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Relevant bibliographies by topics / Electronic music; Frequency synthesizers / Books

Books on the topic 'Electronic music; Frequency synthesizers'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

T, Horn Delton, ed. Digital electronic music synthesizers. 2nd ed. Blue Ridge Summit, PA: Tab Books, 1988.

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2

Automated calibration of modulated frequency synthesizers. Boston: Kluwer Academic, 2002.

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3

Horn, Delton T. Troubleshooting and repairing electronic music synthesizers. Blue Ridge Summit, PA: Tab Books, 1992.

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4

Phase lock loops and frequency synthesis. New York: J. Wiley, 2003.

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5

Keyboard presents Vintage synthesizers: Groundbreaking instruments and pioneering designers of electronic music synthesizers. San Francisco: GPI Books, 1993.

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6

Jenkins, Mark. Electronic music on the Commodore 64: Sound, software and synthesizers. London: Sunshine, 1985.

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7

Barrett, Bob. Synthesizers in praise & worship: The keyboardist's guide to electronic orchestration. Mission Viejo, Ca. (23608 Via Navarra, Mission Viejo 92691): Taylor Made Music, 1997.

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8

I, Halonen K. A., ed. Direct digital synthesizers: Theory, design, and applications. Boston: Kluwer Academic Publishers, 2001.

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9

Roermund, Arthur H. M. van., Steyaert Michiel 1959-, and Huijsing Johan H. 1938-, eds. Analog circuit design: Fractional-N synthesizers, design for robustness, line and bus drivers. Boston: Kluwer Academic Publishers, 2003.

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10

Wilkinson, Scott R. Tuning in: Microtonality in electronic music : a basic guide to alternate scales, temperaments, and microtuning using synthesizers. Milwaukee, WI: H. Leonard Books, 1988.

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11

Computer sound synthesis for the electronic musician. Oxford, [England]: Focal Press, 1998.

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12

Plassche, Rudy J. van de., Huijsing Johan H. 1938-, and Sansen Willy M. C, eds. Analog circuit design: High-speed analog-to-digital converters, mixed-signal design, PLL's and synthesizers. Boston, MA: Kluwer Academic Publishers, 2000.

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13

Pressing, Jeff. Synthesizer performance and real-time techniques. Madison, Wis: A-R Editions, 1992.

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14

Muer, Bram de. CMOS fractional-N synthesizers: Design for high spectral purity and monolithic integration. Boston: Kluwer Academic Publishers, 2003.

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15

1959-, Steyaert Michiel, ed. CMOS fractional-N synthesizers: Design for high spectral purity and monolithic integration. Boston: Kluwer Academic Publishers, 2003.

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16

Sound synthesis and sampling. Oxford ; Boston: Focal Press, 1996.

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17

Sound synthesis and sampling. 2nd ed. Boston: Focal Press, 2004.

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18

McMahill, Dan. Automated Calibration of Modulated Frequency Synthesizers. Springer, 2013.

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19

McMahill, Dan. Automated Calibration of Modulated Frequency Synthesizers. Springer London, Limited, 2006.

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20

Books, D. M. S. Synth: Notebook Frequency Sound Synthesizers Electronic Musical Instrument Keyboard. Independently Published, 2018.

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21

Vail, Mark. Vintage Synthesizers: Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesizers. Leonard Corporation, Hal, 2000.

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22

Vail, Mark. Vintage Synthesizers: Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesizers. Leonard Corporation, Hal, 2000.

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23

Vail, Mark. Vintage Synthesizers: Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesizers. Backbeat Books, 1993.

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24

Vail, Mark. Vintage Synthesizers: Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesizers. Leonard Corporation, Hal, 2000.

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25

Barr, Charles. Understanding Synthesizers: A Beginner's Guide to Electronic Music. Kendal & Preston, 1985.

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26

Digital Synthesizers and Transmitters for Software Radio. Springer, 2005.

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27

Vankka, Jouko. Digital Synthesizers and Transmitters for Software Radio. Springer London, Limited, 2005.

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28

Bianchi, Giovanni. Phase-Locked Loop Synthesizer Simulation (McGraw-Hill Electronic Engineering). McGraw-Hill Professional, 2005.

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29

Bianchi, Giovanni. Phase-Locked Loop Synthesizer Simulation (McGraw-Hill Electronic Engineering). McGraw-Hill Professional, 2005.

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30

Software Synthesizers: The Definitive Guide to Virtual Musical Instruments. Backbeat Books, 2003.

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31

Refining sound: A practical guide to synthesis and synthesizers. 2013.

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32

Shepard, Brian K. Refining Sound: A Practical Guide to Synthesis and Synthesizers. Oxford University Press, Incorporated, 2013.

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33

Rudy J. van de Plassche (Editor), Johan H. Huijsing (Editor), and Willy M.C. Sansen (Editor), eds. High Speed Analog-to-Digital Converters; PLLs and Synthesizers. Springer, 2000.

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34

Arthur H.M. van Roermund (Editor), Michiel Steyaert (Editor), and Johan H. Huijsing (Editor), eds. Analog Circuit Design: Fractional-N Synthesizers, Design for Robustness, Line and Bus Drivers (Analog Circuit Design). Springer, 2003.

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35

Arthur H.M. van Roermund, Michiel Steyaert, and Johan Huijsing. Analog Circuit Design: Fractional-N Synthesizers, Design for Robustness, Line and Bus Drivers. Springer, 2010.

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36

Malawey, Victoria. A Blaze of Light in Every Word. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190052201.001.0001.

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Abstract:

A Blaze of Light in Every Word presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners’ perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip-hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multidimensionality of singing voices.

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37

Power Tools for Reason 2.5: Master the World's Most Popular Virtual Studio Software (Power Tools Series). Backbeat Books, 2004.

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38

Vankka, Jouko, and Kari A. I. Halonen. Direct Digital Synthesizers: Theory, Design and Applications (The Springer International Series in Engineering and Computer Science). Springer, 2001.

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39

Steyaert, Michiel, and Bram De Muer. CMOS Fractional-N Synthesizers: Design for High Spectral Purity and Monolithic Integration. Springer, 2010.

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40

Steyaert, Michiel, and Bram De Muer. CMOS Fractional-N Synthesizers: Design for High Spectral Purity and Monolithic Integration. Springer London, Limited, 2006.

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41

Electronic Music And Sound Design Theory And Practice With Max And Msp. Contemponet, 2013.

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42

B, Metcalfe Scott, ed. Creating sounds from scratch: A practical guide to music synthesis for producers and composers. Oxford University Press, 2017.

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43

(Editor), Dana G. Reed, ed. The ARRL Handbook for Radio Communications 2004. 8th ed. American Radio Relay League (ARRL), 2003.

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44

Wilson, Mark. The Arrl Handbook for the Radio Amateur, 1987 (Publication No. 9 of the Radio Amateur's Library). American Radio Relay League, 1986.

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45

Collins, A. Frederick. The Radio Amateur's Hand Book. IndyPublish.com, 2004.

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46

Reed, Dana George. The Arrl Handbook for Radio Amateurs 2002 (ARRL Handbook for Radio Communications). 7th ed. American Radio Relay League, 2001.

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47

J, Wilson Mark, and American Radio Relay League, eds. The ARRL handbook for the radio amateur. 6th ed. Newington,CT: American Radio Relay League, 1985.

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48

Collins, A. Frederick. The Radio Amateur's Hand Book. IndyPublish.com, 2004.

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49

Reed, Dana George. The Arrl Handbook for Radio Amateurs 2002. 7th ed. American Radio Relay League, 2001.

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50

Reed, Dana G. The ARRL Handbook for Radio Communications 2005: 82nd Edition (ARRL Handbook for Radio Amateurs). American Radio Relay League, 2004.

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