Academic literature on the topic 'Égarement'
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Journal articles on the topic "Égarement":
Dupeyron, Jean-François. "CPE et « nouveaux surgés » : cartographie d’un égarement professionnel." Les Sciences de l'éducation - Pour l'Ère nouvelle 52, no. 4 (2019): 103. http://dx.doi.org/10.3917/lsdle.524.0103.
Lapointe, Jean-Pierre. "Narcisse travesti : l’altérité des sexes chez trois romanciers québécois contemporains." Dossier 18, no. 1 (August 30, 2006): 11–25. http://dx.doi.org/10.7202/200994ar.
Sandri, Eva. "La sérendipité sur Internet : égarement documentaire ou recherche créatrice ?" Cygne noir, no. 1 (July 26, 2022): 6–21. http://dx.doi.org/10.7202/1090992ar.
Combres, Anne-Marie. "Un nom et un égarement ou « l'inventeur de l'amour »." L'en-je lacanien 4, no. 1 (2005): 99. http://dx.doi.org/10.3917/enje.004.0099.
Bonnet, Frédéric. "Le grand égarement des GGGP ! (les Grandes Gares du Grand Paris)." Tous urbains 14, no. 2 (2016): 4. http://dx.doi.org/10.3917/tu.014.0004.
Mottana, Paolo. "Bachelard maître de «pédosophie». Égarement pédagogique et pédagogie de l’imagination selon Bachelard." Cahiers Gaston Bachelard 9, no. 1 (2007): 57–69. http://dx.doi.org/10.3406/cgbac.2007.1047.
Bombard, Françoise. "Jeux et enjeux dans Le Cocu magnifique de Crommelynck." Quêtes littéraires, no. 13 (December 30, 2023): 107–19. http://dx.doi.org/10.31743/ql.16863.
Coye, Noël. "L'âge de la pierre polie : un égarement des études néolithiques en France au XIXe siècle." Bulletin de la Société préhistorique française 90, no. 1 (1993): 69–86. http://dx.doi.org/10.3406/bspf.1993.9582.
Tigirlas, Luminitza Claudepierre. "Gherasim Luca-son double, son dé-z’écroué." psychologie clinique, no. 48 (2019): 158–72. http://dx.doi.org/10.1051/psyc/201948158.
Le Bihan, Olivier. "Variations animales sur le débat de la flûte et de la lyre: à propos de quelques tableaux de Titien." Figures de l'Art. Revue d'études esthétiques 8, no. 1 (2004): 101–23. http://dx.doi.org/10.3406/fdart.2004.1336.
Dissertations / Theses on the topic "Égarement":
Hurtado, Ordoñez Nelson Adolfo. "Éléments d’esthétique anthropobiologique pour une esthétique critique." Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080134.
Man has remained as a supposition at the very heart of scientific and philosophicalthought. Today still the anthropological inquiry seems quite redundant since man is3 considered a being who is able to internalize his life's value and meaning, that ofothers and of his surroundings, as far as he can rule everything by the diktat of social and political consensus. With that understanding, man's history has not been otherthan the history of a philosophical injustice which has lost him through the logic of discipline and domestication. It has plunged him into a devastating fight against thedesire that he is, a fight that presents itself under the form of a total experimentation of man's world and of himself. We owe to critical thought that the anthropologicalinquiry has become the inevitable path that leads man to his own life, that he can only live with his social partners. The political, ethical, moral, aesthetic and metaphysicalprinciples which conceive man as an available being, doped on the pleasure gained in a life ruled by the economy of action are dismantled by Arnold Gehlen and JacquesPoulain. Based on the discovery of communicative process which constitute human life, the latter has unveiled the dynamics of the aesthetisation of the world and of the self-destruction of individuals and groups that appear covered with the cheerful mask of the best possible ways of life. Thus, against all prognostics, Poulain'santhropobiological aesthetic opens both a new path to an objective and truthfulunderstanding of man's reality, as well as it gives access to the aestheticinternalization of theoretic life which is man's
Bouchez, Pascal. "Origines, ambitions et égarements méta-physiques de la technique : réflexion sur la métamorphose et l’oubli techno-scientifiques de la nature, en vue d'une refonte dé-onto-logique du comportement humain." eReims, 1998. http://www.theses.fr/1998REIML003.
Thoughts on conditions and requirements of morals applied to the modem human attitude towards nature ; these morals must be thought as a reaction against ontological neglects of meta-physical trends of techno-science from the XVIIth century mechanical revolution
Stachura, Katarzyna. "Cioran : ambiguïté et inachèvement : approche psychologique, morale et esthétique." Paris, EHESS, 2007. http://www.theses.fr/2007EHES0021.
Cioran's name is associated with a pessimistic way of thinking and the perfection of style. The beauty and elegance revealed in the way Cioran uses the French language cannot be denied. What, however, can be questioned is the blackness/darkness supposed to characterise his philosophical thinking. It is true that the most widely known - being most frequently cited - aphorisms of the author of the Drawn and Quartared are about nothingness, suicide, the shadowy side of human existence. Yct, when we start reading Cioran without having presumed anything and without narrowing ourselves down to his most renowned quotations we will discover a great ambivalence in his works. The nihilistic Cioran will enter then the anthologies of joy, of nostalgia for the Paradise Lest, of ordinary love showing itself in his anecdotes, humour, opcnness to spot every little sign of life. Thus, this thesis has three objectives in view. Lt should reveal the multiple ambivalence in Cioran's writings. It is supposed to unmask the intended ambiguity of an iconoclast whose constant provoking and exaggerating cover an unusual tenderness and compassion for the human being. Finally, the thesis aims at emphasising the energetic side of Cioran's philosophical thinking and showing that the last word of the " Pessimist" is not in Negation
Zagamé, Antonia. "L'écrivain à la dérobée : l'auteur dans le roman à la première personne en France au XVIIIe siècle (1721-1782)." Paris 3, 2006. http://www.theses.fr/2006PA030146.
In the XVIIIth century, the first-person novel becomes the main form of fiction. We study the signs of an author in novels which tends to conceal this presence, as long as they pretend to be just transcribed memoirs or a genuine correspondence. Whereas the peritext of the first-person novels plays down any reference to the actual process of writing, we study in the first part the hints offered by the author concerning the real status of the text. Whereas the enunciation precludes any direct intervention from the author and the characters are in charge of telling their own story and giving sense to it, we study in the second part how the author manages to control the interpretation of what is told. In the third part, we are concerned with the stylistic aspects of the presence of an author who is supposed to transfer the art of writing to unprofessional writers
Montagnon, Solange. "Conversations de salon et roman d'apprentissage : Charles Sorel, Histoire comique de Francion ; Claude Crebillon, Les Egarements du coeur et de l'esprit ; Honoré de Balzac, Illusions perdues ; Splendeurs et misères des courtisanes ; Marcel Proust, Le côté des Guernantes ; Sodome et Gomorrhe." Saint-Etienne, 2004. http://www.theses.fr/2004STET2103.
Conversation scenes are recurrent in our litterature. Yet, they have rarely been analysed as such, even if the dialogue in novels is the subject of different works and the conversation as a social practice is of interest to different disciplines. It is true that a paradox marks the “salon conversation” : novelists have been fascinated by the art of speech as it is practiced in its temple, and at the same time the accusation of vanity weights on the wordly scene, dressed upin frivolous or vulgar masks. In our study we try to examine how this particular social discourse has been represented in some major works in which the hero takes his steps in life. A young man takes the floor within a group which lays down or conserves the rules of common life, but if he is there as if he were at an audition which confirms in a more or less symbolic way his integration into the group, he will also, through his mobility as an apprentice, allow the reader to evaluate the pertinence of his language and the values it upholds. We therefore consider the salon as an element of narrative architecture of each author and the conversation scene as a step forward in the development of the hero
Buis, Emmanuelle. "Circulations libertines dans le roman européen : 1736-1803 : étude des influences anglaises et françaises sur la littérature allemande." Paris 3, 2008. http://www.theses.fr/2008PA030063.
This dissertation is a study of the influence of “gallant” libertine literature from England and France on German literary creation in the last three decades of the 18th century. The number of translations and critical commentaries which appeared at the time testifies to the successful impact in Germany of four novels of seduction, the very emblems of the genre, namely Clarissa Harlowe, Les Égarements du coeur et de l’esprit, Le Paysan perverti and Les Liaisons dangereuses. It is therefore legitimate to search for echoes of those works in the German production of the late 18th century. The survey of scientific evidence of the attention paid to those novels (openly acknowledged influence, critical comments or explicit marks of intertextuality) results in the selection of six German writers, also enthusiastic readers of the books, whose works display a reflection of the tradition of “gallant” libertine literature, viz. Christoph Martin Wieland, Sophie von La Roche, Wilhelm Heinse, Ludwig Tieck, Clemens Brentano and Jean Paul. The confrontation between the German novels and the “sources” reveals the presence of the main motifs of “gallant” libertine literature: typology of characters, strategy of seduction and key phases in the plot. Yet it is inseparable from a systematic use of distortion. The parody of a series of narrative techniques and the recourse to “perverted imitation” bear witness to a process of distanciation in which both the originality of the literary heirs and the specifically German sensibility of a fast expanding literature assert themselves. By giving new directions to certain fundamental principles of the libertine quest, the latest German works in the corpus alter the initial libertine doctrine and pave the way for new areas of existential questions, thus foreshadowing the disillusioned artistic figures of the 19th century
Books on the topic "Égarement":
Ancet, Jacques. Chronique d'un égarement. Castellare-di-Casinca: Éditions Lettres vives, 2011.
Ancet, Jacques. Chronique d'un égarement. Castellare-di-Casinca: Éditions Lettres vives, 2011.
Benbassa, Esther. Égarements d'une cosmopolite. Paris: François Bourin éditeur, 2012.
Ang, Li. Le jardin des égarements. Arles: P. Picquier, 2003.
Crébillon, Claude-Prosper Jolyot de. Les égarements du coeur et de l'esprit. Paris: Flammarion, 1985.
Beaugé, Gilbert. Félix Ziem à Martigues: Égarements et certitudes. Marseille: Images en manoeuvres, 2004.
Delbouille, Paul. Benjamin Constant, 1767-1830: Les égarements du coeur et les chemins de la pensée. Genève: Slatkine, 2015.
Dagen, Jean. Introduction à la sophistique amoureuse dans Les égarements du coeur et de l'esprit de Crébillon fils. Paris: H. Champion, 1995.
Bercé, Françoise. Des monuments historiques au patrimoine: Du XVIIIe siècle à nos jours, ou, "Les égarements du coeur et de l'esprit". Paris: Flammarion, 2000.
Fourier, Charles. Égarement de la raison. Prodinnova, 2019.
Book chapters on the topic "Égarement":
Utermöhlen, Gerda, and KLL. "Crébillon, Claude-Prosper Jolyot de: Les égarements du cœur et de l'esprit ou mémoires de M. de Meilcour." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3273-1.
"Paris et Nohant – Frontière et égarement." In Poétique de la mobilité, 117–41. BRILL, 2000. http://dx.doi.org/10.1163/9789004502949_007.
Merdrignac, Bernard. "Châtiments et égarement dans quelques Vitae bretonnes." In Le pouvoir et la foi au Moyen Âge, 187–96. Presses universitaires de Rennes, 2010. http://dx.doi.org/10.4000/books.pur.141377.
"Guidance des Connaisseurs de Dieu et Égarement des Rationalistes." In Le Livre des Haltes (Kitâb al-Mawâqif), Tome I, 54–56. BRILL, 2000. http://dx.doi.org/10.1163/9789004453029_018.
Jardri, Renaud, and Pierre Thomas. "Hallucinations et égarements." In Troubles mentaux et psychothérapies, 77. Editions Sciences Humaines, 2016. http://dx.doi.org/10.3917/sh.marmi.2016.01.0077.
"Illusions et égarements." In Monothéismes et Philosophie, 293–97. Turnhout: Brepols Publishers, 2006. http://dx.doi.org/10.1484/m.mon-eb.4.00019.
Soulès, Dominique. "Égarements du sens." In Antoine Volodine, l'affolement des langues, 223–34. Presses universitaires du Septentrion, 2017. http://dx.doi.org/10.4000/books.septentrion.15336.
Linhardt, Dominique. "Les égarements de l’histoire." In Sociologie politique de Norbert Elias, 51–89. Éditions de l’École des hautes études en sciences sociales, 2022. http://dx.doi.org/10.4000/books.editionsehess.42442.
Tran-Gervat, Yen-Maï. "Les égarements du corps et de l’écrit : usages parodiques du corps dans Tristram Shandy et Jacques le fataliste." In Le corps romanesque, 521–39. Hermann, 2015. http://dx.doi.org/10.3917/herm.moser.2015.01.0521.
"La syntaxe de la phrase, miroir de la vie psychique dans Les Égarements du cœur et de l’esprit de Crébillon." In La représentation de la vie psychique dans les récits factuels et fictionnels de l’époque classique, 281–94. Brill | Rodopi, 2015. http://dx.doi.org/10.1163/9789004300200_021.
Conference papers on the topic "Égarement":
Abrougui, Olfa. "Les métaphores de l'eau dans l'œuvre poétique de Joachim du Bellay." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3569.
Martin, Christophe. "Dénouement et “fins intermédiaires” dans les Lettres persanes, Les Égarements du cœur et de l’esprit, et Julie ou La Nouvelle Héloïse." In Les fins intermédiaires dans les fictions narratives des XVIIe et XVIIIe siècles. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6395.