Relevant bibliographies by topics / Elizabeth Grosz / Journal articles

Journal articles on the topic 'Elizabeth Grosz'

To see the other types of publications on this topic, follow the link: Elizabeth Grosz.
Author: Grafiati
Published: 4 June 2021
Last updated: 26 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Elizabeth Grosz.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Noack, Ruth. "Elizabeth Grosz: Volatile Bodies." Die Philosophin 7, no. 13 (1996): 117–19. http://dx.doi.org/10.5840/philosophin199671314.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Editors, The. "Elizabeth Grosz, Jacques Lacan." Journal of French and Francophone Philosophy 1, no. 3 (February 11, 1989): 42. http://dx.doi.org/10.5195/jffp.1989.287.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Jagusiak, Agnieszka. "The Corporeality in Elizabeth Grosz’s Posthumanistic Theory of Two-Dimensional Subjectivity." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Filozofia 12 (2015): 153–65. http://dx.doi.org/10.16926/fil.2015.12.09.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Bergoffen, Debra B. "Elizabeth Grosz, Jacques Lacan: A Feminist Introduction." Journal of French and Francophone Philosophy 5, no. 1 (March 3, 1993): 108–11. http://dx.doi.org/10.5195/jffp.1993.342.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Bell, Vikki. "An Interview with Elizabeth Grosz: ‘The Incorporeal’." Theory, Culture & Society 34, no. 7-8 (November 7, 2017): 237–43. http://dx.doi.org/10.1177/0263276417736814.

Full text
Abstract:
In this interview with Vikki Bell, Elizabeth Grosz explains some of the key concepts and arguments in her book The Incorporeal (2017), including how this book sits with her earlier interventions, the appeal of Simondon’s concept of the pre-individual, Ruyer and the notion of directionality, and why reading the Stoics helps us understand current Deleuzian-inspired debates on immanent ethics.
APA, Harvard, Vancouver, ISO, and other styles
6

Varino, Sofia. "Incorporeal Conditions: Elizabeth Grosz’s Ontoethics." Freiburger Zeitschrift für GeschlechterStudien 24, no. 1-2018 (December 3, 2018): 113–15. http://dx.doi.org/10.3224/fzg.v24i1.07.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Grosz, Elizabeth, Kathryn Yusoff, and Nigel Clark. "An Interview with Elizabeth Grosz: Geopower, Inhumanism and the Biopolitical." Theory, Culture & Society 34, no. 2-3 (February 7, 2017): 129–46. http://dx.doi.org/10.1177/0263276417689899.

Full text
Abstract:
This article is an interview with Elizabeth Grosz by Kathryn Yusoff and Nigel Clark. It primarily addresses Grosz’s approaches to ‘geopower’, and the discussion encompasses an exploration of her ideas on biopolitics, inhuman forces and material experimentation. Grosz describes geopower as a force that subtends the possibility of politics. The interview is accompanied by a brief contextualizing introduction examining the themes of geophilosophy and the inhumanities in Grosz’s work.
APA, Harvard, Vancouver, ISO, and other styles
8

Colebrook, Claire. "Time Travels: Feminism, Nature Power, by Elizabeth Grosz." Journal of the British Society for Phenomenology 39, no. 3 (January 2008): 331–33. http://dx.doi.org/10.1080/00071773.2008.11006656.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Nelson, Diane M. ": Volatile Bodies: Toward a Corporeal Feminism . Elizabeth Grosz." American Anthropologist 98, no. 4 (December 1996): 918–19. http://dx.doi.org/10.1525/aa.1996.98.4.02a00650.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Trappes, Rose. "Evaluating Elizabeth Grosz's Biological Turn." Hypatia 34, no. 4 (2019): 736–54. http://dx.doi.org/10.1111/hypa.12487.

Full text
Abstract:
Elizabeth Grosz's interpretation of Darwinian evolutionary theory to ground a feminist ontology of biology has been particularly controversial. Most critics have understood Grosz as supporting her theory with empirical evidence, and they criticize her for being either inaccurate or uncritical of and overly dependent on science. I argue that Grosz reads Darwin as a philosopher in a Deleuzian and Irigarayan sense, and that Grosz's project is therefore better understood in terms of its ethical and political goals rather than in terms of empirical adequacy. Employing this evaluative framework leads to a novel route for critique of Grosz's ontology in terms of its reliance on the Darwinian distinction between organism and environment. I conclude that Grosz's work is valuable for the way it maintains ethical and political considerations in feminist ontological debates, and that introducing a more sensitive understanding of the organism–environment relation will lead us closer to a truly feminist ontology of biology.
APA, Harvard, Vancouver, ISO, and other styles
11

Peters, Christian Helge. "(Neu-)Politisierungen in feministischen New Materialisms: Elizabeth Grosz, Jane Bennett und Rosi Braidotti." Freiburger Zeitschrift für GeschlechterStudien 24, no. 1-2018 (December 3, 2018): 15–30. http://dx.doi.org/10.3224/fzg.v24i1.02.

Full text
Abstract:
In Auseinandersetzung mit Materialitäten entwickeln feministische New Materialisms ein neues Verständnis politischer Praxen. Materialitäten, insbesondere Körper, werden als aktiv verstanden, mit einer eigenen agency. Im Anschluss an Gilles Deleuze werden hier drei zentrale Theoretikerinnen der feministischen New Materialisms mit ihren je unterschiedlichen (Neu-)Politisierungen von Materialitäten diskutiert: Elizabeth Grosz schließt an die Gedanken von Deleuze zur Kraft des Lebens an und politisiert sie. Die Intuition ist hier eine Erfahrung und Partizipation in den Lebensprozessen der Materialitäten. Jane Bennett greift ebenso auf Deleuzes Konzeption von vitalen und dynamischen Materialitäten zurück und entwickelt ausgehend davon eine Politik der Sorge und Verantwortung für Materialitäten. Als Letztes wird Rosi Braidottis Theorie untersucht. Ausgehend von Deleuzes Ideen zum Frau-Werden entwickelt sie eine widerständige Praxis des Feminismus und der sexuellen Differenz gegen die Ordnung der ‚Männlichkeit‘. Am Ende werden die theoretischen und politischen Konsequenzen dieser Mikropolitiken in den feministischen New Materialisms diskutiert.
APA, Harvard, Vancouver, ISO, and other styles
12

Grosz, Elizabeth, and Žarko Trajanoski. "Lesbian Fetishism?" Identities: Journal for Politics, Gender and Culture 1, no. 1 (January 1, 2001): 113–34. http://dx.doi.org/10.51151/identities.v1i1.18.

Full text
Abstract:
Author(s): Elizabeth Grosz | Елизабет Грос Title (English): Lesbian Fetishism? Title (Macedonian): Лезбејски фетишизам? Translated by (English to Macedonian): Žarko Trajanoski | Жарко Трајаноски Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 1 (Summer 2001) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 113-134 Page Count: 21 Citation (English): Elizabeth Grosz, “Lesbian Fetishism?,” Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 1 (Summer 2001): 113-134. Citation (Macedonian): Елизабет Грос, „Лезбејски фетишизам?“, превод од англиски Жарко Трајаноски, Идентитети: списание за политика, род и култура, т. 1, бр. 1 (лето 2001): 113-134.
APA, Harvard, Vancouver, ISO, and other styles
13

Grosz, Elizabeth, and Rebecca Hill. "Onto-Ethics and Difference: An Interview with Elizabeth Grosz." Australian Feminist Law Journal 43, no. 1 (January 2, 2017): 5–14. http://dx.doi.org/10.1080/13200968.2017.1317203.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

Helm, Barbara. "Elizabeth Grosz (Hrsg.): Hypatia. Special Issue: Feminism and the Body." Die Philosophin 5, no. 10 (1994): 105–7. http://dx.doi.org/10.5840/philosophin199451032.

Full text
APA, Harvard, Vancouver, ISO, and other styles
15

Kontturi, Katve‐Kaisa, and Milla Tiainen. "Feminism, Art, Deleuze, and Darwin: An Interview with Elizabeth Grosz." NORA - Nordic Journal of Feminist and Gender Research 15, no. 4 (November 2007): 246–56. http://dx.doi.org/10.1080/08038740701646739.

Full text
APA, Harvard, Vancouver, ISO, and other styles
16

McDonald, Helen, Elizabeth Grosz, and Philipa Rothfield. "Art and Deleuze: A Round Table Interview with Elizabeth Grosz." Australian and New Zealand Journal of Art 7, no. 2 (January 2006): 4–22. http://dx.doi.org/10.1080/14434318.2006.11432772.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

Colebrook, Claire. "From Radical Representations to Corporeal Becomings: The Feminist Philosophy of Lloyd, Grosz, and Gatens." Hypatia 15, no. 2 (2000): 76–93. http://dx.doi.org/10.1111/j.1527-2001.2000.tb00315.x.

Full text
Abstract:
Contrasting the work of Genevieve Lloyd, Elizabeth Grosz, and Moira Gatens with the poststrueturalist philosophy of Judith Butler, this paper identifies a distinctive “Australian” feminism. It argues that while Butler remains trapped by the matter/representation binary, the Spinozist turn in Lloyd and Gatens, and Grosz's work on Bergson and Deleuze, are attempts to think corporeality.
APA, Harvard, Vancouver, ISO, and other styles
18

Turkis, Martin E. "Elizabeth Grosz, The Incorporeal: Ontology, Ethics, and the Limits of Materialism." Tradition and Discovery: The Polanyi Society Periodical 47, no. 2 (2021): 53–58. http://dx.doi.org/10.5840/traddisc202147221.

Full text
Abstract:
Critical theorist Elizabeth Grosz moves beyond the New Materialism she previously espoused and argues for a monism that avoids reductive materialism, holding that materiality is inconceivable without its immaterial frame. She also argues that this position ought to serve as the basis for an immanent and non-normative ontoethics. I give a summation and review of the book before offering an argument against such an approach to ethics. I also offer a related critique of the tendency, widespread within critical theory, to consider all transcendence oppressive.
APA, Harvard, Vancouver, ISO, and other styles
19

Dale, Catherine Mary. "A Queer Supplement: Reading Spinoza after Grosz." Hypatia 14, no. 1 (1999): 1–12. http://dx.doi.org/10.1111/j.1527-2001.1999.tb01036.x.

Full text
Abstract:
This article critiques Elizabeth Grosz's understanding that queer theory is unproductive insofar as it disrupts the specific identities of gay and lesbian. Reconsidering ideas about desire, the body, and identity that Grosz takes from Gilles Deleuze's work on Friedrich Nietzsche and Baruch Spinoza, this essay argues that, despite her productive reworking of homophobia in terms of “active” and “reactive” forces, Grosz's application of Spinoza is only partial. Focusing on Spinoza's evaluation of bodies, the essay both critiques Grosz's approach to experimental desire and observes Spinozist preoccupations in order to talk about the experimental body. It concludes that if Grosz were to attend more seriously to the Spinozist imperative to analyze a body in terms of its capabilities—that is, its power to be affected—the epistemological basis of her argument would change. It would be difficult to dismiss the plurality and sensibility of a queer body or its challenge to lesbian and gay as the source of a primary identity.
APA, Harvard, Vancouver, ISO, and other styles
20

Colebrook, Claire. "The Nick of Time: Politics, Evolution, and the Untimely, by Elizabeth Grosz." Journal of the British Society for Phenomenology 39, no. 3 (January 2008): 331–33. http://dx.doi.org/10.1080/00071773.2008.11006655.

Full text
APA, Harvard, Vancouver, ISO, and other styles
21

Dionne, Emilie. "Becoming Undone: Darwinian Reflections on Life, Politics, and Art by Elizabeth Grosz." Feminist Formations 26, no. 3 (2014): 204–8. http://dx.doi.org/10.1353/ff.2014.0023.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Kim, Namyi. "Ontology of Sex and Ontological Sex : Karen Barad, Elizabeth Grosz, Alenka Zupančič." Korean Feminist Philosophy 38 (November 30, 2022): 67–115. http://dx.doi.org/10.17316/kfp.2022.11.38.67.

Full text
APA, Harvard, Vancouver, ISO, and other styles
23

Brown, Kristen. "Possible and Questionable: Opening Nietzsche's Genealogy to Feminine Body." Hypatia 14, no. 3 (1999): 39–58. http://dx.doi.org/10.1111/j.1527-2001.1999.tb01051.x.

Full text
Abstract:
According to Kelly Oliver and Elizabeth Grosz, while Friedrich Nietzsche begins to open Western philosophy to the other, the body, he cuts off feminine body. Here I create a framework through which the possibility and questionability of a symbolically feminine body begins to emerge. I do this by using the metaphor of Indian curry. The metaphor works on two levels: 1) as a symbolically feminine body; 2) as Nietzsche's conception of subject-formation as a dynamic monism.
APA, Harvard, Vancouver, ISO, and other styles
24

Mason-Grant, Joan. "Elizabeth Grosz. Volatile Bodies: Toward a Corporeal Feminism. Bloomington, Indiana University Press, 1994." Hypatia 12, no. 4 (1997): 211–17. http://dx.doi.org/10.1017/s0887536700009351.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Pulkkinen, Tuija. "The Role of Darwin in Elizabeth Grosz's Deleuzian Feminist Theory: Sexual Difference, Ontology, and Intervention." Hypatia 32, no. 2 (2017): 279–95. http://dx.doi.org/10.1111/hypa.12316.

Full text
Abstract:
In this article on Elizabeth Grosz's philosophy and its implications for discussions about feminist theory, I first suggest that Charles Darwin plays a particular role in Grosz's recent ontological thought. This role is to provide help in joining together two incompatible sources in her work: Gilles Deleuze's monistic ontology of a constant flow of new differentiations, on the one hand, and Luce Irigaray's thought of sexual difference as the primary ontological difference, on the other. I argue that Grosz's intellectual project has developed into a grand general theory of change in which both Darwin and Irigaray are turned into ontologists in a Deleuzian vein. I then point out that Grosz's ontology also includes a political aspect, which manifests in the fact that Grosz redescribes Darwin through interpreting him primarily as a theorist of “event” and the unexpected. However, through an analysis of the discussion on Grosz between Luciana Parisi and Jami Weinstein, I speculate whether Grosz's ambition to provide a total and complete explanation of change encourages the tone of feminist discussion toward one of explanation rather than intervention.
APA, Harvard, Vancouver, ISO, and other styles
26

Smith, Marq. "Sexy Bodies: The Strange Carnalities of Feminism edited by Elizabeth Grosz and Elspeth Probyn." Body & Society 3, no. 4 (December 1997): 119–22. http://dx.doi.org/10.1177/1357034x97003004006.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Halberstam, Judith. "Lesbian Erotics. Karla JaySexy Bodies: The Strange Carnalities of Feminism. Elizabeth Grosz , Elspeth Probyn." Signs: Journal of Women in Culture and Society 22, no. 4 (July 1997): 1030–34. http://dx.doi.org/10.1086/495219.

Full text
APA, Harvard, Vancouver, ISO, and other styles
28

Balza Múgica, Isabel. "Los feminismos de Spinoza: corporalidad y renaturalización." Daimon, no. 63 (December 3, 2014): 13. http://dx.doi.org/10.6018/daimon/199491.

Full text
Abstract:
<p>La corporalidad es pensada en el feminismo contemporáneo como el ámbito que permite articular un nuevo modo de la comunidad política, invirtiendo así el paradigma liberal al poner el acento sobre la materialidad y carnalidad de los sujetos, aquello considerado “impersonal” por la tradición liberal. En este trabajo analizo las condiciones éticas y ontológicas necesarias para enunciar tal modo del orden político. Ello a partir de las propuestas de autoras como Moira Gatens, Elizabeth Grosz, Rosi Braidotti o Hasana Sharp, que han llevado a cabo una interpretación de la filosofía de Spinoza en clave feminista.</p>
APA, Harvard, Vancouver, ISO, and other styles
29

Jerónimo, Heather. "Gendering the Suicidal Body: Male Translation of Female Death in Javier Marías’ Corazón tan blanco." Revista Canadiense de Estudios Hispánicos 42, no. 2 (May 29, 2018): 357–78. http://dx.doi.org/10.18192/rceh.v42i2.3134.

Full text
Abstract:
Juan, el protagonista de Corazón tan blanco (1992) de Javier Marías, investiga su identidad indagando en los matrimonios de su padre, que están rodeados de secretos y suicidio. Un análisis crítico basado en Volatile Bodies: Toward a Corporeal Feminism (1994) de Elizabeth Grosz muestra cómo el suicidio conecta el cuerpo femenino con el sufrimiento violento, a la vez que sirve como una experiencia liberadora para la validación de la masculinidad. En busca de una narrativa interesada de identidad masculina, Juan se convierte en un traductor voyerista de las inscripciones de suicidio en los cuerpos de mujeres.
APA, Harvard, Vancouver, ISO, and other styles
30

Butcher, Anastasia. "Thinking With Time in Early Childhood." Journal of Childhood Studies 40, no. 3 (December 30, 2015): 48. http://dx.doi.org/10.18357/jcs.v40i3.15169.

Full text
Abstract:
This article contributes to the existing literature on the concept of time in the context of early childhood, highlighting its complexity. Using four narratives, it demonstrates how different conceptualizations of time influence practice, having the power to either restrict and constrain or enrich and provide opportunities for experimentation and creative expression. After challenging narrow conceptualizations of time, the article engages with the writings of feminist theorist Elizabeth Grosz, feminist physicist Karen Barad, and anthropologist Tim Ingold, who view time as a creative force that has agency. The article also explores ways of using documentation in early childhood settings when viewing time as a process and as a creative flow.
APA, Harvard, Vancouver, ISO, and other styles
31

Trafí-Prats, Laura. "Girls’ Aesthetics of Existence in/With Hayao Miyazaki’s Films." Cultural Studies ↔ Critical Methodologies 17, no. 5 (October 21, 2016): 376–83. http://dx.doi.org/10.1177/1532708616674996.

Full text
Abstract:
In this article, I analyze the processual aesthetic production of girl subjectivity in/with Hayao Miyazaki’s films through a feminist materialist perspective informed by the writings of Karen Barad, Rosi Braidotti, Donna Haraway, Elizabeth Grosz, and Affrica Taylor. I elaborate on feminist materialist concepts such as those of relational ontology, aesthetics of existence, worldmaking, mythopoesis, queer kin, and gender/sexual difference. With these concepts, I philosophically and ethnographically inquire in/with girl spectators who are interested in the experimentation with new modalities of existence that do not limit to those of success and alienation, but allow for creative possibilities of rupture, recomposition, and transversalization of girl subjectivities.
APA, Harvard, Vancouver, ISO, and other styles
32

Hall, Joshua Maloy. "Self-Mimetic Curved Silvering: Dancing with Irigaray." Journal of French and Francophone Philosophy 22, no. 1 (September 19, 2014): 76–101. http://dx.doi.org/10.5195/jffp.2014.644.

Full text
Abstract:
In lieu of an abstract, here is the opening paragraph of the essay:One of Luce Irigaray’s many important contributions to philosophy consists in invoking dance more frequently than any other canonical Western philosopher. Unfortunately, however, her treatment of dance has rarely been treated substantively in the secondary literature, especially in regard to her most influential commentators, including Judith Butler, Elizabeth Grosz, and Margaret Whitford. Accordingly, I will begin my first section by situating the theme of dance in Irigaray’s work in the context of that of the latter three philosophers. I will attempt to show, moving from Butler to Grosz to Whitford, an increasing tolerance for, and ultimately even celebration of, ambivalence in the form and content of Irigaray’s work. I will then conclude my first section by considering Elend Summers-Bremer’s “Reading Irigaray, Dancing” in tandem with Gerald Jonas’ Dancing: The Power, Pleasure and Art of Movement. My suggestion here will be that a certain Irigaray-informed approach to social dance could be seen as foreshadowing Irigaray’s later work on a new, more positive, kind of heterosexual relationship. Overall, then, this first section provides the justification for my thematic focus on dance.
APA, Harvard, Vancouver, ISO, and other styles
33

Severn, Stephen. "A Knot, A Network, A Thing, A World: Composition as Generative Meaning-making in Still Life Photography." tba: Journal of Art, Media, and Visual Culture 3, no. 1 (November 30, 2021): 107–18. http://dx.doi.org/10.5206/tba.v3i1.13934.

Full text
Abstract:
Elements move towards, cohere, and separate. It is in this ontogenetic and generative coherence – the composition – that meaning is created. This article positions still life photography as a non-representational, ontogenetic, and generative coherence of thought, matter, and meaning: what Tim Ingold describes as a knot, what Donna Haraway describes as a network, what Martin Heidegger, Bill Brown, and Elizabeth Grosz describe as a thing, and what Kathleen Stewart describes as a world. The photographic images in A Knot, A Network, A Thing, A World present an alternative to photography as representation and/or documentation, instead centring its composition as a moving-towards of human and non-human elements continually coming into being, generating new meanings and compositions.
APA, Harvard, Vancouver, ISO, and other styles
34

Martyn, Raewyn. "Adventure: Biopolymer Aesthetics and Empathetic Materialism—Another World is Possible." Matter: Journal of New Materialist Research 2, no. 1 (February 18, 2021): 120–50. http://dx.doi.org/10.1344/jnmr.v2i1.33377.

Full text
Abstract:
This paper discusses affective methodologies within a practice-based PhD research project using plant-based and bacterial biopolymers (bioplastics) for painting, site- responsive intervention, and collaborative video. Biopolymers have long material histories with a range of material qualities and affects that inform adventurous working methods. These methods and associated affects could be said to produce a biopolymer aesthetics and an empathetic materialism forms of onto-aesthetics involving what Elizabeth Grosz (2017) and Félix Guattari (2000) respectively term an onto-ethics and an ethico-aesthetics. In this paper, new materialisms are used to understand the pedagogical qualities of worlding through the artworks of the author, where biopolymer aesthetics generate adventure and bewilderment—aligning withJack Halberstam’s (2020) idea of an aesthetics of bewilderment.
APA, Harvard, Vancouver, ISO, and other styles
35

Guild, Elizabeth. "Reviews : Sexual Subversions: Three French Feminists. By Elizabeth Grosz. Sydney: Allen and Unwin, 1989. Pp. 262. £9.95." Journal of European Studies 21, no. 3 (September 1991): 229–30. http://dx.doi.org/10.1177/004724419102100312.

Full text
APA, Harvard, Vancouver, ISO, and other styles
36

Riera, Carla. "Los límites de la vida rural: naturaleza y violencia." Ambigua: Revista de Investigaciones sobre Género y Estudios Culturales, no. 8 (December 13, 2021): 19–34. http://dx.doi.org/10.46661/ambigua.6020.

Full text
Abstract:
Aquest article estudia la representació literària dels espais que envolten la llar analitzant l’ús d’imatges naturals vinculades en relació amb l’enclaustrament femení. En particular, s’investiga com esdevenen símbols dels valors atribuïts a la dona —des de la síntesi que en fa Elizabeth Grosz—, sobretot en relació amb la fecunditat. S’utilitzen nocions de Michel Foucault sobre el poder per analitzar com els mecanismes de control creen i gestionen aquests espais limítrofs. Per a il·lustrar-ho, s’examinen casos dels «drames rurals» de l’autora Víctor Català —relats breus en català publicats entre 1902 i 1930—, on l’alteració de certes imatges recurrents permet reflexionar sobre la gradació de violències que recauen en la dona. Es mostrarà com les tensions entre individus s’inscriuen en certs espais naturals que van des de l’hort fins al bosc.
APA, Harvard, Vancouver, ISO, and other styles
37

Frichot, Hélène. "Elizabeth Grosz,Chaos, Territory, Art: Deleuze and the Framing of the Earth,Irvington, NY: Columbia University Press, 2008." Architectural Theory Review 14, no. 2 (August 2009): 193–96. http://dx.doi.org/10.1080/00779950902919583.

Full text
APA, Harvard, Vancouver, ISO, and other styles
38

Rohman, Carrie. "A Hoard of Floating Monkeys: Creativity and Inhuman Becomings in Woolf's Nurse Lugton Story." Deleuze Studies 7, no. 4 (November 2013): 515–36. http://dx.doi.org/10.3366/dls.2013.0127.

Full text
Abstract:
This essay analyses how Virginia Woolf's critically under-examined children's story about Nurse Lugton connects the becoming-artistic of writing to animal becomings. Examining the links between creativity and the other-than-human via Gilles Deleuze and Elizabeth Grosz, I claim that the ‘animation’ of the stitched animal figures on Nurse Lugton's ‘canvas’ reveals that art is the enlivenment of vibratory and affective qualities, as opposed to a monumentalising of symbols or concepts. Moreover, the curtain in Woolf's story should be read as creative materiality itself, its folds participating in the self-varying dynamism of the virtual and actual. My analysis of the two published versions of the story, and their accompanying illustrations, outlines an affirmative bio-poetics at the heart of Woolf's aesthetic project and suggests that Woolf's creative sources are embedded in inhuman, biological forces.
APA, Harvard, Vancouver, ISO, and other styles
39

Painter-Morland, Mollie, and Ghislain Deslandes. "Gender and visionary leading: rethinking ‘vision’ with Bergson, Deleuze and Guattari." Organization 21, no. 6 (June 5, 2013): 844–66. http://dx.doi.org/10.1177/1350508413488636.

Full text
Abstract:
In this article, we investigate the charge that women leaders fall short when it comes to ‘vision’. We track the roots of this charge, and the effects this has on women in the workplace, back to the binary representationalist logic that underpin gender stereotypes. We challenge these representationalist stereotypes by offering a more material account of how identities come into being, drawing on the work of Gilles Deleuze and Félix Guattari. In the last part of the article we explore an alternative understanding of ‘visionary leadership’ by drawing on Henri Bergson’s philosophy and ethics and that of Deleuze, which allows for the development of an alternative understanding of both agency and epistemology. We also rely heavily on Elizabeth Grosz’ reading of Deleuze and Bergson, and her valuable perspectives on the implications of these authors’ work for gender discourses.
APA, Harvard, Vancouver, ISO, and other styles
40

Gray, Chantelle. "Love at the Limits: Between the Corporeal and the Incorporeal." Deleuze and Guattari Studies 12, no. 4 (November 2018): 469–85. http://dx.doi.org/10.3366/dlgs.2018.0325.

Full text
Abstract:
New materialist frameworks have increasingly repudiated dualistic thinking and challenged representationalist views, which hold that discursive practices mediate our access to the material world (a core tenet of social constructivism). As it has become clear that the material cannot be considered inert, important questions concerning agency, politics and subjectivity have been raised. But while the significance of corporeality has been emphasised, Elizabeth Grosz, in an interview on her most recent book, The Incorporeal (2017), notes that: ‘If materialism(s) cannot account for the immaterial events we experience and articulate, then it has a clear limit that it needs to address.’ An important question this raises in terms of the mutual conditionings of love and one I will address is: How can we account for the immaterial space and time tracings of love without negating the material in the process? To answer this, I turn to Deleuze's The Logic of Sense.
APA, Harvard, Vancouver, ISO, and other styles
41

Martinez, César Augusto Ferrari. "MATUS, Claudia. Imagining Time and Space in Universities: bodies in motion. Reino Unido: Palgrave MacMillan, 206 páginas, 2016." GEOgraphia 18, no. 38 (February 8, 2017): 180. http://dx.doi.org/10.22409/geographia2016.1838.a13780.

Full text
Abstract:
O livro de Claudia Matus busca, desde uma perspectiva pós-moderna, um aprofundamento dos conceitos de tempo e espaço e como os mesmos são produzidos nos processos de internacionalização da educação. Através de entrevistas e análises de materiais institucionais, busca a dimensão da experiência e os discursos atrelados a noções fixas de espaço e tempo. Ao longo do livro, denuncia a noção linear e sequencial de tempo, além de uma compreensão de espaço cmo recpetáculo vazio - que termina por atrelar identidade e território. Com forte aporte feminista, como Elizabeth Grosz e Doreen Massey, valoriza o embodiment da mobilidade acadêmica internacional. De forma geral, se constitui como uma importante ferramenta para pensar geograficamente os processos impostos às universidades, sobretudo quanto aos sujeitos caracterizados por Matus como estranhos a esses espaços. Importante para problematizar noções homogêneas de nação, cultura e espaço, desde onde situa suas discussões.
APA, Harvard, Vancouver, ISO, and other styles
42

Martinez, César Augusto Ferrari. "MATUS, Claudia. Imagining Time and Space in Universities: bodies in motion. Reino Unido: Palgrave MacMillan, 206 páginas, 2016." GEOgraphia 18, no. 38 (February 8, 2017): 180. http://dx.doi.org/10.22409/geographia2016.v18i38.a13780.

Full text
Abstract:
O livro de Claudia Matus busca, desde uma perspectiva pós-moderna, um aprofundamento dos conceitos de tempo e espaço e como os mesmos são produzidos nos processos de internacionalização da educação. Através de entrevistas e análises de materiais institucionais, busca a dimensão da experiência e os discursos atrelados a noções fixas de espaço e tempo. Ao longo do livro, denuncia a noção linear e sequencial de tempo, além de uma compreensão de espaço cmo recpetáculo vazio - que termina por atrelar identidade e território. Com forte aporte feminista, como Elizabeth Grosz e Doreen Massey, valoriza o embodiment da mobilidade acadêmica internacional. De forma geral, se constitui como uma importante ferramenta para pensar geograficamente os processos impostos às universidades, sobretudo quanto aos sujeitos caracterizados por Matus como estranhos a esses espaços. Importante para problematizar noções homogêneas de nação, cultura e espaço, desde onde situa suas discussões.
APA, Harvard, Vancouver, ISO, and other styles
43

McNeilly, Kathryn. "Are Rights Out of Time? International Human Rights Law, Temporality, and Radical Social Change." Social & Legal Studies 28, no. 6 (December 5, 2018): 817–38. http://dx.doi.org/10.1177/0964663918815729.

Full text
Abstract:
Human rights were a defining discourse of the 20th century. The opening decades of the twenty-first, however, have witnessed increasing claims that the time of this discourse as an emancipatory tool is up. Focusing on international human rights law, I offer a response to these claims. Drawing from Elizabeth Grosz, Drucilla Cornell and Judith Butler, I propose that a productive future for this area of law in facilitating radical social change can be envisaged by considering more closely the relationship between human rights and temporality and by thinking through a conception of rights which is untimely. This involves abandoning commitment to linearity, progression and predictability in understanding international human rights law and its development and viewing such as based on a conception of the future that is unknown and uncontrollable, that does not progressively follow from the present, and that is open to embrace of the new.
APA, Harvard, Vancouver, ISO, and other styles
44

Jakubowicz-Prokop, Zofia. "Metafizyczny potencjał feminizmu - różnica płciowa i pytania o naturę świata." Stan Rzeczy, no. 1(22) (December 31, 2022): 117–54. http://dx.doi.org/10.51196/srz.22.4.

Full text
Abstract:
Artykuł jest poświęcony relacji teorii feministycznej z metafizyką, która według tezy autorki wyraża się między innymi w pojęciu różnicy płciowej. Przywołana zostaje krótka historia pojęcia i ukazane pojawiające się w ramach feministycznego dyskursu problemy z jego przyjęciem oraz towarzyszące mu zarzuty, które zostają sproblematyzowane przez odniesienie do filozofii Luce Irigaray. Autorka odnosi się do recepcji filozofki, przede wszystkim odczytań zaproponowanych przez Katarzynę Szopę (2018) oraz Alison Stone (2006), zastanawiając się, na ile możliwe jest twórcze przekształcenie jej myśli. Jednym z przykładów takiego przekształcenia jest propozycja korporealnego feminizmu Elizabeth Grosz, który jednak nie odpowiada na wszystkie problemy obecne w filozofii Irigaray. W ramach podsumowania szerzej omówione zostają dwa główne zarzuty wobec feminizmu różnicy – o umniejszanie różnic rasowych i etnicznych oraz o wykluczenie doświadczenia transpłciowości i niebinarności – a także postawione zostaje pytanie o to, na ile metafizyka w filozofii feministycznej może dać podstawę do walki z opresją i nierównościami.
APA, Harvard, Vancouver, ISO, and other styles
45

Zabrzewska, Adrianna. "O ciałach, które się stają. Feminizm materialny w literaturze dla dzieci i młodzieży." Dzieciństwo. Literatura i Kultura 1, no. 1 (July 24, 2019): 259–72. http://dx.doi.org/10.32798/dlk.17.

Full text
Abstract:
W artykule recenzyjnym omówiono monografię Twenty-First-Century Feminisms in Children’s and Adolescent Literature [Feminizmy XXI wieku w literaturze dziecięcej i młodzieżowej] (2018) autorstwa Roberty Seelinger Trites. Jego celem jest nakreślenie znaczenia tzw. zwrotu materialnego w teorii feministycznej dla badań nad płcią społeczno-kulturową w literaturze dla młodych odbiorców. Artykuł rozpoczyna się od przybliżenia sylwetki Trites i jej poprzednich prac. W kolejnej części przedstawione zostają różne sposoby teoretycznego ujmowania ciała w myśli feministycznej. Przywołanie stanowisk zajmowanych przez Susan Bordo, Judith Butler czy Elizabeth Grosz pomaga stworzyć odpowiednie tło dla podstawowych założeń feminizmu materialnego i teorii Karen Barad. Sproblematyzowanie kwestii ucieleśnionej podmiotowości kobiecej pozwala zarazem wykazać, w jaki sposób zastosowanie przez Trites feminizmu materialnego do badań nad literaturą dziecięcą i młodzieżową wyznacza nowe kierunki analizy i interpretacji. W dalszej części artykułu zostają omówione poszczególne rozdziały książki, w których Trites włącza do dyskusji perspektywy kluczowe dla współczesnych feminizmów, w tym m.in. teorię krytyczną rasy, ekokrytykę, teorię queer oraz studia nad niepełnosprawnością.
APA, Harvard, Vancouver, ISO, and other styles
46

Batalini, Marcela Gizeli, and Alba Krishna Topan Feldman. "Sob o peso do próprio corpo: a representação da mulher negra nos contos Maria e Rosa Maria Rosa, de Conceição Evaristo." Terra Roxa e Outras Terras: Revista de Estudos Literários 33 (May 26, 2017): 18. http://dx.doi.org/10.5433/1678-2054.2017v33p18.

Full text
Abstract:
Levando-se em conta o pouco espaço concedido ainda à produção de autoria feminina negra no Brasil, bem como a presença limitada de personagens negras, sobretudo como narradoras ou protagonistas, compreende-se a importância dos contos Maria e Rosa Maria Rosa, de Conceição Evaristo, presentes nas antologias Olhos d’água (2014) e Histórias de leves enganos e parecenças (2016), respectivamente. Nosso objetivo é analisar a personagem feminina negra presente nestas produções, atentando-se para o peso do próprio corpo, ou seja, enquanto mulher e negra, em uma sociedade ainda marcada por preconceitos e discriminações nessas esferas. Observamos que a autora, além de trazer para primeiro plano esses sujeitos deixados à margem, ainda problematiza construções e estereótipos que perpassam à história do país, trazendo para a literatura outro olhar, outra perspectiva. As abordagens teóricas que embasam esta pesquisa são os estudos de Chandra Mohanty (2002), Elizabeth Grosz (2000) e Paulo Silva e Fúlvia Rosemberg (2012).
APA, Harvard, Vancouver, ISO, and other styles
47

Mijatovic, Luka, and Mirko Filipovic. "Postmodern feminism and disability: Toward multiple identities of „disabled“ bodies." Sociologija 60, no. 1 (2018): 112–26. http://dx.doi.org/10.2298/soc1801112m.

Full text
Abstract:
From the postmodern theorists point of view, disabled bodies primarily are objects of performing the power, in several ways: from ?staring? as the act of labeling, to medicalization, rehabilitation and ?normalization?. Feminist theory of disability tends to combine gender and disability and to perceive them together as social construction products which ?deviate from standards?. In postmodern theories of gender, primarily in the works of Judith Butler and Elizabeth Grosz, there is a noticeable tendency to attach a dynamic, relational characteristic to gender, and to observe gender differences in the process of intersecting all other binary differences. In addition, in order to deconstruct sex/gender differences, an increasing emphasis is put on the body as a field for inscribing culturally constructed distinctions. This paper explores the possibility of synthesizing knowledge in the field of postmodern gender theories and postmodern understanding of disability. It examines how gender binarism intersects with binarism ?disability - nondisability,? and whether, at the level of ?disabled? bodies, gender differences become invisible.
APA, Harvard, Vancouver, ISO, and other styles
48

Levi, Melih. "The Location of Anxiety." Language and Psychoanalysis 10, no. 2 (December 29, 2021): 34–45. http://dx.doi.org/10.7565/landp.v10i2.5763.

Full text
Abstract:
This essay elaborates an alternative to the Freudian and Lacanian conceptions of anxiety by tracing a middle ground between their accounts of linguistic acquisition and object-attachment. Both psychoanalysts overlook the importance of gestural expression while theorizing the eventual reliance on the symbolic with the onset of the Oedipal period. The essay turns to the folk psychology notion of the “theory of mind,” and a specific experiment called the “false belief task” to offer an alternative to how the encroachment of the symbolic is conceptualized in psychoanalytic history. Rather than framing the onset of the symbolic order as a swift entry into language, the essay proposes rethinking it as a process with a longer temporality and a more complex set of expressive behaviors (language, gesture, embodied expression). The comparative account of Freud and Lacan are supported with references to psychoanalysts and scholars of psychoanalysis such as Julia Kristeva, Elizabeth Grosz, and Donald Winnicott.
APA, Harvard, Vancouver, ISO, and other styles
49

Levi, Melih. "The Location of Anxiety." Language and Psychoanalysis 10, no. 2 (December 29, 2021): 34–45. http://dx.doi.org/10.7565/landp.v10i2.5763.

Full text
Abstract:
This essay elaborates an alternative to the Freudian and Lacanian conceptions of anxiety by tracing a middle ground between their accounts of linguistic acquisition and object-attachment. Both psychoanalysts overlook the importance of gestural expression while theorizing the eventual reliance on the symbolic with the onset of the Oedipal period. The essay turns to the folk psychology notion of the “theory of mind,” and a specific experiment called the “false belief task” to offer an alternative to how the encroachment of the symbolic is conceptualized in psychoanalytic history. Rather than framing the onset of the symbolic order as a swift entry into language, the essay proposes rethinking it as a process with a longer temporality and a more complex set of expressive behaviors (language, gesture, embodied expression). The comparative account of Freud and Lacan are supported with references to psychoanalysts and scholars of psychoanalysis such as Julia Kristeva, Elizabeth Grosz, and Donald Winnicott.
APA, Harvard, Vancouver, ISO, and other styles
50

Levi, Melih. "The Location of Anxiety." Language and Psychoanalysis 10, no. 2 (December 29, 2021): 34–45. http://dx.doi.org/10.7565/landp.v10i2.5763.

Full text
Abstract:
This essay elaborates an alternative to the Freudian and Lacanian conceptions of anxiety by tracing a middle ground between their accounts of linguistic acquisition and object-attachment. Both psychoanalysts overlook the importance of gestural expression while theorizing the eventual reliance on the symbolic with the onset of the Oedipal period. The essay turns to the folk psychology notion of the “theory of mind,” and a specific experiment called the “false belief task” to offer an alternative to how the encroachment of the symbolic is conceptualized in psychoanalytic history. Rather than framing the onset of the symbolic order as a swift entry into language, the essay proposes rethinking it as a process with a longer temporality and a more complex set of expressive behaviors (language, gesture, embodied expression). The comparative account of Freud and Lacan are supported with references to psychoanalysts and scholars of psychoanalysis such as Julia Kristeva, Elizabeth Grosz, and Donald Winnicott.
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography