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Relevant bibliographies by topics / Elizabeth of Hardwick

Academic literature on the topic 'Elizabeth of Hardwick'

Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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Journal articles on the topic "Elizabeth of Hardwick"

1

Miller, Stephen. "Elizabeth Hardwick: The Mystique of Manhattan." Sewanee Review 121, no. 4 (2013): 600–611. http://dx.doi.org/10.1353/sew.2013.0104.

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Lawson, J. A. "Bess of Hardwick and Elizabeth St Loe." Notes and Queries 61, no. 2 (April 23, 2014): 206–11. http://dx.doi.org/10.1093/notesj/gju025.

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Banerjee, A. "The Dolphin Letters, 1970–1979: Elizabeth Hardwick. Robert Lowell and Their Circle." English Studies 101, no. 6 (July 8, 2020): 781–83. http://dx.doi.org/10.1080/0013838x.2020.1777755.

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Morris, Richard K. "‘I was never more in love with an olde howse nor never newe worke coulde be better bestowed’: The Earl of Leicester’s remodelling of Kenilworth Castle for Queen Elizabeth I." Antiquaries Journal 89 (August 14, 2009): 241–305. http://dx.doi.org/10.1017/s0003581509990060.

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AbstractKenilworth, though a castle in name, was converted by Robert Dudley, earl of Leicester, into the first great Elizabethan progress house. This article aims to provide the first thorough account and assessment of his architectural works at Kenilworth. It is based primarily on the author’s long acquaintance with the castle’s building fabric, supplemented by the opportunities afforded by the recent programme of works undertaken by English Heritage and by new documentary information. Among the discoveries are several works (previously attributed to Leicester) which can be assigned to his father, the duke of Northumberland (c 1553) and also evidence for an early phase of work for Leicester himself (c 1568–9).His most important architectural achievement, Leicester’s Building, is shown to have been built specifically to accommodate Queen Elizabeth, and the functions of its rooms are reconstructed. Evidence is assembled to show that Leicester’s Building was erected between 1570 and 1572, in anticipation of her 1572 visit. Archaeological analysis of its standing fabric shows that it underwent considerable modification subsequently, presumably in readiness for the 1575 progress. The physical evidence for Leicester’s other architectural works at the castle is assessed, including the remodelling of the great tower and the south and east ranges of the inner court.The reasons for Leicester’s grand scheme are considered, as well as the importance of his architecture in the period and the roles of his architects and craftsmen, particularly William Spicer. It is argued that Leicester’s Building was the prototype for the midlands ‘high house’ (of which Hardwick New Hall is the best-known exemplar) and was probably the most significant model for the eclectic, linear style which came to dominate great houses in the second half of Elizabeth’s reign.

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Armstrong, T. D. "An Old Philosopher in Rome: George Santayana and his Visitors." Journal of American Studies 19, no. 3 (December 1985): 349–68. http://dx.doi.org/10.1017/s0021875800015322.

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Rome after the Second World War presented something of an anomaly. Of all the traditional capitals of European civilization it was the least affected by the conflict. Because of the Pope's presence, it had not been bombed, and it had escaped the heavy fighting in the campaigns to the south. Indeed, so easily was it taken that one film was to show the Eternal City captured by a single jeep. Italy was also faster to recover than any of the other combatants. American money flooded into the country, and political life was quickly under way again. All this made it a good place for visitors, a relative bright spot amidst a shattered landscape. Harold Acton, the English historian who went there in 1948, remarked that “After the First World War American writers and artists had migrated to Paris: now they pitched upon Rome.” Among those who visited Rome or lived there for a period after the war were Edmund Wilson, Gore Vidal, Tennessee Williams, Frederic Prokosch, Daniel Cory, Alfred Kazin, Samuel Barber, Robert Lowell and Elizabeth Hardwick (slightly later), as well as Acton himself and a host of less well-known figures. Many were entertained by Lawrence and Babel Roberts, under whose influence “the Roman Academy became an international rendezvous for artists and intellectuals.” While they were there, a large proportion of these writers made a pilgrimage to the Convent of the Blue Sisters, where since 1941 George Santayana had been living in a single room.

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Gleadhill, Emma. "“For I Asked Him Men's Questions”: Late Eighteenth-Century British Women Tourists’ Contributions to Scientific Inquiry." Eighteenth-Century Life 45, no. 3 (September 1, 2021): 158–77. http://dx.doi.org/10.1215/00982601-9273034.

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“We endeavoured with some tools our servants had, to carry some pieces of it with us,” Caroline Powys wrote of her visit to Stonehenge in 1759. “Tho’ our party were chiefly female,” she remarked, “we had no more curiosity than the learn'd gentlemen of the Royal Society.” Carolyn was not alone in challenging the gendered demarcation of scientific observation. From the second half of the century, British women travelers carefully packed minerals in cases, filled bags with botanical specimens, and roamed the shores in search of shells and seaweed. This article proposes that British women of the late eighteenth century used the empirical approach promoted by their polite scientific education to turn their leisured travels into knowledge-finding pursuits. The specimens and observations that they brought home played an overlooked role in allowing them to shape themselves as authoritative observers within the larger scientific knowledge-building enterprise that drew from the diffusion of Enlightenment classificatory systems, overseas exploration, and trade. This article brings to light four understudied eighteenth-century female empiricists: the mistress of Hardwick House, Whitchurch, Oxfordshire, Caroline Lybbe Powys (1738–1817); the first woman to publish a Grand Tour account, Lady Anna Miller (1741–81) of Batheaston, Somerset; the unmarried daughter of the rector of Thornton in Craven, Yorkshire, Dorothy Richardson (1748–1819); and the Whig political salon hostess, Lady Elizabeth Holland (1732–95). Each woman is of interest in her own right, but together, as I will argue, their scientific contributions add significantly to the ongoing investigation of the role that women played in developing Enlightenment science.

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Pritchard, William H. "The Dolphin: Two Versions, 1972–1973 by Robert Lowell, and: The Dolphin Letters, 1970–1979: Elizabeth Hardwick, Robert Lowell, and Their Circle ed. by Saskia Hamilton." Hopkins Review 13, no. 3 (2020): 464–68. http://dx.doi.org/10.1353/thr.2020.0070.

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8

Connor, Elizabeth A., Anna Dunaevsky, David J. G. Griffiths, Jean C. Hardwick, and Rodney L. Parsons. "Transmitter Release Differs at Snake Twitch and Tonic Endplates During Potassium-Induced Nerve Terminal Depolarization." Journal of Neurophysiology 77, no. 2 (February 1, 1997): 749–60. http://dx.doi.org/10.1152/jn.1997.77.2.749.

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Connor, Elizabeth A., Anna Dunaevsky, David J. G. Griffiths, Jean C. Hardwick, and Rodney L. Parsons. Transmitter release differs at snake twitch and tonic endplates during potassium-induced nerve terminal depolarization. J. Neurophysiol. 77: 749–760, 1997. Twitch and tonic muscle fibers of snake skeletal muscle differ in their synpatic as well as mechanical properties. These experiments were aimed at detemining the basis of the difference in vesicular release properties of nerve terminals at twitch and tonic endplates. Miniature endplate currents (MEPCs) were recorded from voltage-clamped garter snake muscle fibers depolarized by high K+ in either a control Ca2+ or high-Ca2+ solution. MEPC frequency increased at twitch and tonic endplates and remained elevated for 8 h during depolarization in control Ca2+. At twitch endplates depolarized in the presence of high Ca2+, an increase in MEPC frequency was followed by a progressive decline. In contrast, MEPC frequency remained elevated in high Ca2+ at tonic endplates. The observed decrease in MEPC freqency at depolarized twitch endplates in high Ca2+ was not a function of the level of depolarization or initial MEPC frequency, nor was it due to a reduction in MEPC amplitude and loss of MEPCs in baseline noise. An optical assay of presynaptic function in which the activity-dependent dye FM1-43 was used confired that quantal reslease differs at twitch and tonic endplates. Most twitch nerve terminals were labeled by FM1-43 during prolonged depolarization with control Ca2+ or after brief depolarization with high Ca2+. In contrast, the number of twitch nerve terminals and the degree to which they were stained was greatly reduced after prolonged exposure to high K+ and high Ca2+, whereas depolarized tonic endplates were well stained by FM1-43 during brief and prolonged exposure to high Ca2+. FM1-43 staining also revealed variable levels of quantal release between individual boutons at twitch endplates after prolonged depolarization in high-Ca2+ solution. The observed reduction in presynaptic function at twitch nerve terminals after prolonged depolarization in high-Ca2+ solution was reversible and therefore not due to irreversible damage to terminal boutons. MEPC frequency increased at both twitch and tonic endplates when either Sr2+ or Ba2+ was substituted for high Ca2+ during K+-induced depolarization. Over time, in Sr2+ or Ba2+ solutions, MEPC frequency remained elevated at tonic endplates but declined at twitch endplates with a time course similar to that observed in high Ca2+. MEPC amplitudes at both endplates remained constant. We conclude that the regulation of quantal release differs in nerve terminals innervating twitch and tonic endplates and postulate that differential intraterminal accumulation of Ca2+ may underlie the observed difference in presynaptic function.

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"INTRODUCTION." Camden Fifth Series 44 (December 2013): 1–45. http://dx.doi.org/10.1017/s0960116313000201.

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Lady Anne Bacon (c.1528–1610) was a woman who inspired strong emotion in her own lifetime. As a girl, she was praised as a ‘verteouse meyden’ for her religious translations, while a rejected suitor condemned her as faithless as an ancient Greek temptress. The Spanish ambassador reported home that, as a married woman, she was a tiresomely learned lady, whereas her husband celebrated the time they spent reading classical literature together. During her widowhood, she was ‘beloved’ of the godly preachers surrounding her in Hertfordshire; Godfrey Goodman, later bishop of Gloucester, instead argued that she was ‘little better than frantic in her age’. Anne's own letters allow a more balanced exploration of her life. An unusually large number are still extant; she is one of the select group of Elizabethan women whose surviving correspondence includes over fifty of the letters they wrote themselves, a group that incorporates her sister, Lady Elizabeth Russell, and the noblewoman Bess of Hardwick, the countess of Shrewsbury.

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"Elizabethan treasures: the Hardwick Hall textiles." Choice Reviews Online 36, no. 04 (December 1, 1998): 36–1977. http://dx.doi.org/10.5860/choice.36-1977.

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Dissertations / Theses on the topic "Elizabeth of Hardwick"

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French, Sara Lillian. "Women, space, and power : the building and use of Hardwick Hall in Elizabethan England /." Online version via UMI:, 2000.

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Curtis, Lauren Aimee. "A Sonata for two women performance and performativity in the works of Renata Adler and Elizabeth Hardwick." Thesis, 2019. http://hdl.handle.net/10453/137063.

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University of Technology Sydney. Faculty of Arts and Social Sciences.
This dissertation examines the correlations between the acts of reading and writing and concepts of performance and/or performativity via case studies of North American authors Renata Adler and Elizabeth Hardwick. I argue that Adler and Hardwick’s literary works, in varying ways, exemplify or illuminate theatrical concepts that underscore the acts of reading and writing, as theorised by Mikhail Bakhtin and Wolfgang Iser. The novels that act as primary texts in this study – Adler’s 𝘚𝘱𝘦𝘦𝘥𝘣𝘰𝘢𝘵 (2013) [1976] and 𝘗𝘪𝘵𝘤𝘩 𝘋𝘢𝘳𝘬 (2013) [1983], and Hardwick’s 𝘚𝘭𝘦𝘦𝘱𝘭𝘦𝘴𝘴 𝘕𝘪𝘨𝘩𝘵𝘴 (2001) [1979] – emerged during a wave of American metafictional and postmodernist literature. They utilise an author-as-persona and feature literary allusions, essayistic meditations, self-reflexive and/or metafictional references, and overt autobiographical references. Crucially, they also emerged during the same period that the terms “performance” and “performativity” proliferated inside and outside of the academy. Hardwick addressed the inherent theatricality of literary forms such as letters and journals. Adler, in 𝘚𝘱𝘦𝘦𝘥𝘣𝘰𝘢𝘵, situates language in terms of performativity. Despite these correlations, there is currently no scholarship that analyses Adler and Hardwick’s work using this critical framework. My case studies combine close readings with archival research, establishing Adler and Hardwick’s texts in their literary historical contexts and drawing on recent author-generated material. Along with Bakhtin and Iser, my analysis is also informed by theorists working in the fields of poststructuralism, postmodernist studies, performance studies, and post-classical narratology. This PhD includes a minor creative component – a novella titled 𝘔𝘢𝘬𝘪𝘯𝘨 𝘛𝘦𝘯𝘥𝘦𝘳 𝘍𝘢𝘤𝘦𝘴 – influenced by Adler and Hardwick’s fragmented prose style and thematically shaped by one of the major recurring themes to emerge from this research project: doubling. Spilt into two parts (𝘗𝘢𝘳𝘵 𝘖𝘯𝘦 is set in Sydney and 𝘗𝘢𝘳𝘵 𝘛𝘸𝘰 at a convent in an unnamed country), 𝘔𝘢𝘬𝘪𝘯𝘨 𝘛𝘦𝘯𝘥𝘦𝘳 𝘍𝘢𝘤𝘦𝘴 ruminates on the interrelated subjects of identity and fiction-making. Throughout the novella, certain storylines, characters, and images are mirrored as the narrative follows the lives of two different protagonists. 𝘔𝘢𝘬𝘪𝘯𝘨 𝘛𝘦𝘯𝘥𝘦𝘳 𝘍𝘢𝘤𝘦𝘴 responds to questions raised in the critical component via thematic undercurrents that speak to ideas concerning performance, persona, and the addresser/addressee relationship in the acts of reading and writing.

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Books on the topic "Elizabeth of Hardwick"

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1953-, Pinckney Darryl, ed. The New York stories of Elizabeth Hardwick. New York: New York Review Books, 2010.

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2

Bess of Hardwick: Empire builder. New York: Norton, 2006.

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3

Levey, Santina M. An Elizabethan inheritance: The Hardwick Hall textiles. London: National Trust, 1998.

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M, Levey Santina, and Thornton Peter 1925-, eds. Of houshold stuff: The 1601 inventories of Bess of Hardwick. London: National Trust, 2001.

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Levey, Santina M. Elizabethan treasures: The Hardwick Hall textiles. London: The National Trust, 1998.

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Britain), National Trust (Great, ed. The embroideries at Hardwick Hall: A catalogue. London: National Trust, 2007.

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1932-, Bradbury Malcolm, and Institute of Contemporary Arts, eds. Elizabeth Hardwick with Malcolm Bradbury. London: ICA Video, 1986.

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Hardwick, Elizabeth. Uncollected Essays of Elizabeth Hardwick. New York Review of Books, Incorporated, The, 2022.

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Bess of Hardwick. Little, Brown Book Group Limited, 2006.

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Hardwick, Elizabeth. The collected essays of Elizabeth Hardwick. 2017.

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Book chapters on the topic "Elizabeth of Hardwick"

1

Pethica, James. "William M. Murphy, Family Secrets: William Butler Yeats and His Relatives; Gifford Lewis, The Yeats Sisters and the Cuala; Joan Hardwick, The Yeats Sisters: A Biography of Susan and Elizabeth Yeats." In Yeats Annual No. 13, 351–56. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-14614-7_18.

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Malay, Jessica L. "Elizabeth Hardwick’s material negotiations." In Bess of Hardwick. Manchester University Press, 2019. http://dx.doi.org/10.7765/9781526101303.00011.

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"12 Elizabeth Hardwick: West Side Stories." In Walking New York, 178–94. Fordham University Press, 2014. http://dx.doi.org/10.1515/9780823263172-015.

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"Chapter One. Political Designs: Elizabeth Tudor, Mary Stuart, and Bess of Hardwick." In Pens and Needles, 30–74. University of Pennsylvania Press, 2010. http://dx.doi.org/10.9783/9780812206982.30.

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French, Sara. "A Widow Building in Elizabethan England: Bess of Hardwick at Hardwick Hall." In Widowhood and Visual Culture in Early Modern Europe, 161–76. Routledge, 2017. http://dx.doi.org/10.4324/9781315234083-10.

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Preston, Claire. "BOTANY, THE TABLE AND HARDWICK NEW HALL." In Music and Instruments of the Elizabethan Age, 35–46. Boydell & Brewer, 2021. http://dx.doi.org/10.2307/j.ctv136c0x3.10.

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Preston, Claire. "BOTANY, THE TABLE AND HARDWICK NEW HALL." In Music and Instruments of the Elizabethan Age, 35–46. Boydell & Brewer, 2021. http://dx.doi.org/10.2307/j.ctv136c0x3.10.

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Lafont, Agnès. "Political Uses of Erotic Power in an Elizabethan Mythological Programme: Dangerous Interactions with Diana in Hardwick Hall." In Shakespeare’s Erotic Mythology and Ovidian Renaissance Culture, 41–58. Routledge, 2016. http://dx.doi.org/10.4324/9781315608730-3.

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