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Books on the topic 'Egyptian identity'

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Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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1

Talhami, Ghada Hashem. Palestine and Egyptian national identity. New York: Praeger, 1992.

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2

Jalāl, Muḥammad Nuʻmān. Dynamics of the Egyptian national identity. Lahore: Sang-e-Meel, 1998.

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3

Ḥannā, Mīlād. The seven pillars of the Egyptian identity. [Cairo]: General Egyptian Book Organization, 1994.

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4

Characteristically American: Memorial architecture, national identity, and the Egyptian revival. Knoxville: The University of Tennessee Press, 2014.

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5

East/West, an ambiguous state of being: The construction and representation of Egyptian cultural identity in Egyptian film. New York: P. Lang, 1995.

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6

Arab culture and the novel: Gender, identity and agency in Egyptian fiction. New York, NY: Routledge, 2007.

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7

Toward, around, and away from Tahrir: Tracking emerging expressions of Egyptian identity. Newcastle Upon Tyne: Cambridge Scholars Publishing, 2014.

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8

Elisabeth, Fondation égyptologique reine, ed. Tomb painting and identity in ancient Thebes, 1419-1372 BCE. [Belgium]: Fondation Egyptologique Reine Elisabeth, 2004.

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9

Lavie, Smadar. The poetics of military occupation: Mzeina allegories of Bedouin identity under Israeli and Egyptian rule. Berkeley: University of California Press, 1990.

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10

The beautiful burial in Roman Egypt: Art, identity, and funerary religion. Oxford: Oxford University Press, 2005.

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11

Investigating ethnic and gender identities as expressed on wooden funerary stelae from the Libyan Period (c. 1069-715 B.C.E.) in Egypt. Oxford, England: John and Erica Hedges, 2007.

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12

Matalon, Ronit. The one facing us: A novel. New York: Metropolitan Books, 1998.

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13

Karver, Master. Mind with reason: Egyptian identity "Master Karver" speaks with daily messages from the world of spirit, using the Vyographic Sensitivity method. Alexander, NC: WorldComm Press, 1994.

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14

Yette Bayika Bi Yede I Likale Li Job. Sur l'origine de la philosophie: Le miracle grec, mythe et réalité : prolégomènes intellectuels et culturels à la décolonisation radicale de l'Afrique. Yaoundé: Menaibuc, 2005.

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15

We can't go home again: An argument about Afrocentrism. Oxford: Oxford University Press, 2001.

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16

L' affaire des momies royales: La vérité sur la reine Ahmès-Nefertari. Gif-sur-Yvette, France: Khepera, 2000.

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17

Chiffoleau, Sylvia. Médecines et médecins en Egypte: Construction d'une identité professionnelle et projet médical. Paris: L'Harmattan, 1997.

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18

Pennisi, Rosa. Qindīl Umm Hāšim: La lampada di Umm Hāšim con l’autobiografia dell’autore. Venice: Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-598-8.

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Qindīl Umm Hāšim, ‘The Lamp of Umm Hāšim’, is the title of Yaḥyā Ḥaqqī’s collection of short stories, first published in 1944, that made the author famous. Its enormous success can be traced back to the novella of the same title that opens the collection. The novella, due to its themes and narrative form, perfectly synthesizes the nationalistic spirit and modern ideals that developed in the 1920s around the al-madrasa al-ḥadīṯa movement, ‘The Modern School’, and ranks among the classics of modern Arabic fiction. It is a formally and stylistically mature work that manages to communicate in a linear and concise manner – with a formally perfect style and language that is both symbolic and direct – the spiritual, psychological and cultural complexity of the multidimensional tensions that characterise modern Egyptian reality. In 1975, following numerous reprints, an integrated edition of the collection was published containing Yaḥyā Ḥaqqī’s autobiography, which constitutes a true original essay by the author. In his autobiography Ašǧān ʿuḍw muntasib (Concerns of an affiliated member), Ḥaqqī not only reports the most important events of his life, but also offers a literary manifesto in which he confides his ideological, stylistic and literary concerns to the reader. The autobiographical manifesto emphasises how through writing (and the short story, in particular), Ḥaqqī wants to ‘shake up the Egyptian people’ so that they become aware of the socio-cultural and identity-national values that art plays in the modern era. Both his autobiography and the novella The Lamp of Umm Hāšim complement each other in capturing all the details that make up the style, ideology, innovation and commitment of a modern Egyptian intellectual. The novella – concentrated in a modest narrative space, along with Ḥaqqī’s literary manifesto – indisputably finds its place among the Great Books of Arabic Literature.
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19

Roussillon, Alain. Identité et modernité: Les voyageurs égyptiens au Japon (XIXe-XXe siècle). Arles: Actes sud, 2005.

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20

Roussillon, Alain. Identité et modernité: Les voyageurs égyptiens au Japon (XIXe-XXe siècle). [Paris]: Sindbad, 2005.

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21

Khāṭir, Fuʼād al-Mursī. Ḥawla al-fikrah al-ʻArabīyah fī Miṣr: Dirāsah fī tārīkh al-fikr al-siyāsī al-Miṣrī al-muʻāṣir. [Cairo]: al-Hayʼah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 1985.

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22

Mellor, Noha. Egyptian Dream: Egyptian National Identity and Uprisings. Edinburgh University Press, 2015.

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23

Mellor, Noha. Egyptian Dream: Egyptian National Identity and Uprisings. Edinburgh University Press, 2015.

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24

Egyptian Dream: On National Identity and Uprisings. Edinburgh University Press, 2015.

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25

Giguere, Joy. Characteristically American: Memorial Architecture, National Identity, and the Egyptian Revival. University of Tennessee Press, 2014.

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26

Gitre, Carmen M. K. Acting Egyptian: Theater, Identity, and Political Culture in Cairo, 1869/1923. University of Texas Press, 2019.

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27

Gitre, Carmen M. K. Acting Egyptian: Theater, Identity, and Political Culture in Cairo, 1869-1930. de Gruyter GmbH, Walter, 2019.

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28

Gauthier, Christopher R., and Jennifer Mcfarlane-Harris. Nationalism, Racial Difference, and “Egyptian” Meaning in Verdi’s Aida. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036781.003.0004.

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This chapter examines the dynamics of race and race relations in Giuseppe Verdi's Aida in the context of nationalism in nineteenth-century Egypt. The world premiere of Aida took place at the Cairo Opera House on December 24, 1871. However, there seems to be little information available on the opera's Cairo production, particularly with regards to Egyptian reaction to this first performance. Focusing on its Cairo premiere, this chapter analyzes Aida's libretto and music in order to elucidate the workings of racial difference as it lies on the surface of the opera. It suggests that, for Egyptians, Aida may have spoken to a sense of emergent Egyptian identity. It also reveals Aida's racial dynamics by linking it to discourses of light-skinned Egyptian superiority and dark-skinned African inferiority. Furthermore, the relationships between characters in the opera highlight the specificities of Egypt's relations with its racial-national Others, implying a larger project of Egyptian identity formation through “racial fabrication.”
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29

Siddiq, Muhammad. Arab Culture and the Novel: Genre, Identity and Agency in Egyptian Fiction. Taylor & Francis Group, 2010.

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30

Creating the New Egyptian Woman: Consumerism, Education, and National Identity, 1863-1922. Palgrave Macmillan, 2004.

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31

Russell, M. Creating the New Egyptian Woman: Consumerism, Education, and National Identity, 1863-1922. Palgrave Macmillan, 2004.

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32

Siddiq, Muhammad. Arab Culture and the Novel: Genre, Identity, and Agency in Egyptian Fiction. Taylor & Francis Group, 2007.

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33

Siddiq, Muhammad. Arab Culture and the Novel: Genre, Identity and Agency in Egyptian Fiction. Taylor & Francis Group, 2007.

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34

Russell, M. Creating the New Egyptian Woman: Consumerism, Education, and National Identity, 1863-1922. Palgrave Macmillan Limited, 2004.

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35

Siddiq, Muhammad. Arab Culture and the Novel: Genre, Identity and Agency in Egyptian Fiction. Taylor & Francis Group, 2007.

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36

Siddiq, Muhammad. Arab Culture and the Novel: Genre, Identity and Agency in Egyptian Fiction. Taylor & Francis Group, 2007.

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37

From Single Sign to Pseudo-Script: An Ancient Egyptian System of Workmen's Identity Marks. BRILL, 2018.

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38

Language and Identity in Modern Egypt. Edinburgh University Press, 2014.

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39

Bassiouney, Reem. Language and Identity in Modern Egypt. Edinburgh University Press, 2014.

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40

Bassiouney, Reem. Language and Identity in Modern Egypt. Edinburgh University Press, 2015.

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41

Bassiouney, Reem. Language and Identity in Modern Egypt. Edinburgh University Press, 2015.

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42

Bassiouney, Reem. Language and Identity in Modern Egypt. Edinburgh University Press, 2014.

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43

Siddiq, Muhamma. Arab Culture, Identity and the Novel: Genre, Identity and Agency in Egyptian Fiction (Routledge Studies in Middle Eastern Literatures). Routledge, 2007.

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44

Abdelwahed, Youssri Ezzat Hussein. Egyptian Cultural Identity in the Architecture of Roman Egypt (30 BC-AD 325). Archaeopress, 2015.

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45

Mazurek, Lindsey. Isis in a Global Empire: Greek Identity Through Egyptian Religion in Roman Greece. University of Cambridge ESOL Examinations, 2022.

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46

Egyptian Cultural Identity in the Architecture of Roman Egypt (30 BC-AD 325). Archaeopress, 2015.

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47

Mazurek, Lindsey A. Isis in a Global Empire: Greek Identity Through Egyptian Religion in Roman Greece. Cambridge University Press, 2022.

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48

Reid, Donald Malcolm. Whose Pharaohs?: Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I. University of California Press, 2002.

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49

Reid, Donald Malcolm. Whose Pharaohs?: Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I. University of California Press, 2002.

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50

Whose Pharaohs?: Archaeology, Museums, and Egyptian National Identity from Napoleon to World War I. University of California Press, 2002.

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