Relevant bibliographies by topics / Elizabeth burns

Academic literature on the topic 'Elizabeth burns'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Elizabeth burns"

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Blake, Megan, Ruth Roadley-Battin, and Tomasz Torlinski. "Prophylactic anti-coagulation after severe burn injury in critical care settings." Acta medica Lituanica 26, no. 1 (May 7, 2019): 38–45. http://dx.doi.org/10.6001/actamedica.v26i1.3954.

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Background. Severely burnt patients are at an increased risk of thromboembolic complications, hence sufficient prophylactic anticoagulation is of paramount importance. Local guidelines at the Burns Centre in the Queen Elizabeth Hospital, Birmingham therefore advise increasing the standard dose of low molecular weight heparin in these patients. An audit was carried out to assess the current practice in burns patients to ensure adequate anticoagulation and adherence to guidelines. Materials and methods. Retrospective data was collected on all burns patients in the Burns Centre over a two-year period. The main objectives were to assess: • anticoagulation regimes prescribed to severe burns patients • monitoring of Anti-Factor Xa levels • adjustment of dosing based on the results The locally produced trust guidelines were used as the comparator. Results. All burns patients were prescribed anticoagulation, but often the dose was not increased as suggested in the guidelines. Although most of the severely burnt patients were prescribed adjusted higher doses of anti-coagulation, only 60% of these patients were monitored with Anti-Factor Xa assays. Of these assays, 66% showed sub-prophylactic levels. The majority of results led to the adjustment of the dose of anticoagulant. However, often dose changes were made late. Discussion and conclusions. The audit confirmed the need for increased doses of prophylactic anticoagulation in severe burns. The better adherence to the guidelines can be achieved by additional training and implementation of decision support via electronic prescribing system.
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Wanchick, Tom. "Michael Martin on divine omniscience (1)." Think 4, no. 10 (2005): 69–74. http://dx.doi.org/10.1017/s1477175600001214.

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Plantinga, Alvin. "RESPONSE." Philosophia Reformata 79, no. 1 (November 17, 2014): 83–97. http://dx.doi.org/10.1163/22116117-90000564.

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Let me say first that I am delighted to respond to the excellent papers by Elizabeth Burns, Jeroen de Ridder, Esther Kroeker, Ignacio Silva, and Daniel von Wachter. It has been a real pleasure to reflect on and react to their comments.
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Carruthers, Gerard, and Kevin Thomas Gallagher. "A Note on Elizabeth Isabella Spence and her Sketches of the Present Manners, Customs, and Scenery of Scotland (1811)." Burns Chronicle 130, no. 2 (September 2021): 210–14. http://dx.doi.org/10.3366/burns.2021.0024.

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Rose, Vivien Ellen, and Julie Corley. "A Trademark Approach to the Past: Ken Burns, the Historical Profession, and Assessing Popular Presentations of the Past." Public Historian 25, no. 3 (2003): 49–59. http://dx.doi.org/10.1525/tph.2003.25.3.49.

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A review of Not for Ourselves Alone, a historical documentary film by Ken Burns about Elizabeth Cady Stanton and Susan B. Anthony's leadership of the nineteenthcentury women's rights movement, indicates serious concerns about the impact of historical documentary filmmaking on public understanding of the past. New ways to engage the public in the process of historical analysis and understanding are suggested.
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Komolafe, O. O., J. James, L. Kalongolera, and M. Makoka. "Bacteriology of burns at the Queen Elizabeth Central Hospital, Blantyre, Malawi." Burns 29, no. 3 (May 2003): 235–38. http://dx.doi.org/10.1016/s0305-4179(02)00273-5.

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Farid, Mohammed, Yasser Al Omran, Darren Lewis, and Alan Kay. "Management of minor burns during the COVID-19 pandemic: A patient-centred approach." Scars, Burns & Healing 7 (January 2021): 205951312110205. http://dx.doi.org/10.1177/20595131211020566.

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Introduction: The UK government introduced lockdown measures on 23 March 2020 due to the first wave of the COVID-19 pandemic. A restructuring of clinical services was necessary to accommodate mandatory changes while also maintaining the best possible standards for patient care. The present study explored the initial management, follow-up and patient-reported outcomes of burn injuries <15% total body surface area (TBSA) during the height of the COVID-19 lockdown at a tertiary burns centre. Methods: A retrospective review of all adult patients with burns <15% TBSA during the national lockdown (23 March 2020 to 10 May 2020) was undertaken at The Queen Elizabeth Hospital Birmingham (QEHB), UK. All referrals from non-QEHB telemedicine (external) or QEHB emergency (internal) departments were reviewed for management, length of hospital stay and pattern of follow-up (ward attender, self-care, community or outreach nurses). A telephone survey based on a structured questionnaire was conducted to establish patients’ satisfaction. Results: A total of 84 burn patients were included in the study. The mean age was 39 years (age range = 19–91 years) and the male:female ratio was 4:1. Patients were managed non-operatively (n = 69, 82%) or operatively (n = 15, 18%). Patients attended the ward attender acute burns clinic only once (n = 36, 61%). The telephone survey captured 70% (n = 59) of the study population and 57 patients (97% of respondents) were pleased with the ongoing care and burn healing. Conclusion: The integration of patient led self-care, reduction in admissions, minimal clinics attendance and a telemedicine follow-up is an effective model for small burns management during the COVID-19 pandemic. A high degree of patient satisfaction was achieved with continuous and approachable communication channels with the burn multidisciplinary team. We continue to implement this effective model of burns management throughout the COVID-19 pandemic and the subsequent period. Lay Summary The lockdown measures due to the first wave of COVID-19 pandemic affected the way we manage all medical emergencies including burns. The initial management, follow-up and patient satisfaction for small burn injuries during lockdown has not been reported previously. The aim of this study is to examine the outcome in terms of small burn management, hospital stay, number of clinic reviews, healing and patient satisfaction during the lockdown period in a burn centre in the UK. This would look at the need for operations and whether patients stayed longer if they required an intervention. We reviewed adult patients with small burns during the national lockdown (23 March 2020 to 10 May 2020) at The Queen Elizabeth Hospital Birmingham (QEHB). All referrals from telemedicine, referral system (external) or QEHB (internal) were reviewed for management, length of hospital stay and pattern of follow-up. Patients were reviewed in the acute burns clinic and given advice for burn management and dressing for self-care. Follow-up was mostly via email (telemedicine) A telephone survey based on a structured questionnaire was conducted to find out patients’ satisfaction. Four times more men than women had small burns during the lockdown period. The average age was 39 years. The majority were managed conservatively with dressings (82%) and a small proportion required an operation (18%). Most patients attended the acute burns clinic only once (61%) for initial assessment and management. The telephone survey captured 70% of patient and 97% of respondents were pleased with the care and burn healing. The integration of patient-led self-care, reduction in admissions, minimal clinics attendance and a telemedicine follow-up is an effective model for burns management during the COVID-19 pandemic. A high degree of patient satisfaction was achieved with continuous and approachable communication channels with burn multidisciplinary team. We continue to implement this effective model of burns management throughout the COVID-19 pandemic and the subsequent period.
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Smith, Frederick M. "Medicine, Religion, and the Body - Edited by Elizabeth Burns Coleman and Kevin White." Religious Studies Review 36, no. 3 (September 22, 2010): 220. http://dx.doi.org/10.1111/j.1748-0922.2010.01444_2.x.

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Muula, A. S., and A. Phiri. "Reflections on the Health Workers’ Strike at Malawi’s Major Tertiary Hospital, QECH, Blantyre, 2001: a case study." Nursing Ethics 10, no. 2 (March 2003): 208–14. http://dx.doi.org/10.1191/0969733003ne595oa.

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Health workers and support staff at Malawi’s major referral hospital, the Queen Elizabeth Central Hospital, Blantyre, were on strike between 5th and 19th October 2001. The health workers’ grievances included: lack of risk allowances; poor professional allowances; low salaries; and low housing allowances. The strike resulted in almost total closure of the 1500-bed hospital; only the burns and orthopaedic wards continued to serve patients. Volunteer staff, comprising the Red Cross, and nursing and medical students provided services. Verbal and written threats by the authorities had minimal effect on terminating the strike; rather, they encouraged the resolve to continue with the industrial action. We report aspects of the genesis, progress and resolution of the strike. Although not much seems to have been achieved, both the employer and the workers need to draw lessons from the experience.
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Reilly, Bernard F. "Warrior Neighbours: Crusader Valencia in Its International Context. Collected Essays of Father Robert I. Burns, SJ ed. by Mary Elizabeth Perry." Catholic Historical Review 100, no. 2 (2014): 332–33. http://dx.doi.org/10.1353/cat.2014.0083.

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Dissertations / Theses on the topic "Elizabeth burns"

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Thompson, Jacqueline. "'The thin universe' : the domestic worlds of Elizabeth Burns, Tracey Herd and Kathleen Jamie." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25739.

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As Elizabeth Burns’s paradoxical phrase ‘the thin universe’ suggests, the home is a place of both limitations and possibilities. Domestic life has been regarded by some as a spirit-sapping hindrance to creativity, recalling Cyril Connolly’s famous declaration that: ‘There is no more sombre enemy of good art than the pram in the hall.’ This thesis examines the ways in which Burns, Herd and Jamie demonstrate how domestic life, for all its restrictions, can prove to be the ally of art. The home is a repository for childhood memories – shown in my analysis of Burns’s ‘Rummers and Ladels’ and Jamie’s ‘Forget It’ – and it is during this formative period that our ambivalent relationship with the home begins. The desire for comfort and safety can be felt alongside the tug towards the outdoor world of adventure and independence, a push-pull longing found in Herd’s ‘Big Girls’. Herd carries this longing into adulthood in ‘A Letter From Anna’, as does Burns in ‘Woman Reading a Letter, 1662’, and Jamie in ‘Royal Family Doulton’. Section one is my examination of this complicated sensation. The darkness that can make the home a hell features in Burns’s ‘Poem of the Alcoholic’s Wife’, Herd’s ‘Soap Queen’ and Jamie’s ‘Wee Wifey’. Contrastingly, the blissful events that take place there are evoked in Burns’s ‘The Curtain’, Herd’s ‘Rosery’ and Jamie’s ‘Thaw’. In section two I seek to prove that such extreme events, from the abuse suffered at the hands of an unfeeling mother to the delights of new parenthood, prove that the home cannot be dismissed as sequestered or mundane. And yet, dismissed it has been. Why bother depicting one’s ‘wretched vegetable home existence’, as Wyndham Lewis wrote, when one could ‘give expression to the more energetic part of that City man’s life’? Burns bemoans this attitude in ‘Work and Art/We are building a civilization’, and the idea that ‘home crafts’ like embroidery cannot be miraculous in themselves is dispelled by Herd’s ‘The Siege’ and Jamie’s ‘St Bride’s’. The celebration of the domestic interior found in paintings by, for example, David Hockney and Gwen John is similarly seen in the poetry of Burns (‘Annunciation’), Herd (‘Memoirs’) and Jamie (‘Song of Sunday’). Section three aims to show how the Bugaboo in the hall can be the ally of art, and – ‘thin’ though it may sometimes feel – the home is a universe in which infinite poetic possibilities exist.
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McGillivray, Glen James. "Theatricality: A critical genealogy." Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/1428.

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ABSTRACT The notion of theatricality has, in recent years, emerged as a key term in the fields of Theatre and Performance Studies. Unlike most writings dealing with theatricality, this thesis presents theatricality as a rubric for a particular discourse. Beginning with a case-study of a theatre review, I read an anti-theatricalist bias in the writer’s genre distinctions of “theatre” and “performance”. I do not, however, test the truth of these claims; rather, by deploying Foucauldian discourse analysis, I interpret the review as a “statement” and analyse how the reviewer activates notions of “theatricality” and “performance” as objects created by an already existing discourse. Following this introduction, the body of thesis is divided into two parts. The first, “Mapping the Discursive Field”, begins by surveying a body of literature in which a struggle for interpretive dominance between contesting stakeholders in the fields of Theatre and Performance Studies is fought. Using Samuel Weber’s reframing of Derrida’s analysis of interpretation of interpretation, in Chapter 2, I argue that the discourse of the field is marked by the struggle between “nostalgic” and “affirmative” interpretation, and that in the discourse that emerges, certain inconsistencies arise. The disciplines of Theatre, and later, Performance Studies in the twentieth century are characterised, as Alan Woods (1989) notes, by a fetishisation of avant-gardist practices. It is not surprising, therefore, that the values and concerns of the avant-garde emerge in the discourse of Theatre and Performance Studies. In Chapter 3, I analyse how key avant-gardist themes—theatricality as “essence”, loss of faith in language and a valorisation of corporeality, theatricality as personally and politically emancipatory—are themselves imbricated in the wider discourse of modernism. In Chapter 4, I discuss the single English-language book, published to date, which critically engages with theatricality as a concept: Elizabeth Burns’s Theatricality: A Study of Convention in the Theatre and Social Life (1972). As I have demonstrated with my analysis of the discursive field and genealogy of avant-gardist thematics, I argue that implicit theories of theatricality inform contemporary discourses; theories that, in fact, deny this genealogy. Approaching her topic through the two instruments of sociology and theatre history, Burns explores how social and theatrical conventions of behaviour, and the interpretations of that behaviour, interact. Burns’s key insight is that theatricality is a spectator operation: it depends upon a spectator, who is both culturally competent to interpret and who chooses to do so, thereby deciding (or not) that something in the world is like something in the theatre. Part Two, “The Heritage of Theatricality”, delves further, chronologically, into the genealogy of the term. This part explores Burns’s association of theatricality with an idea of theatre by paraphrasing a question asked by Joseph Roach (after Foucault): what did people in the sixteenth century mean by “theatre” if it did not exist as we define today? This question threads through Chapters 5 to 7 which each explore various interpretations of theatricality not necessarily related to the art form understood by us as theatre. I begin by examining the genealogy of the theatrical metaphor, a key trope of the Renaissance, and one that has been consistently invoked in a range of circumstances ever since. In Chapter 5 explore the structural and thematic elements of the theatrical metaphor, including its foundations, primarily, in Stoic and Satiric philosophies, and this provides the ground for the final two chapters. In Chapter 6 I examine certain aspects of Renaissance theories of the self and how these, then, related to public magnificence—the spectacular stagings of royal and civic power that reached new heights during the Renaissance. Finally, in Chapter 7, I show how the paradigm shift from a medieval sense of being to a modern sense of being, captured through the metaphor of a world view, manifested in a theatricalised epistemology that emphasised a relationship between knowing and seeing. The human spectator thus came to occupy the dual positions of being on the stage of the world and, through his or her spectatorship, making the world a stage.
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Williams-Zarka, Isabelle. "Deux femmes préraphaélites : Elizabeth Siddal et Georgiana Burne-Jones : réalité sociale et dépendance artistique au sein du mouvement préraphaélite." Paris 4, 1995. http://www.theses.fr/1995PA040067.

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Malgré leur silence et la puissance de leur rôle allégorique, certaines femmes préraphaélites se sont permis de laisser un témoignage direct de la portée idéologique du mouvement; Elizabeth Siddal et Georgiana Burne-Jones sont les seules de ces femmes à avoir osé commenter ouvertement le destin de la femme préraphaélite. Leurs œuvres évoquent à la fois la liberté d'action et de pensée accordée aux femmes par les préraphaélites et l'internement du "paraitre" de la féminité qu'il leur a fallu symboliser. Leur message est essentiellement moderne puisqu'il évoque la difficulté de la femme à s'insérer dans une superstructure socio-professionnelle et idéologique typiquement masculine
In spite of their silence and beyond the allegory of their image, some pre-Raphaelite women managed to leave an open testimony of the ideology of the movement. Elizabeth Siddal and Georgiana Burne-Jones are the only pre-Raphaelite women to have dared an open commentary on the destiny of the pre-Raphaelite woman. Their works and realizations speak of the freedom of action and thought the pre-Raphaelites entrusted women with, yet they also speak of the alienation of the icon of femininity both women were called upon to embody. Their message is essentially modern in a much as it revolves around the difficulty both women experienced as they tried to find their place in a typically masculine socio-professional and ideological environment
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McGillivray, Glen James. "Theatricality. A critical genealogy." 2004. http://hdl.handle.net/2123/1428.

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Doctor of Philosophy
ABSTRACT The notion of theatricality has, in recent years, emerged as a key term in the fields of Theatre and Performance Studies. Unlike most writings dealing with theatricality, this thesis presents theatricality as a rubric for a particular discourse. Beginning with a case-study of a theatre review, I read an anti-theatricalist bias in the writer’s genre distinctions of “theatre” and “performance”. I do not, however, test the truth of these claims; rather, by deploying Foucauldian discourse analysis, I interpret the review as a “statement” and analyse how the reviewer activates notions of “theatricality” and “performance” as objects created by an already existing discourse. Following this introduction, the body of thesis is divided into two parts. The first, “Mapping the Discursive Field”, begins by surveying a body of literature in which a struggle for interpretive dominance between contesting stakeholders in the fields of Theatre and Performance Studies is fought. Using Samuel Weber’s reframing of Derrida’s analysis of interpretation of interpretation, in Chapter 2, I argue that the discourse of the field is marked by the struggle between “nostalgic” and “affirmative” interpretation, and that in the discourse that emerges, certain inconsistencies arise. The disciplines of Theatre, and later, Performance Studies in the twentieth century are characterised, as Alan Woods (1989) notes, by a fetishisation of avant-gardist practices. It is not surprising, therefore, that the values and concerns of the avant-garde emerge in the discourse of Theatre and Performance Studies. In Chapter 3, I analyse how key avant-gardist themes—theatricality as “essence”, loss of faith in language and a valorisation of corporeality, theatricality as personally and politically emancipatory—are themselves imbricated in the wider discourse of modernism. In Chapter 4, I discuss the single English-language book, published to date, which critically engages with theatricality as a concept: Elizabeth Burns’s Theatricality: A Study of Convention in the Theatre and Social Life (1972). As I have demonstrated with my analysis of the discursive field and genealogy of avant-gardist thematics, I argue that implicit theories of theatricality inform contemporary discourses; theories that, in fact, deny this genealogy. Approaching her topic through the two instruments of sociology and theatre history, Burns explores how social and theatrical conventions of behaviour, and the interpretations of that behaviour, interact. Burns’s key insight is that theatricality is a spectator operation: it depends upon a spectator, who is both culturally competent to interpret and who chooses to do so, thereby deciding (or not) that something in the world is like something in the theatre. Part Two, “The Heritage of Theatricality”, delves further, chronologically, into the genealogy of the term. This part explores Burns’s association of theatricality with an idea of theatre by paraphrasing a question asked by Joseph Roach (after Foucault): what did people in the sixteenth century mean by “theatre” if it did not exist as we define today? This question threads through Chapters 5 to 7 which each explore various interpretations of theatricality not necessarily related to the art form understood by us as theatre. I begin by examining the genealogy of the theatrical metaphor, a key trope of the Renaissance, and one that has been consistently invoked in a range of circumstances ever since. In Chapter 5 explore the structural and thematic elements of the theatrical metaphor, including its foundations, primarily, in Stoic and Satiric philosophies, and this provides the ground for the final two chapters. In Chapter 6 I examine certain aspects of Renaissance theories of the self and how these, then, related to public magnificence—the spectacular stagings of royal and civic power that reached new heights during the Renaissance. Finally, in Chapter 7, I show how the paradigm shift from a medieval sense of being to a modern sense of being, captured through the metaphor of a world view, manifested in a theatricalised epistemology that emphasised a relationship between knowing and seeing. The human spectator thus came to occupy the dual positions of being on the stage of the world and, through his or her spectatorship, making the world a stage.
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Books on the topic "Elizabeth burns"

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In memoriam: Mrs. Elizabeth B. Burns : died 22nd August, 1882, aged 71. Toronto: Printed for the Murray-Mitchell Auxiliary of the Women's Foreign Missionary Society of the Presbyterian Church in Canada, 1986.

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Rosenberg, Joseph Elkanah. Wastepaper Modernism. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198852445.001.0001.

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At the same time that writers were becoming infatuated with new technologies like the cinema and the radio, they were also being haunted by their own pages. From Henry James’s fascination with burnt manuscripts to destroyed books in the fiction of the Blitz, from junk mail in the work of Elizabeth Bowen to bureaucratic paperwork in Vladimir Nabokov, modern fiction is littered with images of tattered and useless paper that reveal an increasingly uneasy relationship between literature and its own materials over the course of the twentieth century. Wastepaper Modernism argues that these images are vital to our understanding of modernism, disclosing an anxiety about textual matter that lurks behind the desire for radically different modes of communication. Having its roots in the late nineteenth century, but finding its fullest constellation in the wake of the high modernist experimentation with novelistic form, “wastepaper modernism” arises when fiction imagines its own processes of transmission and representation breaking down. When the descriptive capabilities of the novel exhaust themselves, the wastepaper modernists picture instead the physical decay of the book’s own primary matter. Bringing together book history and media theory with detailed close reading, Wastepaper Modernism reveals modernist literature’s dark sense of itself as a ruin in the making.
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Kapitaniak, Pierre. Staging Devils and Witches: Had Shakespeare Read Reginald Scot’s The Discoverie of Witchcraft? Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427814.003.0003.

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Pierre Kapitaniak follows up on Laroque’s study by turning to witchcraft and demonology. Doing so, he examines the tenuous line distinguishing superstition from science, and analyses the staging of devils and witches in Shakespeare’s drama. Despite legends about King James I ordering it to be burnt, Reginald Scot’s The Discoverie of Witchcraft, was an ongoing success from the moment it was published, more often meeting with approval than with condemnation. Among those who approved of Scot’s ideas and who plundered them eagerly, were several generations of London playwrights. In The Discoverie of Witchcraft they found the buds of inspiration for all their supernatural figures that became so successful on Elizabethan and Jacobean stages, and one can only wonder whether the slow evolution from the usual supernatural paraphernalia (ghosts, demons, witches and wizards) towards more and more unbelievable figures, is not due to Scot’s widespread influence. Kapitaniak thus tries to reassess whether undisputable traces of Scot’s treatise can be found and ascertained in Shakespeare’s plays, and if his findings yield no easy conclusion, they offer fascinating hypotheses.
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Burn, Edward. A Sermon, Occasioned by the Death of the Late Miss Elizabeth Hutchinson. Delivered to the Congregation of St. Mary's, Birmingham, on Sunday the 20th of July, 1800. By Edward Burn, M.A. Gale ECCO, Print Editions, 2018.

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Book chapters on the topic "Elizabeth burns"

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"Elizabeth Burns." In The Edinburgh Book of Twentieth-Century Scottish Poetry, 47–52. Edinburgh University Press, 2005. http://dx.doi.org/10.1515/9781474470278-023.

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Burns, Robert. "206 [Mrs. Elizabeth Rose]." In The Letters of Robert Burns, Vol. 1: 1780–1789 (Second Edition), edited by J. De Lancey Ferguson and G. Ross Roy, 238–39. Oxford University Press, 1985. http://dx.doi.org/10.1093/oseo/instance.00033327.

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Burns, Robert. "620D. [Lady Elizabeth Heron?]." In The Letters of Robert Burns, Vol. 2: 1790–1796 (Second Edition), edited by J. De Lancey Ferguson and G. Ross Roy, 291. Oxford University Press, 1985. http://dx.doi.org/10.1093/oseo/instance.00033795.

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Burns, Robert. "298 (I) [Lady Elizabeth Cunningham]." In The Letters of Robert Burns, Vol. 1: 1780–1789 (Second Edition), edited by J. De Lancey Ferguson and G. Ross Roy, 357–58. Oxford University Press, 1985. http://dx.doi.org/10.1093/oseo/instance.00033430.

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Burns, Robert. "379 (3) Lady Elizabeth Cunningham." In The Letters of Robert Burns, Vol. 1: 1780–1789 (Second Edition), edited by J. De Lancey Ferguson and G. Ross Roy, 464–65. Oxford University Press, 1985. http://dx.doi.org/10.1093/oseo/instance.00033519.

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Burns, Robert. "93B. [Mrs. Elizabeth Scott, Wauchope House." In The Letters of Robert Burns, Vol. 1: 1780–1789 (Second Edition), edited by J. De Lancey Ferguson and G. Ross Roy. Oxford University Press, 1985. http://dx.doi.org/10.1093/oseo/instance.00033201.

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Scott], Elizabeth Scot [Rutherford;, and Robert Burns. "Verse Epistles Between Elizabeth Scott of Wauchope and Robert Burns." In The Oxford Edition of The Works of Robert Burns, Vol. 1: Commonplace Books, Tour Journals, and Miscellaneous Prose, edited by Nigel Leask. Oxford University Press, 2014. http://dx.doi.org/10.1093/oseo/instance.00097668.

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Burns, Robert. "342 (2) To Lady Elizabeth Cunningham, 15 May." In The Letters of Robert Burns, Vol. 1: 1780–1789 (Second Edition), edited by J. De Lancey Ferguson and G. Ross Roy. Oxford University Press, 1985. http://dx.doi.org/10.1093/oseo/instance.00033476.

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Beaumont, David. "Physical Health—Te Taha Tinana." In Positive Medicine, 111–20. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192845184.003.0009.

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The Māori model of health considers physical health as the cornerstone of Western medicine. Maslow’s understanding of homeostasis. Seligman’s PERMA model and vitality. The relationship between vitality and ageing, and the author’s experience after a heart attack: ‘You look like an old man.’ Telomeres, stress, and ageing—‘you are only as old as you feel’. Professor Elizabeth Blackburn (and her PhD student Carol Greider)’s Nobel Prize-winning research on telomerase. The concept of healthspan. Lifestyle choices and optimum health and wellbeing. Epigenetics and Dr David Sinclair’s book, Lifespan: Why We Age – and Why We Don’t Have To. Sir Harry Burns on the role of the environment and Glasgow effect. Tertiary prevention and the author’s experience. The science of nutrition and diet. The work of Professor Grant Schofield, author of What the Fat? and What the Fast?, who promotes a healthy fat, Mediterranean diet, with low carbohydrates and intermittent fasting. The science of sleep and its role in obesity.
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"Better to Marry Than to Burn? Attitudes to Clerical Marriage among the Elizabethan Clergy." In Parish Clergy Wives in Elizabethan England, 23–61. BRILL, 2019. http://dx.doi.org/10.1163/9789004353916_003.

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