Academic literature on the topic 'Egypt Commerce History'

AbstractWith the conquests of Tuthmosis III in Syria, Egypt entered into the international scene of the Near Eastern world. Thereafter, the Hittites were extending their frontiers across northern Mesopotamia and Syria. This led to conflict with Egypt, since each was aspiring to control the routes of international commerce. Inevitably, the two super-powers clashed at Qadesh, and the relationship between them remained full of hostility and distrust. True peace came only upon the conclusion of a treaty between Ramesses II and Khattouchili III, through which an extreme alliance was finally agreed. The treaty was an implicit recognition by both partners of a territorial status quo. Its conclusion was probably enhanced by the rising of the Assyrians and the infiltration of the Sea Peoples. Furthermore, the Hittite king was worried about his right to rule; his seizure of the throne left him concerned about the succession to his own family line. In this situation an accommodation with Ramesses II left Khattouchili in a more secure position. The treaty in the form of a pact between two powers of equal status is the oldest known one in history. Although previously translated and commented upon, this is the first such treatment in French.

The article treats a history and present state of Russian-Egyptian relations in different spheres and aspects: politics, economy, commerce, military-technical cooperation, tourism and so on. The author is examining the consequences of “the arab spring” in Egypt and in the Middle East region and what is their impact on development of these relations. The article covers the last steps undertaken by the leadership of both countries in order to boost mutual ties and cooperation. The trends and perspectives of the Russian- Egyptian relations in the light of the present events in the Middle East are considered.

Background: In Egypt, the prevalence rate of New Psychoactive Substances (NPSs) use is severely underestimated. In the last 5 years, several non-scientific reports have demonstrated the presence of an emergent, cheap NPSs that has taken the name of “Strox” or “Egyptian Spice”. The objective of this study was to estimate the prevalence rate of Strox smoking among undergraduate students attending Ain Shams University (ASU), Cairo (Egypt). Methods: A cross-sectional study was conducted in five non-medical colleges of ASU, namely, Law, Commerce, Computer Science, Engineering, and Literature. Participants were recruited using a convenient sampling method and were asked about NPSs use. Data were collected using the Marijuana Smoking History Questionnaire (MSHQ) developed by Bonn-Miller and Zvolensky (2009). The questionnaire was translated and modified to reflect Egyptian slang and culture. Results: This study included 558 students, 422 (75.6%) males and 136 (24.4%) females. The results showed that 189 (33.9%) were current tobacco smokers, 51 (9.1%) were smokers of substances other than tobacco, 45 (8.1%) were cannabis smokers, 38 (6.8%) were Strox smokers, and 3 (0.5%) were Voodoo smokers. When students were asked about their reasons for smoking Strox, they cited the following motivations: to achieve a feeling of euphoria(28.9%), depression (23.7%), experimentation (23.7%), peer pressure (21.1%), and having excess money (2.6%). The results showed a clear association between tobacco and cannabis smoking and consumption of Strox. Conclusion: Although the prevalence rates of NPSs usage as observed in this study were not high, higher rates could be expected in other communities outside of the university. Community-based studies are needed to estimate the magnitude of NPSs use in Egypt and the associated risk factors.

AbstractThe early modern western Indian Ocean constituted a dynamic space of human interaction. While scholarship has mostly concentrated on trade and commerce, recent studies have shifted the focus to social and cultural mobilities. This article argues for the emergence of a transoceanic Arabic historiography during the sixteenth century, which reflected on the cultural integration of regions from Egypt, the Hijaz, and Yemen in the Red Sea region, to Gujarat, the Deccan, and Malabar in the subcontinent. Historians from the Persian cosmopolis further north observed a strong cultural connection between Arabophone communities of the western Indian Ocean region. Manuscript collections in India show that Arabic historical texts from the Red Sea region had a readership in the subcontinent. Most importantly, mobile scholars began to compose Arabic histories while receiving patronage at the western Indian courts. Scholarly mobilities fostered cultural exchanges, which increasingly built on a shared history, written, read, and circulated in Arabic during the sixteenth century

The first three articles in this issue, grouped under the heading “Politics and Cultures of Capitalism,” address various ways that Middle Eastern actors dealt with European capitalist expansion in the 19th and early 20th centuries. They all focus on cultural and political aspects of economic change and maintain a global perspective while constructing an intensely local analysis. Gad Gilbar and Jens Hanssen trace specific institutions and networks in Qajar Iran and the late Ottoman Empire, respectively, that operated within what Hanssen calls the “interstices” of state bureaucracy, local business concerns, and European expansion. The interstitial nature of the arguments made by both authors is underlined by the impressive range of sources they draw on: Persian, British, Russian, German, and French in the case of Gilbar and Turkish, Arabic, German, British, and French in the case of Hanssen. The third article, by Nancy Reynolds, takes us from late Qajar and Ottoman societies to Egypt during the first half of the 20th century and from general commerce to the marketing and consumption of particular commodities.

An extraordinary letter was discovered in a neglected pile of medieval diplomatic correspondence in the Vatican Libraries: a letter from Al-Murtada the Almohad, Muslim Caliph in Marrakech to Pope Innocent IV (1243–1254). The letter, written in finest official calligraphy, proposes an alliance between the Caliph and the Vicar of Christ, the leader of an institution that had called for organized crusades against the Islamic world. While the history of Pope Innocent IV’s contacts with the Muslim rulers of Marrakech remains obscure, the sources indicate that Pope Innocent IV sent envoys south to Marrakech. One of these envoys was Lope d’Ayn. Lope became Bishop of Marrakech, shepherd of a flock of paid Christian mercenaries who were sent to Marrakech by that sometime leader of the reconquista, Ferdinand III of Castile, in a deal he had struck with the Almohads. Although they now had Christians fighting for them and cathedral bells competing with the call to prayer, the Almohads were powerful agitators of jihad against the Christians only decades before. Scholars know only a little about Lope d’Ayn’s story or the historical context of this letter between Caliph Murtada and the Pope. Although very recent research is encouraging, there is a great deal to know about the history of the mercenaries of Marrakech or the interactions between Jews, Muslims and Christians that occurred in early thirteenth century Marrakech. The neglect of Lope d’Ayn and the contacts between the Papacy and the Almohads is only one example of a much wider neglect of North Africa contacts with Europe in the secondary literature in English. While scholarship in English has focused on correspondence, commerce and travel from West to East, between Europe, the Levant and Egypt, there were also important cultural bridges being crossed between North and South, between North Africa and Europe in the Medieval Western Mediterranean.

Epidemics of infectious diseases have always been well documented throughout the human history, particularly by ancient Egypt and Greece and for diseases like smallpox, leprosy, tuberculosis, meningococcal infections and diphtheria. Since the ancient times, the morbidity and mortality of these infectious diseases has profoundly shaped the politics, commerce, culture and social structure of different eras in epidemics. (1) With the beginning of 2020, world has encountered a new challenge, with the name of Covid-19. Commencing from Wuhan city of China, this disease spread like wildfire within a matter of next few months, with a rising death toll and serious consequences on the entire globe. The impact of COVID-19 on the population was no less than terror and shock. Since COVID-19 disease kept on spreading via aerosol and droplet infections, World Health Organization (WHO) declared emergency and along with other health agencies emphasized on respiratory hygiene i.e. covering the nose and mouth with a mask and using cough etiquettes in addition to standard precautionary measures. Social distancing was emphasized. Different rapid treatment guidelines were developed and practiced across the globe, with no definitive management guaranteeing the recovery cent per cent. Where a number of interventions were being tried and tested, attention was diverted towards vaccination since it had always been contemplated to be the integral in control of many infectious diseases.(2) Vaccination is envisaged as one of the most effective public health interventions for preventing and saving lives of from different infectious diseases and promoting good health. Hence scientists from all over the world got involved in rapid and expeditious development of vaccines against this novel disease.

The present article surveys the scholarship on the calendars represented in the Qumran texts and the Pseudepigrapha. The survey commences with the influential articles by VanderKam in the late 1970s, while relating also to Jaubert's earlier hypothesis. After a presentation and classification of the relevant texts, we proceed to elucidate the prominent calendrical and historical themes: the calendar in Jubilees and the Temple Scroll; the early history of the 364-day year in Judah; the non-Jewish origins of the 364-day calendar tradition; intercalation and the beginning of the day; and the various accounts of lunar phases in writings from Qumran. Broadly speaking, present-day research tends to emphasize the schematic aspect of the 364-day calendar tradition, renouncing the older view of this system as a `solar' calendar. In addition, Jaubert's hypothesis on the antiquity of the 364-day calendar, although still upheld in significant parts of current scholarship, is seriously challenged when viewed in a broader historical context. Finally, the Jewish astronomical and calendrical lore is increasingly explained on the background of astral sciences in the Hellenistic world—from Mesopotamia to Egypt.

Dhimmī (non-Muslim subjects, mostly Christians and Jews, who were afforded protection by the Islamic state) persecution in Islamic Egypt included most notably that instigated by the Fatimid caliph al-Ḥākim from about 395/1004 until near the end of his reign in 411/1021. This ruler imposed burdensome restrictions and sumptuary regulations on Jews and Christians, causing significant numbers of them to adopt Islam. He also commenced the state-sponsored destruction of churches and synagogues, most famously the Church of the Holy Sepulchre. And yet, near the end, this same caliph relented, mitigating the severity of his previous policies. A general picture of what happened already exists, but the precise chronological order of these events and many of the exact details remain vague. Most importantly, we continue not to have a reason for his radically new policy. Al-Maqrīzī’s various accounts provide useful evidence although they hardly suffice. The Jewish reaction is far from clear. Two Christian histories, those by the Melkite Yaḥyā ibn Saʿīd of Antioch and the History of the Patriarchs of Alexandria, confirm many particulars. However none of this information explains why. Was al-Ḥākim moved to act as he did in response to, or in imitation of, the strikingly similar set of restrictive regulations imposed long before under the so-called “Pact of ʿUmar”?

There are many ways to construct, shape and frame a history of popular music. From a focus on performers to a stress on cities, from theories of modernity to reveling in ‘the post,’ innovative music has been matched by evocative writing about it. One arc of analysis in popular music studies focuses on the record label. Much has been written about Sun, Motown, Factory and Apple, but there are many labels that have not reached this level of notoriety and fame but offer much to our contemporary understanding of music, identity and capitalism. The aim of this article is to capture an underwritten history of 21st century music, capturing and tracking moments of collaboration, movement and contact. Through investigating a specific record label, we explore the interconnectiveness of electronica and city-based creative industries’ initiatives. While urban dance culture is still pathologised through drug scares and law and order concerns, clubbing studies and emerging theories of sonic media and auditory cultures offer a significant trigger and frame for this current research. The focus on Off World Sounds (OWS) traces a meta-independent label that summons, critiques, reinscribes and provokes the conventional narratives of capitalism in music. We show how OWS has remade and remixed the collaborations of punk to forge innovative ways of thinking about creativity, policy and popular culture. While commencing with a review of the origin, ideology and intent of OWS, the final part of the paper shows where the experiment went wrong and what can be learnt from this sonic label laboratory. Moving Off World Popular cultural studies evoke and explore discursive formations and texts that activate dissent, conflict and struggle. This strategy is particularly potent when exploring how immigration narratives fray the borders of the nation state. At its most direct, this analysis provides a case study to assess and answer some of Nabeel Zuberi’s questions about sonic topography that he raises in Sounds English. I’m concerned less with music as a reflection of national history and geography than how the practices of popular music culture themselves construct the spaces of the local, national, and transnational. How does the music imagine the past and place? How does it function as a memory-machine, a technology for the production of subjective and collective versions of location and identity? How do the techniques of sounds, images, and activities centered on popular music create landscapes with figures? (3) Dance music is mashed between creativity, consumerism and capitalism. Picking up on Zuberi’s challenge, the story of OWS is also a history of what happens to English migrants who travel to Australia, and how they negotiate the boundaries of the Australian nation. Immigration is important to any understanding of contemporary music. The two proprietors of OWS are Pete Carroll and, one of the two writers of this current article, Stephen Mallinder. Both English proprietors immigrated to Perth in Australia. They used their contacts to sign electronica performers from beyond this single city. They encouraged the tracks to move freely through lymphatic digital networks for remixing—‘lymphatic’ signalling a secondary pathway for commerce and creativity where new musical relationships were being formed outside the influence of major record companies. Performers signed to OWS form independent networks with other performers. This mobility of sound has operated in parallel with the immigration policies of the Howard government that have encouraged insularity and xenophobia. In other eras of racial inequality and discrimination, the independent record label has been not only an integral part of the music industry, but a springboard for political dissent. The histories of jazz and rhythm and blues capture a pivotal moment of independent entrepreneurialism that transformed new and strange sounds/noises into popular music. In monitoring and researching this complex process of musical movement and translation, the independent label has remained the home of the peripheral, the misunderstood, and the uncompromising. Soul music in the United States of America is an example of a sonic form that sustained independence while corporate labels made a profit. Labels like Atlantic Records became synonymous with the success of black vocal music in the 1960s and 1970s, while the smaller independent labels like Chess and Invicta constructed a brand identity. While the division between the majors and the independents increasingly dissolves, particularly at the level of distribution, the independent label remains significant as innovator and instigator. It retains its status and pedagogic function in teaching an audience about new sounds and developing aural literacies. OWS inked its well from an idealistic and collaborative period of label evolution. The punk aesthetic of the late 1970s not only triggered wide-ranging implications for youth culture, but also opened spaces for alternative record labels and label identity. Rough Trade was instrumental in imbuing a spirit of cooperation and a benign mode of competition. A shift in the distribution of records and associated merchandizing to strengthen product association—such as magazines, fanzines and T-Shirts—enabled Rough Trade to deal directly with pivotal stores and outlets and then later establish cartels with stores to provide market security and a workable infrastructure. Links were built with ancillary agents such as concert promoters, press, booking agents, record producers and sleeve designers, to create a national, then European and international, network to produce an (under the counter) culture. Such methods can also be traced in the history of Postcard Records from Edinburgh, Zoo Records from Liverpool, Warp in Sheffield, Pork Recordings in Hull, Hospital Records in London, and both Grand Central and Factory in Manchester. From the ashes of the post-1976 punk blitzkrieg, independent labels bloomed with varying impact, effect and success, but they held an economic and political agenda. The desire was to create a strong brand identity by forming a tight collaboration between artists and distributors. Perceptions of a label’s size and significance was enhanced and enlarged through this collaborative relationship. OWS acknowledged and rewrote this history of the independent label. There was a desire to fuse the branding of the label with the artists signed, released and distributed. No long term obligations on behalf of the artists were required. A 50/50 split after costs was shared. While such an ‘agreement’ appeared anachronistic, it was also a respectful nod to the initial label/artist split offered by Rough Trade. Collaboration with artists throughout the process offered clear statements of intent, with idealism undercut by pragmatism. From track selection, sleeve design, promotion strategy and interview schedule, the level of communication created a sense of joint ownership and dialogue between label and artist. This reinscription of independent record history is complex because OWS’ stable of performers and producers is an amalgamation of dub, trance, hip hop, soul and house genres. Much of trans-localism of OWS was encouraged by its base in Perth. Metaphorically ‘off world’, Perth is a pad for international music to land, be remixed, recut and re-released. Just as Wellington is the capital of Tolkien’s Middle Earth as well as New Zealand, Perth is a remix capital for Paris or New York-based performers. The brand name ‘Off World Sounds’ was designed to emphasise isolation: to capture the negativity of isolation but rewrite separation and distinctiveness with a positive inflection. The title was poached from Ridley Scott’s 1980s film Bladerunner, which was in turn based on Philip K. Dick’s story, “Do Androids Dream of Electric Sheep?” Affirming this isolation summoned an ironic commentary on Perth’s geographical location, while also mocking the 1980s discourses of modernity and the near future. The key was to align punk’s history of collaboration with this narrative of isolation and independence, to explore mobility, collaboration, and immigration. Spaces in the Music Discussions of place dictate a particular methodology to researching music. Dreams of escape and, concurrently, intense desires for home pepper the history of popular music. What makes OWS important to theories of musical collaboration is that not only was there a global spread of musicians, producers and designers, but they worked together in a series of strategic trans-localisms. There were precedents for disconnecting place and label, although not of the scale instigated by OWS. Fast Products, although based in Glasgow, signed The Human League from Sheffield and Gang of Four from Leeds. OWS was unique in signing artists disconnected on a global scale, with the goal of building collaborations in remixing and design. Gripper, from the north east of England, Little Egypt from New York, The Bone Idle from Vienna, Hull and Los Angeles, Looped for Pleasure from Sheffield, Barney Mullhouse from Australia and the United Kingdom, Ooblo from Manchester, Attache from Adelaide, Crackpot from Melbourne and DB Chills from Sydney are also joined by artists resident in Perth, such as Soundlab, the Ku-Ling Bros and Blue Jay. Compact Disc mastering is completed in Sydney, London, and Perth. The artwork for vinyl and CD sleeves, alongside flyers, press advertising and posters, is derived from Manchester, England. These movements in the music flattened geographical hierarchies, where European and American tracks were implicitly valued over Australian-derived material. Through pop music history, the primary music markets of the United Kingdom and United States made success for Australian artists difficult. Off World emphasised that the product was not licensed. It was previously unreleased material specifically recorded for the label and an exclusive Australian first territory release. Importantly, this licensing agreement also broadened definitions and interpretations of ‘Australian music’. Such a critique and initiative was important. For example, Paul Bodlovich, Director of the West Australian Music Industry (WAM), believed he was extending the brief of his organisation during his tenure. Once more though, rock was the framework, structure and genre of interest. Explaining the difference from his predecessor, he stated that: [James Nagy] very much saw the music industry as being only bands who were playing all original music—to him they were the only people who actually constituted the music industry. I have a much broader view on that, that all those other people who are around the band—the manager, the promoters, the labels, the audio guys, the whole shebang—that they are part of the music industry too. (33) Much was absent from his ‘whole shebang,’ including the fans who actually buy the music and attend the pubs and clubs. A diversity of genres was also not acknowledged. If hip hop, and urban music generally, is added to his list of new interests, then clubs, graf galleries, dance instructors and fashion and jewelry designers could extend the network of musical collaborations. A parody of corporate culture and a pastiche of the post-punk aesthetic, OWS networked and franchised itself into existence. It was a cottage industry superimposed onto a corporate infrastructure. Attempting to make inroads into an insular Perth arts community and build creative industries’ networks without state government policy support, Off World offered an optimistic perspective on the city’s status and value in a national and global electronic market. Yet in commercial terms, OWS failed. What OWS captures through its failures conveys more about music policy in Australia than any success. The label has been able to catalogue the lack of changes to Perth’s music policy. The proprietors, performers and designers were not approached in 2002 by the Western Australian Contemporary Music Taskforce to offer comment. Yet Matthew Benson and Poppy Wise, researchers for that report, stated that “the solution lies in the industry becoming more outwardly focused, and to do this, it must seek the input of successful professionals who have proven track records in the marketing of music nationally and globally” (9). The resultant document argued that the industry needed to the look to Sydney and Melbourne for knowledge of “international” markets. Yet Paul Bodlovich, the Director of WAM, singled out the insularity of ‘England,’ not Britain, and ‘America’ in comparison to the ‘outward’ Perth music industry: To us, they’re all centre of the universe, but they don’t look past their walls, they don’t have a clue what goes in other parts of the world … All they see say in England is English TV, or in America it’s American TV. Whereas we sit in a very isolated part of the world and we absorb culture from everywhere because we think we have to just to be on an equal arc with everyone else. We think we have to absorb stuff from other cultures because unless we do then we really are isolated … It’s a similar belief to the ongoing issue of women in the workplace, where there’s a belief that to be seen on equal footing you have to be better. (33) This knight’s move affiliation of Perth’s musicians with women in the workplace is bizarre and inappropriate. This unfortunate connection is made worse when recognizing that Perth’s music institutions and organisations, such as WAM, are dominated by white, Australian-born men. To promote the outwardness of Perth culture while not mentioning the role and function of immigration is not addressing how mobility, creativity and commerce is activated. To unify ‘England’ and ‘America,’ without recognizing the crucial differences between Manchester and Bristol, New York and New Orleans, is conservative, arrogant, and wrong. National models of music, administered by Australian-born white men and funded through grants-oriented peer review models rather than creative industries’ infrastructural initiatives, still punctuate Western Australian music. Off World Sounds has been caught in non-collaborative, nationalist models for organising culture and economics. It is always easy to affirm the specialness and difference of a city’s sound or music. While affirming the nation and rock, outsiders appear threatening to the social order. When pondering cities and electronica, collaboration, movement and meaning dance through the margins. References Benson, Matthew, and Poppy Wise. A Study into the Current State of the Western Australian Contemporary Music Industry and Its Potential for Economic Growth. Department of Culture and the Arts, Government of Western Australia, December 2002. Bodlovich, Paul. “Director’s Report.” X-Press 940 (17 Feb. 2005): 33. Zuberi, Nabeel. Sounds English: Transnational Popular Music. Urbana: U of Illinois P, 2001. Citation reference for this article MLA Style Brabazon, Tara, and Stephen Mallinder. "Off World Sounds: Building a Collaborative Soundscape." M/C Journal 9.2 (2006). echo date('d M. Y'); ?> <http://journal.media-culture.org.au/0605/13-brabazonmallinder.php>. APA Style Brabazon, T., and S. Mallinder. (May 2006) "Off World Sounds: Building a Collaborative Soundscape," M/C Journal, 9(2). Retrieved echo date('d M. Y'); ?> from <http://journal.media-culture.org.au/0605/13-brabazonmallinder.php>.

Modern scholars are deeply divided over the extent to which early Byzantine provinces such as Egypt adopted imperial Roman law. This thesis undertook a diachronic study of the published debt acknowledgements from Egypt and Nessana for the fifth through seventh centuries CE to examine the degree of adoption of imperial legal changes. The debt acknowledgements are one of the largest sets of papyri documents for this period, consisting of 283 Greek and fifty-seven Coptic documents. Having created a database of these documents, in their original Greek or Coptic plus an English translation and information from the major commentaries, I had an unparalleled opportunity to analyse change, both legal and socio-economic. The research shows that while many legal changes, including the requirement for regnal dating and changes in the liability of co-debtors, were generally adopted, there was resistance to other changes. For example, the interest rate reduction ordered by Justinian I in 528 was clearly disseminated because some documents reflect the reduction. Most people, however, continued to charge the earlier higher rates. Furthermore, some sectors of the population appear to have struggled with the imperial changes. Model formats for a simplified Greek debt acknowledgement and a very similar Coptic debt acknowledgement were developed and disseminated in the sixth century. These simplified formats did not use regnal dating or many of the other customary clauses of the formal Greek debt acknowledgment. The early development of these simplified formats, together with evidence of the privatisation and localisation of many imperial functions, including dispute resolution, support the view that the later sixth century experienced an unravelling of ties with the Roman Empire. The catastrophic seventh century, with its civil wars and Persian and Arab invasions, resulted in a shift in language from Greek to Coptic for personal legal documents. The disruption of the seventh century, however, only accelerated and finalised a process of change that was already well established in the sixth century.

Nous nous intéressons à l’évolution des rapports économiques entre la Rome républicaine et l’Égypte lagide et notamment à la commercialisation du blé égyptien au bénéfice de Rome. L’étude diachronique des échanges économiques entre les deux pays nous mène à nous confronter avec l’évolution de leurs rapports politiques réciproques. Nous poursuivons notre enquête pour le premier siècle d’Empire Romain. Nous nous attarderons sur l’étude de la gestion du blé égyptien au sein du système annonaire, sans pour autant négliger les acteurs « privés » du commerce du blé sous les Empereurs julio-claudiens. Nous articulerons notre recherche autour des trois axes principaux: les institutions, les acteurs et les structures du commerce du blé
We will study the history of economic relationships between Roman Republic and Ptolemaic Egypt, focusing on Egyptian grain trade in western Mediterranean basin, especially in Rome and Puteoli. Our diachronic approach about economical exchanges between these two countries will retain attention on their reciprocal political relationships. We will continue our research during the first century of Roman Empire. We will interest to Egyptian grain administration by the annona and the imperial supply structures. We will bring interest also on private grain trade under Julio-Claudians emperors. We will develop our research on three fundamental items: the institutions, the actors and the structures of the grain trade

Le Nouvel Empire marque une rupture dans l’évolution de la vaisselle de luxe en Égypte : de types nouveaux se développent en imitant souvent des modèles étrangers. Apparaît alors un paradoxe : ces mêmes formes, lorsqu’elles sont trouvées hors d’Égypte sont souvent qualifiées d’ « égyptiennes » voire « égyptisantes ». Cette étude vise à comprendre l’origine de ces formes nouvelles, les raisons de leur floraison à partir de Thoutmosis III et leur place dans les échanges culturels de l’Égypte avec ses voisins. Nous avons choisi sept types représentant le mieux ce paradoxe et étudié tous les vases de provenance certaine trouvés aussi bien en Égypte que dans le reste de la Méditerranée orientale. En les comparant aussi bien du point de vue technique que stylistique, nous tentons ici de définir les tendances de chaque région et de rendre à chacune sa part. Une approche sociologique et économique permet également d’examiner avec soin les mécanismes de ces échanges commerciaux et culturels
In the New Kingdom, a change is visible in the typological evolution of Egyptian luxury vases: new forms appear, imitating foreign vessels. The paradox is that these vases, when discovered outside Egypt, are often regarded as “Egyptian”, or “Egyptianized”. The aim of this work is to understand the origins of these new forms as well as the reasons for their proliferation during the reign of Thumosis III, and to understand their role in cultural exchange between Egypt and it’s neighbours. The author selects seven forms and studies corresponding vases, from all over Egypt and the Eastern Mediterranean. Comparisons made, both from a technical and a stylistic point of view, help to define cultural trends for each region. A sociological and economical approach has been adopted to scrutinize the mechanisms of trade

Cette thèse porte un regard nouveau sur la présence grecque en Égypte avant la conquête d’Alexandre le Grand. Par le biais des amphores grecques retrouvées en Égypte, notre étude apporte quelques éclairages sur la question des mobilités méditerranéennes. Notre approche, résolument archéologique, prend en considération l’ensemble de la documentation amphorique, en grande partie inédite, sur une trentaine de sites égyptiens. Les assemblages céramiques et la nature des contextes alimentent nos réflexions. Des études quantitatives permettent de déterminer la part relative des importations et ainsi de préciser aussi bien les réseaux d’échanges que la pénétration des produits méditerranéens en Égypte. Nous avons pu mettre en évidence un basculement du commerce qui, vers la fin du VIIe, se déplace du Levant vers les cités égéennes. Au cours du VIe siècle nous assistons à une généralisation progressive des importations grecques. Le monde égéen s’impose alors comme le partenaire économique privilégié d’un commerce à grande échelle. Largement distribuées sur l’ensemble du territoire, les amphores grecques ne se cantonnent pas aux seuls établissements côtiers dont la nature est également à l’étude. L’invasion de Cambyse en 525 ne semble pas mettre un frein à ces échanges. Nous notons toutefois quelques changements dans la hiérarchie des principales cités égéennes exportatrices. La présence importante d’amphores grecques et la faible représentation de céramiques fines dans des contextes domestiques égyptiens témoignent de la réception des denrées exportées sans toutefois entraîner un changement dans le mode de consommation local
This thesis takes a fresh look at Greek presence in Egypt before the conquest of Alexander the Great. By looking at Greek amphorae found in Egypt, our study will shed some light on the question of movement in the Mediterranean.Our approach is strictly archaeological and will take into consideration the ensemble of documentation concerning amphorae, still largely unpublished, from some 30 Egyptian sites. This enquiry places the archaeological context at the heart of the argument. The ceramic assemblages and the nature of contexts are what nourish our reflections. Quantitative studies allow us to determine the relative role of imports and thus to elucidate both exchange networks and the penetration of Mediterranean products into Egypt. We have been able to reveal a swing in trade towards the end of the 7th century away from the Levant and towards the Aegean cities. To date, nothing indicates a significant Greek presence prior to the last third of the 7th century. Throughout the 6th century, we witness a gradual generalisation of Greek imports. Widely distributed across the entire territory, Greek amphorae are not limited to coastal settlements, the nature of which is also under study. The invasion of Cambyses in 525 does not seem to have slowed this exchange. We do, however, note certain changes in the hierarchy of the principal Aegean export cities. The wide distribution of Greek amphorae is evidence of a strong current that can no longer be envisaged simply as destined for Greek communities in situ. By situating our data with a Mediterranean perspective, we are proposing a hypothesis of a more pronounced north-south circulation
تلقي هذه الرسالة نظرة جديدة على التواجد اليوناني في مصر قبل غزو الأسكندر الاكبر. من خلال الامفورات اليونانية التي عثر عليها في مصر٬ تلقي هذه الدراسة بعض الضوء على مسألة التنقل في حوض البحر الأبيض المتوسطمقاربتنا٬ و هي بلا شك متعلقة بعلم الآثار٬ تأخذ في الأعتبار جميع الوثائق المتعلقة بالأمفورات في حوالي ثلاثون موقع مصري٬ و غالبيتها غير مطبوعة. هذا البحث مبني على أساس أثري.و تتغدى أفكارنا من خلال قطع السيراميك المجمعة و طبيعة السياق التاريخي. تسمح الدراسات الكمية بتحديد الحصة التقريبية للواردات و بالتالي بتحديد كلا من شبكات التبادل و دخول منتجات البحر الابيض المتوسط مصرلقد استطعنا إثبات وجود تحول التجارة، والتي تنتقل من بلاد الشام إلى مدن بحر ايجه في نهاية القرن السابع. و حتى هذه اللحظة، لا يجد أي عنصر قد يشير إلى تواجد يوناني مهم في ما قبل الثلث الاخير للقرن السابع. و نشهد في القرن السادس، انتشار تدريجي للواردات اليونانية. و يصبح العالم الإيجي الشريك الإقتصادي المفضل للتجارة على نطاق واسع. و بعد أن قاموا بتوزيعها في جميع أنحاء البلاد، لم تعد الأمفورات اليونانية محصورة في المنشآت الساحلية و التي تعتبر طبيعتها ايضاً محل دراسة. و يبدو أن غزو قمبيز في عام 525 لم يضع حداً لهذا التبادل. و مع ذلك نلاحظ بعض التغييرات في ترتيب المدن الإيجيية الرئيسية المصدرة. يشهد الأنتشار الواسع للأمفورات اليونانية على تيار قوي لا يمكن النظر إليه، بعد الآن، على أنه خاص بالمجتمعات اليونانية المتواجدة هناكو في إطار الحياة المنزلية المصرية، يدل وجود الأمفورات اليونانية بكثرة وقلة الرسومات بالسيراميك الدقيق على تلقي السلع المصدرة دون أن يتبع ذلك تغيير في طريقة الاستهلاك المحلي. و عند وضع بياناتنا في إطار منظور خاص بالبحر الأبيض المتوسط، نفترض وجود حركة أكبر بين الشمال و الجنوب

Cette thèse propose une perspective comparatiste pour étudier Acre et Alexandrie, aux XIIe et XIIIe siècles. La comparaison se nourrit des ressemblances et des divergences entre les deux villes. Elle se concentre cependant sur des aspects précis de leur histoire : les conflits et les échanges par le biais de leurs acteurs, de leurs impacts et de leurs conséquences à la fois sur chacune des deux cités et, plus largement, à l'échelle régionale de la Méditerranée orientale. Durant la période de domination latine en Terre Sainte, Acre et Alexandrie paraissent, à première vue, très différentes puisqu'elles s'inscrivent, au cours de cette période, dans deux sociétés disctinctes. Acre est gouvernée par une élite étrangère. Ses quartiers évoluent en fonction de conflits entre les factions occidentales et les privilèges qui leur sont accordés par le roi de Jérusalem. Alexandrie reste une ville orientale sur laquelle les Croisades ont peu d'impact. La démarche comparatiste permet une mise en cause de cette représentation trop approximative. Elle révèle à la fois d'autres différences et un certain nombre de similitudes dans l'évolution des deux villes. Le corpus disponible pour cette étude montre une transformation topographique importante d'Acre et d'Alexandrie au XIIIe siècle. Il permet également l'étude des systèmes servant à l'entretien des élites dans les deux cités ainsi que l'évolution du rôle des deux villes dans différents réseaux et espaces (la Méditerrranée, les villes portuaires à proximité, l'hinterland immédiat, les routes de pèlerinage et de commerce) en fonction des changements politiques, des conquêtes militaires, mais aussi du progrès technique
This thesis offers a comparative study of Acre and Alexandria during the 12th and 13th centuries. The comparison draws on the similarities and differences between both cities. However, particular focus is given to some specific aspects in their history, especially through a study of the main players in conflicts and forms of exchange, and the impact and consequences of these on both cities as well as on the Eastern Mediterrranean. During the Latin domination of the Holy Land, Acre and Alexandria initially seem very different from one another because they were part of two distinct societies at this time. Acre was governed by a foreign elite. The town’s quarters evolved with the conflicts which opposed the different western factions inside the city, as well as the privileges that these groups received from the King of Jerusalem. Alexandria, on the other hand, remained an oriental city on which the Crusades had very little impact. This comparative study offers a broader view of their history, showing other differences between them as well as similarities in their historical development. The sources available for this research show important topographic development in Acre and Alexandria during the 13th century. They also contain information about the institutions allotted to support the local elites as well as on the evolving role of Acre and Alexandria within different networks and areas (the Mediterranean, nearby port cities, the immediate hinterland, trade and pilgrimage routes) in periods of political change, military conquests, but also of technical progress

Abstract A very interesting case in mature field in Egypt, has embarked on a project of replacing Oil Production wells, originally constructed with API 5L carbon steel pipe, with fiberglass lined API 5CT Threaded and coupled tubing. Previously, all wells had a conventional EUE carbon steel string producing with different ranges of production within 600 - 3000 bbls/day of oil without water production in early stage of the field. Later on, water injection commenced in 2004 in order to arrest reservoir pressure decline and increase the oil offtake. Accordingly, the water production progressively rose since in 2011 the measured water cut was up to 90% of with much salt content as high as 330,000 ppm, and fully saturated with dissolved oxygen. As a result, the field has been facing severe corrosion related failures in Carbon steel strings in producer wells. Furthermore, the problem has been escalated and the average pull out of hole workover jobs of each well reached two times per year due to tubular failure resulting from corrosion. The tubing leakage failure increased the OPEX of the field by which impacted negatively on the value of the asset. Many actions had been taken attempting to sole or at least reduce the severity of the problem such as; using 13% Chrome steel tubing, and placing down hole injection of corrosion inhibitor chemicals. But each solution has a drawback and the improvement in the runlife of wells were below expectations. Upon all the above repeated workovers were done to replace the frequently leaked tubing, affecting on the field performance. GRE lining technology proved as the best erosion and corrosion resistance method that save ell integrity with the lowest cost in the field of discussion where the water salinity is 330,000 ppm, high dissolved oxygen, high temperature, and high co2 up to 6%. Three wells were chosen as trial to be completed using Glass Reinforced Epoxy (GRE) lined tubing for internal corrosion protection. However, one of these wells has lasted for over nine years of continuous production without the even ESP fails. Such positive results of achieving Outstanding Performance in attaining longer tubing life with less workover operation with very cheaper technology. Afterwards, the company decided to try 3%Chrome tubing for the oil production wells with a premium thread connection. In this paper, we will demonstrate the pros and cons of utilizing such a material and connection failure. Guided by the successful trail, a shift in the inventory was done toward such application that turned up the economic value of the field. Special components were engineered to provide a transition between GRE lined tubulars and plain end unlined fittings and flanges. This paper chronicles the history of the Oil Production, the nature, reasons and consequences of the multiple corrosion failures and the failed corrosion mitigation strategies. It will highlight the reasons why this specific well lasted for 9 continuous years and the root cause leading to the ESP consistent performance during this period, unlike the other bare steel wells. Furthermore, the paper will shed light on the techno-commercial analysis and engineering that forms the basis for this mammoth effort.