Books on the topic 'Electronic music'

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1

Collins, Nicolas. Handmade Electronic Music. Edited by Nicolas Collins. Third edition. | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429264818.

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2

Stevens, Blake. Teaching Electronic Music. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780367815349.

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3

National Radio Institute (Washington, D.C.), ed. Electronic music technology. Washington, D.C: McGraw-Hill Continuing Education Center, 1988.

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4

Holmes, Thomas B. Electronic andexperimental music. New York: Scribner's, 1985.

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5

National Council for Educational Technology. Electronic music systems. 2nd ed. London: NCET, 1990.

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6

Collins, Nicolas. Handmade Electronic Music. London: Taylor and Francis, 2006.

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7

1965-, Bogdanov Vladimir, ed. All music guide to electronica: The definitive guide to electronic music. San Francisco: Backbeat Books, 2001.

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8

Manning, Peter. Electronic and computer music. New York, NY: Oxford University Press, 2002.

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9

Peter, Manning. Electronic and computer music. Oxford: Clarendon, 1985.

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10

Holmes, Thomas B. Electronic and experimental music. New York: Scribner's, 1985.

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11

Holmes, Thomas B. Electronic and experimental music. 2nd ed. New York: Routledge, 2002.

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12

Coakley, W. D. The electronic music dictionary. Lantana, Fla. (315 North Lake Drive, Suite 16, Lantana, Florida 33462): W.D. Coakley, 1988.

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13

Peter, Manning. Electronic and computer music. Oxford: Clarendon Press, 1987.

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14

Peter, Manning. Electronic and computer music. Oxford: Clarendon Press, 1985.

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15

Shipton, Alyn. Keyboards and electronic music. Austin, Tex: Raintree Steck-Vaughn, 1994.

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16

Manning, Peter. Electronic and computer music. 2nd ed. Oxford: Clarendon Press, 1994.

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17

Peter, Manning. Electronic and computer music. 4th ed. New York: Oxford University Press, 2013.

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18

Tanaka, Yūji. Electronic music in Japan. 8th ed. Tōkyō: Asupekuto, 2001.

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19

1911-, Olsson O., ed. Electronic music in Sweden. Stockholm: Swedish Music Information Center, 1985.

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20

Holmes, Thom. Electronic and experimental music. 2nd ed. London: Routledge, 2002.

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21

Peter, Manning. Electronic and computer music. 2nd ed. Oxford: Oxford University Press, 1993.

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22

Peter, Manning. Electronic and computer music. 2nd ed. Oxford: Clarendon Press, 1993.

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23

Kallen, Stuart A. Electronic dance music DJs. San Diego, CA: ReferencePoint Press, 2017.

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24

Horn, Delton T. Digital electronic music synthesizers. 2nd ed. Blue Ridge Summit, PA: Tab Books, 1988.

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25

Naumann, Joel. Analog electronic music techniques. New York, NY: Schirmer Books, 1985.

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26

Tieck, Sarah. Daft Punk: Electronic music duo. Minneapolis, MN: Abdo Publishing, 2015.

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27

Schwartz, Elliott. Electronic music: A listener's guide. New York: Da Capo Press, 1985.

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28

Adams, Robert Train. Electronic music composition for beginners. Dubuque, Iowa: Wm. C. Brown, 1986.

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29

Schwartz, Elliott. Electronic music: A listener's guide. New York: Da Capo Press, 1989.

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30

Penfold, R. A. Electronic music and MIDI projects. Tonbridge: PC Publishing, 1994.

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31

Eimert, Herbert. Electronic Music. European Amer Music Dist Corp, 1988.

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32

Collins, Nick, Scott Wilson, and Margaret Schedel. Electronic Music. Cambridge University Press, 2013.

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33

Electronic Music. Phaidon Press Inc., 1985.

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34

Collins, Nick. Electronic music. 2013.

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35

Emmerson, Simon. Living Electronic Music. Taylor & Francis Group, 2017.

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36

Emmerson, Simon. Living Electronic Music. Ashgate Publishing, 2007.

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37

Stevens, Blake. Teaching Electronic Music. Taylor & Francis Group, 2021.

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38

Stevens, Blake. Teaching Electronic Music. Taylor & Francis Group, 2021.

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39

Collins, Nicolas. Handmade Electronic Music. Routledge, 2014. http://dx.doi.org/10.4324/9781315786735.

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40

Kuhn, Will, and Ethan Hein. Electronic Music School. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190076634.001.0001.

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Abstract:
This book is a practical blueprint for teachers who want to begin teaching project-based music technology, production, and songwriting to secondary and college-age students. It aims to inspire teachers to expand beyond the usual ensemble offerings and to create a culture of unique creativity at their schools. The approach primarily draws upon the authors’ experiences developing and implementing the music technology program at Lebanon (Ohio) High School, one of the nation’s largest secondary-level programs, and courses at New York University and Montclair State University. While the lesson templates can be used with any hardware and software setup, the popular digital audio workstation Ableton Live is used for specific examples and screenshots.
41

Kettlewell, Ben. Electronic Music Pioneers. ArtistPro, 2002.

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42

Emmerson, Simon. Living Electronic Music. Routledge, 2017. http://dx.doi.org/10.4324/9781351217866.

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43

Collins, Nicolas. Handmade Electronic Music. Routledge, 2009. http://dx.doi.org/10.4324/9780203879627.

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44

Emmerson, Simon. Living Electronic Music. Ashgate Pub Co, 2007.

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45

Collins, Nicolas. Handmade Electronic Music. Taylor & Francis Group, 2020.

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46

Emmerson, Simon. Living Electronic Music. Taylor & Francis Group, 2017.

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47

Strange. Electronic Music Systems. William C. Brown, 1997.

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48

Staff, Hal Leonard Corp. All Music Guide to Electronica: The Definitive Guide to Electronic Music. Leonard Corporation, Hal, 2001.

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49

Manning, Peter. Electronic and Computer Music. Oxford University Press, USA, 2004.

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50

Johner, Andrew, and Julián Reyes. Electronic Awakening: Spirituality and Electronic Music Culture. North Atlantic Books, 2013.

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