Relevant bibliographies by topics / Elusivity of the liminal

Academic literature on the topic 'Elusivity of the liminal'

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Published: 4 June 2021
Last updated: 5 February 2022

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Journal articles on the topic "Elusivity of the liminal"

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Treves, A., M. Colpi, and R. Turolla. "Can magnetic field decay explain the elusivity of old neutron stars?" Astronomische Nachrichten: News in Astronomy and Astrophysics 319, no. 1-2 (1998): 109. http://dx.doi.org/10.1002/asna.2123190151.

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Ferry-Graham, LA. "Effects of prey size and mobility on prey-capture kinematics in leopard sharks triakis semifasciata." Journal of Experimental Biology 201, no. 16 (August 15, 1998): 2433–44. http://dx.doi.org/10.1242/jeb.201.16.2433.

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Recent work on teleosts suggests that attack behaviors or kinematics may be modified by a predator on the basis of the size of the prey or the ability of the prey to sense predators and escape capture (elusivity). Sharks are generally presumed to be highly visual predators; thus, it is reasonable to expect that they might also be capable of such behavioral modulation. In this study, I investigated the effect of prey item size and type on prey-capture behavior in leopard sharks (Triakis semifasciata) that had been acclimated to feeding in the laboratory. Using high-speed video, sharks were filmed feeding on two sizes of the same prey item (thawed shrimp pieces) and two potentially more elusive prey items (live earthworms and live mud shrimp). In leopard sharks, little effect of prey elusivity was found for kinematic variables during prey capture. However, the large proportion of successful captures of the live prey suggests that they did not prove to be truly elusive prey items for the leopard shark. There were significant size effects on prey-capture kinematics, with the larger non-elusive items inducing greater head expansion during prey capture. Ram-suction index values also indicated that strikes on large, non-elusive prey had a significantly larger suction component than strikes on similar small prey items. This finding is interesting given that the two sizes of non-elusive prey item offered no differential challenge in terms of a performance consequence (reduced capture success).
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Kinsella, John. "Liminal Devotional." World Literature Today 78, no. 3/4 (2004): 24. http://dx.doi.org/10.2307/40158485.

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Munro, Ray. "Liminal Performances." Dialogue and Universalism 15, no. 3 (2005): 161–67. http://dx.doi.org/10.5840/du2005153/454.

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Hill, Gary, George Quasha, and Charles Stein. "Liminal Performance." PAJ: A Journal of Performance and Art 20, no. 1 (January 1998): 1. http://dx.doi.org/10.2307/3245872.

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Squier, Susan M. "Liminal Livestock." Signs: Journal of Women in Culture and Society 35, no. 2 (January 2010): 477–502. http://dx.doi.org/10.1086/605511.

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Sacramento, Octávio. "Liminal Spaces." Space and Culture 14, no. 4 (September 30, 2011): 367–83. http://dx.doi.org/10.1177/1206331211412255.

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Based on ethnographic fieldwork on female prostitution in the border areas between Portugal and Spain, this article focuses on the analysis of physical space as a dimension of substantial influence over the organization and social dynamics of the cross-border demand for sexual services. The basic aim is to understand the strategies underpinning the localization of “clubs,” and to interpret the processes whereby their clients incorporate specific geographies of desire/eroticism and cartographies of male (in)fidelity into their everyday lives. In order to do this, special analytical attention was paid to the diacritical markers that men use to delineate the specific social spheres in which they are permanent or temporary actors, and that indicate the changes taking place in the frames that guide their definition of the distinct situations in which they find themselves. By constructing a multidimensional concept of the border/frontier, the article also explores and interprets men’s experiences in the “ecology” of commercial sex, and their subjective perceptions and attempts to legitimate extramarital sexual pursuits in the context of their most typical daily social roles, in particular those related to the family.
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Shields, Rob. "Liminal abstraction." Distinktion: Journal of Social Theory 20, no. 3 (May 27, 2019): 342–52. http://dx.doi.org/10.1080/1600910x.2019.1618358.

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Sargent, Carolyn F., and Stéphanie Larchanché-Kim. "Liminal Lives." American Behavioral Scientist 50, no. 1 (September 2006): 9–26. http://dx.doi.org/10.1177/0002764206289652.

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Wisehart, Nat. "Liminal Space." Minnesota review 2020, no. 95 (November 1, 2020): 47–52. http://dx.doi.org/10.1215/00265667-8623672.

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Dissertations / Theses on the topic "Elusivity of the liminal"

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Latimer, Christine. "The invisible view betwixt and between : exegesis submitted in partial fulfilment of requirements for the degree of Masters of Art & Design, AUT University, November, 2008." Click here to access this resource online, 2008. http://hdl.handle.net/10292/456.

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This thesis explores the idea of a liminal space, as being dreamlike, suspended in time and physically unlocatable. It questions and exploits the boundary between abstraction and figuration in painting. This investigation has been considered from a subjective viewpoint allowing a distancing of space to illuminate new perceptions and experiences through the language of painting. The project has sought to explore the relationship between the natural world and seeing, to deepen and emphasize the other worldliness of an in-between space. This third space has been evoked by a process of abstracting pictorial content, juxtaposition of elements, colour and composition. The thesis is constituted of practice-based 80%, accompanied by an exegesis 20%.
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Smith, Callie. "Liminal." Ohio University Honors Tutorial College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1619183772384797.

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Zamboni, Camilla. "LIMINAL FIGURES, LIMINAL PLACES: VISUALIZING TRAUMA IN ITALIAN HOLOCAUST CINEMA." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1244042142.

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Jain, Dhawal Suresh. "The Liminal Shift." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/83892.

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Malawi is currently identified as one of the poorest countries in the world, based upon economic factors and the large dependence of the country on foreign aid. Poverty is endemic, but how does one measure factors such as happiness and contentment that exists in many communities? How does one account for cultural richness and diversity? Known as the warm heart of Africa, Malawi lives up to its reputation through the warmth and hospitality shown by its people. In spite of an absence of a strong formal architectural history, one cannot help but be impressed by the crude vernacular architecture that is found throughout the country. Together these two conditions, the warm heart and vernacular architecture lead to the question concerning the role of architecture in augmenting Malawis image globally. How can these pre-liminal conditions come together as a force that would start scripting the path of progress for Malawi as a nation? This thesis evaluates the current pre-liminal situation in Malawi through the study of its activities, events and culture. It proposes an intervention in the form of a new library which at its core is developed around the principles of liminality. From the gathering spaces to the local construction techniques and the use of shaded spaces in and around the building, this thesis is an attempt to trigger a liminal shift in Malawi.
Master of Architecture
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Daw, Micah Daniel. "Painting the Liminal." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276667967.

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MacNeil, Mavis O. "The Liminal Voices." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1490635230545844.

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Galloway, Lisa R. "Liminal : a poetry collection." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313634.

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This project comprises the best poetry written in my graduate study at Ball State University. The title, Liminal, is a term that has reappeared thematically in my work. Merriam Webster defines it as: "the threshold of a physiological or psychological response," but more than that, for me liminality is the doorframe between things; it is poetry. Poetry is a conglomeration of splicing between inner worlds and outer worlds; it tries to capture and recreate physiological or psychological responses, bringing the reader into the threshold that the writer has exited. Poetry is a door, a threshold; it is liminal. Thresholds are infinite and immeasurable; therefore, I have tried to capture or recreate liminal moments of my life into words that are physical, measurable in a sense, and therefore create presence, inviting readers through the threshold of my literary house out of the liminal abyss. These 36 pages of poetry contain liminal subject matter, whether embodying sexuality, relationships, spirituality, or moments bordering life and death, but always the inestimable line between two things.
Department of English
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Sutton, Frances Santagate. "Defining the Liminal Athlete: An Exploration of the Multi-Dimensional Liminal Condition in Professional Sport." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492612100468383.

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Pallí, Monguilod Cristina. "Entangled laboratories: Liminal practices in science." Doctoral thesis, Universitat Autònoma de Barcelona, 2004. http://hdl.handle.net/10803/5451.

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This thesis presents an ethnography of a research institute in biology and biomedicine (Institut de Biologia i Biomedicina, UAB). As such, it intends to contribute to the tradition of Studies of Science and Technology (STS), in particular, to the so-called "laboratory studies". Likewise, on dealing with technoscience it also attaches to an emergent discipline, social psychology of science and technology. Theoretically, this work tackles the notion of 'belonging', offering alternative ways of imagining 'relationality' or 'being together'. To do so, we find inspiration in the notion of 'partial connection', as elaborated by Strathern, as well as in several contributions from social sciences, mainly anthropology and STS.
Belonging, we argue, does not mean to be included in clear-cut categories, as if communities were enclosed by a symbolic boundary that reproduces reification and exclusion. On the contrary, belonging is an on-going process open to the relation. When we enter a relationship with alterity, the certainties of our world shake, clear-cut categories and identities are suspended, and we question our own position. We are not inside or outside the boundary, but in an ambiguous space between borders -we inhabit the boundary, we find ourselves in a liminal moment of ontological transformation. Thinking 'belonging' from within liminality allows us to understand how heterogeneous entities can nevertheless attach together and belong to each other.
Each chapter of the thesis tests differently the empirical productivity of these ideas. Firstly, the thesis presents some of the transformations that the author suffers, on relating to the community offering hospitality. Moved by something other than herself, the ethnographer emerges out of this encounter as a new position partially connected to the old one: partly the same, partly different. Thus, self-other relations involve a vector of movement, of exile, of expropriation typical of liminal situations.
Next, the structure, functioning, rituals and institutional character of a scientific group in the context of Spanish University are analysed. The work describes the progressive constitution of scientists as competent members of their labs, the development of their careers from students to leaders. We also discuss the ambiguous role that the latter play when looking for funding for the group, developing an heterogeneous activity in which the boundary between 'science' and 'politics' blurs. Likewise, we show how scientists in this country try to overcome some limitiations of Spanish science (for instance, low budget) through collaborations and other original strategies, in order to assure their belonging to European and international science.
In an attempt to extend the notion of relationality to materials, the thesis approaches how scientists connect and articulate the diverse results which different groups achieve locally, so as to construct collectively a common universe. To this aim, and observing some collaborative work between laboratories, we will analyse how a protein is articulated and engineered into being.
The thesis also deals with several tensions that cross the IBB and its knowledge production, such as those between national science and international science, market and gift economy, exchange and collaboration, territorialisation and deterritorialisation, virtuality and actuality, stability and mobility. These tensions are examined not to create antagonisms or reify dichotomies, but to show how the IBB is constituted precisely in the creative, moving field defined by all of them, as a complicated assemblage that brings together parts which do not quite fit. To describe the work of constitution of such an assemblage, we inquire into the notions of exchange, mediation and movement, as well as into their bonding characteristics. At last, the conclusion will try to summarise and blend the different concerns that are elaborated in the whole work.
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Marshall, Diane Connelly Frances S. "The liminal mythology of Anish Kapoor." Diss., UMK access, 2004.

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Thesis (M.A.)--Dept. of Art and Art History. University of Missouri--Kansas City, 2004.
"A thesis in art history." Typescript. Advisor: Frances S. Connelly. Vita. Title from "catalog record" of the print edition Description based on contents viewed Feb. 27, 2006. Includes bibliographical references (leaves 181-197). Online version of the print edition.
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Books on the topic "Elusivity of the liminal"

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Fajardo-Hill, Cecilia, writer of supplementary textual content, Léon de la Barra, Pablo, 1972- writer of supplementary textual content, Martínez, Chus, writer of supplementary textual content, and Henrique Faria Fine Art (New York, N.Y.), eds. Liminal. Spain?]: Turner, 2014.

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Liminal. Talybont, Ceredigion: Alcemi, 2007.

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Liminal. London: Rufus, 2012.

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Chawla, Devika, and Amardo Rodriguez, eds. Liminal Traces. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-591-8.

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Arnold, David Scott. Liminal Readings. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22466-1.

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Carpi, Daniela, and Jeanne Gaakeer, eds. Liminal Discourses. Berlin, Boston: DE GRUYTER, 2013. http://dx.doi.org/10.1515/9783110301137.

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Emilio Amero: Un modernista liminal = a liminal modernist. [Mexico]: Albedrío, 2008.

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Ripa, Giuseppe. Giuseppe Ripa: Liminal. Milano: Charta, 2011.

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McIntosh, Leanne. Liminal space: Poems. Lantzville, B.C: Oolichan Books, 2005.

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Hill, Gary. Hand heard/liminal objects. [Paris]: Galerie des Archives, 1996.

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Book chapters on the topic "Elusivity of the liminal"

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Phillips, Thomas. "Becoming-Liminal." In Liminal Fictions in Postmodern Culture, 97–121. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137548771_5.

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Troschitz, Robert. "Liminal seaside?" In The Making of English Popular Culture, 104–17. Milton Park, Abingdon, Oxon; New York: Routledge, 2016.: Routledge, 2016. http://dx.doi.org/10.4324/9781315720678-8.

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Rycroft, Eleanor. "Liminal Masculinity." In Facial Hair and the Performance of Early Modern Masculinity, 65–96. Routledge: Abingdon, Oxon; New York, 2019. | Series: Studies in performance and early modern drama: Routledge, 2019. http://dx.doi.org/10.4324/9781351265041-3.

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Powell, Anastasia, Gregory Stratton, and Robin Cameron. "Liminal Images." In Digital Criminology, 91–111. New York, NY: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315205786-5.

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Deo, Aditya Pratap. "Liminal Crossings." In Kings, Spirits and Memory in Central India, 61–76. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003219224-3.

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Chawla, Devika. "Introduction." In Liminal Traces, 1–9. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-591-8_1.

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Rodriguez, Amardo. "Epilogue." In Liminal Traces, 125–26. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-591-8_10.

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Chawla, Devika. "Between Stories and Theories Embodiments, Disembodiments, and Other Struggles." In Liminal Traces, 13–24. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-591-8_2.

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Rodriguez, Amardo. "Predicaments, Dilemmas, and the Challenge of Knowledge." In Liminal Traces, 25–33. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-591-8_3.

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Rodriguez, Amardo. "Notes on Orality, Performativity, and Postcolonilaity." In Liminal Traces, 35–44. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-591-8_4.

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Conference papers on the topic "Elusivity of the liminal"

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Wright, Ken. "Professional visions in the liminal worlds of graphs." In the 8th iternational conference. Morristown, NJ, USA: Association for Computational Linguistics, 2007. http://dx.doi.org/10.3115/1599600.1599744.

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Dempsey, Mary, and Attracta Brennan. "TURBOCHARGING THE JOURNEY INTO THE LIMINAL SPACE AND BEYOND." In International Technology, Education and Development Conference. IATED, 2017. http://dx.doi.org/10.21125/inted.2017.1028.

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Bailur, Savita. "The liminal role of the information intermediary in community multimedia centres." In the 4th ACM/IEEE International Conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/2369220.2369224.

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De Salvatierra, Alberto, and Samantha Solano. "On the Liminal Fertility of Urban Binaries in the Sin City of Neon Lights." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.48.

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This paper engages in an initial exercise of re-imaging one of the most well-known—and most misperceived—cities on the planet. Las Vegas’ one-sided reputation will first be expanded into a series of binary pairings, and then the problematic friction between them will be highlighted. While a structuralist approach, the added dimensionality by these established polarities will reveal the fertile potential of their liminal gradients. As new identities materialize, important questions about the future of Las Vegas will begin to arise. A surprisingly contested and isolated urban condition in perpetual tension between diminishing water resources, vested capital interests, troubled sociological phenomena, expanding military operations, and delimiting natural preservation practices, Las Vegas is volunteered as a city ripe for further critical analysis and exploration.
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Dektisa H, Andrian. "Reading Postcolonial Liminal Space in the Euphoria of Characteristic KNIL Soldiers of Surabaya Reenactor Community." In International Post-Graduate Conference on Media and Communication. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007328903260332.

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O'Dea, Majella, Attracta Brennan, and Mary Dempsey. "SUPPORTING ONLINE STUDENTS THROUGH THE LIMINAL SPACE FROM FACILITATED ONLINE MODULES TO SELF-STARTING A THESIS." In 12th International Technology, Education and Development Conference. IATED, 2018. http://dx.doi.org/10.21125/inted.2018.1575.

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Nieuwland, J., M. A. A. M. van Gerwen, and F. L. B. Meijboom. "34. Rumble in the urban jungle: moral dilemmas in the management of liminal rodents perceived as pests." In 6th EAAP International Symposium on Energy and Protein Metabolism and Nutrition. The Netherlands: Wageningen Academic Publishers, 2019. http://dx.doi.org/10.3920/978-90-8686-892-6_34.

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Levesque, Simon. "PLAY AS THE LIMINAL PERFORMATIVE MODALITY OF EXISTENCE. THE ORIGIN OF ‘FLIGHTS OF FANCY’ ACCORDING TO HENRI LABORIT." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-134.

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van Gerwen, M. A. A. M., J. Nieuwland, and F. L. B. Meijboom. "33. What if we lack a licence to kill – thinking out-of-the-box in our relationship with liminal rodents." In EurSafe 2021. The Netherlands: Wageningen Academic Publishers, 2021. http://dx.doi.org/10.3920/978-90-8686-915-2_33.

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Garrido Izaguirre, Eva María. "Estética indígena y glocalización: agentividades recursivas." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5632.

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En esta ponencia se abordará el caso de la producción estética de Ocumicho, una comunidad indígena perteneciente a la etnia purépecha, en México. A partir de la antropología del arte se sondeará la agencia de una arte local que ha influido en la obra de artistas como Eduardo Galeano, que se encuentra en galerías y museos nacionales e internacionales, una producción que es catalogada como arte, arte popular o artesanía, categorizaciones que la ubican en un estado liminal que corresponde a la realidad histórica y social de sus creadoras: mujeres, en condiciones de pobreza e indígenas, que modelan la historia local de su comunidad y sus rituales al tiempo que acontecimientos globales y nacionales bajo la articulación de un personaje; el diablo, que les ha dado fama internacional. Estas esculturas en barro policromado, creadas fundamentalmente por mujeres, son el resultado de procesos creativos y de circulación que permiten analizar las recursividades que se activan a partir de la agencia de distintos actores, sean estos las creadoras, las políticas públicas nacionales, los coleccionistas, museos, artistas de otras disciplinas, académicos o las propias obras de arte y sus particularidades estéticas.http://dx.doi.org/10.4995/ANIAV.2017.5632
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Reports on the topic "Elusivity of the liminal"

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.
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