Relevant bibliographies by topics / Embroidery techniques

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Embroidery techniques'

Author: Grafiati
Published: 29 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Embroidery techniques"

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Baykaoglu, Nursel, and Hatice Feriha Akpinarli. "Sample of German embroidery from the hand embroidery applications in the city of Kahramanmaras." Global Journal of Arts Education 10, no. 1 (February 28, 2020): 85–92. http://dx.doi.org/10.18844/gjae.v10i1.4793.

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Forming one of the most important branches of our culture and traditional arts, embroidery was born by sewing in a decorative way and it is worth mentioning that it is as early as humanity. Embroidered clothing on the sculptures excavated and the narration that the daughter of Noah in Hebrew history wears an embroidered belt shows that this branch of art goes back to earlier times. Hand embroidery, which is the products of intelligence, skill and subtle wit, has reached the current time by preserving its value. Out of a great many embroidery techniques reaching large public masses, a technique called ‘German Embroidery’ was encountered in the researches carried out in the city of Kahramanmaras and its towns in the years 2013–2014. According to the information obtained from the source people in the research carried out in the city of Kahramanmaras, German Embroidery dating back to earlier times is not produced today; however, we are likely to find pillows, clothes and dresses embroidered with German Embroidery in houses. In the current paper, embroidery samples were determined in order to unveil this technique that was embroidered on any kind of cloth with a plain surface and it was aimed to make the embroidery alive and to promote it by analysing the way of embroidering. Keywords: Embroidery, ornament, technique, traditional.
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Larkin, Alison. "Replicating Captain Cook's Waistcoat: Exploring the Skills of a Named Embroiderer during the Eighteenth Century." Costume 51, no. 1 (March 2017): 54–77. http://dx.doi.org/10.3366/cost.2017.0005.

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This article discusses a project to replicate an unfinished waistcoat believed to have been embroidered in the late 1770s for Captain James Cook by his wife, Elizabeth. The intention was to explore the techniques of embroidery used during the eighteenth century, and to replicate a garment belonging to a major historical figure. The original waistcoat was embroidered on Tahitian tapa cloth with a linen backing. The embroidery used silk and metallic thread and silver-plated spangles, employing chain stitch, long-and-short stitch and tambouring. The replica was completed using materials closely approximating those available in the 1770s, and constructed using eighteenth-century methods. The project has shed light on the skills and abilities of a known amateur embroiderer of the late eighteenth century, in addition to providing insight into the tastes and physical characteristics of an important historical figure.
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Dewi, Aisyah Ratna, Heri Soeprayogi, and Sri Wiratma. "SULAM MOTIF FLORA DAN FAUNA DITINJAU DARI WARNA DAN KOMPOSISI." Gorga : Jurnal Seni Rupa 9, no. 1 (June 28, 2020): 187. http://dx.doi.org/10.24114/gr.v9i1.18792.

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AbstrakPenelitian ini bertujuan untuk mengetahui ketepatan siswa dalam memilih warna dan komposisi yang sesuai pada karya sulam teknik sulam bebas dengan motif flora dan fauna. Adapun populasi yang digunakan dalam penelitian ini adalah seluruh siswa kelas VIII-7 SMP Negeri 16 Medan dengan sampel 3 karya siswa dengan teknik Cluster Random Sampling. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan mendeskripsikan karya sulam yang diteliti dan dinilai berdasarkan unsur seni rupa yang telah ditentukan yaitu warna dan komposisi. Secara keseluruhan kemampuan siswa SMP Negeri 16 medan dalam praktik menyulam dikatakan Cukup Baik. Siswa sudah memiliki kemampuan dalam menyatukan motif-motif yang akan disulam dan hasil sulamnya pun rata-rata sudah mendekati kategori cukup.Kata Kunci: sulam, warna, komposisi.AbstractThis study aims to determine the accuracy of students in choosing the right color and composition in the embroidery work of free embroidery work of free embroidery techniques with flora and fauna motifs. As for the population used in this study were all students of class VIII-7 junior high school 16 terrain with a sample of 3 students’ work using a random sampling technique. The research method used is descriptive qualitative by describing the work of embroidery that is examined and assessed based on predetermined fine art elements, namely color and composition. As a whole the ability of 16 field students in the field of embroidery is said to be quite good. Students already have the ability to unify the motif to be embroidered and results of embroidery are on average already close to the sufficient category. Keywords: embroidery, color, composition.
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Sari, Anggun Kurnia, Wirdatul Aini, and Jalius Jalius. "Hubungan antara Internal Locus of Control dengan Minat Berwirausaha Alumni Pelatihan Bordir di LKP Muslimah Group." KOLOKIUM: Jurnal Pendidikan Luar Sekolah 6, no. 1 (April 30, 2018): 39–53. http://dx.doi.org/10.24036/kolokium-pls.v6i1.5.

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This research is motivated by the low interest of entrepreneurship of alumni of embroidery training at Lembaga Kursus Pelatihan (LKP) Muslimah Group of Solok City. This is allegedly due to lack of internal locus of control of embroidery alumni training. The purpose of this study is to describe (1) internal locus of control of embroidery alumni training, (2) interest in entrepreneurship of embroidery training alumni, and (3) relationship between internal locus of control with interest in entrepreneurship of embroidery training alumni. This type of research is correlational quantitative research. The population in this study amounted to 60 people and a sample of 30 people. The sampling technique uses cluster random sampling. Data collection techniques in this study in the form of questionnaires, while data collection tools using questionnaires. Data analysis techniques using the formula percentage and product moment. The result of research shows that: (1) Locus of internal control of embroidery alumni is still low, (2) Interest in entrepreneurship of alumni of low embroidery training, and (3) There is a significant relationship between internal locus of control with entrepreneurship interest alumni embroidery training in LKP Muslimah Solok City Group.
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Xie, Sisi, and Hyunzin Ko. "Investigation of the Four Chinese Embroidery Techniques : Focused on Xiang Embroidery." Journal of the Korean Society of Costume 69, no. 4 (June 30, 2019): 123–40. http://dx.doi.org/10.7233/jksc.2019.69.4.123.

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Shi, Jian Ping. "The Household Textile Bedding Embroidery Design and Expression of Decorative Techniques." Advanced Materials Research 332-334 (September 2011): 2018–22. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.2018.

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This article discusses the design method of bedding embroidery patterns, such as abstract simplification, Exaggerated beautification, alienation perspective, adding imagination and scattered layout; the decorative positions of embroidery pattern are centerpiece decoration, edge decoration and the change of decoration; Diversified technology of bedding embroidery patterns are decoration of the appearance accessories and analysis of the related factors and other decorations. Beautiful embroidery patterns and appropriate decorative techniques can not only play the role of sugar-coat textile bedding, but also enhance the aesthetic interest and artistic decoration design value.
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Li, Min, and Xiaoyan Zhang. "Research on the Application of Traditional Embroidery Technology in Modern Jewelry Creation." Journal of Arts and Humanities 6, no. 10 (October 23, 2017): 07. http://dx.doi.org/10.18533/journal.v6i10.1274.

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Tradition and modernity are the eternal topics of art, especially in the age of information.Efficient mechanical production methods to improve the traditional jewelry production process, which achieved the demand for mass production of jewelry.However, with the development of society and the progress of science and technology, many traditional arts and crafts are lost.From the traditional culture, this paper analyzes the work of embroidery jewelry by studying the traditional Chinese embroidery culture and technique, summarizes the traditional embroidery technology and modern jewelry design techniques combined approach to guide the creative practice.On the basis of studying the theoretical method of combining traditional embroidery technology with modern jewelry, this paper focuses on the application of traditional embroidery techniques in jewelry creation, inspire the potential of traditional craft, to provide reference for modern jewelry design rich Chinese characteristics and attract the attention of Chinese jewelry industry and inherit the traditional arts.
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Li, Yuhang. "Embroidering Guanyin: Constructions of the Divine through Hair." East Asian Science, Technology, and Medicine 36, no. 1 (August 13, 2012): 131–66. http://dx.doi.org/10.1163/26669323-03601005.

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Hair embroidery was a particular technique practiced by lay Buddhist women to create devotional images. The embroiderers used their own hair as threads and applied them on silk to stitch figures. This paper will analyze the religious connotation of hair embroidery, the ritual process and the techniques for making hair embroidery in the Ming (1368-1644) and Qing (1644-1911) dynasties. By tracing its appearance in both literary texts and actual surviving objects, this essay will ask how and in what circumstances human hair was applied to embroidery? What was the significance of transferring one’s own hair onto an icon? How did hair embroidery combine women’s bodies (their hair) with a womanly skill (embroidery) to make a unique gendered practice in late imperial China?
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Gil, Ignacio, Raul Fernández-García, and José Antonio Tornero. "Embroidery manufacturing techniques for textile dipole antenna applied to wireless body area network." Textile Research Journal 89, no. 8 (April 17, 2018): 1573–81. http://dx.doi.org/10.1177/0040517518770682.

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This paper addresses the design, simulation, manufacturing, and experimental test of textile dipole antennas based on advanced embroidery techniques. The proposed dipoles are intended to operate at the 2.45 GHz industrial scientific and medical radio band for wireless body area network applications. Two medium stitch density embroidery patterns have been studied, satin fill and contour fill, implemented according to the ISO 4915:1991 301 stitch type standard. The impact and viability of these embroidery techniques over the dipole performance in cotton and felt textile substrates are reported. Test results confirm notable antenna parameter results in terms of return loss, radiation pattern, realized gain, and efficiency. In particular, contour pattern has been revealed as the best embroidery manufacturing technique in terms of quality factor and losses, whereas the satin pattern fits the resonance frequency of the antenna with a higher degree of accuracy.
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Zhang, Yuwen. "Research on the Teaching and Learning of Traditional Gold and Silver Color Embroidery Technique for Out-of-school Education -- Taking the Design of Practical Activities of "Inheritance and Innovation of Gold and Silver Color Embroidery" as an Example." Journal of Educational Theory and Management 2, no. 2 (April 16, 2018): 55. http://dx.doi.org/10.26549/jetm.v2i2.730.

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Gold thread embroidery is a process in which gold and silver platinum paper are wound on a silk thread to form gold and silver threads, which are then discarded into various patterns or contour lines, and then colored lines are used to fasten the pattern lines on the base material. Gold thread mbroidery has a long history as a representative embroidery skill in traditional embroidery techniques. It has complex techniques and deep deposits. Due to the particularity of its materials and techniques, it is faced with many problems in its inheritance in the off-campus education. This paper discusses the problems of the traditional gold thread embroidery techniques for off-campus education, the innovation in the process of teaching, the design of practical activities, and their significance, so that traditional skills can promote the national spirit in the new concept and teaching of off-campus education, inheriting the human civilization, serving the social harmonious and cultural development, thus achieving the goal of education.
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Dissertations / Theses on the topic "Embroidery techniques"

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Gardner, Simon Paul. "The use of embroidery techniques in structural composites." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362892.

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Sun, Lushan. "Slow design in Chinese Su Xiu embroidery for apparel: applying silk, cotton, and wool flosses to silk and cotton fabrics with physical resist dyeing techniques using natural dye." Kansas State University, 2012. http://hdl.handle.net/2097/13704.

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Master of Science
Department of Apparel, Textiles, and Interior Design
Sherry J. Haar
This study was based on the concept of slow design, proposed after the slow food movement. The idea of slowing down production processes and increasing product quality and value suggests an antidote to the fast cycle of the fashion industry. Slow design supports two principals, inheriting tradition and maintaining eco-efficiency, which guided this project. Inheriting tradition is an expression that explores ways to sustain lost art and traditional heritage in our daily lives, as well as develop products that establish personal meaning for the consumer. Maintaining eco-efficiency of product production involves utilization of eco-friendly materials and sustainable approaches to aid in developing a healthier and cleaner ecosystem. The overall goal of this design research was to celebrate and sustain the spiritual and material civilization of the Chinese culture by creating a modern artistic interpretation of Chinese traditional arts using an environmentally conscious approach that was applicable to apparel design. This research created modern surface design on a group of garments from traditional Chinese Su Xiu embroidery, physical resist techniques, and natural dyes. This practice-based research utilized the paradigm of naturalistic inquiry to guide the stages of this project. A progressive design process was adopted in response to the unexpected events in the final artifact development. In the design exploration stage, a color library was created to provide the color story for the final artifacts. Basic Su Xiu embroidery stitches and traditional physical resist techniques were sampled with selected flosses and fabrics. Various samples were critiqued and analyzed to develop three unique techniques from characteristics of traditional Chinese Su Xiu embroidery, physical resist techniques (Zha Jiao, Feng Jiao, pole- wrapping, and Jia Xie), using natural dyeing techniques with woad and madder. Natural dye findings included using madder to overdye woad to adjust or reverse colors and that woad overpowered the effects of iron and acid premordants. The outcome resulted in a water-inspired series of three garments that showed evidence of simplified traditional techniques with reduced production time, energy, and dyeing material while encompassing elements of traditional art using a modern aesthetic. The designs and process were presented in a public exposition.
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Gomes, Márcia Cristina Sousa. "O bordado Madeira." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/17775.

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Dissertação de Mestrado em Design, com a especialização em Design de Moda apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.
A presente investigação surge da necessidade de preservar a técnica artesanal do Bordado Madeira, técnica esta que acompanha a história da Ilha da Madeira desde a sua povoação e que foi durante várias décadas uma das suas principais indústrias. Atualmente, a produção do Bordado Madeira depara-se com uma situação de crise, com várias fábricas a fechar as portas e com o número de bordadeiras a diminuir. O artesanato é representante da identidade, da sabedoria, da história e da cultura de um determinado povo, tornando-se assim um elemento fulcral para estudar e compreender a forma de viver e a evolução de determinada população. Considerando a sua importância na sociedade, é cada vez mais frequente a utilização do artesanato para diversos fins sociais e projetos interdisciplinares. Deste modo é relevante a preservação do Bordado Madeira. Composto por várias fases, este projeto investigativo inicia-se com uma síntese de informações sobre o Bordado Madeira (história, característica e indústria). Posteriormente, através de uma investigação ativa, aprofunda-se o tema em estudo de uma perspetiva interna, estando em contacto com várias pessoas da indústria e aprendendo pessoalmente as várias fases do processo de produção. Com o intuito de promover e preservar o Bordado Madeira, o processo investigativo resulta no desenvolvimento de uma cápsula de cinco camisas de mulher, cujos bordados representam a situação atual da indústria.
ABSTRACT: The present research arises from the need to preserve the artisanal technique of Madeira Embroidery, a technique that is part of the history of Madeira Island since its colonization and was one of its main industries for several decades. Currently, the production of Madeira Embroidery is facing a crisis, with several factories closing their doors and the number of embroiderers decreasing. Craftsmanship is representative of the identity, wisdom, history and culture of a particular nation, thus becoming a key element for studying and understanding the way of life and evolution of a particular community. Considering its importance in society, the use of crafts for various social purposes and interdisciplinary projects is becoming more frequent. In this way the preservation of Madeira Embroidery is relevant. Developed in several phases, this research project begins with information about the Madeira Embroidery (its history, characteristics and industry). Subsequently, through an active investigation, the Madeira Embroidery is studied in greater depth from an internal perspective, in direct contact with several people in the industry and learning personally the various phases of its production. With the aim of promoting and preserving the Madeira Embroidery, the investigative process results in the development of a capsule of five women’s embroidered shirts, each embroidery design representing an existing situation of the industry.
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Winther, Leslie. "Från Japan till Sundborn : En undersökning av Karin Larssons textilier." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-435083.

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The present essay explores artworks of Karin Larsson through the feminist theoretical field of studies. The following three textile works were in the centre of the study, Kärlekens ros, Duk med tecken and Sashiko-gardin. The connection between japonisme, Japanese inspired art, and Karin Larssons art works were studied. Through feminist theories by art historians such as Linda Nochlin and Griselda Pollock the experience of being a woman in the 1800s affected the works of Karin Larsson were discussed. It was found that Karin Larssons upbringing and education as a woman differs from the usual male art student, which affected her art works. The subjects of her art works were also often the result of personal experiences. Furthermore, a correlation between the art works and Japanese woodblocks and Japanese embroidery techniques were identified.
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Dyer, Mary Anne. "Threads of Time: Technique, Structure and Iconography in an Embroidered Mantle from Paracas." VCU Scholars Compass, 1996. http://scholarscompass.vcu.edu/etd/1501.

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This thesis analyzes the structure, technique and iconography of an embroidered burial mantle from Wari Kayan Necropolis on the Paracas Peninsula, Peru, which dates between approximately 100 B.C. and A.D. 100. The mantle is currently in the collection of the American Museum of Natural History in New York City (Accession no. 41.2/632), and will be referred to subsequently as the AMNH mantle. This study will consist of a structural analysis of the burial mantle, addressing the design of the textile and the iconography. In addition to examining the origin and iconography of the double-headed bird motif which appears throughout the mantle, this study analyzes technical and design considerations involved in the creation of the mantle, including style of embroidery, structure, and color repeats. Ethnographic studies of Andean cultures will also be considered in the analysis of the symbolic and ritual aspects of textiles, and how they relate to the symbolic function of the mantle in its burial context.
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LI, CHUN-I., and 李俊毅. "The Embroidership / Practical Research of Traditional Embroidery Techniques and Innovative Application of Hand-made Embroidery Crafts to Fashion." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/a5ypx6.

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碩士
實踐大學
服裝設計學系碩士班
106
The Fashion industry contains a wide range of fields, inclusive of design, pattern making, manufacturing, and marketing. Each of them is worth tons of in-depth researches to explore and extract its essences. This thesis basically probes into manufacturing field and especially focuses on subfields such as garment processing and craftsmanship, and how to apply both to fashion design. By integrating Taiwanese traditional embroidery arts and techniques with modern fashion design, the author aims to conserve cultural legacy and apply it to re-creation in order to enhance added value of fashion design. This thesis uses qualitative research methods. It is divided into three main stages: the heritage, the trial-and-error experiment, and the fashion design to plan theoretical verifications and executions. Firstly, the heritage illustrates the fact that the author was headed back to his hometown, Tainan, to sit at the feet of Yu Chung Lin, a master of embroidery arts who ran The Kuang-Tsai embroidery. Though practical training of embroidery skills, the author learned the essences of traditional embroidery arts and laid the foundations of his creations. Then, the trial-and-error experiment is about integrating traditional embroidery techniques with modern aesthetics to create serial embroidery works. Lastly, as the conclusion of previous two stages, the fashion design is based on The Three Concepts of Artistry: Image, Shape, and Color. The author adopts traditional patterns, insists practicing traditional moulding skills, and switches from colorfulness to monochrome to concretize his own imagination of modern embroidery. He put efforts in using his works as a medium to recreate embroidery arts of Taiwan temple and local craftsmanship in a fashionable light.
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Yen, Chiuan-Liang, and 顏銓良. "A Study in Applying the Cultural Images of Matsu Embroidery Techniques in Modern Fashion Design." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/05014657754033446002.

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碩士
樹德科技大學
應用設計研究所
102
This study is going to discuss the culture of Mazu belief and attempting to use the development in cultural and creative design to refine the essence of it. By researching the fundamental ideas of the culture deeply and digging the historic stories and meanings, the processes make the creative designs able to transfer the culture functionally and valuably. This study analyzed step by step; it deconstructed and organized from those images in Mazu belief. Through the extraction of the cultural elements, we reconstruct symbols and combine them with the indispensable embroidery techniques in Mazu culture. These complex designs which are used the cultural symbols into both embroidery and print techniques and I aim to apply the classic traditional images on the modern costume design.
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Marešová, Kateřina. "Techniky a symbolismus dekorování dvorských oděvů se zaměřením na ženské oděvy období Čoson." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-369945.

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This diploma thesis deals with techniques and history of traditional women's court clothes' decorating during the Choseon dynasty, and at the same time it deals with symbolism of motifs portrayed on these clothes with the use of these techniques. Simultaneously, it's aim is to analyze selected preserved garments of that time and illustrate the mentioned techniques and motifs on them.
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Chang, Chia-Kai, and 張家愷. "A Non Photorealistic Rendering Technique with The Chinese Embroidery Style." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/52833080118980594878.

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碩士
國立東華大學
資訊工程學系
91
We present a non photorealistic rendering method with the Chinese embroidery style. In our proposed method, every stitch is represented by a stitch pattern. We use a 3D object or a color image as our input, and figure out several rules of embroidery skills in our method. The input data may be preprocessed if the applied skill needed. This method uses a texture mapping skill to prevent the complex calculation of yarn presentation. As the experimental results shown, the proposed method has good visual effect.
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Books on the topic "Embroidery techniques"

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18th century embroidery techniques. Lewes [England]: Guild of Master Craftsman, 2012.

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Campbell-Harding, Valerie. Machine embroidery: Stitch techniques. London: Batsford, 1989.

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Barışta, Örcün. Techniques from Turkish embroidery. Ankara: Gazi University, Informal Vocational Education Faculty, 1997.

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Elder, Karen. Embroidery: Projects, techniques, motifs. London: Quadrille, 1995.

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Tryde, Sandeman Pia, and Country Living, eds. Embroidery: Projects, techniques, motifs. London: Quadrille, 1998.

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Tamura, Shuji. The techniques of Japanese embroidery. Iola, WI: Krause Publications, 1998.

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The techniques of Indian embroidery. Loveland, Colo., USA: Interweave Press, 1995.

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Brown, Pauline. The encyclopedia of embroidery techniques. London: Headline, 1994.

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Machine embroidery: Ideas and techniques. London: Batsford, 1992.

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The encyclopedia of embroidery techniques. East Roseville, N.S.W: Simon and Schuster, 1994.

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Book chapters on the topic "Embroidery techniques"

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Schade, Mirko. "Embroidered Semi-finished Products and Embroidery Techniques." In Textile Materials for Lightweight Constructions, 347–60. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-46341-3_10.

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Zeng, Lanjian. "Digital Protection and Development of Intangible Cultural Heritage Gan Embroidery Based on Digital Technology." In 2021 International Conference on Applications and Techniques in Cyber Intelligence, 803–11. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79200-8_120.

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Taylor, A. "Digital embroidery techniques for smart clothing." In Smart Clothes and Wearable Technology, 279–99. Elsevier, 2009. http://dx.doi.org/10.1533/9781845695668.3.279.

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"Material, Colour, Technique and Designs." In Embroidered Histories, 74–79. Wien: Böhlau Verlag, 2016. http://dx.doi.org/10.7767/9783205203605-009.

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Yaniv, Bracha. "Chapter Two Fabrics and Techniques." In Ceremonial Synagogue Textiles, translated by Yohai Goell, 41–84. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781906764180.003.0002.

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This chapter is devoted to the linen and silk fabrics used in the production of medieval ceremonial textiles, and the techniques employed to create the embroidered and woven patterns that embellished them. As we have already seen, the elegance of ceremonial textiles in antiquity is revealed in the use in early sources of the term ...
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Patrón, Lourdes Rejón. "Tastes, Colors, and Techniques in Embroidered Mayan Female Costumes." In Crafting Gender, 220–36. Duke University Press, 2003. http://dx.doi.org/10.1215/9780822384878-011.

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"Tastes, Colors, and Techniques in Embroidered Mayan Female Costumes." In Crafting Gender, 220–36. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822384878-013.

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PATRÓN, LOURDES REJÓN. "Tastes, Colors, and Techniques in Embroidered Mayan Female Costumes." In Crafting Gender, 220–36. Duke University Press, 2003. http://dx.doi.org/10.2307/j.ctv11314qf.15.

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"the novel, to the embroidered message in Ethiopian hieroglyphs which Persinna exposed with her daughter and which remained unread until Kalasiris tracked her down in Delphi and deciph­ ered it: Above all, be sure to find among the treasures that I laid beside you a certain ring. Keep it by you always. It was a gift that your father gave me during our courtship, engraved all around with the royal crest and set with a pantar be jewel that endows it with holy, mystic powers. (4.8.7) These holy, mystic powers are unspecified.9 Nevertheless, the mere mention of them would lead a competent reader to surmise that the plot would exploit them sooner or later, and an exceptionally alert reader might beat the author to the connection in Book 8. It is not difficult to find other sections within the narrative of the Aithiopika which are constructed as riddles, a vital piece of information being kept back and then released as an answer. Two more examples can be mentioned briefly, both from the ninth book, whose military subject matter could easily lead to the false assumption that its narrative technique is simple. Oroondates is besieged by the Ethiopians in Syene. He parleys with them, and secures their permission to send two envoys to his troops at Elephantine, ostensibly to negotiate their surrender at the same time as his. His real motives are not divulged, nor are they when he makes an apparently impossible break-out and stealthily enters Elephantine by night (9.7ff.). The riddle set is: what is his plan?, and, as is by now familiar, the reader’s ignorance is produced by the exploitation of partial in-text viewpoints. In this case all Oroondates’ actions are described as seen by the Ethiopians with­ out authorial explanation. Some additional clues are given later in the narrative, but the full answer is withheld until the moment when the Persian army from Elephantine suddenly turns up with Oroondates at its head (9.13), at which point the omniscient nar­ rator intervenes to fill in the gaps he had left in his own narrative. There ensues a battle, in which the Persians have a seemingly decisive weapon, their armoured cavalry. A lengthy description stresses the totality of the protection of both rider and horse and the awesome power of their arms (9.15). Against them Hydaspes stations troops of the Blemmyes and Seres, two subject nations, with special instructions which are not communicated to the." In Greek Literature in the Roman Period and in Late Antiquity, 325. Routledge, 2014. http://dx.doi.org/10.4324/9780203616895-40.

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Conference papers on the topic "Embroidery techniques"

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Lee, Yi-Chin, and Daniel Cardoso Llach. "Hybrid embroidery." In SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3386567.3388575.

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Wolz, Ursula, Michael Auschauer, and Andrea Mayr-Stalder. "Programming embroidery with turtlestitch." In SIGGRAPH '19: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3306306.3328002.

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Liu, Ying, Jared Wright, and Alexander Alvarado. "Making Beautiful Embroidery for “Frozen 2”." In SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3388767.3407360.

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Liu, Yulong, Lulu Xu, Yi Li, and Terry Tao Ye. "Textile Based Embroidery-Friendly RFID Antenna Design Techniques." In 2019 IEEE International Conference on RFID (RFID). IEEE, 2019. http://dx.doi.org/10.1109/rfid.2019.8719270.

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Chen, Yan. "Application research on computer modeling techniques in Miao embroidery." In 2013 International Conference on Sport Science and Computer Science. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/cccs130371.

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Whittow, William G. "3D printing, inkjet printing and embroidery techniques for wearable antennas." In 2016 10th European Conference on Antennas and Propagation (EuCAP). IEEE, 2016. http://dx.doi.org/10.1109/eucap.2016.7481266.

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