaya.The results obtained from this study is that the cultural background that started the birth embroidery cultural conditions of Tasikmalaya is identical with the religious aspect. Tasikmalaya embroidery developments have expanded toward the dimension of meaning, purpose, to the influence of modern aesthetics, in his time later have an effect on their aesthetic mix between traditional aesthetics and modern aesthetics.
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Shklyaeva, Lyudmila M. "Gold Embroidery Style Features of the Mishar Tatars of the Ulyanovsk Region." Observatory of Culture 17, no. 2 (June 30, 2020): 140–50. http://dx.doi.org/10.25281/2072-3156-2020-17-2-140-150.
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The article reveals the origins and style features of the gold embroidery of the Mishar Tatars of the Ulyanovsk Region. Though surrounded by a population that is not uniform in ethnic composition, including the Chuvash, Mordovian, Mari, Udmurt and Russian peoples, the Mishars have preserved the aesthetic preferences of their ancestors. For centuries, the bib — an element of the national costume — has maintained the visually expressed originality of its decorative design conditioned by the traditions characteristic of this local group. The gold embroidery was a hereditary female occupation; its technique, as well as unique ornamental elements, were imparted from mother to daughter. Samples of needlework by masters of the past indicate the uniqueness of the patterned finish as well as the main trends of its development. The design techniques include large floral elements arranged in a certain compositional order. Its artistic structure uses the principle of symmetry as a reflection of the balance and stability of the universe. The repetition of images symbolizes the cyclical nature of being and reproduction processes. The style features of the Ulyanovsk Mishars’ gold embroidery include the homotypic impregnated technique and the relief of finishing elements. The interpretation of the key character-symbol in the center, which combines solar and floral forms, is diverse. The stylistic features of the Mishars’ gold embroidery reflect the system of the spiritual values common to the Tatars that were feeding the artistic forms of decorative art, originally sourced by the Bulgarian urban culture of the Golden Horde period, and then the Kazan Khanate. For many centuries, the best samples were selected and polished in the course of time. The style-forming elements of the national costume components’ gold decoration were steadily reproduced. The tradition of their application allows us to assume that the ancestors of the modern Mishar Tatars living in the rural part of the Ulyanovsk Region were of urban origin.
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Fernanda, Deanita Nabilla, and Widia Nur Utami Bastaman. "PENERAPAN TEKNIK DIGITAL PRINTING DAN BORDIR DENGAN INSPIRASI BANGUNAN HOTEL SAVOY HOMANN BANDUNG UNTUK PRODUK FESYEN." Jurnal Budaya Nusantara 3, no. 1 (October 23, 2019): 23–31. http://dx.doi.org/10.36456/b.nusantara.vol3.no1.a2112.
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Buildings are one of the major inspiration frequently used on design theme for fashion industries.The purpose of this research is to raise the potential of a functional historical building in Bandungby the name of Hotel Savoy Homann. The visual potential of Hotel Savoy was used as inspirationfor fashion products in the form of women's clothing. To represent the value of Hotel SavoyHomann, the writer choosed to use two varieties of surface design techniques which is digitalprinting and embroidery. This research carried out the qualitative method by doing field observationand collecting data from related literature studies. The execution was in the form of explorationsketches from images inspired by the exterior design of Hotel Savoy Homann. The outcomeof this research is the application of digital printing and embroidery techniques on fashionproducts inspired by the building design of Hotel Savoy Homann Bandung whichprovidesfurther alternative choices for fashion products in women's clothing and acquaint Hotel SavoyHamman to citizens of Bandung.
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Cruz, António João, Luciana Barros, and Leonor Loureiro. "Perforated Cardboards: A Support for Embroidery Used for Various Everyday Objects in the Victorian Age." Restaurator. International Journal for the Preservation of Library and Archival Material 40, no. 1 (March 26, 2019): 35–67. http://dx.doi.org/10.1515/res-2018-0021.
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Abstract Perforated cardboards were common and economic supports for embroidery in the Victorian Era. Despite their popularity, they had a brief life and are almost forgotten today. Different types of cardboard were chosen according to the materials and techniques to be applied. This article presents nineteenth century documentary sources on perforated cardboard and its use in various objects of everyday life. The types of cardboard, commercialization, decorative techniques and motifs and applied materials will be discussed.
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Zhang, Wei. "Application of Traditional Embroidery Techniques Aided by Image Design Software in Modern Clothing Design." Journal of Physics: Conference Series 1648 (October 2020): 032072. http://dx.doi.org/10.1088/1742-6596/1648/3/032072.
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Perez-Rodriguez, Jose Luis, Antonio Albardonedo, Maria Dolores Robador, and Adrian Duran. "Spanish and Portuguese Gilding Threads: Characterization Using Microscopic Techniques." Microscopy and Microanalysis 24, no. 5 (September 20, 2018): 574–90. http://dx.doi.org/10.1017/s1431927618015167.
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AbstractGilding threads collected from Spanish and Portuguese palaces and from the embroideries and adornments of sculptures of the Virgin and Christ that form part of Sevillian Holy Week were analyzed and compared (20 artifacts were evaluated). The study covered a broad time period with examples from the 13th to 14th centuries, 18th to 20th centuries, and also including modern embroideries. A combination of scanning electron microscopy and energy-dispersive X-ray spectroscopy was used. The knowledge of the layered structures of the threads has provided very valuable information regarding the manufacturing techniques. The different metal threads found in the embroidery studied consisted of gold, silver, copper, and alloys of these metals and aluminium. The fabrication procedures often differed in the different workshops and changed with time. In the modern embroideries, a decrease of precious metal concentration was detected. The threads were wound around a core of silk threads.
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-, Sarwono, Tiwi Bina Affanti, Ratna Endah Santoso, and Adji Isworo Josef. "APLIKASI TEKNIK HAPA ZOME PADA PAKAIAN SEBAGAI BAGIAN KAMPANYE GO GREEN." Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa 12, no. 2 (February 15, 2021): 138–47. http://dx.doi.org/10.33153/brikolase.v12i2.3294.
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The purpose this training activities is to provide skills for neglected and drop-out children at PPSA Taruna Yodha Sukoharjo in making clothing decorations with hapa zome techniques and marketplace marketing. Currently, there is an eco fashion trend in society. Clothes with hapa zome decorative techniques are considered unique but not many have made them. Hapa zome material can easily be obtained from plants in the environment which is usually as weeds. The activities carried out by the method of lectures, tutorials, practice and product evaluation. The activity ran smoothly, the atmosphere was fun and the participant’s interest in participating in the training was very high. The participants seemed able to develop various models of natural decoration on clothes and mix them with embroidery techniques. This training has the impact of increasing the participant's ability to make clothing decorations with the hapa zome technique and to understand several marketplace marketing techniques. The product was produced as part of the go green campaign and it predicted have a good market. Key words: go green. hapa zome, Taruna Yodha,
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Melnyk, Liudmyla, Olena Kyzymchuk, and Liudmyla Zubkova. "Ukrainian Folk Ornaments in Modern Knitting." TEKSTILEC 64, no. 2 (March 27, 2021): 84–95. http://dx.doi.org/10.14502/tekstilec2021.64.84-95.
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National arts and crafts are not only the skills of an individual nation but an ethnic phenomenon that has unique features and serves as a source of information on national history and culture. Decorative and applied art in Ukraine combines the traditions and techniques of manufacturing and decoration, which have been developed and passed down from generation to generation. It has a clear national identity and numerous regional differ¬ences in ornamental motifs, compositions and favourite colours. Therefore, the Ukrainian folk art has a significant potential and is a source of ideas in creating modern clothing as well as interior items. Embroidery as a way of creating ornamental motifs on a textile material using various techniques is a common process for decorating clothes and interiors for the Ukrainians. Today, ornamental compositions of embroidered folk textiles could be transmitted into modern clothes using various technologies. However, the use of a knitting machine allows creating a pattern during the item production. The ornament transformation into a pattern for knitting can be carried out with graphic software by creating a grid with a cell size similar to the loop size of a knitted structure for corresponding interlooping. A number of clothing and interior items with ethnic motifs was created using the capabilities of flat knitting machines within the masters programme “Knitting Technology and Design” at the Textile Technology and Design Department of the Kyiv National University of Technologies and Design.
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Aliabadi, Mohsen, Rostam Golmohammadi, Hassan Khotanlou, Muharram Mansoorizadeh, and Amir Salarpour. "Artificial Neural Networks and Advanced Fuzzy Techniques for Predicting Noise Level in the Industrial Embroidery Workrooms." Applied Artificial Intelligence 29, no. 8 (September 14, 2015): 766–85. http://dx.doi.org/10.1080/08839514.2015.1071090.
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Kerlogue, Fiona, and Dagmar Pospíšilová. "Narrative designs in artworks from Burma/ Myanmar in the Náprstek Museum collections." Annals of the Náprstek Museum 41, no. 2 (2020): 71–91. http://dx.doi.org/10.37520/anpm.2020.008.
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This article gives an overview of material from Burma/Myanmar in the collections of the Náprstek Museum, with a focus on three types: lacquerware, silverware, and embroidery. Examples from the collection are linked by their use of narrative scenes as devices to embellish the surfaces, especially scenes from the life of the Buddha and scenes from the stories of his previous lives. Historical scenes are often depicted on lacquerware from Bagan. Techniques employed to decorate the objects are very much the same today as they were when the majority of the items discussed were made, that is in the 19th century.
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Wijayati, Erny, Rufi’i Rufi’i, and Djoko Adi Waluyo. "Development of Teaching Materials Making Arts Decoration Changes in Batik Brake using Burci Embroidery Techniques Class XII Vocational School." Jurnal Inspirasi Pendidikan 10, no. 2 (November 23, 2020): 153–61. http://dx.doi.org/10.21067/jip.v10i2.4646.
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Penelitian ini bertujuan untuk mengembangkan modul pembuatan hiasan seni merubah corak batik dengan teknik sulaman burci pada SMK kelas XII Tata Busana. Metode pengembangannya menggunakan model Dick and Carey. Jenis penelitian ini adalah research and development.data berasal dari hasil 3 validator yaitu ahli desain, validasi ahli isi/ materi dan validasi teman sejawat/ guru bidang studi serta hasil uji coba kelompok besar sebanyak 26 siswa. Teknik pengumpulan data berupa angket. Teknik sampling menggunakan teknik sampling purposive. Teknik analisis yang digunakan untuk mengolah data yang diperoleh melalui lembar evaluasi dalam bentuk deskriptif dan mengukur kevalidan menggunakan rumus yang telah ditentukan. Hasil validasi ahli isi sebesar 85%, ahli desain sebesar 88%, teman sejawat atau bidang studi sebesar 89,4% dan hasil uji coba pada siswa kelompok besar kevalidannya sebesar 96,6%. Dari data dan analisis yang dilakukan dapat disimpulkan bahwa modul pembuatan hiasan sulaman burci pada batik dapat dijadikan sebagai bahan ajar SMK Kelas XII Tata Busana, dengan pencapaian kategori sangat valid dan layak digunakan dalam pembelajaran.
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Park, Su Youn, and Joo-Hyeon Lee. "Machine Embroidered Sensors for Limb Joint Movement-Monitoring Smart Clothing." Sensors 21, no. 3 (February 1, 2021): 949. http://dx.doi.org/10.3390/s21030949.
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In this study, a strain gauge sensor based on a change of contact or network structure between conductive materials was implemented using the handle-machine embroidery technique, and the variables (embroidery shape, embroidery distance, embroidery size, and implementation location) affecting its performance were studied. As a result of Experiment I on the structure of embroidery suitable for joint motion monitoring, the embroidery distance, rather than the embroidery size, was found to have a significant effect on the electric resistance changes caused by elongation. Based on the results of Experiment I, two types of zigzag embroideries, four types of embroideries with few contact points, and two types of embroideries with more contact points (all with short distances (2.0)) were selected for Experiment II (the dummy motion experiment). As a result of the dummy motion experiment, it was found that the locations of the suitable embroidered sensors for joint motion monitoring was the HJP (Hinge Joint Position) in the ‘types without a contact point’ (zigzag) and the LHJP (Lower Hinge Joint Position) in the ‘types with more contact points’. On the other hand, although there was no consistency among the ‘types with few contact points’, the resistance changes measured by the 2CP and 7CP embroidered sensors showed similar figures and patterns, and the HJP location was most suitable. The resistance changes measured by the 4CP and 6CP embroidered sensors exhibited no consistent patterns, but the LHJP locations were more suitable. These results indicate that the location of the HJP is suitable for measuring joint motion in the ‘type without a contact point’, and the location of the LHJP is suitable for measuring joint motion when the number of contact points exceeds a certain limit. Among them, the average resistance change of the 9CP sensor located at the LHJP was 40 Ω with the smallest standard deviation of less than 1, and it is thus considered to have the best performance among all the sensors.
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Ferri, Josue, Raúl Llinares Llopis, Gabriel Martinez, José Vicente Lidon Roger, and Eduardo Garcia-Breijo. "Comparison of E-Textile Techniques and Materials for 3D Gesture Sensor with Boosted Electrode Design." Sensors 20, no. 8 (April 22, 2020): 2369. http://dx.doi.org/10.3390/s20082369.
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There is an interest in new wearable solutions that can be directly worn on the curved human body or integrated into daily objects. Textiles offer properties that are suitable to be used as holders for electronics or sensors components. Many sensing technologies have been explored considering textiles substrates in combination with conductive materials in the last years. In this work, a novel solution of a gesture recognition touchless sensor is implemented with satisfactory results. Moreover, three manufacturing techniques have been considered as alternatives: screen-printing with conductive ink, embroidery with conductive thread and thermosealing with conductive fabric. The main critical parameters have been analyzed for each prototype including the sensitivity of the sensor, which is an important and specific parameter of this type of sensor. In addition, user validation has been performed, testing several gestures with different subjects. During the tests carried out, flick gestures obtained detection rates from 79% to 89% on average. Finally, in order to evaluate the stability and strength of the solutions, some tests have been performed to assess environmental variations and washability deteriorations. The obtained results are satisfactory regarding temperature and humidity variations. The washability tests revealed that, except for the screen-printing prototype, the sensors can be washed with minimum degradation.
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Sun, Danmei, Meixuan Chen, Symon Podilchak, Apostolos Georgiadis, Qassim S. Abdullahi, Rahil Joshi, Sohail Yasin, Jean Rooney, and John Rooney. "Investigating flexible textile-based coils for wireless charging wearable electronics." Journal of Industrial Textiles 50, no. 3 (February 14, 2019): 333–45. http://dx.doi.org/10.1177/1528083719831086.
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Smart and interactive textiles have been attracted great attention in recent years. This research explored three different techniques and processes in developing textile-based conductive coils that are able to embed in a garment layer. Coils made through embroidery and screen printing have good dimensional stability, although the resistance of screen printed coil is too high due to the low conductivity of the print ink. Laser cut coil provided the best electrical conductivity; however, the disadvantage of this method is that it is very difficult to keep the completed coil to the predetermined shape and dimension. The tested results show that an electromagnetic field has been generated between the textile-based conductive coil and an external coil that is directly powered by electricity. The magnetic field and electric field worked simultaneously to complete the wireless charging process.
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Ramadhani, Danur, Agus Sukoco, and Joko Suyono. "CAPITAL STRUCTURE ANALYSIS TO OPTIMIZE THE PROFITABILITY OF MSMES (CASE STUDY ON MSMES HIKMAH IN SIDOARJO, EAST JAVA, INDONESIA)." Journal of World Conference (JWC) 1, no. 2 (November 21, 2019): 241–50. http://dx.doi.org/10.29138/prd.v1i2.161.
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This study aims to analyze the capital structure used to optimize profitability in MSME embroidery shoes. This study uses descriptive research with a qualitative approach. The analytical method is used Weighted Average Cost Of Capital (WACC). The techniques of data collection in this research used interview, observation, documentation and triangulation methods. The data that used are financial transaction records and financial statements issued by the company itself. The results showed that UD. Hikmah used the composition of the capital structure consisting of debt of 20%, 80% own capital with a ROE rate of 170%. Optimization results obtained the optimal capital structure composition on the composition of debt 23% and own capital 77%. By generating a level of profitability that can provide a favorable return for business owners, with the highest calculation of ROE that is equal to 173% and the cost of capital to be borne is Rp.18.238.000 every year.
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Corchia, Laura, Giuseppina Monti, Egidio De Benedetto, and Luciano Tarricone. "Wearable Antennas for Remote Health Care Monitoring Systems." International Journal of Antennas and Propagation 2017 (2017): 1–11. http://dx.doi.org/10.1155/2017/3012341.
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Remote monitoring of the elderly in telehealth applications requires that the monitoring must not affect the elderly’s regular habits. To ensure this requirement, the components (i.e., sensor and antenna) necessary to carry out such monitoring should blend in with the elderly’s daily routine. To this end, an effective strategy relies on employing wearable antennas that can be fully integrated with clothes and that can be used for remotely transmitting/receiving the sensor data. Starting from these considerations, in this work, two different methods for wearable antenna fabrication are described in detail: the first resorts to the combined use of nonwoven conductive fabrics and of a cutting plotter for shaping the fabric, whereas the second considered fabrication method resorts to the embroidery of conductive threads. To demonstrate the suitability of the considered fabrication techniques and to highlight their pros and cons, numerical and experimental results related to different wearable antennas are also reported and commented on. Results demonstrate that the presented fabrication techniques and strategies are very flexible and can be used to obtain low-cost wearable antennas with performance tailored for the specific application at hand.
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Mohan, Urmila. "Clothing as Devotion in Contemporary Hinduism." Brill Research Perspectives in Religion and the Arts 2, no. 4 (August 9, 2018): 1–82. http://dx.doi.org/10.1163/24688878-12340006.
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AbstractIn Clothing as Devotion in Contemporary Hinduism, Urmila Mohan explores the materiality and visuality of cloth and clothing as devotional media in contemporary Hinduism. Drawing upon ethnographic research into the global missionizing group “International Society for Krishna Consciousness” (ISKCON), she studies translocal spaces of worship, service, education, and daily life in the group’s headquarters in Mayapur and other parts of India. Focusing on the actions and values of deity dressmaking, devotee clothing and paraphernalia, Mohan shows how activities, such as embroidery and chanting, can be understood as techniques of spirituality, reverence, allegiance—and she proposes the new term “efficacious intimacy” to help understand these complex processes. The monograph brings theoretical advances in Anglo-European material culture and material religion studies into a conversation with South Asian anthropology, sociology, art history, and religion. Ultimately, it demonstrates how embodied interactions as well as representations shape ISKCON’s practitioners as devout subjects, while connecting them with the divine and the wider community.
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Nguyen, Thao. "Temporary Text(iles)." Journal of Public Space, Vol. 5 n. 4 (December 1, 2020): 313–22. http://dx.doi.org/10.32891/jps.v5i4.1419.
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Text and textiles share etymological roots and also have cultural and historical similarities. Temporary Text(iles) is project led research which investigates the relationship between text and textiles in hopes of harnessing its communicative powers. Techniques such as subtraction cutting, embroidery and writing are utilised to produce textile installations that are both performative and ephemeral. These spatial interventions are activated within contemporary art contexts and public spaces such as Altona beach, Campbell Arcade, Testing Grounds and Assembly Point. These experimental sites offer a gentle disruption to people’s everyday routine as well as a space for critical reflection and conversation. In this chaotic time of global grief and tension, the author commits herself to understand the connections between environmental sustainability, forced migrations and the mistreatment against marginalized communities such as refugees and asylum seekers. Temporary Text(iles) describes the different spatial interventions in the research project and analyses its effect in relation to these major social issues.
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Slavinska, Alla, Oksana Syrotenko, Iryna Zasornova, and Oleksandr Zasornov. "CAPSULAL APPROACH TO SIGNIFICANCE OF ETHNIC EMBROIDERY IN FORMATION OF MODERN WARDROBE." International Conference on Technics, Technologies and Education, ICTTE 2019 (2019): 396–404. http://dx.doi.org/10.15547/ictte.2019.06.025.
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The problem of capsular method in forming of modern clothes on the basis of ukrainian basic embroidery was investigated. Theoretically proved composition of geometrical ornaments in combinations of tunes of the ornament. The schemes of transformations in modifications of variants of reports of ukrainian national embroidery were created. The investigation of isomorphic filling using the technique “cross” in ornaments in the style “modern” according to zones of usage was carried out. The capsules of representative clothes according to folk ornaments were developed. The algorithms of scaling the ornaments are created with the help of schemes of setting the ornament. As examples such pieces of clothes were used: dress, woman costume, family embroidered blouse.
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Spinu, Constantin. "Identity convergence in the tapestry and painting of Ecaterina Ajder." Akademos, no. 2(61) (September 2021): 154–60. http://dx.doi.org/10.52673/18570461.21.2-61.16.
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Ecaterina Ajder, representative of the early `80s of plastic artists from the Republic of Moldova, constantly opts for endowing the work of art with innovative stylistic values. Plastic tradition and modernity originally connect in her creation, contributing to the generation of current messages through image. Preferring to materialize her thematic and plastic predilections in the genre of artistic tapestry and easel painting, Ecaterina Ajder has drawn and consolidated over the decades her unmistakable stylistic facet, in which the insurmountable landmarks of folk art have found a favorable artistic fulfillment and integration into relevant contemporary creative trends. In the artistic tapestry, the painter significantly capitalized both the aesthetic expressions obtained from the classic weaving, and from combining it with various techniques such as felt and embroidery. When referring to the easel painting she highlighted the traditional aspects of structural-constructive constitution of the image field and, at the same time, the impressive artistic expressions, obtained after practicing mixed techniques, giving priority to the collage methodology. In the artist’s creation, both the conceptualization and aesthetic interpretation of the theme, as well as the way of operating with plastic means imminently contribute to the demarcation and supplementing of the semantic area of the work with high value expressions.
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Stasiowski, Maciej. "Built as Rain. Film Analysis of Unbuildable Architectural Speculations – a Case Study of „Instant City” (dir. Peter Cook and Ron Herron, 1968) and „The Zero Theorem” (dir. Terry Gilliam, 2013)." Kwartalnik Filmowy, no. 109 (May 25, 2020): 159–76. http://dx.doi.org/10.36744/kf.279.
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The introduction of time-based media into the design stage opened up a new understanding of architectural and represented space as a dematerialized, dynamic, and user-dependent concept. Unbuildable architectural projects always relied on specific techniques and media. Their radical nature usually channelled innovative artistic currents and visualization tools, like collage and pop art aesthetics in the works of Archigram. Cinema is yet another ground for such deliberations. With Instant City (Archigram’s Peter Cook and Ron Herron) and The Zero Theorem (Terry Gilliam) the problem of dematerialization is being channelled by architectural/spatial proposals that involve a range of literary tropes, cultural texts, and filmic intertexts, in order to create a rich embroidery of references that forward a new look upon architectural production as a practice of creating protocols for dynamic and all the more elusive imagery. This article’s central objective lies in the task of reframing a discussion on iconicity, media facades, and mutative building skins, so as to include modes of cinematic portrayal that are not just contents of architectural “messages”, but also their “media”.
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Yasnidawati, Yasnidawati, Yusmerita Yusmerita, and Puji Hujria Suci. "Training Decorating Accessories Veil and Family to Increase Revenue and Tourism in Kenagarian Payo Lubuk Sikarah District City of West Sumatra Solok." International Journal of Educational Dynamics 2, no. 1 (January 17, 2020): 143–50. http://dx.doi.org/10.24036/ijeds.v2i1.225.
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Partners in Service community in Payo Solok District of Lubuk Sikarah are housewives and teenagers drop out of school. The problem faced by the people in the District of Lubuk Sikarah Payo Solok is a lack of knowledge and skills of the communities in the field of fashion, especially in decorating the veil and make accessories. The method used in accordance goals in training. The results of the implementation of the training activities create various accessories that housewives and teenagers (PKK) in Kanagarian Payo Solok, it has the ability and skill in making accessories in various forms by 75%, and the participants have to understand and have base makes a wide range of accessories by 80%. This can be seen from the shape hijab accessories and brooches generated sufficient quality. This is because the participants were seriously and earnestly to follow and activities make hijab accessories. The capacity of the hijab accessories making techniques, participants also have the skill by 85%.
Keywords: Hijab Embroidery Training and Accessories