Relevant bibliographies by topics / El tragaluz

Academic literature on the topic 'El tragaluz'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "El tragaluz"

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Purvis, Gabriela Laura. "Lectura crítica de Avedoy, T. (2021). Manifiesto poético-político por la investigación de-en la biblioteca pública. Ciudad de México: Tragaluz." Palabra Clave (La Plata) 12, no. 1 (October 3, 2022): e176. http://dx.doi.org/10.24215/18539912e176.

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Salkjelsvik, Kari S. "Recortar Historia: El Tragaluz De Buero Vallejo." Neophilologus 90, no. 2 (April 2006): 235–48. http://dx.doi.org/10.1007/s11061-005-4246-x.

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OKAMOTO, Junko. "Memoria e Historia en El tragaluz de Antonio Buero Vallejo." HISPANICA / HISPÁNICA 2005, no. 49 (2005): 117–33. http://dx.doi.org/10.4994/hispanica1965.2005.117.

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Richardson, Bill. "'A wound that cries out': Trauma and Collective Identity in Buero Vallejo's El tragaluz." Bulletin of Hispanic Studies 83, no. 1 (January 2006): 45–60. http://dx.doi.org/10.3828/bhs.83.1.4.

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Lara Martínez, Rafael. "De la gramática náhuat-pipil, lengua salvadoreña bajo tachón." Entorno, no. 58 (September 27, 2018): 42–56. http://dx.doi.org/10.5377/entorno.v0i58.6241.

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Recoger (ta-pixka), recolectar, atar en griego se dice legein. El enlace, tal es el logos. Es el lenguaje, cuya religió ajusta la atadura mágica, los fajos, todo lo que relaciona los objetos dispersos a una sola palabra. Su antónimo es el análisis que separa y distingue. Por ello, si la poesía es la síntesis que enlaza oraciones entre sí, la lingüística es la antítesis disolvente que las disgrega. La primera muestra el tragaluz abierto al día soleado; la otra demuestra la ventana cerrada ante la noche de luna en reposo. Si en Goya “los sueños de la razón producen monstruos” literarios, en el siglo XXI las siestas de la poesía engendran fórmulas lógicas. Hay dos “Artes muy curiosas de la lengua” que obran a contrapunto: poesía y lingüística. Traducción apócrifa de Pascal Quignard (14).Entorno, abril 2015, número 58: 42-56
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Guzmán, Alison. "Los albores de la meta-memoria histórica en el teatro español." Revista Canadiense de Estudios Hispánicos 40, no. 1 (September 10, 2015): 133–55. http://dx.doi.org/10.18192/rceh.v40i1.1601.

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Sirviéndome de las teorías de Jacques Derrida, Cathy Caruth, Linda Hutcheon, Jan Assman y Pierre Nora, entre otros, examino las maneras en las cuales tres dramaturgos de distintas realidades – un autor consagrado, Antonio Buero Vallejo; un joven prometedor, Jerónimo López Mozo; y un exiliado, José Antonio Rial – dieron pie a lo que denomino la meta-memoria histórica: la confrontación manifiesta y el cuestionamiento teatral de las divergencias, sombras y verdades polifacéticas asociadas con las memorias colectivas simultáneas y posteriores a la Guerra Civil española. Concretamente, los dramaturgos utilizan la memoria explícita – expresada mediante la anacronía, la metateatralidad, y/o el recurso a personajes que son muertos vivientes –, con el fin de resaltar la continua reconstrucción de la historia colectiva. En las postrimerías del franquismo, sus tres piezas respectivas, El tragaluz (1967), Guernica (1969) y La muerte de García Lorca (1969), entablan un diálogo intertextual, fragmentado e indeterminado entre el pasado y el presente. Estas tres obras auguran una estética que cobra cada vez más relieve en el teatro español, a medida que se ha ido tanteando dicho pasado traumático en España durante las últimas cuatro décadas.
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Wiesse, Jorge. "SEARCH, Alexander, autor ficcional de Fernando Pessoa, 2014, Un libro muy original. A Very Original Book, edición bilingüe y notas de Natalia Jerez Quintero; A Very Original Dinner, traducción de Diego García Sierra; Medellín, Tragaluz. 239 pp." Apuntes: Revista de Ciencias Sociales 42, no. 77 (2015): 205–8. http://dx.doi.org/10.21678/apuntes.77.749.

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Lazarević, Milijana, and Marija Malović. "Praksa kupovine dečijih igračaka iz ugla odraslih." Research in Pedagogy 11, no. 1 (2021): 278–96. http://dx.doi.org/10.5937/istrped2101278l.

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Ovaj rad bavi se istraživanjem praksi kupovine igračaka za decu kroz prizmu promišljanja o ulozi igračaka u učenju i razvoju dece i uticaju komercijalizacije detinjstva na ponudu i odabir igračaka kojima će se deca igrati sa fokusom na preispitivanje uloge odraslih u oblikovanju dečjeg okruženja za igru posredstvom igračaka. U radu je predstavljeno istraživanje eksplorativnog karaktera sprovedeno putem online ankete na uzorku od 112 učesnika sa ciljem sagledavanja i opisivanja prakse kupovine dečjih igračaka od strane odraslih. Istraživanje je tragalo za odgovorom na pitanje šta određuje praksu kupovine igračaka za decu, kao i koji su to elementi prakse kupovine igračaka za decu koji utiču na izbor prilikom kupovine. Rezultati pokazuju da odrasli često kupuju igračke za decu (60% učesnika istraživanja ih kupuje jednom u tri meseca ili češće). Kao najčešći povod za kupovinu igračaka izdvajaju se dečji rođendani. Iako odrasli kupuju igračke sa namerom da one dugo traju i da se nasleđuju (34%), u praksi se deca njima najčešće igraju par meseci (31%) ili tek neposredno nakon što igračku dobiju (25%). U potrazi za dobrom igračkom za decu odrasli tragaju za onom koja će na prvom mestu detetu biti zanimljiva, ali i onom koja će podržavati kreativni pristup igri i podsticati dečji razvoj i učenje.
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Rabie, Amr N., Jerry Chang, Ahmed M. S. Ibrahim, Bernard T. Lee, and Samuel J. Lin. "Use of Tragal Cartilage Grafts in Rhinoplasty: An Anatomic Study and Review of the Literature." Ear, Nose & Throat Journal 94, no. 4-5 (April 2015): E44—E49. http://dx.doi.org/10.1177/014556131509404-503.

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We conducted a cadaveric study to determine the size of cartilage grafts that can be taken from the tragus without distorting tragal anatomy. Our subjects included 7 fresh cadavers—3 male and 4 female (age at death: 61 to 87 yr). Tragal cartilage grafts were harvested while leaving the lateral 3 mm of the tragal cartilage in situ to preserve the anatomic shape of the tragus. The grafts were measured and their dimensions recorded. The craniocaudal dimensions of the tragal cartilages ranged from 15 to 30 mm (mean: 21.6), and the width of each specimen ranged from 10 to 23 mm (mean: 15.3). The thickness of the cartilage was approximately 1 mm. The grafts were slightly curved along their long axis. We also review the literature regarding the dimensions of different grafts used in rhinoplasty, knowledge of which can help in preoperative planning. Tragal cartilage grafts have been used as shield, alar contour, alar batten, lateral crural onlay, dorsal onlay, and infratip lobule grafts. When a straight and/or thick graft is needed, two strips of tragal cartilage can be sutured in a mirror-image configuration.
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Pothier, D. D., and N. Charaklias. "Tragal cartilage harvesting and ‘in the ear’ earphones: a pilot study." Journal of Laryngology & Otology 120, no. 9 (August 15, 2006): 1–3. http://dx.doi.org/10.1017/s0022215106002635.

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‘In the ear’ headphones are held in position by the cartilaginous skeleton of the pinna. The tragus is an important part of this skeleton and plays a significant role in holding these devices in place. We designed a retrospective case–control study to determine whether the harvesting of tragal cartilage had any effect on the ability to wear ‘in the ear’ earphones. Fifty patients who had undergone ear surgery requiring harvesting of tragal cartilage, along with 50 age-matched controls who had undergone similar procedures without tragal cartilage harvesting, were sent a questionnaire about their experiences with ‘in the ear’ earphones both pre- and post-operatively. Ten of the 12 patients in the tragal harvesting group who had used earphones pre- and post-operatively had had problems with earphones post-operatively, which in eight cases were due to pain or the devices falling out. Of the 12 respondents in the non-tragus group, only one had similar problems (p<0.05). Tragal harvesting may affect the ability of patients to wear certain types of headphones post-operatively and this should be discussed pre-operatively with the patient.
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Dissertations / Theses on the topic "El tragaluz"

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Whittaker, Frieda Martina. "Characters in conflict with time the evolution and exposition of temporality in Historia de una escalera, El tragaluz, La Fundacin̤, and La detonacin̤. /." Columbus, Ohio : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1041180170.

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Thesis (Ph. D.)--Ohio State University, 2003.
Title from first page of PDF file. Document formatted into pages; contains viii, 298 p. Includes abstract and vita. Advisor: Samuel Amell, Dept. of Spanish and Portuguese. Includes bibliographical references (p. 283-298).
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Whittaker, Frieda Martina. "Characters in Conflict with Time: the Evolution and Exposition of Temporality in Historia de una escalera, El tragaluz, La Fundación, and La detonación." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1041180170.

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Chen, Yu-Ting, and 陳妤婷. "The Human Nature Under Spanish Civil War: The Case of El Tragaluz of Antonio Buero Vallejo." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/dgpp5r.

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碩士
淡江大學
西班牙語文學系碩士班
101
Antonio Buero Vallejo, a contemporary Spanish playwright, was considered as the most important dramatist after the Spanish Civil War. Also one of the contributers of the reconstruction of Spanish drama. He started a new era of the post-war Spanish theater. Buero Vallejo was a prolific writer and most of his works were accompanied by strong social implications. Without ever renouncing to reflect the real situation of Spanish society in his drama, the author maintained a perpetual exploration of the problems with distinct point of view and through different techniques. He always works on the tragedy to express his concern about the Spanish society of his time and the human issue. One of his finest literary achievements in contemporary drama, El tragaluz, was released in 1967. It was his first play to demonstrate directly the Spanish Civil War and its consequences. The methodology of this thesis is based on the textual analysis. We will analyze and explore human nature through philosophical perspectives in the case of El tragaluz. This thesis consists of five chapters. The first chapter is the introduction; it deals with motivation, purpose, method, scope and the sources of information and limitation. The second chapter gives an overview of the post-war Spanish theater and the implementation of the censorship under the Francisco Franco dictatorship; it also deals with introduction of Buero’s life, works and his writing style and dramatic technique. The third chapter is about the innovative dramatic techniques in El tragaluz, including plot genre, time and space, symbolic meaning of the scene and characters analysis. The forth chapter analyzes the human nature shown in El tragaluz. Finally, it summarizes the essence of each chapter and key points, also demonstrates the messages conveyed by the author and brings to a conclusion.
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Books on the topic "El tragaluz"

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Peńa, Wilfredo. Tragaluz. El Salvador: Ediciones Mazatli, 1997.

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Tragaluz. San Juan, P.R: Ediciones Puerto, 2007.

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Vallejo, Antonio Buero. El tragaluz. Madrid: Castalia, 1988.

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Vallejo, Antonio Buero. El tragaluz. London: Bristol Classical Press, 1995.

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Vallejo, Antonio Buero. El tragaluz. Madrid: Editiorial Castialia, 1986.

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Buero, Vallejo A. El Tragaluz. Madrid: Coleccion Austral, 1995.

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Vallejo, Antonio Buero. El tragaluz. 2nd ed. Madrid: Espasa-Calpe, 1998.

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Colomé, Pura López. Tragaluz de noche. México, D.F: Fondo de Cultura Económica, 2003.

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Llobera, Patricia Trapero. El tragaluz: Antonio Buero Vallejo. Palma de Mallorca: Monograma, 1995.

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Vallejo, Antonio Buero. Hoy es fiesta: El tragaluz. Madrid: Cátedra, 2011.

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Book chapters on the topic "El tragaluz"

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"EL TRAGALUZ, DE ANTONIO BUERO VALLEJO. UN ANÁLISIS TEXTUAL." In Mitos e identidades en el teatro español contemporáneo, 73–87. Brill | Rodopi, 2005. http://dx.doi.org/10.1163/9789401202084_009.

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"TRAGANUM Del." In Studies in Plant Science, 81. Elsevier, 1991. http://dx.doi.org/10.1016/b978-0-444-89215-7.50116-0.

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Desarda, KK. "Innovative Tragal Cartilage." In Tragal Cartilage in Middle Ear Reconstruction, 39. Jaypee Brothers Medical Publishers (P) Ltd., 2009. http://dx.doi.org/10.5005/jp/books/11097_7.

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Desarda, KK. "Introduction." In Tragal Cartilage in Middle Ear Reconstruction, 1. Jaypee Brothers Medical Publishers (P) Ltd., 2009. http://dx.doi.org/10.5005/jp/books/11097_1.

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Desarda, KK. "Role of Endoscopes in Otology." In Tragal Cartilage in Middle Ear Reconstruction, 73. Jaypee Brothers Medical Publishers (P) Ltd., 2009. http://dx.doi.org/10.5005/jp/books/11097_10.

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Desarda, KK. "Discussion." In Tragal Cartilage in Middle Ear Reconstruction, 79. Jaypee Brothers Medical Publishers (P) Ltd., 2009. http://dx.doi.org/10.5005/jp/books/11097_11.

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Desarda, KK. "Conclusions." In Tragal Cartilage in Middle Ear Reconstruction, 87. Jaypee Brothers Medical Publishers (P) Ltd., 2009. http://dx.doi.org/10.5005/jp/books/11097_12.

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Desarda, KK. "Historical Overview." In Tragal Cartilage in Middle Ear Reconstruction, 7. Jaypee Brothers Medical Publishers (P) Ltd., 2009. http://dx.doi.org/10.5005/jp/books/11097_2.

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Desarda, KK. "Surgical Antomy." In Tragal Cartilage in Middle Ear Reconstruction, 15. Jaypee Brothers Medical Publishers (P) Ltd., 2009. http://dx.doi.org/10.5005/jp/books/11097_3.

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Desarda, KK. "Physiological Principles in Middle Ear Transformer Mechanism." In Tragal Cartilage in Middle Ear Reconstruction, 21. Jaypee Brothers Medical Publishers (P) Ltd., 2009. http://dx.doi.org/10.5005/jp/books/11097_4.

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Conference papers on the topic "El tragaluz"

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Hott, Morgan E., Richard M. Beane, Cliff Megerian, and Lawrence J. Bonassar. "Injection Molding of Tissue Engineered Tympanic Membrane Patches Utilizing Computer-Aided Design." In ASME 2001 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/imece2001/bed-23151.

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Abstract Over two million tympanostomy tubes are inserted annually in the United States, making this the most commonly performed of all surgical procedures (Isaacson 1996). In approximately 10% of cases the patient treated with tympanostomy tubes is left with a permanent perforation of the tympanic membrane that requires surgical repair. Current surgical technique involves grafting of an autologous tissue such as temporalis fascia or tragal cartilage to the perforated membrane (Paterson 1999). This is an involved surgical procedure requiring general anesthesia. We propose tissue engineering an autologous cartilage tympanic membrane patch. If successful this approach has the potential to transform an operating room procedure to an office procedure. This would provide tremendous healthcare savings, and potentially obviate the need for tens of thousands of children to undergo general anesthesia.
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