Journal articles on the topic 'Embroidery Study and teaching'
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Syafrina, Ira, and Weni Nelmira. "PENGEMBANGAN BAHAN AJAR PEMBUATAN SULAMAN TIMBUL PADA MATA KULIAH SULAMAN UNIVERSITAS NEGERI PADANG." Gorga : Jurnal Seni Rupa 8, no. 1 (July 2, 2019): 105. http://dx.doi.org/10.24114/gr.v8i1.12850.
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AbstrakPenelitian ini dilatar belakangi untuk mengatasi permasalahan mahasiswa dalam perkuliahan Sulaman pada materi membuat sulaman timbul, dimana masih terbatasnya referensi mengenai materi Membuat Sulaman Timbul. Tujuan dari penelitian ini untuk menghasilkan media pembelajaran berupa bahan ajar yang valid dan praktis. Penelitian ini merupakan penelitian Research and Development (R&D). Prosedur penelitian menggunakan model 4-D yang terdiri dari tahap pendefenisian (Define), tahap perancangan (Design), tahap pengembangan (Develop) dan tahap (Disseminate). Namun dalam penelitian ini desseminate tidak digunakan karena mengingat keterbatasan peneliti. Data diperoleh dari uji validitas, uji praktikalitas dosen pembina mata kuliah, uji praktikalitas kelompok kecil dan uji praktikalitas kelompok besar. Validator terdiri atas validasi media dan validasi materi yang berjumlah 4 orang. Berdasarkan hasil uji validitas bahan ajar Sulaman diperoleh skor rata-rata 4,35 dengan kategori sangat valid. Selanjutnya dari hasil uji praktikalitas diperoleh skor 85% dengan kategori sangat praktis. Maka dapat disimpulkan bahwa bahan ajar ini layak digunakan sebagai media pembelajaran sulaman timbul. Kata Kunci: bahan, ajar, sulaman, timbul.AbstractThis research aims to solve the problems of students lectures of embroidery on embroidered embroidery material. There are still limited references to the material of Making Embossed Embroideries. The purpose of this study is to produce learning media that contain valid and practical teaching materials. This research is a Research and Development (R & D) research. The research procedure uses a 4-D model consisting of defining (definition), per-design, development design, and development (dissemination). But in this study, it was not used as a consideration for research. Data were obtained from validity tests, practicality tests of lecturer advisors, small group practicality tests and large group practicality tests. The validator consists of media validation and material validation collected by 4 people. Based on the results of the validity test of Sulaman teaching materials obtained an average score of 4.35 with a very valid category. Furthermore, from the practicality test results obtained a score of 85% with a very practical category. It can be concluded that teaching materials are suitable to be used as embroidery learning media arise.Keywords: teaching, materials, embossed, embroideries.
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Brown, Christa P., Kalila R. Cook, Paul A. Beales, and Lorna Dougan. "SAWstitch: exploring self-avoiding walks through hand embroidery." Physics Education 57, no. 4 (May 12, 2022): 045029. http://dx.doi.org/10.1088/1361-6552/ac6929.
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Abstract A self-avoiding walk (SAW) is a sequence of moves on a grid that does not visit the same point more than once. SAWs are used to study how networks form, including social networks, biological networks and computer networks, and have provided inspiration to scientists, artists and designers. Here we describe a collaborative project which aims to deliver public engagement activities that embrace creative thinking to explore SAWs through the medium of hand embroidery. We introduce the physics of SAWs and then present an activity which uses materials from hand embroidery to explore these concepts. Specifically, the activity makes use of a Maker Kit which contains all the materials needed to create SAWs on an embroidery hoop. We evaluate the impact of the Maker Kits and reflect on the opportunities provided by a creativity-led engagement activity for physics teaching and research.
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Varyvonchyk, Anastasia. "Inheritance of traditions in the training of artistic embroidery." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 145–51. http://dx.doi.org/10.32461/2226-0285.1.2021.238610.
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The purpose of the study light the problem related to the tracking of the historical evolution of embroidery, creative activity of the people's masters (on the example of the popular master P. Vlasenko), and determine the development of educational and teaching activities in the direction of embroidery art. The problem of restoring real events of the historical and pedagogical process occurring in schools-workshops on Ukrainian lands is updated. The leading task arose the question of drawing attention to the names of the patients of the late XIX century of the twentieth century, which contributed to the development of professional pedagogy, but whose activities through prohibitions and persecution did not receive appropriate lighting and was comprehensively studied. To develop an urgent problem of historical Ukrainian self-identification, it is important to establish deliberately forgotten figures, restoring the stupid pages of history Methodology is based on the principles of historical and art historical analysis, methods of systematization of factual material, and typological analysis. To identify the personal contribution of masters in the development of art embroidery, a biographical method of historical, psychological, historical, and pedagogical knowledge was used. Scientific novelty. It is the disclosure of new facts and a solid analysis of the pictorial activities of patients, which were engaged in the development of decorative and applied arts. For the first time, a biographical study of the vital activity of the Master of People's Art of the Ukrainian SSR P. Vlasenko, clarified its contribution to the Ukrainian culture. Reflecting a picture of a person's life as a whole, the relationship between individual histories with the history of society is covered. Conclusions. Based on the results of the study and art historical generalization, we can draw conclusions that traditions and modernity are closely intertwined. Paying attention to the treasures of folk art, telling about the unique experience of the masters of the past, the ways of development of educational and teaching activities in the direction of embroidery art are determined. The transfer of art historical experience when teaching students the basics of composite constructions, recognizing the technological and technical execution of traditional ornamental embroidery, makes it possible to apply the surveyed skills in the future. By offering the current generation to receive knowledge in educational institutions and, accordingly, motivating them, pedagogical groups provide the opportunity to self-consciously revive and distribute the traditions of past generations, promoting Ukrainian art.
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Pikalova, Valentyna. "IMPLEMENTATION OF STEAM CONCEPT IN PREPARATION OF PRE-SERVICE MATHEMATICS TEACHERS." OPEN EDUCATIONAL E-ENVIRONMENT OF MODERN UNIVERSITY, no. 9 (2020): 95–103. http://dx.doi.org/10.28925/2414-0325.2020.9.8.
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The article considers the current problem of improving the education system, namely the application of the concept of STEAM as an innovative approach, which is today the subject of mass interest of both researchers and teachers-practitioners. Thanks to STEAM-education, teachers have the opportunity to develop students in several subject areas - computer science, physics, technology, engineering, art and mathematics. The necessity of introducing the concept of STEAM-education into the system of training pre-service teachers, which continues the implementation of STEM ideas, caused by the transition of society to the digital age, is substantiated. STEAM approaches in the educational process are considered. The experience of such developed countries as the USA, Finland, Australia, Great Britain, Israel, Korea, Singapore was analyzed and it was found out that they implement state programs in the field of STEAM education. In Finland, a LUMA center has been opened, in Spain teachers use STEAM-Makerspace to improve the knowledge of high school students in the field of geometry, in Australia the program STEAM Professionals in Schools has been implemented that brings together teachers with STEAM professionals to improve STEAM teaching practice and provide STEAM training at Australian schools. Possibilities of realization of three main ways of introduction of STEAM-education into the learning process, such as STEAM-project, STEAM-lesson, Maker-space are covered which can be effectively introduced into the educational process of higher education institutions. The implementation of the STEAM approach using the example of training pre-service mathematics teachers is considered. The author notes the important role of teachers who are ready to implement the ideas of STEAM-education in this process. The results of experimental work on the implementation of the concept of STEAM-education within the project activities of students using the example of the project "Ukrainian embroidery" are presented. The purpose and activity of students are revealed, the research tasks which they carried out are described. The result of the study was the development of a program that "embroiders", simulates the process of embroidery in different techniques, implementing different approaches to bypass the embroidery scheme. In addition, a set of tools was created in the GeoGebra package for research and design of various ornaments based on traditional elements of Ukrainian embroidery.
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Elfa, Egrina, and Irmawita Irmawita. "The Relationship Between Instructors' Teaching Skills and The Learning Outcomes of The Learning Community at PKBM Surya Padang." SPEKTRUM: Jurnal Pendidikan Luar Sekolah (PLS) 8, no. 4 (December 30, 2020): 483. http://dx.doi.org/10.24036/spektrumpls.v8i4.110102.
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The Relationship Between Instructors' Teaching Skills and the Learning Outcomes of the Learning Community at PKBM Surya, Padang City. Thesis. Faculty of Science Education. Padang State University. This research is motivated by the low learning outcomes of citizens learning to attend sewing training at PKBM Surya, Padang city. This is presumably because it has something to do with the teaching skills of PKBM instructor Surya, Padang city. This study aims to describe the teaching skills of instructors, learning outcomes of learning citizens in the learning environment, and the relationship between instructor teaching skills and sewing learning outcomes of learning residents at PKBM Surya Kota Padang.This type of research is quantitative research that is descriptive correlational. The population of the study were all 20 learning citizens who attended sewing training at PKBM Sury Padang city and respondents, namely all residents learning embroidery training, with the sampling technique used was a quota sampling. The data collection technique is in the form of a questionnaire with the data collection tool in the form of a questionnaire. The data analysis technique in this study used the percentage formula and Spearman rho correlation.The results of this study show that the teaching skills of the instructor are not good, the learning outcomes of learning citizens to sew are low, and there is a significant relationship between the teaching skills of the instructors and the learning outcomes of learning citizens in PKBM Surya Padang city, this is evidenced by the results of the calculation of the correlation using the Spearman rho formula. which is indicates that rcount (0.619) is greater than rtable at both the 5% confidence level (0.450) and the 1% confidence level (0.591). It is suggested that the PKBM Surya institution provide a conducive learning environment so that participants are motivated to attend embroidery training.Keywords: instructor teaching skills, citizen learning outcomes
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Suzuki, Jeff. "Sound Off!:Teaching for the Twenty-Second Century: Whither (or Wither) Mathematics?" Mathematics Teacher 95, no. 4 (April 2002): 244–45. http://dx.doi.org/10.5951/mt.95.4.0244.
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If we do not begin teaching mathematics, then in a very few years, mathematics will cease to exist as an academic subject. Whether the mathematics is “reform” or “traditional,” whether it uses the latest technology or none at all, calculus and algebra will join embroidery and woodworking as pursuits of hobbyists, as topics not fit for serious study, and certainly as subjects unworthy of a place in the halls of education. The rest of the existing mathematics curriculum will soon follow.
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Merta sari, Ni komang lina, Ni Ketut Widiratini, and Made Diah Anggendari. "Pengembangan Bahan Ajar Embroidery Berbasis Merdeka Belajar Kampus Merdeka." Jurnal BOSAPARIS: Pendidikan Kesejahteraan Keluarga 13, no. 1 (March 30, 2022): 28–36. http://dx.doi.org/10.23887/jppkk.v13i1.43939.
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PeneIitian ini bertujuan untuk (1) mengetahui Iangkah–Iangkah pengembangan moduI Embroidery, (2) mengetahui keIayakan pengembangan moduI mata kuIiah Embroidery berbasis merdeka beIajar kampus merdeka diIihat dari keIayakan ahIi media dan ahIi materi. ModeI pengembangan yang akan digunakan daIam peneIitian ini yaitu modeI ADDIE. Subyek daIam peneIitian ini untuk uji coba terbatas adaIah mahasiswa Universitas Pendidikan Ganesha Konsentrasi Tata Busana yang sudah pernah mengambiI mata kuIiah Embroidery. Metode yang digunakan daIam peneIitian ini adaIah metode observasi, wawancara, dan angket. Instrumen yang digunakan daIam peneIitian ini adaIah Iembar evaIuasi berupa angket atau kuesioner. Angket ini akan diberikan kepada ahIi materi, ahIi media dan juga dosen pengampu mata kuIiah Embroidery. Teknik yang dipakai untuk peneIitian ini adaIah teknik anaIisis deskriptif dan kuantitatif. HasiI uji vaIidasi ahIi media mendapat prentase rerata 91% kemudian hasiI uji vaIidasi ahIi materi mendapat presentase rerata 96,9% sehingga moduI dikatakan Iayak dan tidak perIu direvisi. HasiI presentase rerata tanggapan subyek sasaran yaitu 88,45% sehingga moduI dikatakan sangat baik tanpa revisi. Kata kunci: bahan ajar, embroidery, merdeka beIajar kampus merdeka, modeI ADDIE.This study aims to develop teaching materials based on Independent Embroidery Learning Merdeka Campus. The development model that will be used in this research is the ADDIE model. The subjects in this study for a limited trial were students of the Ganesha University of Education, Concentration of Clothing, who had already taken Embroidery courses. The method used in this research is the method of observation, interviews, and questionnaires. The instrument used in this study was an evaluation sheet in the form of a questionnaire or questionnaire. This questionnaire will be given to material experts, media experts and also lecturers in charge of the Embroidery course. The technique used for this research is descriptive and quantitative analysis techniques. The results of the media expert validation test got an average percentage of 91% then the material expert validation test results got an average percentage of 96.9% so that the module was said to be feasible and did not need to be revised. The result of the average percentage response of the target subject is 88.455% so that the module is said to be very good without revision. Keywords: embroidery, teaching materials, independent learning independent campus, ADDIE model. DAFTAR PUSTAKAArsyad, Azhar. 2014. Media Pembelajaran. Jakarta: CV RajawaliAstuti, S. T. 2019. Pengembangan Modul Bordir Menggunakan Model Dick And Carey Untuk Peserta Didik Kelas Xi Tata Busana Smk Al Mujtama Pamekasan. http://journal.ipts.ac.id/index.php/ED/article/view/1033. Diakses Pada Tanggal (22/10/2021) Dewi, N. N. D. T. 2017. Pengembangan Kebaya Longtorso Dengan Teknik Bordir. https://scholar.google.co.id/scholar?start=10&q=jurnal+bosaparis+&hl=id&as_sdt=0,5. Diakses Pada Tanggal ( 03/10/2021)Fathan, Robby. 2020. Hardiknas 2020 Merdeka Belajar Di Tengah Covid-19. Http://Jurnalposmedia.Com/Hardiknas-2020-Merdeka-Belajar-Ditengah-Covid-19.Diakses Pada Tanggal(16/07/2021Fokusindo, Mandiri. 201). Undang- undang SISDIKNAS (Sistem Pendidikan Nasional) Edisi Terbaru 2012. BandungPrabowo. 2016. Pengembangan Modul Pembelajaran Inkuiri Berbasis Laboraturium Virtual. http:/jurnal.um.ac.id/index. Php /jptpp/articel/view/6422. Diakses Pada Tanggal (22/10/2021)Prastowo, A. 2014. Panduan Kreatif Membuat Bahan Ajar Inovatif. Diva Press.Pratiwi, M. E. D. 2018. Pengembangan Modul Sulam Pita Dan Variasinya Pada Mata Pelajaran Menghias Busana.Terdapat Pada Laman tps://scholar.google.co.id/scholar?hl=id&as_sdt=0%2C5&q=jurnal+pengembangan+modul+Embroidery&btnG=. Diakses Pada Tanggal (04/10/2021)Purwanto. 2007. Pengembangan Modul. Pendidikan PUSTEKKOM Depdiknas.Sudirtha, I. G., Widiartini, N. K., & Anggendari, M. D. 2021. Development of 21stcentury skill learning designs through the application of the concept of independent learning in the vocational field. Journal of Physics: Conference Series, 1810(1). https://doi.org/10.1088/1742-6596/1810/1/012062Sugiyono. 2014. Metode Penelitian Pendidikan (Pendekatan Kuantitatif, Kualitatif, dan R&D) Cetakan Ke-6. Alfabeta.Sukmadinata, N. S. 2013. Metode Penelitian Pendidikan. PT Remaja Rosdakarya.Syafrina, I. 2019. Pengembangan Bahan Ajar Pembuatan Sulaman Timbul Pada Mata Kuliah Sulaman Universitas Negeri Padang. Gorga Jurnal Seni Rupa. https://jurnal.unimed.ac.id/2012/index.php/gorga/article/viewFile/12850/10967Syukir, Bayumie AP., SE., M. S. 2020. Menakar Konsep Merdeka Belajar. Https://Intens.News/Menakar-Konsep-Merdeka-Belajar. Diakses Pada Tanggal (16/07/2021Warsita, Bambang. 2011. Pendidikan Jarak Jauh. PT Remaja Rosda karya.
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Wijayati, Erny, Rufi’i Rufi’i, and Djoko Adi Waluyo. "Development of Teaching Materials Making Arts Decoration Changes in Batik Brake using Burci Embroidery Techniques Class XII Vocational School." Jurnal Inspirasi Pendidikan 10, no. 2 (November 23, 2020): 153–61. http://dx.doi.org/10.21067/jip.v10i2.4646.
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Penelitian ini bertujuan untuk mengembangkan modul pembuatan hiasan seni merubah corak batik dengan teknik sulaman burci pada SMK kelas XII Tata Busana. Metode pengembangannya menggunakan model Dick and Carey. Jenis penelitian ini adalah research and development.data berasal dari hasil 3 validator yaitu ahli desain, validasi ahli isi/ materi dan validasi teman sejawat/ guru bidang studi serta hasil uji coba kelompok besar sebanyak 26 siswa. Teknik pengumpulan data berupa angket. Teknik sampling menggunakan teknik sampling purposive. Teknik analisis yang digunakan untuk mengolah data yang diperoleh melalui lembar evaluasi dalam bentuk deskriptif dan mengukur kevalidan menggunakan rumus yang telah ditentukan. Hasil validasi ahli isi sebesar 85%, ahli desain sebesar 88%, teman sejawat atau bidang studi sebesar 89,4% dan hasil uji coba pada siswa kelompok besar kevalidannya sebesar 96,6%. Dari data dan analisis yang dilakukan dapat disimpulkan bahwa modul pembuatan hiasan sulaman burci pada batik dapat dijadikan sebagai bahan ajar SMK Kelas XII Tata Busana, dengan pencapaian kategori sangat valid dan layak digunakan dalam pembelajaran.
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Kvellestad, Randi Veiteberg, and Gunhild Vatn. "The three-headed lecturer." Techne serien - Forskning i slöjdpedagogik och slöjdvetenskap 29, no. 2 (September 7, 2022): 58–74. http://dx.doi.org/10.7577/technea.4378.
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This article discusses education in clay and embroidery and reflects on exercises used for these activities in the Teacher Training Programme in Design, Art, and Crafts at Oslo Metropolitan University, Norway. In the study, the students participated in a practice-based qualitative research project, during which they collaborated in material-based activities. Collaboration and productivity were important for the students’ learning outcomes. They worked with personal and unique artistic expressions. By using co-activity methods, their learning outcomes became enriched. This article includes the students’ reflections on the education and their experiences with co-activity in the practical work. In general, personal qualities, such as participant patience, manual skills, creativity, and artistic abilities, were stimulated through practical teaching and guidance. Furthermore, the discussion between the students, and with the lecturer, became significant for the results of the assignment. Adapting practical teaching is a challenge in academia. Limited time for training and large student groups influence and limit the academic level of learning attained. As lecturers, we experience these challenges. To uncover the lecturers’ distinct roles in progression and interaction in an education context, we use the a/r/tography methodology; artist, researcher, teacher, not only to reflect on and examine the three separate roles but also to understand the connection between these roles and the benefits of combining them.
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Shcherban, A. L. "DIGTYARI WEAVING PROFESSIONAL SCHOOL IN 1926-1929." Sums'ka Starovyna (Ancient Sumy Land), no. 56 (2020): 5–20. http://dx.doi.org/10.21272/starovyna.2020.56.1.
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For the first time, the activity of the weaving vocational school in the village Digtyari (modern Chernihiv region) is analyzed. It was the leading educational institution of the middle level of vocational education of the Ukrainian SSR in the second half of the 1920s, in which the creators of traditional textiles studied. The students learned the skills of making carpets, embroidered shirts, and kerchiefs. On the basis of archival sources, the histories, educational process, composition of the teaching and student groups of the school during 1926-1929 are covered. Established in the fall of 1926, the institution was to train qualified master practitioners for the factory and handicraft arts industry, who had formed an artistic taste. The teaching staff initially consisted of local general education teachers and visiting instructors and teachers of special subjects (O. Reisfeld and M. Dyachenko). The institution was headed by uneducated communists Yu. Kozelev and S. Lutayenko. The students of the first set were mostly non-locals, orphans. But the second set already consisted mostly of children of local peasants and artisans. The school had a significant material base, which remained from the textile educational institutions that operated in Digtyary during the first quarter of the twentieth century. The main rooms were located on the right-wing of the main building of the palace complex of the Galagan estate. As a result of the study of the materials of the minutes of the meetings of the school council, the conflict situations that constantly arose between the managers and their supporters and visiting specialists and led to the departure of the latter from Digtyary were analyzed. The initial stage of the existence of the Digtyari weaving professional school, problems in relations between staff, and the originality of the contingent of the first set of students influenced the quality of their training. As it is clear from the available sources, during the first and the beginning of the second school year students worked both theoretically and practically, but due to lack of raw materials they could not produce a significant amount of full-fledged products. The school’s workshop worked on “factory” and, in part, “peasant” raw materials. At the end of the second year of study, students were already making work suitable for sale. The school operated in two directions. The visiting instructor, an experienced artist M. Dyachenko brought a new vision of teaching graphic literacy into the educational process. Weaving and embroidery instructors who either graduated from the textile schools previously existing in Digtyary (A. Reisfeld, V. Nikolskaya) or worked there for a long time (G. Tsybuleva) broadcast local traditions. During the years under study, about 100 students studying at the institution, and one graduation took place. Troubles in the personal relationship between teachers and school management and insufficient funding have affected the quality of education. But even in such conditions, students not only mastered special and general education subjects but also participated in exhibitions, made marketable products, engaged in research work. Curricula developed by M. Dyachenko and O. Reisfeld became a model for other craft educational institutions. And the textbook was written by O. Reisfeld - the first Ukrainian-language textbook on the technology of folk weaving. Keywords: Digtyari weaving professional school, Mykhaylo Dyachenko, Pryluky region.
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Kostenko, Larysa. "UPDATING THE EXPERIENCE OF THE ORGANIZATION OF OUT-OF-SCHOOL EDUCATION IN UKRAINE (1952–1991) AND ITS IMPLEMENTATION IN MODERN CONDITIONS." Academic Notes Series Pedagogical Science 1, no. 192 (March 2021): 84–88. http://dx.doi.org/10.36550/2415-7988-2021-1-192-84-88.
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The publication actualizes the experience of organizing out-of-school education in Ukraine in the Soviet period (1952–1991) and indicates the ways of its use in modern conditions. The author singles out progressive ideas of the experience in the organization of out-of-school education in Ukraine in the period under study, which deserve consideration in the context of their implementation in out-of-school education in modern conditions: development of regulatory framework (it is stressed that now we observe inconsistency between regulatory and legislative framework concerning budgetary financing of out-of-school educational institutions and payment of teachers, scientific staff, specialists of other qualifications working there); creation of an extensive infrastructure of out-of-school educational institutions (it is proposed to pay attention to the resumption of carpentry, turning, wickerwork for boys; cooking, embroidery, knitting, tailoring for girls when forming a network of out-of-school educational institutions); state financial support; establishing relations of out-of-school educational institutions with state, private and public organizations (it is noted that now every leader and teaching staff faces the problem of determining the mechanism of establishing partnership interaction of out-of-school educational institutions with public authorities, local governments, public organization ); forming leisure culture in students (it is emphasized that further development requires a network of various out-of-school institutions that create the necessary conditions for comprehensive harmonious development of teenagers, develop new forms and methods of out-of-school activities in the field of leisure, as well as ways of involving teenagers in various leisure activities both at school and in out-of-school clubs and creative centers); regulation and improvement of the system of professional training, retraining and advanced training of specialists in the system of out-of-school education; physical infrastructure support of out-of-school educational institutions (it is noted that physical infrastructure support should include all the necessary equipment, facilities and inventory for various forms of organization of out-of-school education (group, club, section, etc.).
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Zhang, Yuwen. "Research on the Teaching and Learning of Traditional Gold and Silver Color Embroidery Technique for Out-of-school Education -- Taking the Design of Practical Activities of "Inheritance and Innovation of Gold and Silver Color Embroidery" as an Example." Journal of Educational Theory and Management 2, no. 2 (April 16, 2018): 55. http://dx.doi.org/10.26549/jetm.v2i2.730.
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Gold thread embroidery is a process in which gold and silver platinum paper are wound on a silk thread to form gold and silver threads, which are then discarded into various patterns or contour lines, and then colored lines are used to fasten the pattern lines on the base material. Gold thread mbroidery has a long history as a representative embroidery skill in traditional embroidery techniques. It has complex techniques and deep deposits. Due to the particularity of its materials and techniques, it is faced with many problems in its inheritance in the off-campus education. This paper discusses the problems of the traditional gold thread embroidery techniques for off-campus education, the innovation in the process of teaching, the design of practical activities, and their significance, so that traditional skills can promote the national spirit in the new concept and teaching of off-campus education, inheriting the human civilization, serving the social harmonious and cultural development, thus achieving the goal of education.
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Tyagi, Ruchi. "Meerut Embroidery Cluster: A Case Study." South Asian Journal of Business and Management Cases 1, no. 2 (December 2012): 185–202. http://dx.doi.org/10.1177/2277977912459445.
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This study tries to integrate marketing, backward–forward linkages and agency support to handicraft cluster in Meerut. The cluster has a large artisan base and opportunities of large domestic market and export potential. However, it lacks transportation facility, an organized infrastructure, networking, production line approach and designer input. There is a need for technological upgradation. The case throws light on the development of embroidery, presenting a broad view of Indian embroidery history with its diversity and the turning point in embroidery with the advent of new technology. The case takes up for study Meerut embroidery cluster with objectives of identification of areas of intervention for inclusive growth by integrating marketing with product development and designing.
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Peng, Zeyang, Kehui Deng, Yilin Wei, and Ziqi Wang. "Study on the Factors Affecting the Embroidery Pattern Style of Miao in Leishan." Asian Social Science 17, no. 12 (November 29, 2021): 81. http://dx.doi.org/10.5539/ass.v17n12p81.
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In response to the factor that affects the evolution of Leishan Miao embroidery style, this paper, based on field inspections and consulting related county chronicles, characterizes its style from two aspects: pattern composition and content, and tries to characterize its style from the perspectives of craftsmanship and the social role of embroidery women. By reviewing the angles of change, and analyzing the reasons for the evolution of embroidery styles, this research has found that the style of Miao embroidery can be summarized as the proper use of continuous and separate patterns, as well as the fusion of reality and illusion in the subject matter. The study holds that the comprehensive application of stitching is the technical guarantee for the evolution of styles. At the same time, the transformation of embroidery women's social roles from “women weavers” to “women farmers” and then to “businesswomen” is the potential motivation for the evolution of embroidery styles.
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Arora, Rohini. "EMBROIDERED CHOLIES OF PAHARI REGION: A TECHNICAL STUDY." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (February 8, 2022): 41–61. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.68.
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Pahari embroidery was practised in different parts in undivided Punjab and Himachal Pradesh. The surface ornamentation of these articles with respect to design, raw material and technique were beautifully adapted according to their utility. The popular product in embroidery is Chamba rumals locally known as dhaknu or chabbu. In addition, equally fascinating embroidery was seen on household products which were meant for personal use and decoration in single sided stitches. The most startling are cholies from Himachal Pradesh in terms of their construction and designs. The cholies from given museums were studied namely Bhuri Singh Museum, Chamba; Government Museum and Art Gallery, Chandigarh National Museum, New Delhi and personal collection. Evidently they are characterized by selective treatment given to them in terms of construction, materials, stitches, adaptation of designs and motifs. Apart from embroidery miniature paintings also indicated the relevance of traditional costumes in socio cultural traditions. Interestingly two different kinds are observed in cholies according to their construction. Likewise on basis of designs and motifs two different styles in embroidery are seen i.e. free hand curved designs and geometrical designs. The documentation of these designs is done by redrawing the traditional motifs with help of miniature artist Shri Prixit Sharma, Chamba. The stitches are also classified as filling, outline and finishing used in single sided embroidery. Conspicuously these minute variations lend special features to choli blouses and distinguish them from other form of embroideries from the pahari region.
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Kim, Youn-mi. "A Comprehensive Study of the Lost Buddha Statues at Pogwangjŏn, the Main Hall of Hoeamsa." Korean Journal of Art History 311 (September 30, 2021): 115–50. http://dx.doi.org/10.31065/kjah.311.202109.004.
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The main Buddha hall of Hoeamsa 檜巖寺, the monastery that received heavy royal patronages from the late Koryŏ to the early Chosŏn period, was a building known as Pogwangjŏn 普光殿 built in the 14th century. Unfortunately, little is known about the Buddhist statues that had been enshrined in Pogwangjŏn because the monastery fell into ruins two centuries later. Based on comprehensive analyses of historical records and archaeological excavations of the monastery site, this paper attempts to infer the iconography, size, shape, number, and religious meanings of these lost Buddhist statues. The Records of the Restoration of Hoeamsa on Mount Ch’ŏnbo (Ch’ŏnbosan hoeamsa sujogi 天寶山檜巖寺修造記) and archaeological remains suggest that three Buddha status as tall as fifteen ch’ŏk 尺, which would be 4.39-4.6m in modern measurement were enshrined in the monastery’s main hall. Based on the teaching and life of the monk Naong Hyegŭn 懶翁惠勤 (1320-1376) who built the hall and the iconography of embroidered Buddhist hanging scrolls donated by the Queen Wŏn’gŏyng 元敬 (1365-1420), we can infer that these three statues comprised either Amitābha-Śākyamuni-Bhaiṣajyaguru Buddhas, or Amitābha-Vairocana-Bhaiṣajyaguru Buddhas, perhaps the latter in higher chances. These threes Buddhas, as this paper suggests, were designed to embody the trikāya 三身 and the triratna 三寶 along the north-south and the east-west axes of the monastery layout.
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Plechko, Antonina, and Olena Denysevych. "BELIEFS ABOUT MIDDLE POLISSYA EMBROIDERY." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 13(81) (May 26, 2022): 316–20. http://dx.doi.org/10.25264/2519-2558-2022-13(81)-316-320.
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The article deals with the specifics of the current state of existence of Central Polish beliefs about embroidery. Using the example of dialect texts collected by Field Research, the authors consider the symbolism of ornaments of Central Polish embroidery: plant, animal and geometric symbols; methods and objects of embroidery. To achieve this goal, analyze and summarize the materials of modern research on embroidery; to carry out a semantic analysis of ideas about folk embroidery in the traditional culture of Middle Polessya, the following tasks were set: to carry out a systematic description of the nomination of cultural texts related to folk embroidery, recorded in the middle Polissya dialect; to single out the material of the thematic group under study, to identify the main lexical and semantic groups; to determine the main motives that form the cultural texts of Middle Polissya beliefs about embroidery. The characteristic motifs of Central Polissya embroidery are determined: the motif of worship of the four elements, the motif of worship of plants, the motif of worship of animals, in particular birds. The material of the studied thematic group of vocabulary of Middle Polissya vyshyvka is classified, the main lexical and semantic groups (LSG) are identified: LSG names of persons engaged in embroidery; LSG names of attribute features of embroidery; LSG names of symbols of embroidery ornaments; LSG names of embroidery methods; LSG names of embroidery objects; LSG names of ritual actions related to embroidery and the like. The most extensive are three LSGs: within the LSG names of attribute features of embroidery, smaller subgroups of nomenclatures are distinguished: lexical-semantic MicroGroup (LSMG) names of colors of threads for embroidery, LSMG names of qualitative characteristics of embroidery; in LSG names of symbols of embroidery ornaments, there are also subgroups: LSMG names of plant symbols of embroidery, LSMG names of animal symbols of embroidery, LSMG names of geometric symbols of embroidery, etc. LSG names of ritual actions related to embroidery has a system of subgroups: LSG names of the embroidery process, LSG names of prohibitions related to embroidery.
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Yang, SuJeang. "The Relationship and Development of Joseon Embroidery and Lu-Embroidery of Shandon : Focusing on Embroidered Dwelling by a Mountain Stream at the National Museum of Korea." Korean Journal of Art History 315 (September 30, 2022): 75–117. http://dx.doi.org/10.31065/kjah.315.202209.003.
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This study aims to fill the gaps in the history of Korean embroidery by examining Luembroidery of Shandong, an area closely related to the Korean peninsula in history, geography, culture, and custom. Unlike Gu-embroidery of Jiangnan that gained renown in the late Ming dynasty, Lu-embroidery’s relations to Korea could be found from the ancient times, through medieval Yuan to the Qing period, and therefore has significance as historical documents. Needlework in Lu-embroidery style, made or brought to Korea in the late Joseon period represent the literary preferences of the ruling class at the time and also hold diverse information on localized embroidery in Joseon, including Ahn Joo-embroidery, closely associated with Shandong.</br>Kkonsa existed since the ancient times, but was eclipsed in popularity by p’unsa, used in painted embroidery in medieval period in East Asia. It regained dominance again during the Yuan dynasty. In the late Yuan period, Lu-embroidery reached another golden age as Shandong Lu-embroidery employed kkonsa, a type of twisted embroidery thread rather than p’unsa, a type of silk thread, and as new techniques of more diversity and refinedness were developed. Shandong Lu-embroidery is also called uiseonsu, meaning embroidery for clothes, as kkonsa was widely used as being suitable for more sturdy costumes. In Nopakchiplam, it is recorded that new types of embroidery threads were used in Joseon as well. Conclusively, this study compared the Lu embroidery style works at the National Museum of Korea and the works of Ming-Qing period, and examined how kkonsa were used in Joseon. The iconography and style of embroidered Lotus Pond and Waterfowl and narrative figure paintings, and the use of Joseon royal style two-strands Jeonggumsa, royal embroidery, folk embroidery and Ahn Joo-embroidery were all considered for more comprehensive understanding.
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Klimina, N. V. "Programming to create machine embroidery design." Informatics in school, no. 4 (November 11, 2022): 74–80. http://dx.doi.org/10.32517/2221-1993-2022-21-4-74-80.
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The article describes the possibilities and pedagogical potential of the TurtleStitch cloud platform for introducing schoolchildren to the use of programming to create a machine embroidery design. Algorithms for several embroidery designs are given. The materials presented on the Internet about working in TurtleStitch are exclusively in foreign languages, so the content of this article will be useful for teachers teaching extracurricular activities at school, teachers of technology and informatics for an initial acquaintance with this platform. The information presented in the article can form the basis of developmental programming classes in the TurtleStitch environment from grades 2 to 11. Acquaintance of schoolchildren with the programmatic method of creating a machine embroidery design based on this article will help students expand their understanding of the areas of application of programming, develop their skills in the practical application of programming, and the ability to use information technology to solve creative problems.
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Sari, Anggun Kurnia, Wirdatul Aini, and Jalius Jalius. "Hubungan antara Internal Locus of Control dengan Minat Berwirausaha Alumni Pelatihan Bordir di LKP Muslimah Group." KOLOKIUM: Jurnal Pendidikan Luar Sekolah 6, no. 1 (April 30, 2018): 39–53. http://dx.doi.org/10.24036/kolokium-pls.v6i1.5.
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This research is motivated by the low interest of entrepreneurship of alumni of embroidery training at Lembaga Kursus Pelatihan (LKP) Muslimah Group of Solok City. This is allegedly due to lack of internal locus of control of embroidery alumni training. The purpose of this study is to describe (1) internal locus of control of embroidery alumni training, (2) interest in entrepreneurship of embroidery training alumni, and (3) relationship between internal locus of control with interest in entrepreneurship of embroidery training alumni. This type of research is correlational quantitative research. The population in this study amounted to 60 people and a sample of 30 people. The sampling technique uses cluster random sampling. Data collection techniques in this study in the form of questionnaires, while data collection tools using questionnaires. Data analysis techniques using the formula percentage and product moment. The result of research shows that: (1) Locus of internal control of embroidery alumni is still low, (2) Interest in entrepreneurship of alumni of low embroidery training, and (3) There is a significant relationship between internal locus of control with entrepreneurship interest alumni embroidery training in LKP Muslimah Solok City Group.
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Polyakova, L. M. "Folk embroidery lessons." Ethnography of Altai and Adjacent Territories 10 (2020): 376–80. http://dx.doi.org/10.37386/2687-0592-2020-10-376-380.
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The article describes the author's practical experience in studying the basics of Russian folk embroidery, mastering the skill of embroidery on the best examples of traditional folk art from the country's museum collections, popularizing knowledge about arts and crafts creativity and spiritual traditions of the Russian people. Particular attention is paid to the role of mentors in the study of folk art.
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Wang, Tianyu, Xueliang Xiao, Ao Wang, and Yun Jiang. "Durability Study of Embroidery Electrode Made of Stainless Steel Blended Yarn." Electronics 11, no. 20 (October 11, 2022): 3266. http://dx.doi.org/10.3390/electronics11203266.
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“Tatami” is the most commonly used needle type in computer embroidery. Its uniform yarn, contact point and gap arrangement can greatly reduce the resistance of fabric electrodes (0.65 MΩ–4.9 MΩ) and the impedance between electrodes and human skin (2.455 MΩ), which can meet the requirements of intelligent wearable devices for long-time electrocardiogram monitoring. In this work, properties of a fabric electrode were tested. Its air permeability and wear resistance are good, although human sweat will lead to different degrees of resistance of stainless steel embroidery electrode. It will not change its performance too much. Generally speaking, the wearing performance and ECG (electrocardiogram) monitoring performance of the stainless steel embroidery electrode are stable.
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Zhong, Guilin, and Na Qi. "Research on Experience Design of Shu Embroidery Techniques Based on Virtual Reality (VR) Technology." Journal of Human, Earth, and Future 1, no. 4 (December 1, 2020): 167–74. http://dx.doi.org/10.28991/hef-2020-01-04-01.
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With the continuous development of digitization, the public's understanding of traditional Shu embroidery techniques is increasingly ignored. Through the combination of VR technology and Shu embroidery techniques, it needs to be deeply excavated and inherited. Based on the inheritance and development of Shu embroidery, literature research, user research and case study are used to collect and sort out the current situation of Shu embroidery and its digital inheritance. Around the semiotic characteristics and process flow of Shu embroidery techniques, the interface design and human-computer interaction experience are studied, and the Shu embroidery skill experience area and game interactive experience area are mainly designed. Conclusion the innovative inheritance method of Shu embroidery is developed from the transformation of intangible cultural heritage modernization, and VR advanced science and technology is used to provide reference for the design and research of digital protection platform of Shu embroidery. It is expected that Shu embroidery will inherit well following the development of the times, and then carry forward the traditional technology to the world. Doi: 10.28991/HEF-2020-01-04-01 Full Text: PDF
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Zhang, Lekai, Ming Li, Lingyan Zhang, Xiaojian Liu, Zhichuan Tang, and Yingfan Wang. "MasterSu: The Sustainable Development of Su Embroidery Based on Digital Technology." Sustainability 14, no. 12 (June 9, 2022): 7094. http://dx.doi.org/10.3390/su14127094.
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Su embroidery, as an intangible cultural heritage of China, is a treasure accumulated by human civilization, but it has been gradually fading from people’s view in recent years. To handle the problems of slow creative output, high learning difficulty, and low production efficiency, and to promote the sustainable development of Su embroidery, this study builds an automatic generation system of Su embroidery called MasterSu, based on the CorelDraw platform. The system can automate the generation of embroidery sketches through area texture filling and color recognition, which allows users to participate in the design process. Finally, the performance and usefulness of the system are verified through user experiments, and it is confirmed that the system can facilitate novice users to understand the embroidery culture, learn the embroidery techniques, and create their embroidery works through the system.
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Lagalo, Anggraeni M. S., and Nur Fadhlya Usu. "Perception of Foreign Tourists to Karawo Embroidery Handicrafts in Gorontalo Tourist Destinations." Journal of Asian Multicultural Research for Economy and Management Study 1, no. 1 (August 14, 2020): 33–42. http://dx.doi.org/10.47616/jamrems.v1i1.142.
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The purpose of this study was focused on knowing the perceptions of tourists, both foreign tourists, about the craft of Karawo embroidery in Gorontalo Tourism Destinations. This research method using a quantitative approach itself is carried out using a questionnaire given to the public and tourists who visit the Karawo embroidery craft center. The sampling technique in this study used a non-probability or non-random sample selection technique. The results showed that the quantitative approach itself was carried out using a questionnaire given to the public and tourists who visited the Karawo embroidery craft center. The sampling technique in this study used a non-probability or non-random sample selection technique. The results of this study indicate that the Karawo embroidery craft has the potential to be developed as a tourist attraction in Gorontalo Province. Analysis of the attractiveness and perceptions of tourists who visit the Karawo embroidery craft center as well as the local community provide direction on the development of tourist attractions that are related to cultural aspects. The perception of foreign tourists in general gives a positive value to Karawo embroidery and argues that Karawo embroidery is unique from the manufacturing process and has its own characteristics with very beautiful motif designs.
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Gini, Gini, Sjamsul Hidayat, and Fitri Nuraini. "Pengaruh Perputaran Piutang dan Perputaran Modal Kerja Terhadap Profitabilitas Pada CV. Gadjah Bordir." SUSTAINABLE 2, no. 1 (May 31, 2022): 171. http://dx.doi.org/10.30651/stb.v2i1.13445.
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Amid the intense business competition companies are required to be able to achieve market positions, so companies need to carry out credit sales strategies, so that sales increase. In CV Gadjah of Embroidery is a business activity. Gadjah of Embroidery requires a big cost because in the process of work, it requires costs and energy for its production. The So financial problems become a burden on CV. Gadjah of Embroidery business. The CV. Gadjah of Embroidery because its can be an obstacle to the cost of production.The purpose of the study was to determine the effect of accounts receivable and working capital turnover on profitability at CV.Gadjah of Embroidery for the period 2015-2020.The method of this study uses quantitative methods to measure the influence of accounts receivable and working capital turnover of profitability in CV. Gadjah of Embroidery, the observation period in 2015 - 2020. Hypothesis testing is using descriptive analysis method, statistical analysis method consisting of multiple linear regression analysis Simultaneous significant testing (F test), partial significance testing (Test-T) and Determination Coefficient Testing (R2). The results showed that there was an influence on the rotation of accounts on profitability in CV. Gadjah of Embroidery, while working capital turnover was an influence on profitability in CV.Gadjah of Embroidery. The Adjusted R square value = 0.666 means 66.6 percent of the influence of accounts receivable and working capital on profitability on CV. Gadjah of Embroidery. While the remaining 33.4 percent explained by other variables outside the variables used in this study.
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Mahanty, Dr Tulika. "FACTORS INFLUENCING PURCHASE PREFERENCES FOR HAND EMBROIDERY PRODUCTS BY COLLEGE GIRLS: INSIGHTS FROM A SMALL TOWN IN INDIA." ENSEMBLE 2, no. 2 (May 5, 2021): 332–40. http://dx.doi.org/10.37948/ensemble-2021-0202-a035.
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The development of embroidery art has been worldwide in general and India in particular for many centuries. From handmade production to digital manufacturing, embroidery products have been commercialized into consumer market as part of modern fashion. As a result, consumer preference proves decisive on purchasing embroidery products but makes demand forecasting in embroidery industry more difficult compared to general consumer goods industry. Many factors are influencing purchase of embroidery products. There is a shift in trend to buy machine made products than handmade ones. To find out from young college going girls their preference for different embroideries and to know about their mode of making purchase decisions this study was carried out in Jamshedpur city. It was found that there is preference for machine embroidery over hand embroidery. Electronic and print media are very influential in purchase decisions. Price is an important factor considered by all.
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SOFRONOVA, DANIELA, and RADOSTINA A. ANGELOVA. "Classification of digital stitch lines in machine embroidery." Industria Textila 72, no. 05 (October 30, 2021): 538–44. http://dx.doi.org/10.35530/it.072.05.202017.
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Despite the large application of the machine embroidery in textile and apparel design and high-tech clothing items, there is а lack of systematic arrangement of the digital stitch lines, used by embroidery machines and embroidery designers. Since 2010 information on embroidery stitch lines could be mostly found in the web sites of the embroidery machine manufacturers and software product manuals. However, in the instruction manuals the instruments for creating various embroidery objects are simply described without providing systematic information on the types of the stitch lines. Even more, different names of the stitch lines and different ways to achieve the same design are observed. Single authors offer their own classifications based entirely and logically on the stitches of the hand embroidery. Another group of authors relied on already developed techniques and strategies for digitizing stitches in various software products or took into account the final appearance of the stitch lines or their application. Our study aimed to develop a detailed and systematic classification of the digital stitch lines in the machine embroidery, which has not been presented in the literature.
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Farida, Naili, Ari Pradhanawati, and Mochamad Taufiq. "Innovation Capability Models to Improve the Competitiveness of Creative Industrial Products." JURNAL ILMU SOSIAL 1, no. 2 (December 22, 2021): 185–208. http://dx.doi.org/10.14710/jis.1.2.2021.185-208.
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This study aims to build a model of innovation capability to increase the competitiveness of embroidery products in Jepara. The respondents in this study were 132 owners of embroidery SMEs. The sampling technique used was purposive sampling and the analysis technique employed Partial Least Square (PLS). Research results show a variety of knowledge, i.e., customer orientation has significant positive effect on innovation capability. Customer orientation and innovation capability significantly affect marketing performance, but competitive finance has no significant effect on marketing performance. In addition, the competitiveness of embroidery products is still low, so there is no impact on marketing performance. The competitive advantage of the product must be unique to the competitors’ embroidery products that have not been able to improve the competitiveness of their embroidery products.
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Yang, Jin-Hee, Hyun-Seung Cho, and Joo Hyeon Lee. "An analysis on the luminance efficiency of the machine embroidery method applied to flexible plastic optical fiber for realization of the textile display." Textile Research Journal 88, no. 13 (April 19, 2017): 1466–78. http://dx.doi.org/10.1177/0040517517703197.
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In this research, we investigated the luminance efficiency of the computerized embroidery methods applied to flexible plastic optical fiber (POF) for realization of the textile display. Due to the nature of the flexible POF being similar to that of textile yarn, it has been possible to realize a flexible textile display by application of some adjusted fabrication methods. However, besides the simple property of flexibility, two requirements are still demanded for the flexible POF-based textile display: high luminance and the method for realization of pixels in a display. Among the fabrication methods, machine embroidery has feasibility to realize relatively higher luminance of flexible POF-based textiles through a simple procedure. The aim of this study is to evaluate of the feasibility of the embroidery method for the flexible POF-based textile display in terms of luminance, and an approach for a suitable condition in the embroidery method to realize the textile display. To do this, four embroidery methods, in which bending angles from around 90° to around 180° were applied to the flexible POF, were developed in this study. The measurement method was conducted identically on two types of POFs (flexible POFs and non-flexible POFs). The measurement points were selected in consideration of the distance from the light source and the rotation angle of the embroidery, depending on each embroidery design. Based on the resulting luminance efficiency according to the four embroidery methods, suitable conditions for the embroidery method to realize a relatively higher level of luminance for the textile display were suggested.
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Kuo, Chung-Feng Jeffrey, Chih-Yuan Kao, Bo-Lin Jian, and Chun-Ping Tung. "Automatic machine embroidery image color analysis system, part III: Integration of machine embroidery image color analysis system." Textile Research Journal 82, no. 20 (May 1, 2012): 2090–98. http://dx.doi.org/10.1177/0040517512441994.
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This series of study proposed the automatic machine embroidery image color analysis system as an extension of the previous proposed machine embroidery color separation system and repetitive pattern search system. This paper integrated the machine embroidery image color analysis system to achieve system automation. The system is divided into three stages: (1) acquire the embroidery fabric image, filter the acquired image noise, and smooth the embroidery fabric texture before using the transform to reduce image information amount and improve subsequent calculation speed; (2) use the genetic algorithm for the repetitive pattern search, and restore the identified repetitive pattern images to the original size by image pyramids, then use frequency domain template matching to determine the locations of the repetitive patterns to verify repetitive pattern accuracy; (3) apply the Gustafson–Kessel cluster algorithm and cluster validity partition index SC to obtain the machine embroidery image’s number of colors and corresponding areas, then employ half-toning technology to determine color types for chromatography. The integrated system can accurately identify the repetitive patterns for chromatography to realize the automatic drafting of embroidery fabric. It can be further integrated with automatic manufacturing equipment for machine embroidery automation.
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Dutta, Anirban, and Biswapati Chatterjee. "Development of prediction model through linear multiple regression for the prediction and analysis of the GSM of embroidered fabric." Research Journal of Textile and Apparel 24, no. 1 (January 11, 2020): 53–71. http://dx.doi.org/10.1108/rjta-07-2019-0033.
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Purpose The purpose of this paper is to establish the regression equation based upon a set of samples prepared through structured design of experiment and form a prediction model for prediction of the areal density gram per square meter (GSM) of the embroidered fabrics and study the influence of basic input parameters. Design/methodology/approach Embroidery samples are prepared taking input parameters as GSM of the base fabric, linear density of the embroidery thread and stitch density of the embroidery design. Three levels of values are identified for each of the input parameters. Taguchi and Box-Behnken experiment design principles are used to prepare two sets of samples. Linear multiple regression is used to determine the prediction equations based upon each of the two sets and the combined set as well. Prediction equations are statistically verified for the prediction accuracy. Also, surface curves are prepared to study the influence of embroidery parameters on the GSM. Findings It is found that all the three prediction models developed in this study can predict with a very satisfactory level of accuracy. However, the regression equation based upon the data set prepared according to Taguchi experiment design is emerged as the prediction model with highest level of prediction accuracy. Corresponding equation coefficients and several three-dimensional surface curves are used to study the influence of embroidery parameters and it is found that the stitch density is the most influential input parameter followed by stitch length and the GSM of base fabric. Research limitations/implications This can be used to assess the GSM of embroidered fabrics before starting the actual embroidery process. So, this model can help the embroidery designers significantly to pre-estimate the GSM of the embroidered fabrics and select the design parameters accordingly. Also, this model can be a useful tool for estimation of thread consumption and thread cost in embroidery. Practical implications The input parameters used here are very basic parameters related to design and materials, which can be easily available. And also, a simple linear multiple regression is used to make the prediction equation simple and easy to use. So, this model can help the embroidery designers or garment designers to select/adjust the embroidery parameters and thread parameters accordingly in the planning and designing stage itself to ensure that the GSM of embroidered fabrics remains within desirable range. Also, this prediction model developed hereby may be a very useful tool for estimation of the consumption and cost of embroidery threads. Originality/value This paper presents a very fundamental study to reveal the effect of embroidery parameters on the GSM, through development of regression equations. It can help future researchers in optimizations of input parameters and forming a technical guideline for the embroidery designers for selection of the design parameters for a desired GSM of embroidered fabric.
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Wu, Yi, and Kymn Kyungsun. "Decorative Image and Cultural Implication of Embroidery in Jinnan (Southern Shanxi)." Fibres & Textiles in Eastern Europe 151, no. 2 (June 2, 2022): 112–22. http://dx.doi.org/10.2478/ftee-2022-0014.
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Abstract Jinnan (Southern Shanxi) embroidery is a traditional Chinese folk handicraft. In this study, we collected a large number of historical resources and theoretical materials of Jinnan embroidery and randomly sampled 100 works as research objects. These works were compared, and the artistic expression and implication in these works were analysed. We found that animal patterns are the main object of Jinnan embroidery and that the colour scheme in Jinnan embroidery is simple, with red and yellow as the main colours. After an in-depth analysis of their theme and value, the embroidery patterns were shown to convey totem worship, reproduction worship and auspicious worship, reflecting the long-term aesthetic concepts and living customs in southern Shanxi.
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Qian, Wenhua, Jinde Cao, Dan Xu, Rencan Nie, Zheng Guan, and Rui Zheng. "CNN-Based Embroidery Style Rendering." International Journal of Pattern Recognition and Artificial Intelligence 34, no. 14 (May 23, 2020): 2059045. http://dx.doi.org/10.1142/s0218001420590454.
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Nonphotorealistic rendering (NPR) techniques are used to transform real-world images into high-quality aesthetic styles automatically. NPR mainly focuses on transfer hand-painted styles to other content images, and simulates pencil drawing, watercolor painting, sketch painting, Chinese monochromes, calligraphy and, so on. However, digital simulation of Chinese embroidery style has not attracted researcher’s much attention. This study proposes an embroidery style transfer method from a 2D image on the basis of a convolutional neural network (CNN) and evaluates the relevant rendering features. The primary novelty of the rendering technique is that the strokes and needle textures are produced by the CNN and the results can display embroidery styles. The proposed method can not only embody delicate strokes and needle textures but also realize stereoscopic effects to achieve real embroidery features. First, using conditional random fields (CRF), the algorithm segments the target content and the embroidery style images through a semantic segmentation network. Then, the binary mask image is generated to guide the embroidery style transfer for different regions. Next, CNN is used to extract the strokes and texture features from the real embroidery images, and transfer these features to the content images. Finally, the simulating image is generated to show the features of the real embroidery styles. To demonstrate the performance of the proposed method, the simulations are compared with real embroidery artwork and other methods. In addition, the quality evaluation method is used to evaluate the quality of the results. In all the cases, the proposed method is found to achieve needle visual quality of the embroidery styles, thereby laying a foundation for the research and preservation of embroidery works.
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Poniecka, Agata, Marcin Barburski, David Ranz, Jesús Cuartero, and Ramon Miralbes. "Comparison of Mechanical Properties of Composites Reinforced with Technical Embroidery, UD and Woven Fabric Made of Flax Fibers." Materials 15, no. 21 (October 25, 2022): 7469. http://dx.doi.org/10.3390/ma15217469.
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The main purpose of the article is to present the possibilities of producing composite reinforcement with the use of a computer embroidery machine. The study below presents the results of strength tests of composites containing technical embroidery, woven fabric, and UD fabric as the reinforcement. Each of the samples was made of the same material—flax roving. The samples differed from each other in the arrangement of layers in the reinforcement. The composites were made using the infusion method with epoxy resin. The embroidery was made on a ZSK embroidery machine, type JCZA 0109-550. A total of 12 types of composites were produced and tested. The test material was subjected to strength tests—tensile strength, tensile elongation, and shear strength, on the INSTRON machine. As the research showed, the use of technical embroidery as a composite reinforcement increases its tensile strength. Furthermore, the use of embroidery is a vertical reinforcement of the composite and prevents the formation of interlayer cracks. The technology of technical embroidery allows for optimizing the mechanical values of the composite reinforcement.
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Rahmidani, Rose. "Potency of Creative Industry Embroidery and Weaving in West Sumatera in Developing the Common Economy." Jurnal Inovasi Pendidikan Ekonomi (JIPE) 10, no. 1 (May 5, 2020): 08. http://dx.doi.org/10.24036/011083620.
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The aims of this research are: 1) to describe the portrait of embroidery and weaving business in absorbing workforce in West Sumatera, 2) Exploring and formulating problems as well as mapping the needs assessment of embroidery/embroidery creative industry and Minangkabau weave. Population in this research is the entire business unit of embroidery and weaving industry in West Sumatera spread in Padang Pariaman, Agam, Tanah Datar, Sawahlunto, Padang, Payakumbuh, Bukittinggi and Pariaman, the sample is 93 business units spread in 8 regencies and cities above. This study uses a qualitative method. Data collection using survey methods, with qualitative descriptive analysis techniques. The results of this research are; 1) Embroidery and weaving business in West Sumatera are able to absorb 2.297 workforce, 2) Problems faced by embroidery and weaving business in West Sumatra can be formulated as follows: 1) Bookkeeping/finance aspect and management, 2) Production aspect, and 3) Marketing aspect
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Pallathadka, Harikumar, Sanjeev Kumar, and Laxmi Kirana Pallathadka. "Geographical Indication and Traditional Wisdom: A Study with Special Reference to Chamba Rumal in Himachal Pradesh." Integrated Journal for Research in Arts and Humanities 2, no. 6 (November 20, 2022): 64–70. http://dx.doi.org/10.55544/ijrah.2.6.8.
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Geographical Indications and traditional knowledge associated with Chamba rumal in the state of Himachal Pradesh are the current research subjects. A visual art form characterized by characteristic embroidery, Chamba Rumal arose and flourished in Chamba, Himachal Pradesh, during the 17th and 18th centuries and is being practiced today. Rumal is a Persian name that refers to a square piece of cloth that is used as a handkerchief in traditional Persian culture. Paintings influence the fundamental structure and themes of Chamba Rumal; there is a prevalence of God depictions, notably of Vishnu in his numerous incarnations, which is a theme that runs throughout the collection of paintings. Dorukha-tanka embroidery is an extremely rare and one-of-a-kind stitch that has never been seen before in the history of Indian embroidery. The Dorukha-tanka stitch is a double satin stitch that is employed in Chamba Rumal embroidery. The present research attempted to determine the degree of public awareness of traditional knowledge connected to GI Chamba rumal in the state of HP. This study also sheds light on the historical context of Chamba rumal and the many topics and traditional knowledge associated with Chamba rumal, among other things.
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Aizat, Aninda, and Sri Ulfa Sentosa. "Faktor-Faktor Yang Mempengaruhi Produksi Industri Kecil Sulaman di Provinsi Sumatera Barat." Jurnal Kajian Ekonomi dan Pembangunan 2, no. 4 (December 1, 2020): 45. http://dx.doi.org/10.24036/jkep.v2i4.13391.
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This study.aim to examine of the factors that influence the production of small embroidery industries in West Sumatra Province with the Fixed Effect Model (FEM) selected. The data used is panel data during the 2014-2018 period, with documentation data collection techniques and literature study obtained from related institutions and agencies. The variables used are Capital (X1), Labor (X2) and Business Units (X3). The research method used is: OLS. estimation results show the capital has positive, insignifican. Effect.on embroidery production in West Sumatra. Furthermore, Labor has a negative and insignificant effect on embroidery production in West Sumatra. And the business unit has a positive and significant effect on embroidery production in West Sumatera. Together., capital, labor and business units have a significant effect on embroidery production in West Sumatra.
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Rismawati, Rismawati, and Syuraini Syuraini. "A Description of The Motivation 3 In 1 Training Participants of Safety Pin Stitching at Balai Diklat Industri Padang." SPEKTRUM: Jurnal Pendidikan Luar Sekolah (PLS) 9, no. 2 (May 31, 2021): 237. http://dx.doi.org/10.24036/spektrumpls.v9i2.112600.
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This research was motivated by the low motivation of the participants in participating in the 3 in 1 embroidery pin training at the Padang Industrial Education and Training Center. The goal is to see a picture of the motivation of the participants in following the pinhead embroidery training. This type of research is quantitative with a descriptive approach. The number of respondents in this study was 40 people consisting of training participants for pinhead embroidery training generation II and XIII. The data collection technique used a questionnaire. The data analysis technique uses the percentage formula. The results of this study indicate that the motivation to follow the training participants of the 3 in 1 head embroidery training is still low, namely 71% for 40 respondents.
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Nilam, Reno, and Setiawati Setiawati. "The Relationship Between Learning Motivation and Learning Outcomes of 3 IN 1 Training Participants of Manual Embroidery Clothing." SPEKTRUM: Jurnal Pendidikan Luar Sekolah (PLS) 9, no. 4 (November 30, 2021): 523. http://dx.doi.org/10.24036/spektrumpls.v9i4.113875.
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This research was motivated by the low learning outcomes of the training participants who participated in the 3 in 1 manual embroidery fashion decoration training at the Padang Industrial Training Center. This is presumably because the trainees have low motivation. The purpose of this study was to see (1) a description of the learning motivation of the training participants in participating in the 3 in 1 manual embroidery fashion decoration training. (2) description of the learning outcomes of participants in 3 in 1 manual embroidery fashion decoration training (3) the relationship between learning motivation and learning outcomes of participants in 3 in 1 manual embroidery fashion decoration training at the Padang Industrial Training Center. This research is a correlational study with a quantitative approach. The population of this study was 70 training participants and the sample in this study was taken as much as 50% or consisted of 35 training participants using the stratified cluster random sampling method, data collection using questionaires and tools in the form of a list of statements. Analysis tecnique uses the percentage and product moment. The results of this study indicate that: (1) the description of the learning motivation of 3 in 1 training participants with manual embroidery decorations at the Padang industrial training center is low. (2) the learning outcomes of the 3 in 1 training participants in manual embroidery decoration at the Padang Industrial Training Center are low. (3) there is a significant relationship between learning motivation and learning outcomes of 3 in 1 training participants in manual embroidery fashion decoration at the Padang Industrial Training Center. It is expected that the manager can provide facilities and interesting learning methods so as to increase the motivation of participants in training activities so that it can affect their learning outcomes.
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Zhang, Lei, Zhien Zhang, Jianneng Chen, Shouzhi Huang, and Yibin Zhai. "Optimization of presser foot and needle bar driving mechanism based on the complex method principle." Journal of Engineered Fibers and Fabrics 16 (January 2021): 155892502110603. http://dx.doi.org/10.1177/15589250211060317.
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The rod presser foot and needle bar driving mechanism of the embroidery machine cannot achieve accurate parking time and position at high speed, which limits the development of high speed embroidery machine and make the quality of embroidery decline. Aiming at solving this bottleneck problem, the characteristics of the embroidery machine presser foot and needle bar driving mechanism based on analyzing the mechanism kinematics is developed. These characteristics and influences of each linkage parameters on the presser foot parking time and position are analyzed. Six main parameters are selected to optimize by using the complex method. Taking the parking position and linkage parameters as constraints, the parameters of the main linkages was optimized in order to obtain the maximum parking time of the presser foot mechanism. The results show that the optimized parameters is more reasonable and effective, the pause time of the presser foot mechanism is increased by 15.5%, and the parking position of the embroidery machine is at 100° ± 0.5° as required by the technological requirements, which satisfies the requirements of the coordinate movement of the needle bar-presser foot drive mechanism of the high-speed embroidery machine. The study also provides a method reference for the follow-up high-speed embroidery machine research and development.
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Prihatin, Purwo. "Seni Kriya Sulaman Tangan Tradisional dan Pengrajin Perempuan Nagari Koto Gadang dalam Dimensi Ekonomi, Sosial dan Budaya." Jurnal Ilmiah Universitas Batanghari Jambi 22, no. 2 (July 26, 2022): 1197. http://dx.doi.org/10.33087/jiubj.v22i2.2384.
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This research was motivated by the existence of Minangkabau women's crafts and craftsmen, especially in Koto Gadang who have skills in the field of traditional hand embroidery. This study aims to find out the traditional hand-embroidered craft art of women in nagari Koto Gadang as cultural actors who carry out processes in social activities and craft arts. The research method uses a type of qualitative research, data collection through written sources and literature studies, documentation of cultural artifacts, so that this study can be produced and concluded that the traditional embroidery craft art of Koto Gadang is the embodiment of the expression of aesthetic taste in the form of functional objects and aesthetic objects which in their creation requires ability, experience, and technical skills such as embroidery, terawang, kapalo samek, and suji cair. Traditional embroidery crafts apply ornamental motifs, both flora, fauna and other objects based on nature, become teachers. The traditional embroidery craft art in Koto Gadang as a social product has an impact on the dimension of women's lives in Koto Gadang. The presence of Koto Gadang women and the art of embroidery crafts has become a manifestation of minangkabau women's activities that have produced cultural identity and positively impacted the actors and supporters both the social dimension and the economic dimension.
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Hang, Yin. "The Degradation Features of Ancient Lu Embroidery Fabric." Advanced Materials Research 422 (December 2011): 505–8. http://dx.doi.org/10.4028/www.scientific.net/amr.422.505.
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The present study focus on the degradation features of ancient Lu Embroidery have been discussed from the molecule structure of protein via the infrared spectrum and XRD analysis. The ancient Lu Embroidery has N-H feature absorb peak at wavenumber of 3300 in the infrared spectrum. The XRD analysis of ancient Lu Embroidery fabric shows that the peptide in the un-crystallization can be depredated quickly and the crystallization is relative slow.
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Kamali, Fattaneh Jalal, and Batool Hassani Sa'di. "Role of Iranian Traditional Needlework in People's Social and Family Life: A Study of Pateh Embroidery in Kerman." Modern Applied Science 11, no. 1 (December 15, 2016): 253. http://dx.doi.org/10.5539/mas.v11n1p253.
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The aim of this study is to investigate the role of Iranian traditional needlework in people's family and social life with an emphasis on the art of Pateh embroidery. In this article, the history of textile industry, the history of clothes, different sewing styles and how they have been influenced by each other, are studied. According to the "History of Iranian Textile Industry", a book written by Mehdi Beheshtipour, textile industry in Iran dates back to 7000 years ago.Tabari book of history states that this industry goes back to 4000 years ago. Excavations in Shoosh show that burlap weaving, silk weaving and embroidery were forms of art at the time of JamsheedPishdadi. Herodotus says that Xerxes wore embroidered clothes. Marco Polo refers to the art of Kerman's Pateh embroidery in his travelogue. Qajar era is called the renaissance of Iranian needlework. Different styles of needlework have been investigated in previous practical studies with reference to the regionswhere they are common and how they are used. Pateh embroidery is considered as a traditional art in Kerman. This form of needlework has been paid attention to since 1906 from economic, social and cultural perspectives and studied as a profession that can meet people's financial and aesthetic needs.
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Dewi, Aisyah Ratna, Heri Soeprayogi, and Sri Wiratma. "SULAM MOTIF FLORA DAN FAUNA DITINJAU DARI WARNA DAN KOMPOSISI." Gorga : Jurnal Seni Rupa 9, no. 1 (June 28, 2020): 187. http://dx.doi.org/10.24114/gr.v9i1.18792.
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AbstrakPenelitian ini bertujuan untuk mengetahui ketepatan siswa dalam memilih warna dan komposisi yang sesuai pada karya sulam teknik sulam bebas dengan motif flora dan fauna. Adapun populasi yang digunakan dalam penelitian ini adalah seluruh siswa kelas VIII-7 SMP Negeri 16 Medan dengan sampel 3 karya siswa dengan teknik Cluster Random Sampling. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan mendeskripsikan karya sulam yang diteliti dan dinilai berdasarkan unsur seni rupa yang telah ditentukan yaitu warna dan komposisi. Secara keseluruhan kemampuan siswa SMP Negeri 16 medan dalam praktik menyulam dikatakan Cukup Baik. Siswa sudah memiliki kemampuan dalam menyatukan motif-motif yang akan disulam dan hasil sulamnya pun rata-rata sudah mendekati kategori cukup.Kata Kunci: sulam, warna, komposisi.AbstractThis study aims to determine the accuracy of students in choosing the right color and composition in the embroidery work of free embroidery work of free embroidery techniques with flora and fauna motifs. As for the population used in this study were all students of class VIII-7 junior high school 16 terrain with a sample of 3 students’ work using a random sampling technique. The research method used is descriptive qualitative by describing the work of embroidery that is examined and assessed based on predetermined fine art elements, namely color and composition. As a whole the ability of 16 field students in the field of embroidery is said to be quite good. Students already have the ability to unify the motif to be embroidered and results of embroidery are on average already close to the sufficient category. Keywords: embroidery, color, composition.
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Jimoh, Kudirat Oyewumi, Ọdẹ́túnjí Àjàdí Ọdẹ́jọbí, Stephen A. Fọlárànmí, and Segun Aina. "HANDMADE EMBROIDERY PATTERN RECOGNITION: A NEW VALIDATED DATABASE." MALAYSIAN JOURNAL OF COMPUTING 5, no. 1 (March 6, 2020): 390. http://dx.doi.org/10.24191/mjoc.v5i1.6749.
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Patterns of handmade embroidery are an important part of the culture of a number of African people, particularly in Nigeria. The need to digitally document these patterns emerges in the context of its low patronage despite its quality and richness. The development of a database will assist in resuscitating the dying art of Handmade Embroidery Patterns (HEP). The patterns of handmade embroidery are also irregular and inconsistent due to the manual method, and creativity involved in its production. Developing an automatic recognition of HEP will therefore create a system where machine embroidery can be made, or automated to mimic the creativity and peculiar intricacies of traditional handmade embroidery patterns. This study developed handmade embroidery pattern database (HEPD) that can be used for many processes in the field of pattern recognition and computer vision applications. Samples of handmade embroidery patterns were collected from three different cities in South-Western, Nigeria. Pre-processing operations such as image enhancement, image noise reduction, and morphology were performed on the collected samples using image-processing toolbox in MATLAB. This work developed a validated new dataset of handmade embroidery patterns containing two categories of embroidery patterns with a total number of 315 images in the database. It evaluated the database for recognition process using cellular automata as feature extraction technique and support vector machine as its classifier. The performance metrics employed are sensitivity, specificity and accuracy. For the two classes of images considered, 72% sensitivity, specificity of 93% and accuracy of 80% were obtained for grayscale image. For the binary image, an accuracy of 72% with sensitivity of 82% and 65% specificity were obtained. The result obtained showed that the grayscale image exhibits an efficient accuracy than binary image.
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Wu, Yinglu. "Utilization of MultiLevel Drawing Technology for Computer-Based Embroidery Employing Computerized Digital Technology." Mathematical Problems in Engineering 2022 (May 19, 2022): 1–6. http://dx.doi.org/10.1155/2022/7397637.
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In this study, the theoretical foundation of the manually operated crewel embroidery technology was suggested to enhance the artistic features of computerized embroidery. By doing so, the advantages such as mass production, more realistic pictorial patterns, and increasing artistic demand by users can be realized. Hence, the embroideries characterized by the computerized mechanical and crewel methods could be compared. Therefore, interesting results were obtained. The software called WILCOM and a single head computerized embroidery machine with 12 needles having multifunctionality called TUMX-C1201 were utilized to produce proofing size designs of embroidery frames with a selection of a base needle, color, and style of the pattern for the layered combination. Then, both computerized mechanical embroidery and crewel embroidery generate binding assays. The outcomes suggest that proofing samples with the gray value of 15 groups utilizing stitch spacing varying between 0.2 mm and 3 mm designate a gradual inclination in the upward direction when different bases of needles, namely, 10 mm, 20 mm, and 30 mm are under consideration. In other words, an obvious trend and a stable state were simply observed when they change between 0.2 mm and 1.8 mm and between 1.8 mm and 3 mm, respectively. For example, when a 50 × 50 mm area was taken as an illustrative example, 102, 24, and 5 base needles were needed, respectively. As a result, certain characteristics were observed in the visual style when computerized mechanical crewel embroidery was employed, which is, for example, a certain degree of looseness contained in the stitching of the petal pattern that created vividness and enhanced hierarchical sensation. Besides, the petals of a sunflower in three dimensions were seen concurrently. Thus, the computerized digital technology enables computer-based embroidery to draw patterns in multilevel artistic processes and was concluded. Combining manual and computer-based embroidery could not only succeed in mass production but also enhance the aesthetic aspects of embroidery works.
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Bahadir Ünal, Zümrüt, and Eda Acar. "Investigation of the Effect of Using Different Interlinings on the Comfort Properties of the Embroidered Surface." Textile & Leather Review 5 (April 26, 2022): 165–79. http://dx.doi.org/10.31881/tlr.2022.20.
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Embroidery is a form of embellishment obtained by processing the figures on various surfaces. It has been done as multi-needle and computer-aided since the 1990s. Embroidery practice is applied with the aim of improving the appearance of the product and separating the product from similar ones. The embroidery process has direct effect on the cost and sale of the product and is used widely in the garment industry. Embroidery applied on the surface is supported by interlining in order to have better quality of the embroidery. In this research, all parame-ters intended for obtaining embroidered surface were kept constant and five different interlining types were ap-plied as variables. Physical and comfort tests were performed for evaluating the comfort features of the embroi-dered surface. According to the findings obtained from the study, the use of water-soluble interlining was found to be appropriate in places that were in direct contact with the skin.
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Bahadir Ünal, Zümrüt, and Eda Acar. "Investigation of the Effect of Using Different Interlinings on the Comfort Properties of the Embroidered Surface." Textile & Leather Review 5 (April 26, 2022): 165–79. http://dx.doi.org/10.31881/tlr.2022.20.
Full textAbstract:
Embroidery is a form of embellishment obtained by processing the figures on various surfaces. It has been done as multi-needle and computer-aided since the 1990s. Embroidery practice is applied with the aim of improving the appearance of the product and separating the product from similar ones. The embroidery process has direct effect on the cost and sale of the product and is used widely in the garment industry. Embroidery applied on the surface is supported by interlining in order to have better quality of the embroidery. In this research, all parame-ters intended for obtaining embroidered surface were kept constant and five different interlining types were ap-plied as variables. Physical and comfort tests were performed for evaluating the comfort features of the embroi-dered surface. According to the findings obtained from the study, the use of water-soluble interlining was found to be appropriate in places that were in direct contact with the skin.
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Ju, Fei, Qiang Wang, Zhenke Tan, and Quan Li. "Intelligent Recognition of Colour and Contour from Ancient Chinese Embroidery Images." Fibres & Textiles in Eastern Europe 151, no. 3 (September 28, 2022): 79–92. http://dx.doi.org/10.2478/ftee-2022-0026.
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Abstract Ancient Chinese embroidery is an important intangible part of the cultural heritage of mankind. Its colours and contours are a major source of oriental inspiration and design elements for designers today. This study presents an effective intelligent recognition of colour and contour based on K-means++ clustering and the Canny operator for colour and contour application of ancient Chinese embroidery images and for digital inheritance and innovation. First, digital cameras and portable scanners were used in embroidery image acquisition. Second, colour level adjustment, sharpening and smoothing were specially added to the preprocessing, because of the ancient embroidery age or colour errors caused by the shooting angle. Third, K-means++ clustering was used for colour clustering. Fourth, the Canny operator was used for contour detection. After the addition of colour level adjustment and sharpening in the preprocessing, the colours and contours could be acquired accurately and more effectively from embroidery images and be read and edited independently.