Dissertations / Theses on the topic 'Eliade'
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Müller, Hannelore. "Die frühe Mircea Eliade /." Münster : Lit Verl, 2004. http://catalogue.bnf.fr/ark:/12148/cb39245188h.
Full textSouza, Vitor Chaves de. "A ONTOLOGIA EM MIRCEA ELIADE." Universidade Metodista de São Paulo, 2010. http://tede.metodista.br/jspui/handle/tede/567.
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Esta pesquisa propõe-se a tematizar a ontologia em Mircea Eliade. Constata que a ontologia é o centro do pensamento e do trabalho do autor. Ao analisar a forma mais elementar do ser, Eliade diz que o sujeito religioso funda o mundo ontologicamente a partir da experiência com o sagrado e a vivência dos mitos. A ontologia arcaica ritualiza eventos primordiais e confere sentido para a vida, enquanto a ontologia moderna nega qualquer tipo de transcendência e sacralidade. Eliade sugere uma ontologia religiosa que aponta para um novo humanismo a fim de solucionar as crises existenciais modernas. Esta análise da ontologia em Eliade é feita com base no método fenomenológico e hermenêutico. Este estudo é realizado em três etapas: primeiramente, buscam-se os eventos que inauguraram a ontologia na vida e obra de Eliade, analisando seu método de pesquisa e introduzindo a ontologia; em segundo lugar, formula-se uma abordagem geral dos assuntos trabalhados por Eliade e.g., mito, símbolo, existência e ser apresentando a ontologia arcaica e moderna; e, por último, a partir dos conteúdos apresentados, procede-se a uma análise do mundo constituído pela manifestação do sagrado e as possibilidades de uma ontologia religiosa para a pós-modernidade. Espera-se que o resultado seja uma reflexão que permita uma melhor compreensão da pesquisa de Eliade, bem como que sirva de referencial e fundamento para futuros estudos acerca de Eliade, da nova hermenêutica e da questão do ser religioso.
Rennie, Bryan Stephenson. "Mircea Eliade : making sense of religion." Thesis, University of Edinburgh, 1992. http://hdl.handle.net/1842/27260.
Full textRamírez, Coyote Urbano Mischel. "La fenomenología de lo sagrado en Mircea Eliade." Tesis de Licenciatura, Universidad Autónoma del Estado de México, 2016. http://hdl.handle.net/20.500.11799/65315.
Full textEl objetivo de este trabajo, es poder acercarse a la reflexión de la vida fáctica del ser acerca de lo sagrado. La sociedad oculta en su costumbre y su humanidad, hombres situados en su ególatra existencia, sin algo en común, como individuos educados para no morir sin hacer algún intento de escape a su cultura o religión, situación religiosa en la que se vive o viven, se percibe en todo aquello que se otorga por ser mirífico, a partir de una identidad como fenómeno religioso, es como se va haciendo de alguna manera la esencia de la religión, sin contar antes, las manifestación de lo sagrado como tal, es así que la religión, es un asunto como ciencia divina, así parecida a la filosofía, sus argumentos, no pueden ser empíricos puesto que lo empírico necesita ser entendido desde un enfoque de patrones de deidades manifestadas por el hombre, pero la religión es la clarificación del ser religioso, aunque esto parezca un poco confuso la determinación ontológica de la religión se basa más en la predominación de hierofanias, que se desligan de cualquier asunto empírico como tal. Y si lo empírico ayuda de alguna manera a ser el soporte de trascendencia para entender la religión y sus emociones mismas, nunca se podrá medir con el patrón de la razón, aunque la razón también sea una especie de numen.
Popoaca-Giuran, Anca. "Mircea Eliade : meanings (the apparent dichotomy: scientist/writer)." Thesis, King's College London (University of London), 1999. https://kclpure.kcl.ac.uk/portal/en/theses/mircea-eliade--meanings-the-apparent-dichotomy-scientistwriter(a8f2a249-415f-4cdd-b9ad-d4bb3ebb6d77).html.
Full textBuftéa, Maria Claudia. "Théâtre et vision théâtrale dans l’œuvre de Mircea Eliade." Aix-Marseille 1, 2009. http://www.theses.fr/2009AIX10059.
Full textBuse, Ionel. "Mythe et symbole dans la prose fantastique de Mircea Eliade." Dijon, 2000. http://www.theses.fr/2000DIJOL032.
Full textRamalho, Aline Grasiele Araújo. "O SIMBOLISMO RELIGIOSO EM MIRCEA ELIADE: PASSIVIDADE, DINÂMICA E RESSIGNIFICAÇÃO." Universidade Metodista de São Paulo, 2012. http://tede.metodista.br/jspui/handle/tede/217.
Full textThis research investigates the symbolization process on Mircea Eliade s thought. The study on religious symbolism includes categories of the human as well as concepts and experiences with the sacred lived by the religious men. The world is revealed through symbols, in which it is possible to achieve a better understanding of the human being. This research assistson the understanding of religion as a phenomenonof the culture, whereas the symbolism reveals the mode of human being in the world. This work contemplates the proposal of Eliade s hermeneutics, which refers to a study for the search of meaning and significations in religious documents. Besides the understanding of the hermeneutical method, the possibility of a new epistemology of symbolwas examined. Eliade s propositionon religious symbolism is also explored in the identification of what is considered to be passive and dynamic in the process of religious symbolism, and how this dialectical relation happens. Passivity and dynamic are implicit categories on Eliade sthought,therefore this subject composes an hermeneutic effort to understand the author. The redefinition of religious symbolsis another step that had been observed in the process of symbolization. The redefinition is worked in respect to the experienced sense crisis in the contemporaneity. This is a work that highlights the importance of considering the various disciplines to the comprehension of the religious phenomenon, having a well-establishedphenomenological approach. As this research seeks to interpret the religious data in order toreach the essence or the structure that is present in all religious manifestations, we could say this research grasps both phenomenological and hermeneutical proposition. This study can be characterized by an interpretation of Eliade sthought, where systematization and new possibilities of readings of his worksare presented.
A pesquisa investiga o processo de simbolização no pensamento de Mircea Eliade. A investigação sobre o simbolismo religioso abrange as categorias do humano bem como as concepções e experiências com o sagrado, vivenciadas pelo homem religioso. O mundo se revela através dos símbolos, sendo possível através deles ter uma melhor compreensão do ser humano. A pesquisa auxilia na compreensão da religião enquanto fenômeno da cultura, considerando que o simbolismo revela o modo de ser humano no mundo. O trabalho contempla a proposta da hermenêutica eliadiana, que se refere a um estudo pela busca do sentido e das significações nos documentos religiosos. Além da compreensão do método hermenêutico foi verificada a possibilidade de indicação para uma nova epistemologia dos símbolos. A proposta de Eliade sobre o simbolismo religioso é também explorada na identificação do que há de passivo e dinâmico no processo de simbolização religiosa e como ocorre essa relação dialética. Passividade e dinâmica são categorias implícitas no pensamento de Eliade, portanto, essa temática constitui-se num esforço hermenêutico para compreender o autor. Outra etapa que foi observada no processo de simbolização foi a ressignificação dos símbolos religiosos. A ressignificação é trabalhada em relação à crise de sentidos vivenciada na contemporaneidade. Um trabalho que ressalta a importância da consideração das diversas disciplinas para compreensão do fenômeno religioso, mas que tem seu enfoque fenomenológico bem demarcado. Poderíamos dizer que a pesquisa abarca tanto as propostas da fenomenologia quanto da hermenêutica, na medida em que visa uma interpretação dos dados religiosos para se chegar à essência ou a uma estrutura que se encontra presente em todas as manifestações religiosas. A investigação pode ser caracterizada como uma interpretação do pensamento de Eliade, onde são apresentadas sistematizações e novas possibilidades de leituras de suas obras.
QUEIROZ, R. D. "Diálogos com o Sagrado. O Novo Humanismo em Mircea Eliade." Universidade Federal do Espírito Santo, 2015. http://repositorio.ufes.br/handle/10/3685.
Full textA proposta da presente pesquisa é apresentar o Novo Humanismo de Mircea Eliade (1907-1986). Para isso, analisamos o contexto histórico em que ocorreram as pesquisas e o posicionamento crítico do filósofo romeno, período em que o homem moderno foi orientado por uma Weltanschauung racionalizante e dessacralizante, onde a experiência do sagrado foi reduzida a uma dimensão primitiva da mentalidade humana. Eliade interpretou essa postura secularizante como a principal responsável pela crise existencial do homem moderno que se revelou na angústia e no niilismo de seu modo de ser. Nesse sentido, a crise humana é uma crise, sobretudo, ontológica. Diante disso, Eliade ofereceu um novo paradigma para a elaboração de um Novo Humanismo, que consiste essencialmente na redescoberta da experiência do sagrado. Contudo, devido ao processo de racionalização e do abandono de um ritmo de vida cosmicizado, o homem moderno esqueceu o acesso à suas raízes. A saída para se recuperar do esquecimento do ser e do provincianismo cultural se encontra no diálogo intercultural entre o Ocidente e as civilizações do Oriente, marcadas ainda por uma visão de mundo religiosa, diálogo esse que só pode ocorrer hermeneuticamente por meio de uma linguagem simbólica capaz de entender o universo religioso. Dessa forma, a problemática que nos guiará nessa pesquisa se resume a uma possível contribuição da experiência do sagrado na formulação de um novo modelo cultural e humanista face a uma civilização secularizada. Com efeito, para compreender a experiência do sagrado, teremos que refletir a respeito de seu próprio significado, do homo religiosus, e seu modo de ser diante do espaço e do terror da História.
ALMEIDA, SÉRGIO CESAR PRATES DE. "HERMENÊUTICAS EM CONFLITO: PERSPECTIVAS DE MIRCEA ELIADE E RUDOLF BULTMANN SOBRE O MITO." Universidade Metodista de Sao Paulo, 2017. http://tede.metodista.br/jspui/handle/tede/1653.
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The objective of this research is to address the distances that exist on Mircea Eliade and Rudolf Bultmann’s perspectives about the myth. As we investigate the issue of myth and its interpretations we find that there are many significant discussions about the theme. Among them, unquestionably, two stand out not because of their role over others, but because of the importance that this question plays in the thinking of their researchers, since it is practically impossible to disassociate the question from the myth on Mircea Eliade and Rudolf Bultmann’s thoughts. For Eliade the myth reveals that the world, human and life have a supernatural origin and story. This sacred story, besides being true, is significant, precious and exemplary, as it makes reference and brings meaning to the realities of a certain society to which the myth belongs. In contrast Bultmann notes a problem to be solved in the application of his hermeneutics: how to relate to the question of the myth present in the New Testament writings. The myth is a threat to the modern mind steeped in a scientific worldview. Myth and modern thought are totally excluding. What Bultmann insists on is the elimination of the conceptual universe of the New Testament so that the word of God can be understood by modern man. The myth, therefore, in Bultmann's conception is nothing more than a way of objectifying what is transcendent to the immanent, is to transform divine beings into humans. In this way, we will analyze the assumptions that led both to take different paths and construct opposite hermeneutics of the myth. And finally, to understand the repercussions of hermeneutical practices for contemporary religious thoughts.
O objetivo dessa pesquisa é abordar os distanciamentos que existem sobre as perspectivas de Mircea Eliade e Rudolf Bultmann acerca do mito. Ao investigarmos sobre a questão do mito e suas interpretações constatamos que existem muitas discussões significativas acerca do tema. Dentre elas inquestionavelmente duas se destacam, não pelo papel que exercem sobre as outras, mas pela importância que esta questão desempenha no pensamento de seus pesquisadores, pois é praticamente impossível desassociar a questão do mito do pensamento de Mircea Eliade e Rudolf Bultmann. Para Eliade o mito revela que o mundo, o homem e a vida possuem uma origem e uma história sobrenatural. Essa história sagrada além de verdadeira é significativa, preciosa e exemplar, pois faz referencia e traz significado às realidades de determinada sociedade a qual pertence o mito. Em contrapartida Bultmann constata um problema a ser resolvido na aplicação de sua hermenêutica: como se relacionar com a questão do mito presente nos escritos neotestamentários. O mito é uma ameaça à mente moderna mergulhada em uma cosmovisão científica. Mito e pensamento moderno são totalmente excludentes. Em que Bultmann insiste é na eliminação do universo conceitual do Novo Testamento para que a palavra de Deus possa ser compreendida pelo homem moderno. O mito, portanto, na concepção de Bultmann nada mais é do que uma forma de objetivar o que é transcendente para o imanente, é transformar seres divinos em humanos. Desta forma, analisaremos os pressupostos que levaram ambos a tomarem caminhos distintos e construírem hermenêuticas opostas do mito. E por fim, entender as repercussões de suas práticas hermenêuticas para o pensamento religioso contemporâneo.
Mendonça, Maria Luiza Vianna Pessoa de. "A história das religiões de Mircea Eliade: estatuto epistemológico, metodologia e categorias fundamentais." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/1847.
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No presente trabalho apresenta-se um estudo da História das Religiões de Mircea Eliade realizado sobre três aspectos desta obra: os aspectos epistemológico, metodológico e categorial. Na primeira parte do trabalho, postula-se que a História das Religiões eliadiana se trata de uma disciplina autônoma e integral, com objeto próprio de estudo – o fenômeno religioso considerado no seu plano específico de referência, o plano religioso – e com método próprio de trabalho – um método histórico-fenomenológicohermenêutico unitário –; que tal disciplina gira em torno de dois eixos – a fenomenologia da religião stricto sensu e a história das religiões; que, no seu todo, a História das Religiões eliadiana tem o estatuto de uma fenomenologia existencial da religião, situando-se no âmbito da Filosofia. Na segunda parte deste trabalho discorre-se sobre o método apenas implícito na obra eliadiana, o qual leva em conta o aspecto histórico do fenômeno religioso e o qual conjuga fenomenologia e hermenêutica, desenvolvendo-se em dois planos: o primeiro plano é o da análise fenomenológicodescritiva do fenômeno religioso realizada no campo da fenomenologia da religião stricto sensu, no qual o autor romeno conforma sua morfologia do sagrado; o segundo plano é o da análise hermenêutico-filosófica dos fenômenos religiosos históricos, no qual o citado autor procede à interpretação dos fenômenos religiosos historicamente acontecidos para a elaboração de sua história das religiões; Eliade utiliza ainda a análise hermenêutico-filosófica dos simbolismos religiosos para a realização de uma hermenêutica filosófica dos símbolos religiosos por meio da qual formula juízos normativos sobre a condição humana. Na terceira parte deste trabalho, realiza-se um estudo das principais categorias do pensamento eliadiano com ênfase para a hierofania, a dialética da hierofania, a dialética do sagrado e do profano, o sagrado, a religião, a experiência religiosa, o espaço sagrado, tempo e história, o homo religiosus, o homem ocidental moderno a-religioso, o arquétipo, o arquétipo da coincidentia oppositorum, imagens e símbolos, a a-historicidade da vida religiosa, o símbolo religioso, o simbolismo religioso, o mito, o rito, a camuflagem e a ocultação do sagrado no profano, a irreconhecibilidade do sagrado na História (ou a irreconhecibilidade do milagre) e o sagrado no mundo ocidental secularizado.
In this thesis a study of Mircea Eliade’s History of Religions is presented carried through on three different approaches: the epistemological approach, the methodological approach and the categorical approach. In the first Chapter of this thesis, it is claimed that Eliade’s History of Religions constitutes an autonomous and integral discipline, with proper object of study – the religious phenomenon in its specific plan of reference, the religious plan - and with proper method of work – a unitary historical-phenomenological-hermeneutic method -; that such discipline turns around two axles – the phenomenology of religion stricto sensu and the history of religions -; that, in its all, the eliadian History of Religions has the statute of an existential phenomenology of religion placing itself in the branch of Philosophy. In the second Chapter of this thesis, it is discoursed on the only implicit method in the eliadian workmanship, which takes in account the historical aspect of the religious phenomenon and which conjugates phenomenology and hermeneutics, developing itself in two plans: the first plan is that of the phenomenological-descriptive analysis of the religious phenomenon carried through on the field of the phenomenology of religion stricto sensu, in which the Rumanian author conforms his morphology of the Sacred; the second plan is that of the hermeneutic-philosophical analysis of the historical religious phenomena in which the cited author proceeds to the interpretation of the religious phenomena historically happened for the elaboration of his history of religions; Eliade also use the hermeneutic-philosophical analysis of the religious symbolisms for the accomplishment of a philosophical hermeneutics of the religious symbols by means of which he formulates normative judgments on the human being condition. In the third Chapter of this work, a study of the main categories of the eliadian thought is developed with emphasis for the hierophany, the dialectic of the hierophany, the dialectic of the Sacred and the Profane, the Sacred, the religion, the religious experience, the sacred space, time and history, homo religiosus, the modern Occidental man of the secularized societies, the archetype, the archetype of coincidentia oppositorum, images and symbols, the non-historicity of the of religious life, the religious symbol, the religious symbolism, the Myth, the Rite, the Camouflage and the Occultation of the Sacred in the Profane, the unrecognizableness of the Sacred in History (or the unrecognizableness of miracle), and the Sacred in the modern secularized Occidental world.
Stanescu, Corina Madeleine. "Temps de l'Histoire et temps du destin : (Julien Gracq, Ernst Jünger, Mircea Eliade." Université Marc Bloch (Strasbourg) (1971-2008), 2004. http://www.theses.fr/2004STR20033.
Full textThe historical conjunctures of the twentieth century led Julien Gracq, Ernst Jünger and Mircea Eliade to carry out a far-reaching investigation into History, one which implied a critique of historical determination and its underlying terms : a lineary and continuous temporaliity as the vector of constant progress. For these three writers the refusal of history signified nothing less than the rebuttal of all those historicisms which tend to only consider the historical dimension of the individual. If all three directed their energies towards the domain of myth, which constituted the major twentieth century discovery of historical science, it is certainly not because they were unconcerned with History. On the contrary, their way of engaging with the domain of myth, one which goes naturally with the exploration of other temporal dimensions than linear ones, reinvents and goes beyond the traditional opposition between myth and History. This exploration and the reflection it engenders cannot but be perceptible in the way Gracq, Jünger and Eliade view literature
Engstrand, Cecilia. "Den eviga Hjältesagan : En tematisk och mytologisk läsning av Jesus och Harry Potter-berättelsen utifrån Mircea Eliades Myth and Reality." Thesis, Södertörns högskola, Institutionen för genus, kultur och historia, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-3574.
Full textSpineto, Natale. "Le concept de phénomène religieux dans l'œuvre de Raffaele Pettazzoni et de Mircea Eliade." Paris 4, 1999. http://www.theses.fr/1998PA040266.
Full textCané, Molinari René. "Los símbolos y el problema del mal: aportes de Mircea Eliade y Paul Ricouer." Tesis, Universidad de Chile, 2004. http://repositorio.uchile.cl/handle/2250/144304.
Full textBaghos, Mario. "Eternal Cities: Rome, Constantinople, and their Antecedents as Symbolic Images and Centres of the World." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/13563.
Full textOrita-Serban, Manuela. "Ecrivains roumains d’expression française (Tristan Tzara, Benjamin Fondane, Mircea Eliade, Eugene Ionesco) : aspects de l’exil, trajectoires emblématiques." Paris 4, 2007. http://www.theses.fr/2007PA040253.
Full textIn our thesis we study the literary evolution of four Romanian writers put to the test of exile: Tristan Tzara, Benjamin Fondane, Mircea Eliade and Eugène Ionesco. These writers have two cultures and, therefore, two visions : the Romanian and the French one. The impact of exile on their creation shows itself in a form of revolt, present in the works of these four writers. We try to see how these writers live the spiritual and the absurd dimensions at the same time. Tristan Tzara created his Dada Manifesto (which seemed merely absurd), Benjamin Fondane lived the absurdity of Nazism until its last tragic consequences (his deportation to the extermination camp at Birkenau). Mircea Eliade lived a political absurdity in Romania but he searched for the sacred in his writings, the essential dimension of every person or of every society or civilization (the vertical axis between man and the divine). Concerning Eugène Ionesco, in pursuit of the spiritual , he wrote the Theatre of the Absurd. The voices of these authors arrived from abroad, brought a new dimension to French literature. An original French-Romanian literature was born in relation to the new cultural context and to the tradition of Romania
Lupas, Maria Cristina. "L'art dans les journaux intimes de M. Eliade, E. Ionesco, M. Sebastian et N. Steinhardt, 1927-1987." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10067.
Full textReflections about the nature and powers of art pervade the diaries of Mircea Eliade, Eugène Ionesco, Mihail Sebastian, and Nicolae Steinhardt. These reflections stem from the literary debates in fashion in Greater Romania in which all four authors took part. Their practice of diary keeping also goes back to this period. It especially characterized a group of young intellectuals launched by Eliade called the ‘Young Generation.’ The diary genre lends itself well to a type of study H. R. Jauss has called ‘reception.’ The receptions of art in the four diaries illustrate three powers of art. Art has a formative power: it teaches by opening the receiver to the world proposed by the work of art. Art also has a nationalistic power: as an instrument of national-identity building for the new Romanian nation-state, art did not escape the danger of politicization characteristic of so-called ‘minor literatures,’ a term this dissertation discusses, and the Romanian state practiced nationalist policies with regards to the arts. Lastly, art has a therapeutic power: it can help in coming to terms with painful experiences like that of the Romanian nationalist catastrophe by indirect and more attractive means. The text of the four diaries is here established from fragments published in Romanian and in French publications. The diaries reveal four lives that crossed paths and that shed light on each other and especially on the difficult re-readings of the Romanian past. Ionesco’s diary in particular emerges as an example of a therapy by art and of what Paul Ricœur has called a ‘work of memory,’ about his personal history, that of his generation and of twentieth-century Europe
Orita-Serban, Manuela Chevrier Jacques. "Ecrivains roumains d'expression française (Tristan Tzara, Benjamin Fondane, Mircea Eliade, Eugene Ionesco) aspects de l'exil, trajectoires emblématiques /." Paris : Université Paris Sorbonne - Paris IV, 2008. http://www.theses.paris4.sorbonne.fr/these-orita/paris4/2007/these-orita/html/index-frames.html.
Full textHulpoi, Claudia simona. "André Breton et Mircea Eliade : espaces du non-dit : schémas communs au surréalisme et à l'anthropologie religieuse." Electronic Thesis or Diss., Orléans, 2010. http://www.theses.fr/2010ORLE1109.
Full textThe dialogue between André Breton and Mircea Eliade is certainly unusual. However, as Eliade‟s Diary, Autobiography and Trial of the labyrinth testify, the two men met in 1948. Their conversation, which “slips” towards hermetism and occult techniques, seems to have been captivating. Moreover, after 1948 the allusions to the surrealism become quite frequent in Eliade‟s work. The structure of this thesis follows the landmarks of their actual encounter. Firstly, the dialogue between the Poet and the Scientist is symbolic for the epistemological situation of a period that, by its opening to mystery, makes the shift from the positivism of the XIXth century to postmodernism. The first chapter, Religious anthropology and surrealism: science and truth, tries to trace the signs of this change in the conceptions of the two authors. Specialists of the sacred in the XXth century focuses on the encodings of this “mystery”, insofar as they nourished, by means of similar readings, the works of the two personalities. René Guénon‟s esoterism and Sigmund Freud „s psychoanalysis serve as reference points in the attempt to define the ideological positions adopted by Breton and Eliade on the territory of the unknown which was then offered to the modern perception. Soteriological patterns are intended as a deeper incursion into the blanks of this conversation: the shamanism, the yoga and the alchemy studied by Eliade are in turn related to the theoretical and technical elements that the surrealism seems to have transposed in the distinctive language of its art
Hulpoi, Claudia simona. "André Breton et Mircea Eliade : espaces du non-dit : schémas communs au surréalisme et à l'anthropologie religieuse." Thesis, Orléans, 2010. http://www.theses.fr/2010ORLE1109.
Full textThe dialogue between André Breton and Mircea Eliade is certainly unusual. However, as Eliade‟s Diary, Autobiography and Trial of the labyrinth testify, the two men met in 1948. Their conversation, which “slips” towards hermetism and occult techniques, seems to have been captivating. Moreover, after 1948 the allusions to the surrealism become quite frequent in Eliade‟s work. The structure of this thesis follows the landmarks of their actual encounter. Firstly, the dialogue between the Poet and the Scientist is symbolic for the epistemological situation of a period that, by its opening to mystery, makes the shift from the positivism of the XIXth century to postmodernism. The first chapter, Religious anthropology and surrealism: science and truth, tries to trace the signs of this change in the conceptions of the two authors. Specialists of the sacred in the XXth century focuses on the encodings of this “mystery”, insofar as they nourished, by means of similar readings, the works of the two personalities. René Guénon‟s esoterism and Sigmund Freud „s psychoanalysis serve as reference points in the attempt to define the ideological positions adopted by Breton and Eliade on the territory of the unknown which was then offered to the modern perception. Soteriological patterns are intended as a deeper incursion into the blanks of this conversation: the shamanism, the yoga and the alchemy studied by Eliade are in turn related to the theoretical and technical elements that the surrealism seems to have transposed in the distinctive language of its art
Dailey, Charles William. "The Serpent Symbol in Tradition: A Study of Traditional Serpent and Dragon Symbolism, Based in Part Upon the Concepts and Observations of Rene Guenon, Mircea Eliade, and Various Other Relevant Researchers." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703377/.
Full textEyenga, Liongo On'Asi Emmanuel. "Dialectique du sacré et modernité : contribution de Mircea Eliade à la problématique contemporaine d'une philosophie de la religion." Paris 4, 1993. http://www.theses.fr/1993PA040224.
Full textThis thesis is made up of in the first part,an analysis of the fundamental concepts of the thought of Eliade,particulary that of sacred,of hierophany,of homo religiosus,of myth and of rite. .
Andersson, Marcus. "Att rekonstruera världen : tillämpade på de moderna olympiska spelen." Thesis, Växjö University, School of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1983.
Full textThe aim of this essay is to illustrate a modern phenomenon, the Olympic Games, by applying the ideas of Mircea Eliade concerning space, time and myth. This literature study is mainly divided in two parts, one descriptive and one analytic. In the first part Eliade’s ideas and some criticism, which has been pointed against his theoretical approaches as well as his character, are presented. In the second part an analysis is carried out, based on the previously presented ideas and elements essential for the Olympics; the idea of the Olympics, the place, the ceremonies, the competition and the concept of individual idolism.
I have discussed what seems like gnostic tendencies in Eliade’s ideas, in the sense that both Eliade’s ideas and the concept of Gnosticism argue that knowledge is a necessary condition for salvation, as well as the fact that Eliade and his ideas have not always a pro-Christian approach. I have also shown that incoherency exists in his theoretical approach concerning the manifestation of the sacred.
I have found that Mircea Eliade’s ideas, with some difficulties, very well can reflect a modern phenomenon such as the Olympic Games. I have also put forth the idea of translating Eliade’s conception of axis mundi into an ideological landscape; the Olympic values become an analogy to axis mundi. Furthermore, I have also shown that modern man in different ways desires to be close to the sacred, and how this fact to some extent may explain people’s devotion to and worship of sport heroes, and thus why not only athletes but also billions of spectators are inclined to attend the Olympics. Finally, I show that, according to Eliade’s ideas, the Olympics might facilitate the process of creating modern myths.
Sirén, Elvira. "Shamanism i Sverige : En distinktion mellan praktik och definition." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-185180.
Full textEvensen, Anthony J. "Culture and psyche in the comparative study of religion." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.
Full textElmore, Mark. "Mirages of the mind a study of academic representations of Hindu Tantra /." Accompanying CD-ROM necessary for access to site, 1999.
Find full textTitle from title screen. Accompanied by a bound paper guide which contains abstract, operating instructions and bibliographical references, and by a CD-ROM which provides access to the html files. (Direct access via the Web is not possible without the CD-ROM).
Rizea, Barbos Carmen Raluca. "Espaces du fantastique urbain et aspects du sacré. Le cas de Mircea Eliade, Jean Ray et Howard Phillips Lovecraft." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2009. http://tel.archives-ouvertes.fr/tel-00947719.
Full textZanin, Sofia <1982>. "Dal pensiero religioso alla filosofia dell'arte. Mircea Eliade e Raimon Panikkar, prospettive sul sacro e riflessioni estetiche a confronto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8969.
Full textHirata, Ricardo Alvarenga. "O Rio da Alma - contribuições do simbolismo religioso e da psicologia analítica para uma reflexão sobre a crise ecológica no rio Tietê: uma proposta da ecologia arquetípica." Pontifícia Universidade Católica de São Paulo, 2005. https://tede2.pucsp.br/handle/handle/2105.
Full textPontificia Universidade de São Paulo
This dissertation has as its objective to propose a theoretical referential of the religion sciences and the analytical psychology for studying the cultural - economical development impasse in the extent of the ecological crisis in the Tietê river, in São Paulo. This crisis took on alarming proportions in the second half of the XX century, when the river pollution reached the extension ofthree hundred and fifty kilometres and the low water quality has caused contagious diseases, disabling its use even for the electric power generation. Our hypothesis is (1) that the causes of the ecological crisis in the river Tietê isn't only in the material and objective dimension, but also has to do with the estrangement of man's relationship with the symbolic and the sacred. And that, therefore, (2) the resolution ofthis crisis should aiso include human subjectivity. To verify these hypotheses, we used theoretical and historical research of the ecological crisis in the river, as well as the religious symbolism of thé river water, and the imaginary links between the citizens from São Paulo and the river along with the history ofthe city. It also raised the current strategies that have been used tomanage the crisis. The theoretical referential that permeates the dissertation is an interface of the concept of symbolism of Ernst Cassirer's, Mircea Eliade and Carl G. Jung works. We concluded that the causes of the ecological crisis in Tietê are linked with the loss of meaning of the symbolism of the water and ofthe river, and that the strategies, to work with the same should include the cultural dimension, spiritual and psychic. It should be understood that it's necessary to consider the integration between objectivity and subjectivity, also cultural and economical development, to consider the mentioned crisis, in arder to work out proposals looking to reverse-revitalize the symbol of the river and the water, putting an end to the ecological crisis in the Tietê river
A presente dissertação tem como objetivo propor um referencial teórico das ciências da religião e da psicologia analítica para o estudo do impasse cultura desenvolvimento econômico no âmbito da crise ecológica no rio Tietê, em São Paulo. A referida crise tomou proporções alarmantes na segunda metade do século XX, quando a poluição do rio atingiu trezentos e cinqüenta quilômetros de extensão e a má qualidade da água provocava doenças infecto contagiosas, impossibilitando o seu uso até mesmo para a geração de energia elétrica. Nossa hipótese é (1) que as causas da crise ecológica no rio Tietê não se encontram apenas na dimensão material, objetiva, mas também têm a ver com o distanciamento da relação do homem com o simbólico e o sagrado. E que, portanto, (2) a resolução desta crise também deve abranger a subjetividade humana. Para constatar estas hipóteses, fizemos uso de pesquisa teórica e histórica da crise ecológica no rio, bem como do simbolismo religioso da água, do rio e do imaginário paulistano ligado ao rio ao longo da história da cidade. Levantou-se também as estratégias atuais que vêm sendo usadas para lidar com a crise. O referencial teórico que permeia a dissertação é uma interface do conceito de símbolo das obras de Ernst Cassirer, Mircea Eliade e Carl G. Jung. Concluímos que as causas da crise ecológica no Tietê estão ligadas com a perda de significado do simbolismo da água e do rio, e que as estratégias para lidar com a mesma devem incluir a dimensão cultural, espiritual e psíquica. Entendemos que é necessário considerar a integração entre objetividade e subjetividade, entre desenvolvimento cultural e econômico, para se pensar a crise mencionada, a fim de elaborar propostas que busquem re-vitalizar o símbolo do rio e da água visando o fim da crise ecológica no rio
McNally, Michael. "Appropriating the transcendent interpreting sefirot and mandala religious symbolism through the hermeneutics of Mircea Eliade, Carl Gustav Jung and Gershom Scholem /." Ann Arbor, Mich. : ProQuest, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1459966.
Full textTitle from PDF title page (viewed Mar. 16, 2009). Source: Masters Abstracts International, Volume: 47-03. Adviser: G. William Barnard. Includes bibliographical references.
Dana, Dan. "Enjeux et controverses autour du mythe de Zalmoxis." Paris, EHESS, 2005. http://www.theses.fr/2005EHES0071.
Full textThe thesis examines the destiny and the interpretations around the figure of Zalmoxis, god of the Getae (Thracian population on the Lower Danube), since the Histories of Herodotus to our days. On the grounds of the analysis of the historiographical frame and the ideological context of every epoch, in a comparative vision, the critical reexamination of the theories about this subject presents an exceptional importance. The analysis of the ancient, medieval and modern traditions concerning Zalmoxis leads to questioning about the different stakes generated by this personage, in Occident as well as in Romania, country wheere he plays a major role in the definition of the "national specific" and in the construction of a prestigious past. Another dimension of the subject is the history of the personage of Zalmoxis in the modern Romanian culture (his appropriation by the historical nationalism), including a critique of Mircea Eliade's monograph. The history of Zalmoxis across the ages teach us nothing about his real cult, but a lot about the authors and the bearers of his motif, on the various pretexts of his use
Mendes, da Silva Vaz Marria Suzana. "The archaic makes the Avant-garde : Experimental practice and primordial image ; reading the Brazilian Post-Neoconcrete and the Japanese Gutai artists through Mircea Eliade and Carl Gustav Jung." Thesis, University of the Arts London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650332.
Full textNAVARRIA, DAVIDE. "LINEE DI UN'ANTROPOLOGIA SIMBOLICA A PARTIRE DA JULIEN RIES." Doctoral thesis, Università Cattolica del Sacro Cuore, 2014. http://hdl.handle.net/10280/3158.
Full textThe aim of the present work is to investigate the hermeneutical perspective developed by the Belgian scholar Julien Ries, founder of a discipline known as religious or symbolic anthropology. Irreducible to history of religions, phenomenology or to hermeneutic, it is rather a synthesis of them, in which converge different methods and approaches. The result of this virtuous integration is a humanistic discipline that clarifies the fundamental structures of homo religiosus, as an essential category of religiosus anthropology. In this work we studied the theoretical structures which innervate Ries’ point of view, namely the conceptual structure of a work otherwise merely historical. Once being identified the principal Ries’ sources in Jacques Vidal, Mircea Eliade, Gilbert Durand and Carl Gustav Jung, we worked with a double concern. Firstly, we have clarified the chief points of the perspective of the four scholars, in order to clarify their position concerning religious experience; secondarily, we compared these results with Ries’ valorisation of them. After having developed the basis of a symbolic anthropology, this work opens to further perspectives towards a “new symbolic ontology”, in order to renew anthropology tout court.
NAVARRIA, DAVIDE. "LINEE DI UN'ANTROPOLOGIA SIMBOLICA A PARTIRE DA JULIEN RIES." Doctoral thesis, Università Cattolica del Sacro Cuore, 2014. http://hdl.handle.net/10280/3158.
Full textThe aim of the present work is to investigate the hermeneutical perspective developed by the Belgian scholar Julien Ries, founder of a discipline known as religious or symbolic anthropology. Irreducible to history of religions, phenomenology or to hermeneutic, it is rather a synthesis of them, in which converge different methods and approaches. The result of this virtuous integration is a humanistic discipline that clarifies the fundamental structures of homo religiosus, as an essential category of religiosus anthropology. In this work we studied the theoretical structures which innervate Ries’ point of view, namely the conceptual structure of a work otherwise merely historical. Once being identified the principal Ries’ sources in Jacques Vidal, Mircea Eliade, Gilbert Durand and Carl Gustav Jung, we worked with a double concern. Firstly, we have clarified the chief points of the perspective of the four scholars, in order to clarify their position concerning religious experience; secondarily, we compared these results with Ries’ valorisation of them. After having developed the basis of a symbolic anthropology, this work opens to further perspectives towards a “new symbolic ontology”, in order to renew anthropology tout court.
Jensen, Max Joakim Mouritzen. "Shamanism - Att färdas mellan de kosmiska planen : En introduktion till Mircea Eliades filosofi samt till Åke Hultkrantz och Carl Johan Gurts religionsfenomenologiska forskning." Thesis, Södertörn University College, School of Gender, Culture and History, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-3808.
Full textThis essay is a work on Mircea Eliades's interpretation of the religious human understood as "homo religiosus" and the role of the shaman from the Eliade perspective. In Eliade human existence consists of a dichotomy between the sacred and the profane. The question is whether one can understand the concept of Eliades “axis mundi”, center of the universe? Can we create an understanding of human existence with Eliade? Can one use phenomenology of religion as perspective for the exploration of “reality”? Furthermore, this paper aims to understand the role of the shaman has religious worldviews. Shamaism is through an ecstatic technique traveling to other cosmic plane, in order to gain knowledge that would otherwise not be reached. Two short chapters also show examples of Swedish religious phenomenological research by Ake Hultkrantz and Carl Johan Gurt.
The key issues are: What is Shamanism? How can we understand Eliades philosophical exposition of man as homo religosus? Are Eliades theories (by Hultrantz and Gurt) represented in the Swedish scientific research? And, what is today's religion phenomenological research (by Gurt)?
Denna uppsats är ett arbete om Mircea Eliades tolkning av den religiösa människan förstådd som homo religiosus och shamanens roll hos Eliade. Hos Eliade är den mänskliga existensen uppdelad i en dikotomi mellan det heliga och det profana. Kan vi skapa en förståelse av människans existens med Eliade och hur kan vi använda religionsfenomenologin som utgångspunkt för utforskandet av ”verkligheten”? Uppsatsens vidare syfte är att förstå vilken roll shamanen har för religiösa världsbilder. Shamanens verksamhet och centrala uppgift är att genom en extasteknik färdas till andra kosmiska plan, för att där få kunskap som annars inte kan nås. Två korta kapitel visar även exempel på svensk religionsfenomenologisk forskning genom Åke Hultkrantz och Carl Johan Gurt.
De centrala frågorna är: Vad är shamanism? Hur ser Eliades filosofiska utläggning om människan ut? Finns Eliades teorier (genom Hultrantz och Gurt) förankrade/representerade i svensk religionsvetenskaplig forskning? Och, hur ser dagens religionsfenomenologiska forskning ut (genom Gurt)?
Grigore-Muresan, Madalina. "La "terreur de l'histoire" dans l'imaginaire littéraire du XXe siècle : étude de quelques aspects des oeuvres d'A .Camus, E.M. Cioran, E. Ionesco et R. Char à la lumière des écrits de M. Eliade." Angers, 1998. http://www.theses.fr/1998ANGE0019.
Full textThe concept of the terror of history; which emerges from M. Eliade's theoretical works, and especially from his book entitled Le mythe de l'éternel retour was the starting point of this thesis. Studying the imaginary in the oeuvres of M. Eliade, A. Camus, E. M. Cioran, E. Ionesco and R. Char aimed at demonstrating that 20th century literary creation is the expression of a tension which lies between a consciousness of being roated in history and a compulsion to reach beyond historical conditioning and its ensuing suffering. The terror of history; for M. Eliade, revolt for A. Camus, scepticism for E. M. Cioran, the absurd for E. Ionesco and fury for R. Char are above all artistic terms implicitly expressing a refusal to accept terrifying historical events. The work done by imagination to convert negative images into positive and reassuring ones appears to be an effective means of overcoming fear provoked by war, occupation and totalitarianism. The paradise lost; image and the staircase, arrow and light symbols in m. Eliade's works attest to the character's desire to reach the sacred by going against historical time. The symbolism of the stone developed by A. Camus relates to man's will to defy history. The symbolical experiences evoked by E. M. Cioran, the flight and the discovery of divine light for E. Ionesco and immersion in regenerative water for R. Char enable people to escape from times of terror and attain freedom
Sumsion, Ann Elizabeth. "The Search for the Sacred in Gabrielle Roy." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3252.pdf.
Full textGutierrez, Silas. "Exegese mítica das cartas do jesuíta Fernão Cardim." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/14359.
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This work studies the christian jewish myth as a discursive element that gives meaning and value Fernão Cardim letters. Through the studies proposed by Mircea Eliade (2000, 2000a, 2010, 2011, 2012, 2013) and the research conducted by the Bakhtin Circle (1975,1981,1997,2003, 2009), we see how the myth made up by language, creates realities and projects the reader for a supersensible plan. One of the main points of Eliade's studies is to question how the myth or mythical resonances interpose in the lives of human beings in their daily lives, and the religious phenomenon, in the author's opinion, is realized through images and symbols in a mythical context, for a specific type of language because religious symbolism refers to the deeper aspects of life and experience of human being in relation to the world. In our research, we notice that the Colonial Brazil is described mainly as a majestic spatiality; the jesuit creates, as an accomplished painter, a splendid environment and evokes the beauty of nature. Finally, we find that the myth is a way of being of language covering senses regulatory processes; these are related to subjects historically situated in places and different times in relation or not to the same enterprise enunciation. Thence, it follows that the christian jewish myth, seen as an ideological sign, is filled with meaning and purpose, it can be the representation, the ordering and systematization of historical and material relations of a given society
Este trabalho estuda o mito judaico cristão como elemento discursivo que confere significado e valor às cartas do jesuíta Fernão Cardim. Por meio dos estudos propostos por Mircea Eliade (2000, 2000a, 2010, 2011, 2012, 2013) e pelas pesquisas realizadas pelo Círculo Bakhtiniano (1975,1981,1997,2003, 2009), observamos como o mito, constituído pela linguagem, cria realidades e projeta o leitor para um plano suprassensível. Um dos pontos principais dos estudos de Eliade é questionar como o mito ou ressonâncias míticas interferem na vida do ser humano em seu cotidiano, sendo que o fenômeno religioso, na opinião do autor, se concretiza por meio de imagens e símbolos em um contexto mítico, por um tipo específico de linguagem, pois o simbolismo religioso refere-se aos aspectos mais profundos da vida e da experiência do ser em relação ao mundo. Em nossa pesquisa, observamos que o Brasil Colônia é figurativizado, sobretudo, como uma espacialidade majestosa; o jesuíta cria, como um exímio pintor, uma ambiência voltada para o grandioso e evoca a beleza da natureza. Por fim, constatamos que o mito é um modo de ser da linguagem que abrange processos de regulação de sentidos; estes estão relacionados a sujeitos historicamente situados em lugares e momentos distintos em relação ou não a um mesmo empreendimento enunciativo. Daí, em-se que o mito judaico cristão, visto como um signo ideológico, é preenchido de sentido e finalidade, podendo ser a representação, a ordenação e a sistematização das relações histórico-materiais de uma dada sociedade
Munro, Howard Richard John, and h. munro@mailbox uq edu au. "A Re-evaluation of the 'Death of God' Theology." Griffith University. School of Theology, 2000. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030228.102238.
Full textBarnohro, Oussi Broula. "Sentieri e radure : Le forme del cronotopo d'iniziazione in Alessandro Baricco." Doctoral thesis, Stockholms universitet, Romanska och klassiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-135935.
Full textBrateljevic, Ana. "Život a dílo Eliase Parish Alvarse." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2010. http://www.nusl.cz/ntk/nusl-79394.
Full textEva, Stenskär. "The Bee & the Crown : The Road to Ascension in the Poetry of Emily Dickinson and Sylvia Plath." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-84936.
Full textTüchert, Stefanie Eliane [Verfasser]. "Rehabilitation nach Becken- und Acetabulumfrakturen / Stefanie Eliane Tüchert." Ulm : Universität Ulm, 2017. http://d-nb.info/1122644884/34.
Full textSantana, Gleisson Rodrigues. "Elipse de Steiner." Universidade Federal de Goiás, 2014. http://repositorio.bc.ufg.br/tede/handle/tede/4184.
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This work is focused on demonstrating, using geometric tools, the Steiner's Ellipse theorem which says that all ellipses entered in a given triangle, the larger area is touching the triangle sides in their respective middle points. For this we did, in chapter one, an approach to the study of triangles, the ellipses, the orthogonal projection, and we present some results of arithmetic and geometry, this work titled as preliminary lemmas, to be the tools (prerequisites) for proof the theorem that the main is made in chapter two. We conclude by presenting, in chapter three, some applications and some scripts for lessons in how to use the ellipse, and in particular Steiner's Ellipse, day-to-day and in the classroom.
Este trabalho tem como tema central demonstrar, usando ferramentas geométricas, o teorema da Elipse de Steiner que diz que de todas as elipses inscritas em um triângulo dado, a de maior área é a que toca os lados do triângulo nos seus respectivos pontos médios. Para isto zemos, no Capítulo um, uma abordagem sobre o estudo dos triângulos, da elispse, e da projeção ortogonal, e apresentamos alguns resultados de aritmética e geometria, neste trabalho intitulados como lemas preliminares, para serem as ferramentas (os pré-requisitos) para a demonstração do teorema principal, que é feita no Capítulo dois. Concluímos o trabalho apresentando, no Capítulo três, algumas aplicações e alguns roteiros de aulas, de como utilizar a elipse, e em particular a Elipse de Steiner, no dia-a-dia e na sala de aula.
Zampieri, Eduardo Alexandre. "Inversões na elipse." reponame:Repositório Institucional da UFABC, 2015.
Find full textDissertação (mestrado) - Universidade Federal do ABC, Programa de Pós-Graduação em Mestrado Profissional em Matemática em Rede Nacional, 2015.
Este trabalho tem por objetivo estudar o processo de inversão geométrica na elipse que nada mais é do que uma transformação geométrica sofrida em uma superfície não plana. Mais do que isso, é uma forma de propor um trabalho diferenciado ao professor do Ensino Médio baseado nas aplicações da Elipse e de suas propriedades e que a partir de um trabalho de pesquisa pode ser estendido para as demais cônicas. Diferente da inversão geométrica clássica na circunferência, utilizamos a elipse como agente inversor. Primeiramente trazemos um apanhado da história da elipse. Apresentamos seus elementos, seus conceitos e propriedades básicas.Recordamos a homotetia, que é uma transformação geométrica do plano e que faz parte do estudo dos resultados das inversões estudadas. Em seguida, passamos a estudar as inversões na elipse. Então, para finalizar, são sugeridas atividades envolvendo as elipses e outras as inversões que nela ocorrem. Tais atividades podem ser aplicadas em sala de aula desde as primeiras séries do ensino fundamental II, desmistificando a famosa pergunta: Onde e/ou para que vou usar "isso", professor? São atividades de pesquisa, atividades interativas e de trabalho com o software de geometria dinâmica Geogebrar.
This work aims to study the geometric inversion process on the ellipse which is nothing more than a geometric transformation suffered in a non-planar surface. More than that, it¿s a way of proposing a differentiated work to high school teacher based on practical applications of Ellipse and its properties and that from a research paper can be extended to other conical. Unlike the classic geometric inversion in the circle, we use the ellipse as inverter agent. First we bring an overview of the history of the ellipse. We present its elements, its concepts and basic properties. We recall about dilation, which is a geometric transformation on plane very important to study the results of studied inversions. Then, we began to study the inversions on Ellipse. Finally, we suggest activities involving the ellipses and other inversions that occur in it. Such activities can be applied in the classroom from the early grades of elementary school, demystifying the famous question: Where and / or I will use " it ", Professor? Are research activities, interactive activities and work with dynamic geometry software Geogebrar.
Carlan, Eliana. "Sistemas de Organização do Conhecimento: uma reflexão no contexto da Ciência da Informação." Thesis, reponame:Repositório Institucional da UnB, 2010. http://eprints.rclis.org/14519/1/Carlan-Eliana-Dissertacao.pdf.
Full textHaustein, Eliane [Verfasser]. "Zu den Entscheidungsnormen bei Aussage gegen Aussage / Eliane Haustein." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2017. http://d-nb.info/1133461417/34.
Full textHaas, Eliane [Verfasser]. "Die Verwendung von Bearbeitungen urheberrechtlich geschützter Werke / Eliane Haas." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://d-nb.info/1204706956/34.
Full textSartorelli, Cesar Augusto. "O espaço sagrado e o religioso na obra de claudio Pastro." Pontifícia Universidade Católica de São Paulo, 2005. https://tede2.pucsp.br/handle/handle/1888.
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Overall this sciences of religions essay is about architecture and art, but mainly its object is to treat specifically the fields wich refer to both the construction of religious spaces, and the hole art contained inside them and rised from them as well. These fields encircle painting, sculpture and, in addition, furniture and special pieces designed for the indoor spaces. More specifically, this essay also builts and reports its reflections based on the contemporary christian artwork and architectural spaces, produced and projected by artist and vernacular architect Claudio Pastro. The analysis in this essay approaches Pastro's biography through his unique process of working and criating, as a painter, pictorial artist, architect and sacred art expert. The second chapter explores Pastro's conceptions between sacred art and religious art, which are indeed different: each conception is clearly refeared, explained, discussed, compared to the other ones, and looked over through the eyes of Mircea Eliade's and Rudolf Otto's fenomenology. Still in the field of the Teology of the Art, the thinking of Romano Guardini about the sacred and the religious is also shown. In the third chapter we have a timeline brief of the history of art and sacred architecture, the bases of Pastro's work; then, a comparative study between his conception about the modern project related to the architecture and the vanguard arts. We also comment some brazilian architects projects, wich he admire and influenced him. Furthermore we comment the II Council of the Vatican and its propositions of liturgical renewal, wich led to the renew of sacred architeture and art, home of Pastro's realm of inspiration and concepts. We end with the analysis and critical reviewing of nine of his chapels and churches already built. In the conclusion, we comment the repercussion of Claudio Pastro's works, and the importance of his figure within the brazilian artistic and architectural panorama, as well as the concerns and limits of his concepts. Alongside with these questions, we leave to open minds some other further questions to be treated, about the relationships between art and religion, and art and the sacred.
Este trabalho em ciências da religião trata de arte e arquitetura, num campo especializado de ambas, que é a construção de espaços religiosos e a arte que nele se insere, abrangendo pintura, escultura, e o design de peças e mobiliário de seu interior. Mais especificamente estaremos tratando de arte e arquitetura sacras cristãs, contemporâneas, através da obra do artista sacro e arquiteto vernacular Claudio Pastro. A análise se inicia através de sua biografia e desenvolvimento de processo de trabalho, como artista plástico, gráfico, arquiteto vernacular e estudioso de arte sacra e espaço litúrgico. A seguir suas concepções, que colocam uma diferenciação entre arte sacra e arte religiosa, serão explicadas e discutidas, observadas através da fenomenologia de Mircea Eliade e Rudolf Otto. No âmbito da Teologia da Arte também exporemos o pensamento de Romano Guardini, citado como fonte dos conceitos de Claudio Pastro sobre sagrado e religioso. No terceiro capítulo fazemos um breve histórico da história da arte e arquitetura sacras, sobre o qual se apoia seu trabalho, acrescido de um estudo comparativo de sua concepção de arquitetura em relação ao projeto moderno , e com as vanguardas artísticas em artes plásticas. Comentamos também alguns projetos de arquitetos brasileiros que o influenciaram e que admira. De dentro da Igreja trataremos do Concílio Vaticano II e suas propostas de renovação litúrgica, que implicaram em renovações na arte e arquitetura sacras, a qual se filia Claudio Pastro. Encerramos com a análise e crítica de nove projetos de capelas e igrejas por ele realizados. Na conclusão situamos a repercussão de seus trabalhos e seu papel dentro da arte e arquitetura sacras católicas brasileiras, na prática, assim como a pertinência e limites de suas concepções e conceitos. No questionamento destes conceitos e concepções situamos questões em aberto, pertinentes à relação entre arte e religião, arte e o sagrado.