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Journal articles on the topic 'Eliot'

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Author: Grafiati

Published: 4 June 2021

Last updated: 25 May 2024

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1

Brooker, Jewel Spears. "Eliot Reading Eliot." T. S. Eliot Studies Annual: Volume 4, Issue 1 4, no. 1 (July 1, 2022): 25–41. http://dx.doi.org/10.3828/tsesa.2022.vol4.05.

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2

Brooker, Jewel Spears. "Eliot Reading Eliot." T. S. Eliot Studies Annual 4, no. 1 (July 2022): 25–41. http://dx.doi.org/10.3828/tsea.2022.vol4.05.

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3

Costa, Catherine. ""My George Eliot": Deutera Dickinson/Mutter Eliot." Emily Dickinson Journal 5, no. 2 (1996): 59–65. http://dx.doi.org/10.1353/edj.0.0122.

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4

Upton, Edward. "From Tom Eliot to T. S. Eliot." T. S. Eliot Studies Annual 5, no. 1 (July 2023): 271–77. http://dx.doi.org/10.3828/tsesa.2023.vol5.23.

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5

Firchow, Peter. "Eliot, T.S.The Letters of T.S. Eliot. Vol. 1, 1898-1922. Ed. Valerie Eliot." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 3, no. 4 (October 1990): 194–98. http://dx.doi.org/10.1080/19403364.1990.11755291.

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6

Catania, A. Charles. "Eliot Shimoff." Journal of the Experimental Analysis of Behavior 83, no. 3 (May 2005): 197–99. http://dx.doi.org/10.1901/jeab.2005.22-05.

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7

Eigner, Edwin M., Rosemary Ashton, Sally Shuttleworth, and William Myers. "George Eliot." Modern Language Review 82, no. 4 (October 1987): 932. http://dx.doi.org/10.2307/3729073.

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8

Shires, Linda M., and Rosemarie Bodenheimer. "Eliot Live." NOVEL: A Forum on Fiction 28, no. 3 (1995): 355. http://dx.doi.org/10.2307/1345931.

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9

CHILDS, DONALD J. "ELIOT FACTS." Essays in Criticism XXXIX, no. 4 (1989): 348–52. http://dx.doi.org/10.1093/eic/xxxix.4.348.

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10

McCue, Jim. "Editing Eliot." Essays in Criticism 56, no. 1 (January 1, 2006): 1–27. http://dx.doi.org/10.1093/escrit/cgh001.

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11

Black, John. "Eliot Slater." Journal of the Royal Society of Medicine 99, no. 4 (April 2006): 169. http://dx.doi.org/10.1177/014107680609900407.

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12

Black, J. "Eliot Slater." Journal of the Royal Society of Medicine 99, no. 4 (April 1, 2006): 169. http://dx.doi.org/10.1258/jrsm.99.4.169.

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13

Pritchard, William H., Valerie Eliot, and T. S. Eliot. "Epistolary Eliot." Hudson Review 42, no. 1 (1989): 141. http://dx.doi.org/10.2307/3851175.

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14

Martel, Michael. "Reforming “Petty Politics!”: George Eliot and the Politicization of the Local State." Victorian Literature and Culture 47, no. 3 (2019): 575–602. http://dx.doi.org/10.1017/s1060150319000032.

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Situating George Eliot within mid-Victorian debates over central versus local government, this article contests the widespread presupposition that Eliot rejected official politics in favor of cultural mediation. Specifically, I argue that in Middlemarch: A Study of Provincial Life (1871–72), Eliot seeks to kindle a desire for local political institutions and to promote, in J. S. Mill's words, “the capacities moral, intellectual, and active required for working” them. Using the representative protocols of the local press, Eliot portrays Middlemarch's public health institutions as both opaque and transparent. While the public health work of Tertius Lydgate is essential to the novel's bildung plots and the town's cholera response, it is only represented obliquely through narrative paralipsis. In contrast, Eliot stages local council debates theatrically in scenes whose typography mimics the local press's treatment of council meetings. Eliot then supplements these protocols with the realist novel's networked form, which compels readers to supply characterological depth to the elided labors of Lydgate and the dramatic representations of council meetings. In thus depicting local representative government, Eliot prompts a desire for local political institutions and trains her readers in the cognitive skills needed to participate within them.

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15

Guerrero-Strachan, Santiago Rodríguez. "Romantic Eliot: The Reception of T.S. Eliot in Spain in the Second Half of the Twentieth Century." Revista Canaria de Estudios Ingleses, no. 85 (2022): 199–210. http://dx.doi.org/10.25145/j.recaesin.2022.85.13.

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"The article explores interpretations of T.S. Eliot by three Spanish poets: José Ángel Valente, Andrés Sánchez Robayna and Antonio Colinas. For them Eliot brought about the renewal of poetry in the early twentieth century. However, contrary to the popular view of Eliot as a Modernist who censured the late developments of Romanticism, Valente, Sánchez Robayna and Colinas regarded his poems as a continuation of Romanticism. The article considers the Spanish authors’ essays by analyzing the way they created the figure of Eliot as an heir of Romanticism."

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16

Ayasrah, Mohamed Ayed, and Mohd Nazri Latiff Azmi. "Intertextuality Between T. S Eliot and Al Sayyab’s Poetry." International Journal of English Linguistics 9, no. 3 (April 6, 2019): 78. http://dx.doi.org/10.5539/ijel.v9n3p78.

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The purpose of this study is to shed light on ‘intertextuality’ as a cross cultural technique between modern Arabic and English poetry with reference to T. S Eliot and Al Sayyab. It aims to uncover the intertextual aspects of ‘allusion’, ‘symbols and myths’, ‘irony’, ‘the objective equivalent’, ‘conceptual metaphor’ and ‘impersonality’ between Eliot and Al Sayyab and the impact of Eliot’s thoughts, themes, expressions and style on Al Sayyab’s. However, the study reveals that the strategy of intertextuality takes a one-way direction, i.e., from Eliot to Al Sayyab, and Eliot’s fingerprints are quite manifest in Al Sayyab’s poetry. Moreover, although some of Eliot’s key expressions, ideas, symbols, myths and themes are borrowed by Al Sayyab, he could professionally use intertextuality and maintain his illustrious style.

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17

Barber, Stephen. "Charles Williams and T.S. Eliot: Friends and Rivals." Journal of Inklings Studies 9, no. 1 (April 2019): 1–18. http://dx.doi.org/10.3366/ink.2019.0024.

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Williams and Eliot were close in age and both worked in publishing as well having careers as poets and freelance writers. However, their backgrounds were very different: Williams came from humble origins and was not able to complete a university degree, whereas Eliot at first seemed to set to become an academic philosopher. They first met in the early 1930s, by which time Williams had been both confused and influenced by The Waste Land. Eliot started to read Williams's novels and was in turn greatly influenced by them. They became increasingly close until Williams's death in 1945. Eliot showed the greatest influence of Williams in his 1949 play The Cocktail Party. Their Christian sensibility had some important features in common and, in the end, Williams's concept of the Affirmative Way became a great influence on Eliot.

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18

Soden, Oliver. "TIPPETT AND ELIOT." Tempo 67, no. 266 (October 2013): 28–53. http://dx.doi.org/10.1017/s0040298213000843.

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AbstractMichael Tippett called T.S. Eliot his ‘spiritual and artistic mentor’, but the relationship between the two men has never been studied in detail. Eliot's numerous discussions with Tippett in the 1930s proved a lasting influence on the composer's beliefs about the coming-together of words and music. This article has three aims: first, to use Tippett's correspondence and writings to bring together the most accurate and complete biographical description of the relationship to date; second, to show that Tippett quoted from and alluded to the work of T.S. Eliot not only in his early pieces (as has hitherto been thought) but in much later compositions such as The Ice Break, The Mask of Time, and Byzantium; and third, to examine the libretto of Tippett's oratorio A Child of Our Time in the light of the composer's talks with Eliot. This article suggests that the inclusion in the oratorio of Negro spirituals was influenced by Eliot, and provides an analysis of the composer's own libretto through the lens of T.S. Eliot's essay ‘The Three Voices of Poetry’. Eliot's essay examines the number of voices in which the ‘I’ of a poem can speak, freed from the specificities of prose, and this article argues that Tippett, influenced by Eliot, harnessed the form of oratorio, freed from the specificities of opera, to allow it to speak in many voices.

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19

Faulk, Barry, Marc Redfield, and David Chinitz. "T. S. Eliot." PMLA 110, no. 5 (October 1995): 1052. http://dx.doi.org/10.2307/463030.

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20

Lovesey. "Examining George Eliot." George Eliot - George Henry Lewes Studies 71, no. 2 (2019): 143. http://dx.doi.org/10.5325/georelioghlstud.71.2.0143.

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21

Henderson, Archie, and Christopher McVey. "Pound and Eliot." American Literary Scholarship 2020, no. 1 (September 1, 2022): 123–41. http://dx.doi.org/10.1215/00659142-9750622.

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22

LEVIN, RICHARD C. "ELIOT OF HARVARD." Yale Review 99, no. 4 (2011): 1–15. http://dx.doi.org/10.1353/tyr.2011.0049.

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23

Rulo, Kevin. "Eliot and Skin." T. S. Eliot Studies Annual 3, no. 1 (July 1, 2021): 93–112. http://dx.doi.org/10.3828/tsesa.2021.vol3.08.

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24

Henderson, Archie, and Christopher McVey. "Pound and Eliot." American Literary Scholarship 2019, no. 1 (September 1, 2021): 111–31. http://dx.doi.org/10.1215/00659142-8969229.

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25

Perry, Seamus. "Eliot, Blake, Unpleasantness." T. S. Eliot Studies Annual 2, no. 1 (January 1, 2018): 47–65. http://dx.doi.org/10.3828/tsesa.2018.vol2.07.

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26

Edwards, Michaël. "Hearing Eliot now." Études anglaises 65, no. 4 (2012): 400. http://dx.doi.org/10.3917/etan.654.0400.

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27

Schuchard, Ronald. "Eliot and Ignatius." Modern Schoolman 73, no. 1 (1995): 1–16. http://dx.doi.org/10.5840/schoolman19957311.

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28

Charron, William C. "T. S. Eliot." Modern Schoolman 73, no. 1 (1995): 91–114. http://dx.doi.org/10.5840/schoolman19957316.

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29

Schwartz, Sanford. "Post-Modernizing Eliot." Modern Schoolman 73, no. 1 (1995): 115–27. http://dx.doi.org/10.5840/schoolman19957317.

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30

Lefkovitz, Lori, Suzanne Graver, and Sally Shuttleworth. "Discursive Formations: Eliot." NOVEL: A Forum on Fiction 19, no. 1 (1985): 86. http://dx.doi.org/10.2307/1345718.

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31

Snashall, D. "Malcolm Eliot MacGregor." BMJ 348, feb24 12 (February 24, 2014): g1611. http://dx.doi.org/10.1136/bmj.g1611.

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32

Hamblin, T. "John Eliot Trapnell." BMJ 343, oct04 3 (October 4, 2011): d6375. http://dx.doi.org/10.1136/bmj.d6375.

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33

LEVIN, RICHARD C. "ELIOT OF HARVARD." Yale Review 99, no. 4 (September 13, 2011): 1–15. http://dx.doi.org/10.1111/j.1467-9736.2011.00736.x.

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34

Hecht, A. "T. S. Eliot." Literary Imagination 5, no. 1 (January 1, 2003): 3–17. http://dx.doi.org/10.1093/litimag/5.1.3.

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35

JONES, ELIZABETH. "ELIOT AND ‘TARANTELLA’." Notes and Queries 43, no. 4 (December 1, 1996): 444—b—445. http://dx.doi.org/10.1093/nq/43-4-444b.

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36

JONES, ELIZABETH. "ELIOT AND ‘TARANTELLA’." Notes and Queries 43, no. 4 (1996): 444—b—445. http://dx.doi.org/10.1093/nq/43.4.444-b.

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37

MACML, P. "THE AMERICAN ELIOT." Essays in Criticism XLIX, no. 3 (June 30, 2009): 279–84. http://dx.doi.org/10.1093/eic/xlix.3.279.

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38

Marsh, A., and M. Hofer. "Pound and Eliot." American Literary Scholarship 2009, no. 1 (January 1, 2011): 153–76. http://dx.doi.org/10.1215/00659142-1264801.

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39

Marsh, A., and M. Hofer. "Pound and Eliot." American Literary Scholarship 2010, no. 1 (January 1, 2012): 161–80. http://dx.doi.org/10.1215/00659142-1589054.

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40

Marsh, Alec, and Ben Lockerd. "Pound and Eliot." American Literary Scholarship 1998, no. 1 (September 1, 2000): 129–48. http://dx.doi.org/10.1215/00659142-1998-1-129.

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41

Marsh, A. "Pound and Eliot." American Literary Scholarship 1999, no. 1 (January 1, 2001): 157–78. http://dx.doi.org/10.1215/00659142-1999-1-157.

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42

Marsh, A. "Pound and Eliot." American Literary Scholarship 2000, no. 1 (January 1, 2002): 139–62. http://dx.doi.org/10.1215/00659142-2000-1-139.

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43

Marsh, A. "Pound and Eliot." American Literary Scholarship 2001, no. 1 (January 1, 2003): 155–86. http://dx.doi.org/10.1215/00659142-2001-1-155.

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44

Marsh, A. "Pound and Eliot." American Literary Scholarship 2002, no. 1 (January 1, 2004): 137–60. http://dx.doi.org/10.1215/00659142-2002-1-137.

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45

Marsh, A. "Pound and Eliot." American Literary Scholarship 2003, no. 1 (January 1, 2005): 145–69. http://dx.doi.org/10.1215/00659142-2003-1-145.

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46

Marsh, A. "Pound and Eliot." American Literary Scholarship 2004, no. 1 (January 1, 2006): 151–68. http://dx.doi.org/10.1215/00659142-2005-021.

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47

Marsh, A., and E. Daumer. "Pound and Eliot." American Literary Scholarship 2005, no. 1 (January 1, 2007): 165–88. http://dx.doi.org/10.1215/00659142-2006-018.

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48

Marsh, A., and E. Daumer. "Pound and Eliot." American Literary Scholarship 2006, no. 1 (January 1, 2008): 139–65. http://dx.doi.org/10.1215/00659142-2007-016.

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49

Marsh, A., and E. Daumer. "Pound and Eliot." American Literary Scholarship 2007, no. 1 (January 1, 2009): 169–93. http://dx.doi.org/10.1215/00659142-2008-017.

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50

Marsh, A., and M. Hofer. "Pound and Eliot." American Literary Scholarship 2008, no. 1 (January 1, 2010): 153–71. http://dx.doi.org/10.1215/00659142-2009-017.

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