Journal articles on the topic 'Electronic publishing Computer programs'

Abstract:CBT (computer-based training) applications and hypermedia publications are two different approaches to the utilisation of computers in medical education.Medical CBT software continues to playa minor role in spite of the increasing availability, whereas hypermedia have become very popular through the World Wide Web (WWW). Based on the HTML format they can be designed by non-programmers using inexpensive tools while the production of CBT applications requires programming expertise. HTML documents can be easily developed to be distributed by a web-server or to run as local applications.In developed countries CBT and hypermedia have to compete with an abundance of printed or audio-visual media and a wealth of lectures, conferences, etc., whereas in developing countries these media are scarce and expensive. Here CBT programs, and hypermedia publications in particular, may be a cost-effective way to improve quality of education in the health sector.

Electronic publishing of journals has already arrived, and is established. The Astrophysical Journal and Letters, Astronomy and Astrophysics Supplements and New Astronomy have been publishing a parallel electronic edition since the beginning of 1997. Astronomy and Astrophysics will follow in 1998, and the Monthly Notices of the Royal Astronomical Society are being developed. The American Astronomical Society has been the leader in developing electronic publishing in astrophysics. They have led not only by being first, but also by the high standards of their electronic publication.One of the stories that school children in Great Britain learn at an early age is about King Canute II. Canute was a Danish king who ruled part of what is now Great Britain from 1016 to 1035. He is famous because he sat bythe sea as the tide was coming in and commanded the tide to go back. It didnot.Electronic publication is going to bring many changes to the way research is done and published. There are obvious advantages and disadvantages. There are certainly problems which we have not yet realized. The purpose of this Joint Discussion is to stimulate a discussion of what the international astrophysical community would like from electronic publishing. Please do not say that you want electronic publishing to go away, because then you will be behaving like King Canute. But the publishers of journals and the bodies responsible for maintaining the quality of publication are feeling their way into completely new territory. To exploit electronic publishing to the full, and to minimize the disadvantages, discussion in the community is needed.Electronic publishing will bring great connectivity into journals. While looking at one paper, a click on the mouse will immediately connect with another paper published in another journal. Large tables, theoretical or observational, will be read in the same way from databases. An electronic publication will longer be static. It can be modified to refer to papers published later, it can contain movies or computer programs that can be executed online.

This article exposes the theoretical and methodological aspects of the problem of using information educational technologies (IET) in the process of professional future fine arts teacher training. According to the results of pedagogical experience, it was presented the main directions and features of the use of IET in the educational process of applicants for the specialty ‘Secondary Education (Fine Arts)’ at Poltava V. G. Korolenko National Pedagogical University. It was opened the possibilities and advantages of the information and communication components involvement in educational and methodical maintenance of educational components of artistic direction. The types of specially designed information and educational resources are presented, such as hypertext electronic textbooks and manuals, multimedia manuals, reference and information systems, training programs for knowledge consolidation, control programs. The peculiarities of the use of audiovisual means (educational software and pedagogical tools and films, documentaries), licensed software, and pedagogical tools developed by companies-representatives of foreign multimedia publishing houses and Ukrainian electronic publishing houses are highlighted. It is taken into account that the involvement of IET can occur only at certain stages of the educational process organization for certain disciplines, which in their specificity are practical courses. The expediency of introducing into the process of future fine arts teacher training disciplines aimed at mastering the capabilities of computer graphics programs and artistic and aesthetic development of virtual reality technologies is substantiated. These are the educational components ‘Computer Design of Art Products,’ ‘Computer Design of Decorative Products,’ ‘Virtual Art Space.’ The purpose and results of educational activity in such disciplines are covered; attention is focused on the specifics of their content. Approximate topics of practical tasks are given. It was determined that for the formation of a positive attitude to IET in achieving professional success, future professionals in the learning process are faced with the task of active use, as well as the creation of their IET. It was established the positive dynamics in the organization of the educational process of future fine arts teachers in the areas of use of IET presented in the article.

Press release is a technical and journalistic process that has an aesthetic and functional character. It is an important step in publishing the newspaper, which is concerned with presenting the editorial material on the page in an attractive and eye-catching manner. The sharp competition between newspapers of different directions has led to the search for ways to confirm their survival and continuity and to highlight their personality. Printing and adapting it in line with the content and general policy of the newspaper.Among the most prominent developments that the press has witnessed in terms of digital computer technology and network communication technology (the Internet), is the emergence of electronic press websites, which prompted designers and directors to find new methods and techniques, to design and produce pages, taking advantage of what the Internet provides of patterns, journalistic technical templates and new technologies in the field of Press directing, as the Internet has contributed to the development of press production through the emergence of new directing methods, and a set of design programs and programming languages ??for websites.

The digital technology, the emergence of the world has made a major breakthrough and a stunning advance in the entire production process, to the extent sing perfectly for resorting to the methods of traditional, which depends on the accuracy and skill of the technical factor, which can be said that the use of computers and devices connected to it is the only option for workers in printing and design activity, and to build production systems open and integrated, consisting of Sources of different electronic items, with each other in the works and one variable efficiency, introducing a complimentary radical changes in various fields of life, to come look re-read art design technology means more modern and sophisticated, and the completion of new dimensions in vision and receiving Based on the above, the researcher is seeking to detect style, approach and style that Hiatt design in accordance with the new tools and methods not only help him to Realize his ideas of new technologies, but make him think in a different way in which effort and creativity with us become different, too, it has provided a revolution techniques, tools and materials to give a new vision and input to update practices to accomplish the business of design and to modernize the design structure of form and content in line with the conceptual variables art design will help him to accomplish his determination in line with the idea to add Artistic touches provided by editing images and text programs in Computer, Kasasaat application without them printed design seems uninteresting, it was purely to four Investigation Department, the first chapter dealt with the problem and the importance and goals as well as the limits of research and definition of terms, either Chapter II addressed the theoretical framework of the research, and the third chapter research methodology and indicators, and then analyzing the samples, the latest findings, conclusions and recommendations, and, it was the most important results : 1-Electronic publishing technology caused a boom and a stunning development in the entire production process design, sing for resorting to traditional methods 2-Computer entered in all areas of life, including the design, it may enrich a big role in this area with various characteristics of the many possibilities for use and employment . 3-Art design has the potential of graphical and wide through the multiplicity of different techniques and tools, leaving options open for the artist to produce multiple ideas,

AbstractExtensible Markup Language (XML) is a simple, very flexible text format derived from SGML. Originally designed to meet the challenges of large-scale electronic publishing, XML is also playing an increasingly important role in the exchange of a wide variety of data on the Web and elsewhere. XPath language is the result of an effort to provide address parts of an XML document. In support of this primary purpose, it becomes in a query language against an XML document. In this paper we present a proposal for the implementation of the XPath language in logic programming. With this aim we will describe the representation of XML documents by means of a logic program. Rules and facts can be used for representing the document schema and the XML document itself. In particular, we will present how to index XML documents in logic programs: rules are supposed to be stored in main memory, however facts are stored in secondary memory by using two kind of indexes: one for each XML tag, and other for each group of terminal items. In addition, we will study how to query by means of the XPath language against a logic program representing an XML document. It evolves the specialization of the logic program with regard to the XPath expression. Finally, we will also explain how to combine the indexing and the top-down evaluation of the logic program.

Local conditions in the past often limited opportunities for scholarly exchange. But now these limits are gone and the global workplace has replaced them. It is important to react to these changes. Every academic department must now adopt new methods and rethink processes. Another is the intense national and international debate about open access to scholarly knowledge. The Open Access Initiative shows that a change is taking place in the communication process. This change is also important for service departments within research institutions. Libraries, computer centers and related units have to ask themselves how to react appropriately to the new conditions. What services must be changed or redeveloped, and in what quality and quantity should they be offered? This article focuses on changes in the scholarly publication process. It describes both technological changes and the changes needed in people's attitudes.

Indexers who write indexes for computer-related documentation may be asked to create embedded indexes in desktop publishing programs like Microsoft Word and FrameMaker. This article discusses some of the advantages and disadvantages of creating embedded indexes.

Since this is a legal seminar, I thought it would be appropriate to begin with a case. There is a person in Los Angeles who has been operating an electronic bulletin board on his personal computer. What that means is that he has memory attached to his computer, and it is possible for anyone else in the country with a computer to dial into that bulletin board and leave a message automatically in the memory. That message can then be accessed by anyone else who dials in.This person does not exercise any control over the messages that are put in. It is open to anyone who wants to put a message in there. Somebody put into that bulletin board the telephone credit card number of a rich person. Subsequently, many other people dialed into the bulletin board, got the telephone credit card number and charged phone calls to that person. No one knows where the number came from. The board operator was prosecuted under a criminal charge. The question is, is he liable?

Publishing has transited from traditional to Electronic format making information resources available to users without much subscription. E-publishing is engendered by the introduction of information and communication technology (ICT), this development has brought about increase in the number of scholarly communication in circulation. The awareness and rate of e-publishing differs among faculties, it based on this that this study was carried out to survey the situation of e-publishing and open access of librarians in three federal universities in Southern Nigeria, five research questions were formulated to guide the study. The methodology adopted is descriptive survey, questionnaire was given to a total population of 64 librarians consisting of librarians from the institutions understudy, the data collected from the study shows that though librarians are aware of e-publishing but they have not being publishing as should have been expected in University of Nigeria Nsukka (UNN) out of the 95% that aware of electronic publishing only 30% have published there articles electronically, in University of Lagos (UNILAG) 100% indicated that they have published electronically while in University of Benin (UNIBEN) 45.4% percent indicated yes while 54.5% said they have not published their articles electronically. On availability of open access it was discovered that they have access as a total of 84% from UNN responded Yes, UNILAG 100% said Yes while in UNIBEN 90.9%. The following problems based on their scoring militating against e-publishing and open access in Nigeria. Inadequate power supply; inadequate computer terminals; inadequate funding for subscription payment.

Purpose – The aims of the present paper is electronic publishing has transformed the business model of publishing houses in Spain in such a way that two models currently coexist. The specificities of each of these models were studied and the consequences of each model for the future of electronic publishing in Spain were analysed. Design/methodology/approach – The first stage of this study consisted in locating studies that would allow the authors to obtain useful indicators and statistic data regarding publication in Spain. The second stage of this study consisted of extracting from the sources cited above all data relevant to the study. To wit, these were the number of electronic books published, the major publishing houses offering electronic publications, the major platforms currently selling electronic books, presently available electronic reading devices, the rates of reading on all devices, reading rates itemized by age and educational background and general tendencies in digital publishing and e-reading. Findings – There are traditional publishers of mostly paper-based volumes, whose business models are based on having large catalogues of titles and large print-runs, though print-runs are increasingly smaller and bookseller returns increasingly larger. Intermediary agents operating under this model, for instance booksellers, are subject to ever-greater economic pressures, especially in the current crisis Originality/value – In the study that follows, the authors attempt to analyse the characteristics behind these changes and learn to what extent these changes will affect the future models of publication and reading in Spain.

The Canadian Health Libraries Association invites you to submit contributed papers or posters for its 2008 annual conference, to be held in Halifax, Nova Scotia, May 23-30. Papers may describe innovative programs/practices or new research findings and should relate to the overall conference theme - “Navigating the Seas of Change”. Notice: The deadline for the submission of abstracts for papers and posters has been extended to January 15, 2008. Call for Contributed Papers In the library world, change is practically the only constant. The 2008 CHLA conference will focus on managing change and changing practice. As information professionals we seek out new practices and technologies. We evaluate them and adopt the useful ones. Evidence Based Library and Information Practice (EBLIP) uses evidence derived from research, user feedback and observation to improve practice. It provides excellent guidance to improve library and information service. You are invited to share your research evidence, combined with practical observations about the primary ways information professionals improve information delivery. How has the framework moved from librarians storing physical information, to information professionals facilitating knowledge use? How do we plan to survive and thrive in tomorrow’s information age? Papers will be accepted from a broad range of topics, including in particular: Changing Access • Implication for information professionals of new technologies and portals like Nurse One; • Health Literacy – access for patients where it counts; • Use of health technology assessment from CADTH & other agencies. Changing Practice and Collaboration • Research, teaching, reaching beyond the walls and outside the profession, for example collaborations between professional organizations; libraries in different countries, and partnerships between hospitals and universities; • Implementing research, knowledge transfer, evidence-based practice & systematic reviews. Publishing/ Open Access • OA research and projects like EBLIP Journal and Open Medicine. Accepted contributed papers will each be allotted approximately 20 minutes for presentation, plus 5-10 minutes for questions. To be considered, please submit the following information by January 15, 2008. • Title of the paper; • A short structured abstract of 250 words or less; • Primary author's name, address and business phone number. Structured abstracts should follow JCHLA Instruction to Authors at: http://pubs.nrc-cnrc.gc.ca/jchla/jchla26/c04-900.pdf Submissions should be e-mailed to the program committee member, Paul Clark, at Paul.Clark@rvh.nb.ca. The Program Committee will contact all those submitting abstracts for contributed papers by January 19, 2008. Conference registration fees will not be waived for presenters of contributed papers. Call for Posters Poster sessions comprise visual presentations of information about research or other projects. They offer conference delegates a less formal alternative to contributed papers and plenary sessions, as well as an opportunity to interact directly with those responsible for the presentations. Posters are invited along the same themes as those of the contributed papers, although submissions along other themes also are welcome. Poster presenters will be allotted a display board (4' x 8') and table space. A limited number of electrical connections will be available for electronic poster presentations. If you are planning an electronic poster presentation, you must bring your own laptop computer as well as a standalone version of your presentation. You will be required to staff your print or electronic poster during a portion of the conference; posters will be open to viewing by conference delegates for two days of the conference. To submit a poster for consideration, please send an email by January 15, 2008 with the following information: • outline of the topic; • a brief structured abstract (no more than 250 words). Structured abstracts should follow JCHLA/JABSC Instruction to Authors. (http://www.chla-absc.ca/journal/index.html) Submissions should be e-mailed to the poster chair, Ann Barrett, at: Ann.Barrett@dal.ca. Conference registration fees will not be waived for presenters of posters. The Poster Committee will contact all those submitting abstracts for posters by January 19, 2008. Tips on designing posters: Include the title, the author(s), affiliation(s), and a description of the research, highlighting the major elements that are covered in the structured abstract. Posters are visual – add pictures, graphs, charts etc. to make the poster interesting. Keep text to a minimum and use a large font size so that the poster can be read from a distance. Keep some white space - don’t overwhelm the reader with too much text or graphics. Use color creatively. If you laminate the poster, consider using a low-glare or matte finish. Consider bringing copies of your poster for handout. Ensure that your poster is set up and taken down at the specified times. For more information, please check these websites: http://www.soe.uoguelph.ca/webfiles/agalvez/poster/ http://educ.queensu.ca/~ar/poster.htm http://www.esf.edu/its/html/posterref.htm For more information about themes and sample poster topics, contact the Poster Chair. Posters from previous conferences may be found at: http://www.chla-absc.ca/assoc/conference.html

At first glance, the proliferation of Web journal publishing, particularly from the commercial sector recently, may seem like manna from heaven -- librarians can now offer users searchable full-text of important scientific journals, as well as enhancements found only in the electronic versions. When it comes to electronic publications, however, librarians must consider a host of details.

Many science and technology journal publishers are starting web-based publishing programs. In some cases publishers are making all or most of their journals available; in others, one or two titles are being published on the web as pilot projects. This article summarizes information about programs from several science and technology publishers in a "snapshot" from November 1996. Since many of these publishing programs are currently in development, visit the publishers' web sites for the latest information.

Publishing cooperatives — owned, controlled, and benefiting non–profit publishers — would provide an organizational and financial structure well suited to balancing society publishers’ twin imperatives of financial sustainability and mission fulfillment. Market challenges and structural constraints often render it difficult for small society publishers to compete individually. Publishing cooperatives would allow society publishers to remain independent while operating collectively to overcome both structural and strategic disadvantages and to address the inefficiencies in the market for academic journals. Publishing cooperatives can provide a scaleable publishing model that aligns with the values of the academy while providing a practical financial framework capable of sustaining society publishing programs.

This article provides a report about the Scientific Journal Publishing in India (SJPI) Project which promotes electronic publishing of scholarly journals. It covers briefly the objectives, implementation and outcomes of the Project. Open Journal Systems and Open Archives Harvester were used to achieve the goals of the Project.

Introduction: Our current obsession with the lives of others “Biography—that is to say, our creative and non-fictional output devoted to recording and interpreting real lives—has enjoyed an extraordinary renaissance in recent years,” writes Nigel Hamilton in Biography: A Brief History (1). Ian Donaldson agrees that biography is back in fashion: “Once neglected within the academy and relegated to the dustier recesses of public bookstores, biography has made a notable return over recent years, emerging, somewhat surprisingly, as a new cultural phenomenon, and a new academic adventure” (23). For over a decade now, commentators having been making similar observations about our obsession with the intimacies of individual people’s lives. In a lecture in 1994, Justin Kaplan asserted the West was “a culture of biography” (qtd. in Salwak 1) and more recent research findings by John Feather and Hazel Woodbridge affirm that “the undiminished human curiosity about other peoples lives is clearly reflected in the popularity of autobiographies and biographies” (218). At least in relation to television, this assertion seems valid. In Australia, as in the USA and the UK, reality and other biographically based television shows have taken over from drama in both the numbers of shows produced and the viewers these shows attract, and these forms are also popular in Canada (see, for instance, Morreale on The Osbournes). In 2007, the program Biography celebrated its twentieth anniversary season to become one of the longest running documentary series on American television; so successful that in 1999 it was spun off into its own eponymous channel (Rak; Dempsey). Premiered in May 1996, Australian Story—which aims to utilise a “personal approach” to biographical storytelling—has won a significant viewership, critical acclaim and professional recognition (ABC). It can also be posited that the real home movies viewers submit to such programs as Australia’s Favourite Home Videos, and “chat” or “confessional” television are further reflections of a general mania for biographical detail (see Douglas), no matter how fragmented, sensationalized, or even inane and cruel. A recent example of the latter, the USA-produced The Moment of Truth, has contestants answering personal questions under polygraph examination and then again in front of an audience including close relatives and friends—the more “truthful” their answers (and often, the more humiliated and/or distressed contestants are willing to be), the more money they can win. Away from television, but offering further evidence of this interest are the growing readerships for personally oriented weblogs and networking sites such as MySpace and Facebook (Grossman), individual profiles and interviews in periodical publications, and the recently widely revived newspaper obituary column (Starck). Adult and community education organisations run short courses on researching and writing auto/biographical forms and, across Western countries, the family history/genealogy sections of many local, state, and national libraries have been upgraded to meet the increasing demand for these services. Academically, journals and e-mail discussion lists have been established on the topics of biography and autobiography, and North American, British, and Australian universities offer undergraduate and postgraduate courses in life writing. The commonly aired wisdom is that published life writing in its many text-based forms (biography, autobiography, memoir, diaries, and collections of personal letters) is enjoying unprecedented popularity. It is our purpose to examine this proposition. Methodological problems There are a number of problems involved in investigating genre popularity, growth, and decline in publishing. Firstly, it is not easy to gain access to detailed statistics, which are usually only available within the industry. Secondly, it is difficult to ascertain how publishing statistics are gathered and what they report (Eliot). There is the question of whether bestselling booklists reflect actual book sales or are manipulated marketing tools (Miller), although the move from surveys of booksellers to electronic reporting at point of sale in new publishing lists such as BookScan will hopefully obviate this problem. Thirdly, some publishing lists categorise by subject and form, some by subject only, and some do not categorise at all. This means that in any analysis of these statistics, a decision has to be made whether to use the publishing list’s system or impose a different mode. If the publishing list is taken at face value, the question arises of whether to use categorisation by form or by subject. Fourthly, there is the bedeviling issue of terminology. Traditionally, there reigned a simple dualism in the terminology applied to forms of telling the true story of an actual life: biography and autobiography. Publishing lists that categorise their books, such as BookScan, have retained it. But with postmodern recognition of the presence of the biographer in a biography and of the presence of other subjects in an autobiography, the dichotomy proves false. There is the further problem of how to categorise memoirs, diaries, and letters. In the academic arena, the term “life writing” has emerged to describe the field as a whole. Within the genre of life writing, there are, however, still recognised sub-genres. Academic definitions vary, but generally a biography is understood to be a scholarly study of a subject who is not the writer; an autobiography is the story of a entire life written by its subject; while a memoir is a segment or particular focus of that life told, again, by its own subject. These terms are, however, often used interchangeably even by significant institutions such the USA Library of Congress, which utilises the term “biography” for all. Different commentators also use differing definitions. Hamilton uses the term “biography” to include all forms of life writing. Donaldson discusses how the term has been co-opted to include biographies of place such as Peter Ackroyd’s London: The Biography (2000) and of things such as Lizzie Collingham’s Curry: A Biography (2005). This reflects, of course, a writing/publishing world in which non-fiction stories of places, creatures, and even foodstuffs are called biographies, presumably in the belief that this will make them more saleable. The situation is further complicated by the emergence of hybrid publishing forms such as, for instance, the “memoir-with-recipes” or “food memoir” (Brien, Rutherford and Williamson). Are such books to be classified as autobiography or put in the “cookery/food & drink” category? We mention in passing the further confusion caused by novels with a subtitle of The Biography such as Virginia Woolf’s Orlando. The fifth methodological problem that needs to be mentioned is the increasing globalisation of the publishing industry, which raises questions about the validity of the majority of studies available (including those cited herein) which are nationally based. Whether book sales reflect what is actually read (and by whom), raises of course another set of questions altogether. Methodology In our exploration, we were fundamentally concerned with two questions. Is life writing as popular as claimed? And, if it is, is this a new phenomenon? To answer these questions, we examined a range of available sources. We began with the non-fiction bestseller lists in Publishers Weekly (a respected American trade magazine aimed at publishers, librarians, booksellers, and literary agents that claims to be international in scope) from their inception in 1912 to the present time. We hoped that this data could provide a longitudinal perspective. The term bestseller was coined by Publishers Weekly when it began publishing its lists in 1912; although the first list of popular American books actually appeared in The Bookman (New York) in 1895, based itself on lists appearing in London’s The Bookman since 1891 (Bassett and Walter 206). The Publishers Weekly lists are the best source of longitudinal information as the currently widely cited New York Times listings did not appear till 1942, with the Wall Street Journal a late entry into the field in 1994. We then examined a number of sources of more recent statistics. We looked at the bestseller lists from the USA-based Amazon.com online bookseller; recent research on bestsellers in Britain; and lists from Nielsen BookScan Australia, which claims to tally some 85% or more of books sold in Australia, wherever they are published. In addition to the reservations expressed above, caveats must be aired in relation to these sources. While Publishers Weekly claims to be an international publication, it largely reflects the North American publishing scene and especially that of the USA. Although available internationally, Amazon.com also has its own national sites—such as Amazon.co.uk—not considered here. It also caters to a “specific computer-literate, credit-able clientele” (Gutjahr: 219) and has an unashamedly commercial focus, within which all the information generated must be considered. In our analysis of the material studied, we will use “life writing” as a genre term. When it comes to analysis of the lists, we have broken down the genre of life writing into biography and autobiography, incorporating memoir, letters, and diaries under autobiography. This is consistent with the use of the terminology in BookScan. Although we have broken down the genre in this way, it is the overall picture with regard to life writing that is our concern. It is beyond the scope of this paper to offer a detailed analysis of whether, within life writing, further distinctions should be drawn. Publishers Weekly: 1912 to 2006 1912 saw the first list of the 10 bestselling non-fiction titles in Publishers Weekly. It featured two life writing texts, being headed by an autobiography, The Promised Land by Russian Jewish immigrant Mary Antin, and concluding with Albert Bigelow Paine’s six-volume biography, Mark Twain. The Publishers Weekly lists do not categorise non-fiction titles by either form or subject, so the classifications below are our own with memoir classified as autobiography. In a decade-by-decade tally of these listings, there were 3 biographies and 20 autobiographies in the lists between 1912 and 1919; 24 biographies and 21 autobiographies in the 1920s; 13 biographies and 40 autobiographies in the 1930s; 8 biographies and 46 biographies in the 1940s; 4 biographies and 14 autobiographies in the 1950s; 11 biographies and 13 autobiographies in the 1960s; 6 biographies and 11 autobiographies in the 1970s; 3 biographies and 19 autobiographies in the 1980s; 5 biographies and 17 autobiographies in the 1990s; and 2 biographies and 7 autobiographies from 2000 up until the end of 2006. See Appendix 1 for the relevant titles and authors. Breaking down the most recent figures for 1990–2006, we find a not radically different range of figures and trends across years in the contemporary environment. The validity of looking only at the top ten books sold in any year is, of course, questionable, as are all the issues regarding sources discussed above. But one thing is certain in terms of our inquiry. There is no upwards curve obvious here. If anything, the decade break-down suggests that sales are trending downwards. This is in keeping with the findings of Michael Korda, in his history of twentieth-century bestsellers. He suggests a consistent longitudinal picture across all genres: In every decade, from 1900 to the end of the twentieth century, people have been reliably attracted to the same kind of books […] Certain kinds of popular fiction always do well, as do diet books […] self-help books, celebrity memoirs, sensationalist scientific or religious speculation, stories about pets, medical advice (particularly on the subjects of sex, longevity, and child rearing), folksy wisdom and/or humour, and the American Civil War (xvii). Amazon.com since 2000 The USA-based Amazon.com online bookselling site provides listings of its own top 50 bestsellers since 2000, although only the top 14 bestsellers are recorded for 2001. As fiction and non-fiction are not separated out on these lists and no genre categories are specified, we have again made our own decisions about what books fall into the category of life writing. Generally, we erred on the side of inclusion. (See Appendix 2.) However, when it came to books dealing with political events, we excluded books dealing with specific aspects of political practice/policy. This meant excluding books on, for instance, George Bush’s so-called ‘war on terror,’ of which there were a number of bestsellers listed. In summary, these listings reveal that of the top 364 books sold by Amazon from 2000 to 2007, 46 (or some 12.6%) were, according to our judgment, either biographical or autobiographical texts. This is not far from the 10% of the 1912 Publishers Weekly listing, although, as above, the proportion of bestsellers that can be classified as life writing varied dramatically from year to year, with no discernible pattern of peaks and troughs. This proportion tallied to 4% auto/biographies in 2000, 14% in 2001, 10% in 2002, 18% in 2003 and 2004, 4% in 2005, 14% in 2006 and 20% in 2007. This could suggest a rising trend, although it does not offer any consistent trend data to suggest sales figures may either continue to grow, or fall again, in 2008 or afterwards. Looking at the particular texts in these lists (see Appendix 2) also suggests that there is no general trend in the popularity of life writing in relation to other genres. For instance, in these listings in Amazon.com, life writing texts only rarely figure in the top 10 books sold in any year. So rarely indeed, that from 2001 there were only five in this category. In 2001, John Adams by David McCullough was the best selling book of the year; in 2003, Hillary Clinton’s autobiographical Living History was 7th; in 2004, My Life by Bill Clinton reached number 1; in 2006, Nora Ephron’s I Feel Bad About My Neck: and Other Thoughts on Being a Woman was 9th; and in 2007, Ishmael Beah’s discredited A Long Way Gone: Memoirs of a Boy Soldier came in at 8th. Apart from McCulloch’s biography of Adams, all the above are autobiographical texts, while the focus on leading political figures is notable. Britain: Feather and Woodbridge With regard to the British situation, we did not have actual lists and relied on recent analysis. John Feather and Hazel Woodbridge find considerably higher levels for life writing in Britain than above with, from 1998 to 2005, 28% of British published non-fiction comprising autobiography, while 8% of hardback and 5% of paperback non-fiction was biography (2007). Furthermore, although Feather and Woodbridge agree with commentators that life writing is currently popular, they do not agree that this is a growth state, finding the popularity of life writing “essentially unchanged” since their previous study, which covered 1979 to the early 1990s (Feather and Reid). Australia: Nielsen BookScan 2006 and 2007 In the Australian publishing industry, where producing books remains an ‘expensive, risky endeavour which is increasingly market driven’ (Galligan 36) and ‘an inherently complex activity’ (Carter and Galligan 4), the most recent Australian Bureau of Statistics figures reveal that the total numbers of books sold in Australia has remained relatively static over the past decade (130.6 million in the financial year 1995–96 and 128.8 million in 2003–04) (ABS). During this time, however, sales volumes of non-fiction publications have grown markedly, with a trend towards “non-fiction, mass market and predictable” books (Corporall 41) resulting in general non-fiction sales in 2003–2004 outselling general fiction by factors as high as ten depending on the format—hard- or paperback, and trade or mass market paperback (ABS 2005). However, while non-fiction has increased in popularity in Australia, the same does not seem to hold true for life writing. Here, in utilising data for the top 5,000 selling non-fiction books in both 2006 and 2007, we are relying on Nielsen BookScan’s categorisation of texts as either biography or autobiography. In 2006, no works of life writing made the top 10 books sold in Australia. In looking at the top 100 books sold for 2006, in some cases the subjects of these works vary markedly from those extracted from the Amazon.com listings. In Australia in 2006, life writing makes its first appearance at number 14 with convicted drug smuggler Schapelle Corby’s My Story. This is followed by another My Story at 25, this time by retired Australian army chief, Peter Cosgrove. Jonestown: The Power and Myth of Alan Jones comes in at 34 for the Australian broadcaster’s biographer Chris Masters; the biography, The Innocent Man by John Grisham at 38 and Li Cunxin’s autobiographical Mao’s Last Dancer at 45. Australian Susan Duncan’s memoir of coping with personal loss, Salvation Creek: An Unexpected Life makes 50; bestselling USA travel writer Bill Bryson’s autobiographical memoir of his childhood The Life and Times of the Thunderbolt Kid 69; Mandela: The Authorised Portrait by Rosalind Coward, 79; and Joanne Lees’s memoir of dealing with her kidnapping, the murder of her partner and the justice system in Australia’s Northern Territory, No Turning Back, 89. These books reveal a market preference for autobiographical writing, and an almost even split between Australian and overseas subjects in 2006. 2007 similarly saw no life writing in the top 10. The books in the top 100 sales reveal a downward trend, with fewer titles making this band overall. In 2007, Terri Irwin’s memoir of life with her famous husband, wildlife warrior Steve Irwin, My Steve, came in at number 26; musician Andrew Johns’s memoir of mental illness, The Two of Me, at 37; Ayaan Hirst Ali’s autobiography Infidel at 39; John Grogan’s biography/memoir, Marley and Me: Life and Love with the World’s Worst Dog, at 42; Sally Collings’s biography of the inspirational young survivor Sophie Delezio, Sophie’s Journey, at 51; and Elizabeth Gilbert’s hybrid food, self-help and travel memoir, Eat, Pray, Love: One Woman’s Search for Everything at 82. Mao’s Last Dancer, published the year before, remained in the top 100 in 2007 at 87. When moving to a consideration of the top 5,000 books sold in Australia in 2006, BookScan reveals only 62 books categorised as life writing in the top 1,000, and only 222 in the top 5,000 (with 34 titles between 1,000 and 1,999, 45 between 2,000 and 2,999, 48 between 3,000 and 3,999, and 33 between 4,000 and 5,000). 2007 shows a similar total of 235 life writing texts in the top 5,000 bestselling books (75 titles in the first 1,000, 27 between 1,000 and 1,999, 51 between 2,000 and 2,999, 39 between 3,000 and 3,999, and 43 between 4,000 and 5,000). In both years, 2006 and 2007, life writing thus not only constituted only some 4% of the bestselling 5,000 titles in Australia, it also showed only minimal change between these years and, therefore, no significant growth. Conclusions Our investigation using various instruments that claim to reflect levels of book sales reveals that Western readers’ willingness to purchase published life writing has not changed significantly over the past century. We find no evidence of either a short, or longer, term growth or boom in sales in such books. Instead, it appears that what has been widely heralded as a new golden age of life writing may well be more the result of an expanded understanding of what is included in the genre than an increased interest in it by either book readers or publishers. What recent years do appear to have seen, however, is a significantly increased interest by public commentators, critics, and academics in this genre of writing. We have also discovered that the issue of our current obsession with the lives of others tends to be discussed in academic as well as popular fora as if what applies to one sub-genre or production form applies to another: if biography is popular, then autobiography will also be, and vice versa. If reality television programming is attracting viewers, then readers will be flocking to life writing as well. Our investigation reveals that such propositions are questionable, and that there is significant research to be completed in mapping such audiences against each other. This work has also highlighted the difficulty of separating out the categories of written texts in publishing studies, firstly in terms of determining what falls within the category of life writing as distinct from other forms of non-fiction (the hybrid problem) and, secondly, in terms of separating out the categories within life writing. Although we have continued to use the terms biography and autobiography as sub-genres, we are aware that they are less useful as descriptors than they are often assumed to be. In order to obtain a more complete and accurate picture, publishing categories may need to be agreed upon, redefined and utilised across the publishing industry and within academia. This is of particular importance in the light of the suggestions (from total sales volumes) that the audiences for books are limited, and therefore the rise of one sub-genre may be directly responsible for the fall of another. Bair argues, for example, that in the 1980s and 1990s, the popularity of what she categorises as memoir had direct repercussions on the numbers of birth-to-death biographies that were commissioned, contracted, and published as “sales and marketing staffs conclude[d] that readers don’t want a full-scale life any more” (17). Finally, although we have highlighted the difficulty of using publishing statistics when there is no common understanding as to what such data is reporting, we hope this study shows that the utilisation of such material does add a depth to such enquiries, especially in interrogating the anecdotal evidence that is often quoted as data in publishing and other studies. Appendix 1 Publishers Weekly listings 1990–1999 1990 included two autobiographies, Bo Knows Bo by professional athlete Bo Jackson (with Dick Schaap) and Ronald Reagan’s An America Life: An Autobiography. In 1991, there were further examples of life writing with unimaginative titles, Me: Stories of My Life by Katherine Hepburn, Nancy Reagan: The Unauthorized Biography by Kitty Kelley, and Under Fire: An American Story by Oliver North with William Novak; as indeed there were again in 1992 with It Doesn’t Take a Hero: The Autobiography of Norman Schwarzkopf, Sam Walton: Made in America, the autobiography of the founder of Wal-Mart, Diana: Her True Story by Andrew Morton, Every Living Thing, yet another veterinary outpouring from James Herriot, and Truman by David McCullough. In 1993, radio shock-jock Howard Stern was successful with the autobiographical Private Parts, as was Betty Eadie with her detailed recounting of her alleged near-death experience, Embraced by the Light. Eadie’s book remained on the list in 1994 next to Don’t Stand too Close to a Naked Man, comedian Tim Allen’s autobiography. Flag-waving titles continue in 1995 with Colin Powell’s My American Journey, and Miss America, Howard Stern’s follow-up to Private Parts. 1996 saw two autobiographical works, basketball superstar Dennis Rodman’s Bad as I Wanna Be and figure-skater, Ekaterina Gordeeva’s (with EM Swift) My Sergei: A Love Story. In 1997, Diana: Her True Story returns to the top 10, joining Frank McCourt’s Angela’s Ashes and prolific biographer Kitty Kelly’s The Royals, while in 1998, there is only the part-autobiography, part travel-writing A Pirate Looks at Fifty, by musician Jimmy Buffet. There is no biography or autobiography included in either the 1999 or 2000 top 10 lists in Publishers Weekly, nor in that for 2005. In 2001, David McCullough’s biography John Adams and Jack Welch’s business memoir Jack: Straight from the Gut featured. In 2002, Let’s Roll! Lisa Beamer’s tribute to her husband, one of the heroes of 9/11, written with Ken Abraham, joined Rudolph Giuliani’s autobiography, Leadership. 2003 saw Hillary Clinton’s autobiography Living History and Paul Burrell’s memoir of his time as Princess Diana’s butler, A Royal Duty, on the list. In 2004, it was Bill Clinton’s turn with My Life. In 2006, we find John Grisham’s true crime (arguably a biography), The Innocent Man, at the top, Grogan’s Marley and Me at number three, and the autobiographical The Audacity of Hope by Barack Obama in fourth place. Appendix 2 Amazon.com listings since 2000 In 2000, there were only two auto/biographies in the top Amazon 50 bestsellers with Lance Armstrong’s It’s Not about the Bike: My Journey Back to Life about his battle with cancer at 20, and Dave Eggers’s self-consciously fictionalised memoir, A Heartbreaking Work of Staggering Genius at 32. In 2001, only the top 14 bestsellers were recorded. At number 1 is John Adams by David McCullough and, at 11, Jack: Straight from the Gut by USA golfer Jack Welch. In 2002, Leadership by Rudolph Giuliani was at 12; Master of the Senate: The Years of Lyndon Johnson by Robert Caro at 29; Portrait of a Killer: Jack the Ripper by Patricia Cornwell at 42; Blinded by the Right: The Conscience of an Ex-Conservative by David Brock at 48; and Louis Gerstner’s autobiographical Who Says Elephants Can’t Dance: Inside IBM’s Historic Turnaround at 50. In 2003, Living History by Hillary Clinton was 7th; Benjamin Franklin: An American Life by Walter Isaacson 14th; Dereliction of Duty: The Eyewitness Account of How President Bill Clinton Endangered America’s Long-Term National Security by Robert Patterson 20th; Under the Banner of Heaven: A Story of Violent Faith by Jon Krakauer 32nd; Leap of Faith: Memoirs of an Unexpected Life by Queen Noor of Jordan 33rd; Kate Remembered, Scott Berg’s biography of Katharine Hepburn, 37th; Who’s your Caddy?: Looping for the Great, Near Great and Reprobates of Golf by Rick Reilly 39th; The Teammates: A Portrait of a Friendship about a winning baseball team by David Halberstam 42nd; and Every Second Counts by Lance Armstrong 49th. In 2004, My Life by Bill Clinton was the best selling book of the year; American Soldier by General Tommy Franks was 16th; Kevin Phillips’s American Dynasty: Aristocracy, Fortune and the Politics of Deceit in the House of Bush 18th; Timothy Russert’s Big Russ and Me: Father and Son. Lessons of Life 20th; Tony Hendra’s Father Joe: The Man who Saved my Soul 23rd; Ron Chernow’s Alexander Hamilton 27th; Cokie Roberts’s Founding Mothers: The Women Who Raised our Nation 31st; Kitty Kelley’s The Family: The Real Story of the Bush Dynasty 42nd; and Chronicles, Volume 1 by Bob Dylan was 43rd. In 2005, auto/biographical texts were well down the list with only The Year of Magical Thinking by Joan Didion at 45 and The Glass Castle: A Memoir by Jeanette Walls at 49. In 2006, there was a resurgence of life writing with Nora Ephron’s I Feel Bad About My Neck: and Other Thoughts on Being a Woman at 9; Grisham’s The Innocent Man at 12; Bill Buford’s food memoir Heat: an Amateur’s Adventures as Kitchen Slave, Line Cook, Pasta-Maker, and Apprentice to a Dante-Quoting Butcher in Tuscany at 23; more food writing with Julia Child’s My Life in France at 29; Immaculée Ilibagiza’s Left to Tell: Discovering God amidst the Rwandan Holocaust at 30; CNN anchor Anderson Cooper’s Dispatches from the Edge: A Memoir of War, Disasters and Survival at 43; and Isabella Hatkoff’s Owen & Mzee: The True Story of a Remarkable Friendship (between a baby hippo and a giant tortoise) at 44. In 2007, Ishmael Beah’s discredited A Long Way Gone: Memoirs of a Boy Soldier came in at 8; Walter Isaacson’s Einstein: His Life and Universe 13; Ayaan Hirst Ali’s autobiography of her life in Muslim society, Infidel, 18; The Reagan Diaries 25; Jesus of Nazareth by Pope Benedict XVI 29; Mother Teresa: Come be my Light 36; Clapton: The Autobiography 40; Tina Brown’s The Diana Chronicles 45; Tony Dungy’s Quiet Strength: The Principles, Practices & Priorities of a Winning Life 47; and Daniel Tammet’s Born on a Blue Day: Inside the Extraordinary Mind of an Autistic Savant at 49. Acknowledgements A sincere thank you to Michael Webster at RMIT for assistance with access to Nielsen BookScan statistics, and to the reviewers of this article for their insightful comments. Any errors are, of course, our own. References Australian Broadcasting Commission (ABC). “About Us.” Australian Story 2008. 1 June 2008. ‹http://www.abc.net.au/austory/aboutus.htm>. 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Starck, Nigel. “Capturing Life—Not Death: A Case For Burying The Posthumous Parallax.” Text: The Journal of the Australian Association of Writing Programs 5.2 (2001). 1 June 2008 ‹http://www.textjournal.com.au/oct01/starck.htm>.

In the last issue, we looked at electronic journals being made available over the world wide web. In this issue we survey indexing and abstracting services available over the web. This information is current during the Spring of 1997, but programs change frequently and we encourage you to check with the producers for the latest information.