Relevant bibliographies by topics / Emblems – History – 16th century

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  2. Dissertations / Theses
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Academic literature on the topic 'Emblems – History – 16th century'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Emblems – History – 16th century"

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Górska, Magdalena Kinga. "Status teoretyczny emblematu w polskiej dekoracji." Terminus 23, no. 3 (2021): 227–58. http://dx.doi.org/10.4467/20843844te.21.010.13847.

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The Theoretical Status of the Emblem in Polish Decorative Art This paper argues that the theoretical status of the emblem in decorative art has methodological significance in emblem studies and art history, comparable to its status in the so-called book’s editorial frame. This claim is justified in the historical and theoretical tradition of defining emblems in the sources. The departure point for the author’s considerations comes from the findings of applied emblematics, and its foundation is provided by the theoretical sources describing symbolic genres (scil. emblema, symbolum, hierogliphicum) published in Poland from the 16th to the 18th century, including books of poetics, rhetoric, dictionaries and compendia. The first part of the article presents an overview of research on decorative emblems in Poland, together with factors responsible for the scarcity of such studies, including the lack of symbolic typology of the decorations, and the division into literary and non-literary studies, motivated by the philological roots of emblem studies. It is noted that the emblemata in the so-called book’s editorial frame and those in decorations should be studied separately, as the latter are of ornamental nature, and require a distinct order of perception, explication, and the recipient’s role. Besides, it is pointed out that the anachronism of the 16th-century formulae of emblema raises problems for the genological classification of Polish decorations, and so does the inter-genre, compendiumtype pattern of symbolism dominant in the 18th century. The second part of the article discusses the definition of the emblema, focusing on its details relevant for the artistic practice and present-day genre classification, such as technique, composition, the content of the image, which is confronted with Polish historical materials. The analysis carried out in the paper supports the claim that providing a genelogical definition of a work of art sheds light on its artistic rendition and aesthetic value. It also enhances the perspective on emblem studies, the workshop of an emblem artist and the reception of the emblem. Additionally, it enables the verification of synthetic accounts and research practice, offering a profound reflection on the chronology and previous conceptions of the emblem. Finally, it helps to formulate postulates, which can be useful for the met
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Pchelov, Evgeny V. "IMAGES OF REGALIA IN THE TITULAR HERALDRY OF THE MOSCOW KINGDOM. ICONOGRAPHY AND SEMANTICS." History and Archives, no. 4 (2022): 12–25. http://dx.doi.org/10.28995/2658-6541-2022-4-12-25.

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The article analyzes the history of the using the regalia images of regalia in the titular heraldry of the Moscow Kingdom of the 16th – 17th centuries. Titular heraldry is a complex of coats of arms for the territories of which the names were part of the object title of the Russian sovereigns. The total number of titular coats of arms of the Moscow Kingdom is more than thirty. They were first recorded on the Great Seal of Ivan the Terrible in the late 1570s. On this seal, out of 24 titular coats of arms (emblems, “seals”), four had the images of certain regal objects. In two cases, these were the conditional crowns cresting the armorial figures and testifying to the royal status of the designated administrative territories (the Kazan and Astrakhan kingdoms). In two cases, the images of a “place” were used, which meant a seat for the ruler (or an authorized officer). On the Novgorod seal, that place had the steps, which was, apparently, a more archaic version of such a seat on the Tver seal, the “place” looked like a throne. The pastoral staff in the Novgorod “place” and the princely cap in the Tver “place” testified to the local specifics of the management of these most important titular objects in the general context of the power system of Muscovy. Subsequently, the Astrakhan coat of arms had underwent a radical change, and the appearance of the crown began to resemble a royal crown of the Western European type. The same crown instead of a princely hat appeared on the Tver emblem by the end of the 17th century. In the “Titulyarnik” (title reference book) of 1672, two more coats of arms with the images of regalia appeared. In the Siberian coat of arms, the crown again symbolized the royal status of the titular object. In the Vladimir coat of arms, the crown cresting the lion apparently signified the special status of the Grand Duchy of Vladimir among the lands of northern and north-eastern Rus’. In general, the images of the regal objects in the titular coats of arms followed clear patterns, corresponded to the status of the analogous objects, as well as to their historical significance.
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Pchelov, Evgeniy V. "Sources on the Title Heraldry of the Tsardom of Muscovy of the 16th – the First Half of the 17th Century." Herald of an archivist, no. 4 (2018): 971–83. http://dx.doi.org/10.28995/2073-0101-2018-4-971-983.

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The article is devoted to the analysis of sources containing information on the land heraldry of the Tsardom of Moscovy, which reflected territorial title of the Russian rulers. The historiography usually mentions 5–6 artefacts and pictorial sources with images of such coats of arms. In fact, the complex of these sources can be significantly expanded. The author has managed to collect information about ten artefacts, two visual and four written sources, which allow to follow the evolution of the title heraldry in pre-Petrine Russia starting from the 16th century. Furthermore, two seals descriptions containing information about land coats of arms remain unpublished. The analysis of sources leads to the following conclusions. The beginning of the Russian title heraldry dates back to the reign of Ivan the Terrible. It was probably connected with refining of his territorial titles after the Livonian War. The Great Seal of Ivan the Terrible (late 1570s) has a set of title seals with images, most of them quite simple. These emblems reflect mainly natural or economic features of specific lands. Some emblems are purely symbolic, some borrow directly from Western European heraldry. These title emblems (called seals prior to the 18th century) continued up to the Romanovs’ reign. For instance, the front of the seal of Ivan the Terrible became a source for title emblems reproduced on the armor of Pseudo-Demetrius I, which was made by Western European masters. They probably took their cue from an imprint of the front side of the seal sent with the order. Emblems from the reverse side of the seal were not reproduced on the armor. Under Mikhail Fyodorovich (apparently, in late 1620s) the complex of title emblems underwent its first significant transformation. Some emblems continued to the end of the 16th century, some were formed anew. The new system of title emblems translated into a description of seals made after the Moscow fire of 1626. This document is also yet unpublished. The reform of the title seals may have been associated with making of a new complex of royal regalia in late 1620s. The new seals appeared in the composition of the cover for tsar’s saadak (quiver), which, apparently, was made at the same time.
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Treter, Anna. "Wybrane passusy z czternastowiecznego traktatu Summa de exemplis et rerum similitudinibus Giovanniego z San Gimignano. Możliwe źrodło inspiracji dla ośmiu emblematow z cyklu Symbolica vitae Christi meditatio (Braniewo: Jerzy Schonfels, 1612) Tomasza Tretera." Terminus 23, no. 3 (2021): 309–39. http://dx.doi.org/10.4467/20843844te.21.012.13849.

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Chosen Passages from the 14th-Century Treatise Summa de exemplis et rerum similitudinibus by Giovanni da San Gimignano: A Possible Source of Inspiration for Eight Emblems from the Cycle Symbolica vitae Christi meditatio (Braniewo: Jerzy Schönfels, 1612) by Tomasz Treter In 1612, the Jerzy Schonfels’ printing house in Braniewo published Tomasz Treter’s posthumous work titled Symbolica vitae Christi meditatio. This cycle of ascetic and mystical reflections was considered by Janusz Pelc to be one of the most interesting emblem books written in the Polish Commonwealth. Also Tadeusz Chrzanowski, an art historian, referred to Treter’s work as quite a unique work of Polish emblem art. The same researcher quoted the originality of some of the concepts and ingenuity of many icons (lacking direct correlates among contemporary emblem collections). In 2018, Alicja Bielak wrote an article in which she identified the three 16th-century emblem works (i.e. Hadrianus Junius’ Emblemata, Claude Paradin’s Devises heroiques and Aneau Barthelemy’s Picta poesis) as graphic sources of Treter’s cycle. The main goal of this paper is to identify another, non-emblematic source of inspiration for the Polish author, namely the 14th-century encyclopaedia Summa de exemplis et rerum similitudinibus by the Italian Dominican Giovanni da San Gimignano. It is argued here that Treter might have come into contact with Giovanni’s treatise during his first stay in Rome (1569–1584) and transposed it into the language of emblems. The first section of the paper shortly discusses the life and work of the Italian Dominican, with the particular emphasis on his encyclopaedia. The core of the article consists of the comparison of Treter’s eight emblems with selected passages from Summa de exemplis and setting these emblems against the background of the European tradition. The following emblems are discussed in detail: Fides, Conversatio sancta, Spiritualis profectus, Humilitas, Poenitentia, Correctio fraterna, Fortitudo and Mansuetudo. The study concludes with the claim that even though Treter uses symbols rooted in contemporary emblem art, he interprets them in a different way than other creators did. On the other hand, one can observe a striking accordance between Treter’s interpretations and the ones by Giovanni da San Gimignano. Unlike other 16th and 17th century emblematists, the Polish priest provides a religious rather than a moral interpretation.
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Rokita, Jan Gustaw. "MEDAL UPAMIĘTNIAJĄCY KRÓLEWSKĄ KORONACJĘ JANA III SOBIESKIEGO I MARII KAZIMIERY W KRAKOWIE POCHODZĄCY Z 1676 ROKU. UWAGI IKONOGRAFICZNE." Studia Europaea Gnesnensia, no. 17 (June 15, 2018): 307–36. http://dx.doi.org/10.14746/seg.2018.17.17.

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The author of the article discusses in depth ten works of art (prints, numismatic pieces, sculptures) which demonstrate iconographic consistency with the obverse or reverse of the said medal. As the author argues, the medallionist sought both to reflect current events in Cracow and commemorate the beginning of the propitious reign of Jan III Sobieski and Maria Kazimiera, which would benefit the people of the Commonwealth (bear fruits), which is why he used well-known representations from 17th-century compendia of emblems as well as 16th- and 17th-century coinage and medals.
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Pikli, Natália. "Rulership in Early Modern England: Shakespeare’s King Lear in Context." Theatron 16, no. 4 (2022): 143–49. http://dx.doi.org/10.55502/the.2022.4.143.

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This book review discusses Judit Mudriczki’s monograph, Shakespeare’s Art of Poesy in King Lear. An Emblematic Mirror of Governance on the Jacobean Stage (Budapest, Paris: L’Harmattan, 2020) in the light of Shakespeare studies. Mudriczki’s book analyses dramaturgical devices, rhetorical and political-philosophical concepts, appearing in Shakespeare’s King Lear and other 16th and 17th century texts of different status, from an early Tudor interlude, John Skelton’s Magnyfycence, to rhetorical and political treatises and emblems. The review emphasizes how the inspiring, but often insufficiently elaborated analyses in the monograph could have been made more precise and informative by considering achievements of recent scholarship in the field.
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Teixeira Anacleto, Marta. "Le chant bucolique dans le roman pastoral (ou les avatars d’une topique dissonante)." Topiques, études satoriennes 6 (February 15, 2023): 1–17. http://dx.doi.org/10.7202/1096698ar.

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The article aims to analyze the ontological diffusion of bucolic songs in pastoral novels, taking in consideration the historical and aesthetic evolution of their writing. It demonstrates that shepherds’ songs, as original emblems of the Bergeries, evolve into various topical formulations of sound, within the framework of the complex evolution of pastoral romance in France, in the 16th and especially in the 17th century. Based on a fairly broad corpus (Sannazar, the first French Bergeries, Diana de Montemayor and its French translations, L'Astrée and its sequels), it highlights the formal vicissitudes and the dissonances suffered by pastoral song, in the temporal dynamic which marks these aesthetically hybrid Arcadian texts.
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Adamczewski, Marek. "W sprawie nowego herbu gminy i miasta Szadek." Biuletyn Szadkowski 12 (December 30, 2012): 5–21. http://dx.doi.org/10.18778/1643-0700.12.01.

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The coat of arms for the town and commune of Szadek was designed and approved in 1990, in accordance with law in force at that time. It was, however, done without consulting heraldists and historians specializing in municipal coats of arms from the period of I Republic of Poland, or persons professionally designing emblems for contemporary municipalities. Consequently, a number of mistakes were made, the most important being that it only partly resembles the town’s heraldic arms from the mid-16th century or the coat of arms from the 17th century, which was incorporated in the altar of Szadek’s parish church to commemorate the citizens who donated funds for its equipment and decoration. According to current quidelines for re-creating coats of arms of urban communes, a municipality should have as its heraldic symbol the historic coat of arms of its capital town or city. Relevant sources indicate that the new emblem of the town and commune of Szadek should contain a city wall with an open gate and three battlemented towers, the exact shape depending on which tradition – 16th or 17th century – is recalled. As regards the heraldic colours, the new coat of arms should have red walls on a golden shield (like that from the 17th century), although a white background is also found for Szadek in publications on heraldic arms of Polish towns and cities.
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Joost-Gaugier, Christiane L., Colin Rowe, and Leon Satkowski. "Italian Architecture of the 16th Century." Sixteenth Century Journal 35, no. 2 (July 1, 2004): 605. http://dx.doi.org/10.2307/20477014.

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Pchelov, Evgeniy V. "Sources on the Title Heraldry of Muscovy of the Second Half of the 17th century." Herald of an archivist, no. 2 (2019): 344–56. http://dx.doi.org/10.28995/2073-0101-2019-2-344-356.

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An important stage in creation and unification of title emblems of Muscovy is connected with the war between Russia and the Polish–Lithuanian Commonwealth and further changes of the title during the reign of Tsar Alexei Mikhailovich. At the turn of 1660s-1670s, a number of new title emblems appeared, while the old ones underwent yet another transformation. When creating new emblems, the Western European models were considered and in some ways the title emblems acquired a more pronounced heraldic character. Thus, some new emblems could have originated in the heraldry of the Scandinavian countries and the Holy Roman Empire, other, such as the Siberian coat of arms, combined heraldic symbols of the regions in the aggregate. In a number of earlier emblems Christian semantics were reinforced. Such Christian symbols as hand emerging from clouds, cross, gospel, banner with cross, etc. were added. Christian semantics of the titular heraldry are evident in the heraldic virsi (verses) written at the end of the reign of Alexei Mikhailovich. Despite the fact that the finished complex of title emblems was presented in the “Titulyarnik” of 1672, the old or different versions persisted, which proves the variable nature of title heraldry in the second half of the 17th century. Images of the title coats of arms in three illustrated copies of the “Titulyarnik” display unity, but some differences in detail allow to work out ownership of each copy. “Titulyarnik” was probably the first Russian land coat of arms, even if images of title coats of arms on some regals (saadaks, plates) still retained features of the old visual tradition. The existing complex of the title coats of arms was recorded in the late 17th century in several written sources with heraldic images. The complex of preserved heraldic sources allows to reconstruct the history of the title heraldry in Muscovy in its entirety and to identify main stages in its evolution.
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Dissertations / Theses on the topic "Emblems – History – 16th century"

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Anthony, Danielle Tina. "Intimate Invasion: Andeans and Europeans in 16th Century Peru." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1515105243237725.

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Roberts, Dunstan Clement David. "Readers' annotations in sixteenth-century religious books." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610579.

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Davis, Lydia. "British travellers and the rediscovery of Sicily, 16th-19th century." Thesis, Southampton Solent University, 2006. http://ssudl.solent.ac.uk/579/.

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This project deals with the early period of what could be termed the 'Grand Tour' in Sicily, a subject which has previously been covered only in a small number of academic works. In particular, it looks at the history of British travel and travellers to Sicily, placing particular emphasis on the way in which classical considerations prompted, guided and inspired visitors to the island. Whilst covering a wide time span which ranges from the 8th until the 20th centuriy AD, the main body of the work focuses on the period between 1550 and 1770 and provides a study of the major British travellers to Sicily during this period - most particularly the journeys of Thomas Hoby in the 16th century, George Sandys and Isaac Basire in the 17th and John Breval in the early 18th century. It also looks at the cultural construction of Sicily itself during this period, and the major Latin and Italian historical sources which influenced, and in some cases were influenced by, travellers and writers from Britain. Much of this work involves the in-depth analysis of several of the major geographical and antiquarian texts from the 16th, 17th and early 18th centuries both in English and Italiaan. The results suggest that rather than the more traditional view of Sicily as a late addition to the Grand Tour, relatively undiscovered until the 1770s, the island had in fact generated a significant amount of interest from numerous erudite British travellers and antiquarians, who made a small but nevertheless important contribution to the body of work written upon the island and its culture and antiquities
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Martínez, Martínez Franklin de Jesús. "Cowlonialism : Colonialism, cattle and landscapes in 16th century New Spain." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-418884.

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Cattle are not endemic to the American continent. Nevertheless, they are present and thrive in many landscapes, all the way from Canada to Argentina. The narratives about the process of colonisation of the American continent include human actors, but there is very little literature in comparison that deals on the influence of cattle in landscapes in the continent. In this thesis, I will contribute to the discussion about more-than-human processes of landscape modification, by analysing archival sources from the New Spain. This region included a big part of the West of the United States, Mexico and Central America. The period I analyse, between 1550 and 1602, represents the first decades of encounter between the Spanish settlers and indigenous communities, in the region of New Spain, where the Spanish established administrative institutions to manage their empire. The documents that I analysed showcase the transformations that cattle caused in the landscape, from how indigenous people lived, to what plants and crops could be cultivated. Inspired by Multi-species studies, ethography, and the concepts of “animal” and “landscape”, I use Actor-Network Theory to create a thoroughly described network of relations. In my analysis, I find that cattle influenced the activities that were performed in the landscape, as well as the ways that other actors interacted with each other. These actions, complemented by religious, economic and cultural ideas that circulated during the XVI century, would form what I call Cowlonialism, a regime of ideas and practices where cattle invade the land and displace their inhabitants, exercising power over other actors.
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Monette, Barbara. "The Anabaptist Contributions to the Idea of Religious Liberty." PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/5060.

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The relationship between ideas and history is important in order to understand the past and the present. The idea of religious liberty and the realization of that ideal in sixteenth-century Europe by the Anabaptists in Switzerland and South Germany in the 1520s was considered to be revolutionary in a society characterized by the union of church and state. The main impetus of the idea of religious liberty for the Anabaptists was the application of the New Testament standard of the Christian church, which was an independent congregation of believers marked only by adult baptism. The purpose of the present study is to demonstrate the contributions of the Swiss Anabaptists to the idea of religious liberty by looking at the ministries and activities of three major leaders of the early Swiss movement: Conrad Grebel, Michael Sattler, and Balthasar Hubmaier. This thesis takes up the modern form of religious liberty as analyzed by twentieth-century authorities, as a framework for better understanding the contributions of the Anabaptists. My research then explores the establishment of the first Anabaptist church in history, the Zollikon church outside of Zurich, and examines its organization membership, motives, and strategies for evangelizing Switzerland. In all areas influenced by the Anabaptists, there was considerable acceptance of their doctrine of a separated church. Their teaching on liberty of conscience also influenced people in towns such as Zollikon and Waldshut. Possible historical links between the Anabaptist doctrines and establishment of later Baptist denominations are shown.
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Bishop, Jennifer Jane. "Precious metals, coinage, and 'commonwealth' in mid-Tudor England." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708796.

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True, Thomas-Leo Richard. "Power and place : the Marchigian Cardinals of Sixtus V." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648270.

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Glowark, Erik. "The Christianization of Japan During the First Thirty Years of the Jesuit Apostolate." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11510.

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viii, 169 p.
The Jesuit mission to Japan (1549-1639) has long attracted the attention of historians because it coincided with a number of developments in Japanese history: increasing contact with Western powers, political reunification, and the transition to early modernity. However, few historians have placed the Jesuit mission in the wider context of Christianization, a process that many different peoples and cultures globally experienced during the premodern and early modern periods. This study examines Japan's participation in the world-historical process of Christianization during the first thirty years of the Jesuit apostolate. Making extensive use of Jesuit documents written between 1548 and 1561, this study demonstrates how the Japanese of the sixteenth century experienced Christianization and how that experience connected them to other missionized peoples and cultures across time and space.
Committee in charge: Jeffrey Hanes, Chairperson; Andrew Goble, Member; Robert Haskett, Member
10000-01-01
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LaCerva, Daniel Anthony. "Purepècha y Pescado: Food, Status, and Conquest in 16th Century Michoacán." University of Toledo / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1503004991079327.

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Blakeway, Amy Louise. "Regency in sixteenth-century Scotland." Thesis, University of Cambridge, 2010. https://www.repository.cam.ac.uk/handle/1810/252207.

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Books on the topic "Emblems – History – 16th century"

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Humble, Richard. A 16th century galleon. New York: P. Bedrick Books, 1995.

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1961-, Bergin Mark, ed. A 16th century galleon. New York: P. Bedrick Books, 1995.

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The conquest of Abyssinia: 16th century. Hollywood, CA: Tsehai Publishers & Distributors, 2003.

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Famous warriors of 16th century Japan. Hollywood, CA: W.M. Hawley, 1993.

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Pennington, Anne Elizabeth. Music in medieval Moldavia, 16th century. Bucharest: Musical Pub. House, 1985.

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D'Accone, Frank A. Music and musicians in 16th-century Florence. Aldershot: Ashgate/Variorum, 2007.

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Gauldin, Robert. A practical approach to 16th century counterpoint. Long Grove, Illinois: Waveland Press, 2013.

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Gallery, Japan House, Nihon Katchū Bugu Kenkyū Hozonkai., and Asian Art Museum of San Francisco., eds. Spectacular helmets of Japan, 16th-19th century. New York: Japan Society, 1985.

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Ashfāq, Aḥmad. Unani literature produced from 13th century to 16th century. Hyderabad: National Institute of Indian Medical Heritage, 2017.

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A 16th century Italo-Byzantine cross. Piscataway, NJ: Gorgias Press, 2012.

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Book chapters on the topic "Emblems – History – 16th century"

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Epstein, Stephan R. "Middle Ages — 16th Century: Introduction." In Comparative Rural History of the North Sea Area, 76–81. Turnhout: Brepols Publishers, 2001. http://dx.doi.org/10.1484/m.corn-eb.3.299.

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Monzón, Cristina. "Tarascan Orthography in the 16th Century." In Studies in the History of the Language Sciences, 65. Amsterdam: John Benjamins Publishing Company, 2005. http://dx.doi.org/10.1075/sihols.109.04mon.

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Dibbets, Geert R. W. "Dutch philology in the 16th and 17th Century." In The History of Linguistics in the Low Countries, 39. Amsterdam: John Benjamins Publishing Company, 1992. http://dx.doi.org/10.1075/sihols.64.03dib.

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Kibbee, Douglas A. "French Grammarians and Grammars of French in the 16th Century." In History and Historiography of Linguistics, 301. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/sihols.51.1.32kib.

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Perelló, M., and E. Rabasa. "Stone and brick flat vaults from the 16th century in Spain." In History of Construction Cultures, 356–63. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003173434-150.

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Kibbee, Douglas A. "Language Variation and Linguistic Description in 16th-Century France." In North American Contributions to the History of Linguistics, 49. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/sihols.58.06kib.

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Traetta, L. "Giuseppe Ceredi. A Hydraulic Engineer in 16th-Century Italy." In Explorations in the History and Heritage of Machines and Mechanisms, 17–27. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03538-9_2.

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Izzo, Herbert J. "Phonetics in 16th-Century Italy: Giorgio Bartoli and John David Rhys." In The History of Linguistics in Italy, 121. Amsterdam: John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.07izz.

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Barrera, F. B. Orozco. "Stability and construction of the 16th century Mexican rubble masonry vaults in Jiutepec Morelos." In History of Construction Cultures, 19–25. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003173359-3.

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Ellis, Harold, and Sala Abdalla. "The age of the surgeon-anatomist: Part 1 – from the mid-16th century to the end of the 17th century." In A History of Surgery, 35–46. Third edition. | Boca Raton, Florida: CRC Press, [2019] |: CRC Press, 2018. http://dx.doi.org/10.1201/9780429461743-5.

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Conference papers on the topic "Emblems – History – 16th century"

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"A Short History of Income Property Valuation Models - The 17th to 21st Century." In 16th Annual European Real Estate Society Conference: ERES Conference 2009. ERES, 2009. http://dx.doi.org/10.15396/eres2009_385.

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Balunov, Igor. "HISTORY OF THE TOBOLSK TRINITY CHURCH: FROM THE FIRST WOODEN TO THE SECOND CATHEDRAL (LATE 16th - LATE 18th CENTURY)." In Тобольск в веках: история, архитектура и культура. Киров: Межрегиональный центр инновационных технологий в образовании, 2022. http://dx.doi.org/10.52376/978-5-907623-13-2_043.

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Stasyuk, I., and A. Gorodilov. "Archaeological investigations of the foundations of the Church of St. Paraskeva-Pyatnitsa (Mikhaylovsky) of the 16th century near Kingisepp (Leningrad Oblast) in 2019." In Bulletin of the Institute for the History of Material Culture Russian Academy of Sciences: (rescue archaeology). Institute for the History of Material Culture Russian Academy of Sciences: (rescue archaeology), 2020. http://dx.doi.org/10.31600/978-5-907298-13-2-2020-120-127.

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Masuyama, Yutaka, Kensaku Nomoto, and Akira Sakurai. "Numerical Simulation of Maneuvering of "Naniwa-maru," A Full-scale Reconstruction of Sailing Trader of Japanese Heritage." In SNAME 16th Chesapeake Sailing Yacht Symposium. SNAME, 2003. http://dx.doi.org/10.5957/csys-2003-015.

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Numerical simulation of maneuvering of “Naniwa-maru" was performed to clarify the maneuver characteristics in particular with wearing operation. "Naniwa-maru" belongs to a type called Higaki-kaisen, and the Higaki-kaisen is a type of the more generic class of vessels named "Bezai-ship". Bezai-ship are typical Japanese sailing traders in the 18th to the mid- 19th century which have different appearance and construction from those of Western tall ships. The present paper shows the numerical simulation of her wearing operation, and the results compared with the measured data. The equations of motion dealt with coupled ship motions of surge, sway, roll and yaw with co-ordinate system using horizontal body axes. The numerical simulation indicates ship response according to the measured time history of rudder angle, and shows the ship trajectory and the sailing state parameters such as heading angle, leeway angle, heel angle and velocity. The calculated results indicated the ship performance very well.
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Turilov, Anatolij. "The History of the “Second and a Half” South Slavonic Infl uence: The Cultural Ties of the Eastern and Southern Slavs in the Late 15th - Mid 16th Centuries and Their Regional Features." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.25.

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The report focuses on the cultural ties (mainly literary) between Eastern and southern Slavs in the late 15th – mid-16th century. The variants of these relations for the Moscow state and the Grand Duchy of Lithuania and Poland are compared.
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Kochetkova, Uliana E. "SIGNIFICANCE OF DECIPHERING THE ADAM ALPHABET IN THE HISTORY OF PHONETIC RESEARCH." In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.28.

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This study aims to consider the significance of deciphering the Hebrew alphabet for the history of phonetic thought. Hermetic and Kabbalistic teachings endowed the Hebrew language with a divine meaning. Traditionally considered as given to Adam by God, this alphabet was called the Alphabet of Adam. The novelty and relevance of the current work are defined by the lack of a comprehensive description of the relationship between these traditional ideas and phonetics. The need for it is caused by the earlier observations about the possible influence of the 17th century concepts on the results of later measurements of vowels with tuning forks, and by the widespread opinion about the low significance of this period in linguistic science history. Though there can be found some publications devoted to concrete authors of the 16th–17th centuries, their contribution to the development of phonetic sciences has not yet been acknowledged. The current research is based on primary and secondary sources in Latin, English, French and Russian. The analysis showed that deciphering the vowels of Hebrew alphabet led to the first attempt to accurately describe vowel acoustic features, the empirical study of their articulatory characteristics and to the search for the “ideal” alphabet built of iconic signs. It also allowed the authors to develop methods for teaching deaf-mutes and systematize vowels. Thus the initial hypothesis about the significance of deciphering the Alphabet of Adam for the history of phonetic thought was confirmed. Refs 25.
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Štimac Grandić, I., D. Grandić, P. Šćulac, L. Matešić, and P. Krolo. "Reconstruction and Restoration of the Upper Bridge in Nin." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.1210.

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<p>The Upper Bridge originates from the 16th century and is inscribed in the Croatian Registry of Cultural Objects as part of the cultural-historical city of Nin. The bridge was built on low bearing capacity and soft soil. For the most part, the bridge deck is supported on the stone embankment while the passage of sea under the bridge is allowed through three vaults. During its 450 years of existence, the Upper Bridge has been destroyed several times due to river floods or damaged as a result of the ground settlement. In the catastrophic flood that occurred in 2017 the middle third of the bridge was completely destroyed. The presented project of bridge reconstruction and restoration solved the problem of foundation of the bridge and flow problem through the extended flow profile underneath the vaults taking into account the earthquake resistance, durability of the structure and original appearance of the bridge.</p>
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Nava, Fernando Pérez, Isabel Sánchez Berriel, Alejandro González González, Cecile Meier, Jesús Pérez Morera, and Carmen Rosa Hernández Alberto. "AN INTERACTIVE 3D APPLICATION OF A HOUSE FROM THE XVI CENTURY IN SAN CRISTÓBAL DE LAGUNA AS A CASE STUDY FOR THE DISSEMINATION OF CULTURAL HERITAGE." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12061.

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At the end of the XVI century, the historic centre of San Cristóbal de La Laguna was definitively configured as we know it today, as can be seen in the first preserved map of the city, drawn in 1588 by the engineer Leonardo Torriani. It is the first non-fortified Spanish colonial city and its plan has provided a model for the colonial cities of America, making it a UNESCO World Heritage site. The dissemination of this legacy is a task of great importance. A tool of increasing importance for the dissemination and preservation of history and cultural heritage are reconstructions and virtual recreations in 3D. This paper presents a case of the use of these tools for the dissemination of the city's heritage. The 3D modelling of one of the most characteristic types of housing in San Cristóbal de La Laguna in the 16th century is carried out along with the 3D modelling of human virtual characters all based on the historical documentation of that time. With these elements a WebGL application has been implemented in which a user can visit the virtually reconstructed house and receive information on the construction systems and architecture in the city on the XVI century.
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Hudson, Bob. "Old Burmese weights were not opium weights. They were weights. What else do we know about them? | ရှေးဟောင်းမြန်မာ့အလေးများသည် ဘိန်းချိန်သည့်အလေးများမဟုတ်ပါ၊ အချနိ ်အတွယ်အလေးများသာ ဖြစ်သည်။ ယင်းတို့အကြောင်း ဘာတွေများ သိရပါသနည်း။." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-29.

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Bronze weights from Myanmar (old Burma) are popularly but incorrectly identified as “opium weights”. This paper examines the historical evidence for a system of weights and measures in old Burma going back to the 11th to 14th century Bagan period. It also examines the challenge to Southeast Asian archaeology, history and museology posed by the popular “Angel Weights” website and Facebook pages, which claim that a hoard of bronzes and associated documentation kept in a so-far undisclosed location represents a hitherto unknown collection of weights that date back to the Bagan and 14th to 16th century First Ava periods. This (so far) private curatorship of alleged historical data presents a dilemma: how does an academic deal with data that is available only on the internet, presented only from the viewpoint of its owners? မြန်မာပြည် (ယခင်ဗမာပြည်)မှ ကြေးရုပ်အလေးများကို လူသိများလှသော်လည်း ဘိန်းချိန် အလေးများဟူ၍ လွဲမှားစွာ ဖွင့်ဆိုလေ့ရှိသည်။ ယခုစာတမ်းမှာ အေဒီ(၁၁)ရာစုမှ (၁၄)ရာစု ရှေးခေတ် မြန်မာပြည် ပုဂံခေတ်ကာလတွင် သုံးစွဲခဲ့သော အလေးချိန်စနစ်တစ်ခုအတွက် သမိုင်းဆိုင်ရာ အထောက်အထားများကို လေ့လာရှာဖွေရန်ဖြစ်သည်။ အလားတူပင် အရှေ့တောင်အာရှ ရှေးဟောင်း သုတေသန၊ သမိုင်းနှင့် ပြတိုက်ဆိုင်ရာ ကြေးထည်ပစ္စည်းများနှင့် ဆက်စပ်အထောက်အထားများကို ယင်းတို့၏ မူရင်းနေရာ အတိအကျ မသိရှိဘဲ ပုဂံခေတ်မှ အေဒီ(၁၄_၁၆) ရာစု အင်းဝခေတ်တို့နှင့် သက်ဆိုင်သည့် ကြေးထည်ပစ္စည်းနှင့် အလေးများဟူ၍ “နတ်ရုပ်အလေးများ” ကွန်ယက်နှင့် ဖေ့စ်ဘုတ် လူမှုကွန်ယက်စာမျက်နှာများတွင် လူသိထင်ရှားဖော်ပြ ထားခြင်းတို့အပေါ် စောဒကတက်စရာရှိသည် များကို စစ်ဆေးလေ့လာသွားရန်လည်းဖြစ်သည်။ ဤသို့ (ဖော်ပြထားသည့်) ကိုယ်ပိုင်ပြသမှု များမှ သမိုင်းဆိုင်ရာ အချက်အလက် များကို လိုသလို သုံးစွဲနေမှုများသည်-“ပစ္စည်းပိုင်ရှင်တို့၏ အထင် အမြင်ဖြင့်သာ ဖော်ပြထားသည့် အင်တာနက် တွင်သာရနိုင်သော အချက်အလက်များနှင့် ပညာရပ်ဆိုင်ရာ လေ့လာမှုတို့မည်ကဲ့သို့ ဆက်စပ်နိုင်ကြ မည်နည်း”ဟူသော အကြပ်အတည်းတစ်ခုကိုလည်း ဖော်ပြ လျက်ရှိသည်။
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Gugeanu, Mariana, and Doina Gugeanu. "Structuri textile provenite din necropola bisericii Adormirea Maicii Domnului, Mănăstirea Căpriana. Cercetare și conservare-restaurare." In Cercetarea și valorificarea patrimoniului arheologic medieval. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.37710/idn-c12-2022-204-211.

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The archaeological research carried out at “The Assumption of the Virgin Mary” Church of Căpriana Monastery highlighted that starting with the 16th century a necropolis had been built in the pronaos and threshold of the church, including tombs of the boyar founders’ families. The archaeological inventory of the necropolis within “The Assumption of the Virgin Mary” Church contains also fragments of textile materials. The study of the archaeological textile materials of Căpriana Monastery, mainly the structure of the natural silk weavings and the chenille made by tablet weaving, respectively, led to the reconstitution of the techniques used to obtain these textile materials during the mediaeval period. This paper presents the research of several textile structures deriving from tomb no. 50, the Necropolis of “The Assumption of the Virgin Mary” Church, Căpriana Monastery. The paper also describes the process of conservation-restoration applied in the case of these textile structures. The conservationrestoration of the movable cultural heritage is firstly a matter of scientific research, compulsorily complemented by the intervention on the object using highly qualified methods of technical execution. A stage of major importance in the life of archaeological textiles, their conservation-restoration ensures the continuity of these slices of the history of mankind.
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