Log in

Relevant bibliographies by topics / Electronic aesthetics / Books

Books on the topic 'Electronic aesthetics'

To see the other types of publications on this topic, follow the link: Electronic aesthetics.

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Electronic aesthetics.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Listening through the noise: The aesthetics of experimental electronic music. New York: Oxford University Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

The aesthetics of ambivalence: Rethinking science fiction film in the age of electronic (re)production. Westport, Conn: Greenwood Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Bayle, François. Musique acousmatique: Propositions-- positions. Paris: Institut national de l'audiovisuel, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

The digital musician. New York: Routledge, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Hugill, Andrew. The digital musician. New York: Routledge, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Raaijmakers, Dick. Cahier "M": A brief morphology of electric sound. Leuven, Belgium: Leuven University Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Dunne, Anthony. Hertzian tales: Electronic products, aesthetic experience, and critical design. Cambridge, Mass: MIT Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Dunne, Anthony. Hertzian tales: Electronic products, aesthetic experience, and critical design. 2nd ed. Cambridge, Mass: MIT Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Dunne, Anthony. Hertzian tales: Electronic products, aesthetic experience, and critical design. Cambridge, MA: MIT Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Music and the emotions: The philosophical theories. London: Routledge & Kegan Paul, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Wolin, Richard. Walter Benjamin, an aesthetic of redemption. Berkeley: University of California Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

McLean, Alex (Christopher Alex), 1975-, ed. Speaking code: Coding as aesthetic and political expression. Cambridge, Mass: The MIT Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Broadhurst, Susan. Digital practices: Aesthetic and neuroesthetic approaches to performance and technology. Houndmills: Palgrave Macmillan, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Myth into art: Poet and painter in classical Greece. London: Routledge, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Dinkla, Söke. Pioniere interaktiver Kunst von 1970 bis heute: Myron Krueger ... [et al.]. Ostfildern: Cantz, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Raine, Michael, and Johan Nordström, eds. The Culture of the Sound Image in Prewar Japan. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789089647733.

Full text

Abstract:

This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a ‘culture of the sound image’, it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers.

APA, Harvard, Vancouver, ISO, and other styles

17

Angelis, Valentina De. Arte e linguaggio nell'era elettronica. [Milan]: B. Mondadori, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Paik, Nam June. Nam June Paik: Lo sciamano del video : [mostra. Milan: Mazzotta, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Paik, Nam June. Nam June Paik: Fluxus, Video. Bremen: Kunsthalle Bremen, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Paik, Nam June. Nam June Paik: Video works, 1963-88 : 29 September-11 December 1988, Hayward Gallery. London: South Bank Centre, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Paik, Nam June. Nam June Paik: Zeichnungen. Basel: Öffentliche Kunstsammlung Basel, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Paik, Nam June. Nam June Paik: Baroque Laser. Ostfildern: Cantz, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Paik, Nam June. Nam June Paik: Fluxus und Videoskulptur : 9.6.-25.8.02, Lehmbruck Museum, Duisburg : anlässlich der 26. Duisburger Akzente "Das Fremde und das Eigene--Globalisierung der Kulturen". Duisburg: Stiftung Wilhelm Lehmbruck Museum, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Paik, Nam June. Nam June Paik: Video time, video space. Edited by Stooss Toni and Kellein Thomas. New York: H.N. Abrams, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Paik, Nam June. Nam June Paik: Family of robot. Cincinnati, Ohio: Carl Solway Gallery, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Paik, Nam June. Nam June Paik: Video time, video space. Ostfildern-Ruit bei Stuttgart: Edition Cantz, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Heinrich, Klotz, and Weibel Peter, eds. Jeffery Shaw, a user's manual: From expanded cinema to virtual reality = Jeffrey Shaw, eine Gebrauchsanweisung : vom expanded Cinema zur virtuellen Realität. Karlsruhe: ZKM, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Prophet, Jane. Taste, teaching and the Utah teapot: Creative, gender, aesthetic and pedagogical issues surrounding the use of electronic media in art and design education : with particular reference to hypertext applications. [s.l.]: typescript, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

New scapes: Territories of complexity. Basel: Birkhäuser, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Plato. Lysis: Symposium ; Gorgias. Cambridge, Mass: Harvard University Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Plato. Lysis, Phaedrus, and Symposium: Plato on homosexuality. Amherst, N.Y: Prometheus Books, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Plato. Lysis. Göttingen: Vandenhoeck & Ruprecht, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Plato. Tutti gli scritti. Milano: Rusconi, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Plato. Selected dialogues of Plato: The Benjamin Jowett translation. New York: Modern Library, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Marc, Battier, ed. Aesthetics of live electronic music. [Reading]: Harwood Academic Publishers, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Living Electronic Music. Ashgate Pub Co, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Living Electronic Music. Ashgate Publishing, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Vesna, Victoria. Database Aesthetics: Art in the Age of Information Overflow (Electronic Mediations). Univ Of Minnesota Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Vesna, Victoria. Database Aesthetics: Art in the Age of Information Overflow (Electronic Mediations). Univ Of Minnesota Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Politics and Aesthetics in Electronic Music: A Study of EMS - Elektronmusikstudion Stockholm, 1964-79. Kehrer Verlag Heidelberg, Klaus Kehrer, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Coding Freedom: The Ethics and Aesthetics of Hacking: The Ethics and Aesthetics of Hacking. Princeton, NJ, USA: Princeton University Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Lange, Barbara Rose. Local Identity, World Music 2.0, and Electronic Dance Music. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190245368.003.0009.

Full text

Abstract:

Chapter 8 discusses the orientation of Central European musicians to aesthetics, production technologies, and distribution networks of the turn of the millennium that are collectively termed world music 2.0, arguing that study of local information flow enriches the overall notion of world music 2.0. The chapter reviews how electronic dance music (EDM) became a key component of the millennial sound world and of world music 2.0 in Central Europe. The chapter then describes musicians who continue to think locally as they merge sensibilities: the Slovak duo Longital developed a futurist aesthetic; the Austrian composer and musician Christof Dienz blended alpine ideas, avant-garde art music, and EDM; and Hungarian composer-producer Károly Cserepes infused musical dreamscapes with local sounds. The chapter concludes that the Central European musicians occupy a liminal space between analog world music 1.0 and networked world music 2.0.

APA, Harvard, Vancouver, ISO, and other styles

43

Coding Freedom: The Ethics and Aesthetics of Hacking. Princeton University Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Coleman, E. Gabriella. Coding Freedom: The Ethics and Aesthetics of Hacking. Princeton University Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Coleman, E. Gabriella. Coding Freedom: The Ethics and Aesthetics of Hacking. Princeton University Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Battier, Marc. Aesthetics of Live Electronic Music: A special issue of the journal Contemporary Music Review (Special Issue of the Journal Contemporary Music Review). Routledge, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

1976-, Böhme-Mehner Tatjana, Mehner Klaus, and Wolf Motje 1982-, eds. Elektroakustische Musik: Technologie, Ästhetik und Theorie als Herausforderung an die Musikwissenschaft = Electroacoustic music : technologies, aesthetics, and theories : a musical challenge. Essen: Blaue Eule, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

1962-, Gendreau Ysolde, Université de Montréal. Centre de recherche en droit public., and International Association for the Advancement of Teaching and Research in Intellectual Property., eds. Propriété intellectuelle : entre l'art et l'argent: Intellectual property : bridging aesthetics and economics. Montréal: Éditions Thémis, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Hans-Joachim, Braun, International Committee for the History of Technology., and Symposium ICOHTEC (23rd : 1996 : Budapest, Hungary), eds. ' I sing the body electric': Music and technology in the 20th century. [Hofheim]: Wolke, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Roads, Curtis. Composing Electronic Music: A New Aesthetic. Oxford University Press, Incorporated, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!