Books on the topic 'Electrochemistry Periodicals Use studies'

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1

Alemna, Anaba A. African journals: An evaluation of the use made of African-published journals in African universities. London: Department for International Development, 1999.

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2

Sabine, Patricia. How people use books and journals: A report to Dr. Frederick G. Kilgour. [S.l: s.n., 1985.

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3

Gold studies & uses in science & health: Subject analysis with reference bibliography. Washington, D.C: ABBE Publishers Association, 1987.

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4

Whisler, John A. Periodicals circulation statistics at a mid-sized academic library: Implications for collection management. New York: Haworth Press, 1989.

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5

Woodward, Hazel M. Café Jus: Commercial and Free Electronic Journals User Study. Boston Spa: British Library Research and Innovation Centre, 1997.

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6

Ernst, Christine. Journal use at Moorgate Library. London: LLRS Publications, City of London Polytechnic, 1986.

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7

Ernst, Christine. Journal use at Moorgate library. London: LLRS Publications, City of London Polytechnic, 1986.

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8

Neil, Ferguson. Journal use at Central House Library. London: LLRS Publications, City of London Polytechnic, 1986.

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9

Lor, P. J. Die vraag na tydskrifartikels uit die buiteland: Verslag oor die ondersoek na tydskrifte waaruit in 1982 uit die buiteland fotokopieë aangevra is. Pretoria: Staatsbiblioteek, 1986.

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10

Reuter, Peter. Fernleihbestellungen von Zeitschriftenaufsätzen: Benutzererwartungen an Kosten, Erledigungsdauer und Qualität der kostenpflichtigen Dokumentlieferung. Berlin: Deutsches Bibliotheksinstitut, 1996.

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11

Guo li Taiwan da xue gong xue yuan lian he tu shu shi qi kan shi yong yan jiu. Taibei: Han Mei tu shu you xian gong si, 1991.

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12

A bibliometric study of student use of periodicals for independent research projects in high school libraries with implications for resource sharing. Ann Arbor, Mich: University Microfilms International, 1985.

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13

Reichert, Kurt L. Gold Studies and Uses in Science and Health: Subject Analysis With Reference Bibliography. Abbe Pub Assn of Washington Dc, 1986.

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14

Usage Statistics of E-serials. Haworth Information Press, 2007.

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15

Fowler, David C. Usage Statistics of E-serials. The Haworth Information Press, 2006.

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16

Pearce, Lynne. Drivetime. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748690848.001.0001.

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What sorts of things do we think about when we’re driving – or being driven – in a car? Drivetime seeks to answer this question by drawing upon a rich archive of British and American texts from ‘the motoring century’ (1900-2000), paying particular attention to the way in which the practice of driving shapes and structures our thinking. While recent sociological and psychological research has helped explain how drivers are able to think about ‘other things’ while performing such a complex task, little attention has, as yet, been paid to the form these cognitive and affective journeys take. Pearce uses her close readings of literary texts – ranging from early twentieth-century motoring periodicals, Modernist and inter-war fiction, American ‘road-trip’ classics, and autobiography – in order to model different types of ‘driving-event’ and, by extension, the car’s use as a means of phenomenological encounter, escape from memory, meditation, problem-solving and daydreaming. The textual case-studies include: H.V. Morton and Edwin Muir; Jack Kerouac and Patricia Highsmith; Neil Young and Joan Didion; Elizabeth Bowen and Rosamund Lehmann.
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17

Kennerley, David. Sounding Feminine. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190097561.001.0001.

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This book examines the uses and meanings of women’s voices in British society and musical culture between 1780 and 1850. As previous scholars have argued, during these decades patriarchal power increasingly came to rest upon a particular understanding of the essentially different nature of male and female physiology and psychology. As a result, this book contends, the female voice—believed to blend both physical and mental attributes—became central to maintaining, and challenging, gendered power structures. The book argues that the varying ways women used their voices—the sounds that they made, as much as the words they spoke or sang—were understood by contemporaries as aural markers of different kinds of femininity. Consequently, contemporary divisions over feminine ideals were both expressed and contested through women’s use of their voices and audiences’ responses to them. Following an introduction that lays out the book’s theoretical frameworks and main arguments, the first three chapters explore how contemporary responses to different styles of female vocality were shaped by class, religious, and national discourses, through an exploration of conduct literature, letters, diaries, life-writing, and music criticism and reportage in newspapers and periodicals. Two case studies then extend the argument further through detailed analysis of the use and meaning of women’s voices on the part of both amateur and professional female singers respectively. A closing epilogue draws together the book’s major themes and discusses their implications for the gender history of this period.
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