Relevant bibliographies by topics / Electronic music; Frequency synthesizers

Academic literature on the topic 'Electronic music; Frequency synthesizers'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Electronic music; Frequency synthesizers"

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Peng, Jing. "Multisensor Speech Enhancement Technology in Music Synthesizer Design." Mobile Information Systems 2022 (June 24, 2022): 1–12. http://dx.doi.org/10.1155/2022/9926708.

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Creating music through sound synthesis is the most representative electronic music creation method, and electronic music is actually the result of sound synthesis technology. Today, the field of electronic music encompasses multiple areas such as recording, mixing, composing, and producing. It also has some advantages over traditional music composition. Voice is the most effective and direct way of communication between people. And with the explosive development of speech recognition technology, the recognition rate of speech recognition systems in the near field environment has been greatly improved. However, in practical applications, there is often a large amount of ambient noise. If these environmental noises are strong, it will seriously affect the quality, accuracy, and speed of music synthesis. This greatly reduces not only the sound quality and clarity of speech but also the speed of speech recognition. To solve these problems, this paper proposes a multisensor speech enhancement technique and implements a multisensor speech enhancement system. It also proposes an enhancement method based on speaker speech and microphone speech. In this paper, the low-frequency harmonic components of the bone conduction signal are used to replace the frequency points disturbed by wind noise to reduce the influence of wind noise on speech quality and intelligibility. The experimental results show that the PESQ and MOS scores of the improved algorithm in this paper are 1.65 and 3.67, respectively. Compared with the existing methods, it has a great improvement. This can effectively improve the voice quality of the music synthesizer and reduce background noise.
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Lustig, Ethan, and Ivan Tan. "All about that bass: Audio filters on basslines determine groove and liking in electronic dance music." Psychology of Music 48, no. 6 (March 27, 2019): 861–75. http://dx.doi.org/10.1177/0305735619836275.

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Groove is defined as wanting to move the body to music. Most empirical groove research has focused on rhythmic features like microtiming and syncopation, while research on musical liking has focused on pitch, form, and repetition. Here, we examine the effect of timbre on groove and liking ratings by applying audio filters to basslines in an electronic dance music (EDM) style. We also investigate via questionnaire the role of music and dance experience, preferred genre, and gender on groove and liking. Four brief EDM loops were created, each consisting of drum samples and a synthesized bassline. Each loop had four audio filter conditions (high-pass, band-pass, low-pass, no filter) applied to its bassline. The 102 participants heard all stimuli three times, rating them for groove and liking, and then completed the questionnaire. For both groove and liking, participants gave higher ratings to the filter conditions preserving low-frequency energy (low-pass and no filter). The relation of the questionnaire data to groove and liking was limited, meriting further investigation. Overall, the results suggest that people find groovier, and like more, basslines preserving low-frequency energy. The lack of loop-filter interaction suggests that timbre can determine groove and liking across different melodic and rhythmic contexts.
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Liu, Zhixing, Yinghui Quan, Yaojun Wu, and Mengdao Xing. "Super-Resolution Range and Velocity Estimations for SFA-OFDM Radar." Remote Sensing 14, no. 2 (January 7, 2022): 278. http://dx.doi.org/10.3390/rs14020278.

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Sparse frequency agile orthogonal frequency division multiplexing (SFA-OFDM) signal brings excellent performance to electronic counter-countermeasures (ECCM) and reduces the complexity of the radar system. However, frequency agility makes coherent processing a much more challenging task for the radar, which leads to the discontinuity of the echo phase in a coherent processing interval (CPI), so the fast Fourier transform (FFT)-based method is no longer a valid way to complete the coherent integration. To overcome this problem, we proposed a novel scheme to estimate both super-resolution range and velocity. The subcarriers of each pulse are firstly synthesized in time domain. Then, the range and velocity estimations for the SFA-OFDM radar are regarded as the parameter estimations of a linear array. Finally, both the super-resolution range and velocity are obtained by exploiting the multiple signal classification (MUSIC) algorithm. Simulation results are provided to demonstrate the effectiveness of the proposed method.
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Shuai, Shao, Liu Aijun, Wang Xiuhong, and Yang Hongjuan. "Polarimetric Direction of Arrival Estimations Based on Adaptive Linear Time-Frequency Transforms." Wireless Communications and Mobile Computing 2022 (August 8, 2022): 1–10. http://dx.doi.org/10.1155/2022/3463438.

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A spatially polarized time-frequency distribution (SPTFD) based on dual-polarized double-fed antenna arrays is adapted to deal with polarization-unstable signals. A linear time-frequency (TF) representation was used for an instantaneous frequency (IF) estimate, primarily due to its simplicity and immunity to cross-interference. Using a set of linear TF transformations using Gaussian windows and Fourier oscillation kernels, the IF estimated window widths of multiple unstable signals are obtained. This paper introduces a new method for estimating the direction of arrival (DOA) of polarized waves using adaptive linear time-frequency transforms. In this paper, a narrowband far-field point source on the receiving array is analyzed. The source signal is split into two orthogonally polarized components. The optimal window is determined by the first derivative of the IF; for this purpose, we take a simple algorithm for solving the derivative and optimize it. In developing TF-adaptive and fully automatic TF display technology, the first method is to use the time-adaptive window for minimizing the IF estimate mean square error (MSE) sum at each moment, while the second procedure is to adjust according to time and frequency and minimize estimate MSE sum at each position in the TF region. Due to its combination with signal polarization, the spatial time-frequency distribution (STFD) gains more freedom and thus perfects the phonon space estimation of noise and signal. On the SPTFD platform, polarized time-frequency multiple signal classification (PTF-MUSIC) is used for the estimation of signal direction of arrival, which outperforms conventional time-frequency MUSIC. Using the example of a synthesized signal, this method outperforms conventional techniques in DOA estimation.
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Kaselouris, Evaggelos, Chrisoyla Alexandraki, Makis Bakarezos, Michael Tatarakis, Nektarios A. Papadogiannis, and Vasilis Dimitriou. "A Detailed FEM Study on the Vibro-acoustic Behaviour of Crash and Splash Musical Cymbals." International Journal of Circuits, Systems and Signal Processing 16 (March 30, 2022): 948–55. http://dx.doi.org/10.46300/9106.2022.16.116.

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Advanced numerical simulations, that include modal and frequency response function finite element analysis, frequency domain and time domain finite element method – boundary element method analysis, are performed to study the vibro-acoustic behaviour of crash and splash musical cymbals. The results of the modal analysis agree well with experimental measurements found in literature. The frequency domain and time domain coupled finite – boundary element method simulations, despite their high computational resources and time demands, are used for the crucial comparison of the velocity spectrograms on the cymbal to the radiated sound pressure spectrograms in the air. The computational analysis results show that the splash cymbal is characterized by a faster decay and a higher frequency content compared to the crash cymbal. The advanced multiphysics vibro-acoustic simulations that correlate the displacements and velocities of the vibrated structure with the radiated sound pressure results demonstrate the future capability to synthesize the sounds of cymbal music instruments.
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Stephenson, I. M. "Microwave Frequency Synthesizers." Electronics and Power 33, no. 10 (1987): 656. http://dx.doi.org/10.1049/ep.1987.0390.

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Phillips, S. H. "Book Review: Microwave Frequency Synthesizers." International Journal of Electrical Engineering & Education 25, no. 2 (April 1988): 189. http://dx.doi.org/10.1177/002072098802500231.

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Xu, Yong, Zhi-gong Wang, Yu Guan, Zhi-jun Xu, and Lu-feng Qiao. "GHz band frequency hopping PLL-based frequency synthesizers." Optoelectronics Letters 1, no. 3 (November 2005): 179–81. http://dx.doi.org/10.1007/bf03033836.

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Alekshin, Yu I., G. M. Altshuller, O. N. Pavlovsky, E. N. Karyakin, A. F. Krupnov, D. G. Paveliev, and A. P. Shkaev. "Frequency synthesizers up to 370 GHz." International Journal of Infrared and Millimeter Waves 11, no. 8 (August 1990): 961–71. http://dx.doi.org/10.1007/bf01008638.

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Sotiriadis, P. P. "Diophantine Frequency Synthesis for Fast-Hopping, High-Resolution Frequency Synthesizers." IEEE Transactions on Circuits and Systems II: Express Briefs 55, no. 4 (April 2008): 374–78. http://dx.doi.org/10.1109/tcsii.2008.919499.

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Dissertations / Theses on the topic "Electronic music; Frequency synthesizers"

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Janczak, Teresa Krystyna. "Estimation of Jitter Effects in Oscillators and Frequency Synthesizers Due to Prototypical Perturbation Sources." Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1094%5F1%5Fm.pdf&type=application/pdf.

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Horst, Stephen J. "Frequency synthesis applications of SiGe BiCMOS processes." Diss., Georgia Institute of Technology, 2011. http://hdl.handle.net/1853/42815.

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Silicon Germanium BiCMOS technology has been demonstrated as an ideal platform for highly integrated systems requiring both high performance analog and RF circuits as well as large-scale digital functionality. Frequency synthesizers are ideal candidates for this technology because the mixed-signal nature of modern frequency synthesis designs fundamentally requires both digital and analog signal processing. This research targets three areas to improve SiGe frequency synthesizers. A majority of this work focuses on applying SiGe frequency synthesizers to extreme environment applications such as space, where low temperatures and ionizing radiation are significant design issues to contend with. A second focus area involves using SiGe HBTs to minimize noise in frequency synthesizer circuits. Improved low frequency "pink" noise in SiGe HBTs provide a significant advantage over CMOS devices, and frequency synthesis circuits are significantly affected by this type of noise. However, improving thermal "white" noise is also considered. Finally, an analysis of AM-PM distortion is considered for SiGe HBTs. The studies presented focus on identifying the physical mechanisms of observed phenomena, such as single event transients or phase noise characteristics in oscillators. The ultimate goal of this research is to provide a reference of effective design parameters for circuit and system designers seeking to take advantage of the properties of SiGe device physics.
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Croson, James Michael. "Musical use of a general and expressive plucked-string instrument in software." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1081200962.

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Thesis (D.M.A)--Ohio State University, 2004.
Title from first page of PDF file. Document formatted into pages; contains xiii, 57 p.; also includes graphics (some col.). Includes bibliographical references (p. 52-57). Available online via OhioLINK's ETD Center
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Schedin, Oscar. "Target Spectrums For Mastering : A comparison of spectral stylistic conventions between rock and vocal-based electronic music." Thesis, Luleå tekniska universitet, Institutionen för ekonomi, teknik, konst och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-84660.

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Through the analysis of the spectral characteristics of thousands of mastered (or remastered) commercial recordings from a variety of genres over the history of popular music, researchers have studied stylistic trends and spectral conventions. The aim of this study was to further explore, analyse and compare the spectral characteristics of two broad but distinct popular music genres: rock and vocal-based electronic music. The main reason for this choice of genres being that rock generally predominantly is based on (amplified) acoustical elements (e.g. acoustic drums and acoustic/electric bass/guitars) and that electronic music generally predominantly is based on electronic elements (e.g. beats and synthesizers). The stimuli for the study consisted of 24 top-five hit songs from the Billboard charts between 2016-2020, divided by genre. A fast fourier transform approach was used for the computation of target spectrums as well as low level descriptors for the two independent datasets of recordings. Spectral analysis followed with the goal of answering the following research questions: What do the spectral stylistic conventions appear to be in rock versus vocal-based electronic music and what spectral differences/similarities exists between these two distinct popular music genres? The results showed that there were some significant spectral differences between the two genres, especially noticeable in the low end of the frequency spectrum. Other genre-specific spectral trends and overall spectral conventions were found as well.
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"BICMOS implementation of UAA 4802." Chinese University of Hong Kong, 1989. http://library.cuhk.edu.hk/record=b5886230.

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Elshazly, Amr. "Performance enhancement techniques for low power digital phase locked loops." Thesis, 2012. http://hdl.handle.net/1957/31116.

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Desire for low-power, high performance computing has been at core of the symbiotic union between digital circuits and CMOS scaling. While digital circuit performance improves with device scaling, analog circuits have not gained these benefits. As a result, it has become necessary to leverage increased digital circuit performance to mitigate analog circuit deficiencies in nanometer scale CMOS in order to realize world class analog solutions. In this thesis, both circuit and system enhancement techniques to improve performance of clock generators are discussed. The following techniques were developed: (1) A digital PLL that employs an adaptive and highly efficient way to cancel the effect of supply noise, (2) a supply regulated DPLL that uses low power regulator and improves supply noise rejection, (3) a digital multiplying DLL that obviates the need for high-resolution TDC while achieving sub-picosecond jitter and excellent supply noise immunity, and (4) a high resolution TDC based on a switched ring oscillator, are presented. Measured results obtained from the prototype chips are presented to illustrate the proposed design techniques.
Graduation date: 2013
Access restricted to the OSU Community at author's request from July 16, 2012 - July 16, 2014
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Books on the topic "Electronic music; Frequency synthesizers"

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T, Horn Delton, ed. Digital electronic music synthesizers. 2nd ed. Blue Ridge Summit, PA: Tab Books, 1988.

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Automated calibration of modulated frequency synthesizers. Boston: Kluwer Academic, 2002.

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Horn, Delton T. Troubleshooting and repairing electronic music synthesizers. Blue Ridge Summit, PA: Tab Books, 1992.

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Phase lock loops and frequency synthesis. New York: J. Wiley, 2003.

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Keyboard presents Vintage synthesizers: Groundbreaking instruments and pioneering designers of electronic music synthesizers. San Francisco: GPI Books, 1993.

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Jenkins, Mark. Electronic music on the Commodore 64: Sound, software and synthesizers. London: Sunshine, 1985.

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Barrett, Bob. Synthesizers in praise & worship: The keyboardist's guide to electronic orchestration. Mission Viejo, Ca. (23608 Via Navarra, Mission Viejo 92691): Taylor Made Music, 1997.

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I, Halonen K. A., ed. Direct digital synthesizers: Theory, design, and applications. Boston: Kluwer Academic Publishers, 2001.

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Roermund, Arthur H. M. van., Steyaert Michiel 1959-, and Huijsing Johan H. 1938-, eds. Analog circuit design: Fractional-N synthesizers, design for robustness, line and bus drivers. Boston: Kluwer Academic Publishers, 2003.

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Wilkinson, Scott R. Tuning in: Microtonality in electronic music : a basic guide to alternate scales, temperaments, and microtuning using synthesizers. Milwaukee, WI: H. Leonard Books, 1988.

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Book chapters on the topic "Electronic music; Frequency synthesizers"

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Holmes, Thom. "Moog Analog Synthesizers." In Electronic and Experimental Music, 427–57. Routledge, 2020. http://dx.doi.org/10.4324/9780429425585-31.

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Holmes, Thom. "Buchla Analog Synthesizers." In Electronic and Experimental Music, 458–71. Routledge, 2020. http://dx.doi.org/10.4324/9780429425585-32.

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Holmes, Thom. "EMS Analog Synthesizers." In Electronic and Experimental Music, 472–81. Routledge, 2020. http://dx.doi.org/10.4324/9780429425585-33.

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Holmes, Thom. "ARP Analog Synthesizers." In Electronic and Experimental Music, 482–94. Routledge, 2020. http://dx.doi.org/10.4324/9780429425585-34.

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Holmes, Thom. "Other Analog Synthesizers." In Electronic and Experimental Music, 495–505. Routledge, 2020. http://dx.doi.org/10.4324/9780429425585-35.

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Holmes, Thom. "Digital Synthesizers and Samplers." In Electronic and Experimental Music, 506–16. Routledge, 2020. http://dx.doi.org/10.4324/9780429425585-36.

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"Early Synthesizers and Experimenters." In Electronic and Experimental Music, 194–223. Routledge, 2012. http://dx.doi.org/10.4324/9780203128428-14.

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"Early Synthesizers and Experimenters." In Electronic and Experimental Music, 213–42. Routledge, 2015. http://dx.doi.org/10.4324/9781315684796-14.

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Theocharopoulos, Ioannis. "A Sound Design and Electronic Music Production STEAM Course for Secondary Education." In Advances in Educational Technologies and Instructional Design, 265–95. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-3861-9.ch013.

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In this chapter, a music-centered STEAM course implemented in the European School (Schola Europaea) Brussels III is presented. This course, driven by constructivist conversation pedagogy, aims at students in secondary grade and is independent of their prior involvement in music. In the Sound Design module of the course, which is presented in detail, students explore the world of electronic, software-based instruments through the use of software synthesizers and subtractive synthesis. Visual programming with Max/MSP is applied for the design and implementation of basic synthesizers although dedicated software synthesizers are also used. In this chapter, a brief overview on the composition, arrangement, production, mastering, and development modules of the course is also provided.
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Jones Simpson, Misty. "Understanding Envelopes in Synthesis (Intermediate)." In The Music Technology Cookbook, 263–66. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197523889.003.0044.

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Understanding how synthesizers generate sounds is an important aspect of learning how to produce electronic music. In this game-based activity designed for undergraduate students, I outline how to use analogies to help students understand how ADSR (attack, decay, sustain, release) envelopes work as they relate to synthesis. Starting with a piece of paper and a letter envelope, learners start by understanding the concept visually with physical objects. Following, learners are provided opportunities to apply these analogies when working with envelope modules on synthesizers. By applying this knowledge, students can use envelope parameters more effectively to achieve the sound they wish to create.
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Conference papers on the topic "Electronic music; Frequency synthesizers"

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Akhmetov, Denis B., and Alexander S. Korotkov. "The reference spur reduction technique for frequency synthesizers." In 2018 IEEE Conference of Russian Young Researchers in Electrical and Electronic Engineering (EIConRus). IEEE, 2018. http://dx.doi.org/10.1109/eiconrus.2018.8317055.

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Oros, Anamaria, Istvan Kovacs, and Marius Neag. "Iterative design of frequency synthesizers using CppSim and Matlab." In 2011 IEEE 17th International Symposium for Design and Technology in Electronic Packaging (SIITME). IEEE, 2011. http://dx.doi.org/10.1109/siitme.2011.6102691.

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Yang Liu and Ashok Srivastava. "Hot carrier effects on CMOS phase-locked loop frequency synthesizers." In 2010 11th International Symposium on Quality of Electronic Design (ISQED). IEEE, 2010. http://dx.doi.org/10.1109/isqed.2010.5450392.

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Htun, Yar Zar, V. A. Romanuk, and Vic Grout. "Phase noise minimization of microwave frequency synthesizers by circuit optimization." In 2016 IEEE NW Russia Young Researchers in Electrical and Electronic Engineering Conference (EIConRusNW). IEEE, 2016. http://dx.doi.org/10.1109/eiconrusnw.2016.7448208.

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Sun, Tianchi, Afshin S. Daryoush, Ajay Poddar, Li Zhang, and Ulrich Rohde. "High-resolution frequency synthesizers over X-band using SILPLL opto-electronic oscillators." In 2017 Joint Conference of the European Frequency and Time Forum and IEEE International Frequency Control Symposium ((EFTF/IFC). IEEE, 2017. http://dx.doi.org/10.1109/fcs.2017.8088934.

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Sun, Tianchi, Afshin S. Daryoush, Ajay Poddar, Li Zhang, and Ulrich Rohde. "K-Band High Stablity and Resolution Frequency Synthesizers Using Forced Opto-Electronic Oscillators." In 2017 IEEE MTT-S International Microwave and RF Conference (IMaRC). IEEE, 2017. http://dx.doi.org/10.1109/imarc.2017.8449688.

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Idjadi, Mohamad Hossein, Farshid Ashtiani, Zhe Xuan, and Firooz Aflatouni. "Electronic photonic co-design." In Integrated Photonics Research, Silicon and Nanophotonics. Washington, D.C.: Optica Publishing Group, 2022. http://dx.doi.org/10.1364/iprsn.2022.im4c.6.

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Examples of our work in electronic-photonic co-design is presented, which includes monolithic implementation of wideband optical synthesizers and Pound-Drever-Hall laser stabilization systems and hybrid-integrated phase noise filters and laser-to-RF frequency locked loops.
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Biswal, Dibyajyoti, Mohammad Javad Mollakazemi, and Abhijit Patwardhan. "Changes in Coherent Activity Between EEG and Various Frequency Components of Music While Listening to Familiar and Unfamiliar Songs." In 2020 IEEE International Symposium on Smart Electronic Systems (iSES) (Formerly iNiS). IEEE, 2020. http://dx.doi.org/10.1109/ises50453.2020.00018.

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Pereira, Renato Santos, and Rodrigo Varejão Andreão. "Electric guitar distortion effects unit using a Raspberry Pi." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19436.

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With the advance of electronics, techniques and algorithms for digital signal processing, digital equipment has been gaining more and more space in the music scene. Micro-processed tools now generate several effects such as modulation, echo, and distortion of sounds generated by musical instruments, previously obtained only by analog units. In this context, this study aimed to develop aprototype of distortion effects unit using a Raspberry Pi (a low-cost small single-board computer) and affordable electronic components. Therefore, five nonlinear functionswere used, four of which are present in the literature andone of them was originally developed by the authors. These functions model the behavior of an active element (suchas transistors, valves, and operational amplifiers), which when they exceed their amplification thresholds produce distortions in the audio signals. Throughout this article, all the steps in the development of the analog circuits for signal acquisition and output will be presented, as well as the simulation and implementation of the functions in the microcontroller. At the end, with the finished prototype, the frequency response analysis is performed and the sound results achieved by the algorithms is compared with each other and with other distortion units.
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