Relevant bibliographies by topics / Edwardian Painting

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Academic literature on the topic 'Edwardian Painting'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Edwardian Painting"

1

Hatchwell, Sophie. "The “Language of Painting”: Aesthetic Appreciation in Edwardian Art Criticism." Visual Resources 33, no. 3-4 (January 26, 2017): 234–51. http://dx.doi.org/10.1080/01973762.2017.1276725.

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2

Rosemary Barrow. "Toga Plays and Tableaux Vivants: Theatre and Painting on London’s Late-Victorian and Edwardian Popular Stage." Theatre Journal 62, no. 2 (2010): 209–26. http://dx.doi.org/10.1353/tj.0.0369.

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Hamilton, J. "Victorian and Edwardian Paintings in the Lady Lever Art Gallery." Journal of the History of Collections 7, no. 1 (January 1, 1995): 128. http://dx.doi.org/10.1093/jhc/7.1.128.

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4

Quaile, Sheilagh. "A Victorian Fashion in Edwardian Portraits: The Paisley Shawl in Paintings by Francis H. Newbery." Victorian Review 49, no. 1 (March 2023): 49–61. http://dx.doi.org/10.1353/vcr.2023.a925218.

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Abstract: In this article, I examine the paisley shawl within and through two paintings, Portrait of a Devonian (ca. 1908) and The Paisley Shawl (ca. 1910), by Glasgow School of Art director Francis H. Newbery (1855–1946). The paintings feature the same sitter and were completed decades after the shawl declined as a feature of British fashion. Using primary sources to expound upon the sitter’s identity, and drawing from the artist’s biography, I argue that these portraits testify to both sitter’s and artist’s nostalgia for an iconic Victorian fashion and manufacturing industry. As I explain, the shawl had varied meanings for different people and in different contexts. These included femininity, family, and life passages, as well as patriotism, a successful alliance between art and manufacturing, and Britain’s technological triumph over other parts of the globe.
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Schwyzer, Philip. "Fallen idols, broken noses: Defacement and memory after the Reformation." Memory Studies 11, no. 1 (January 2018): 21–35. http://dx.doi.org/10.1177/1750698017736835.

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The Henrician and Edwardian Reformations of the 1530s and 1540s were marked by successive waves of iconoclasm in English churches and cathedrals. Statues, screens, wall paintings, and windows were among the idols targeted. While some objects and artworks were destroyed or effaced entirely, others remained in situ, bearing the marks of iconoclastic violence. Even today, many English cathedrals harbour numerous examples of defaced images which have suffered beheading or scoring of the face and hands, but have been neither repaired nor removed. This article explores how various post-Reformation observers including Protestants, Catholics, antiquaries, and poets understood and responded to defaced images, arguing that traditionalists and reformers found a paradoxical common cause in the curation of iconoclasm.
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6

Rourke, J. P., and J. C. Manning. "The Ven. Charles Theophilus Hahn, a hitherto unknown Edwardian botanical illustrator in Natal, 1908—1916." Bothalia 22, no. 1 (October 14, 1992): 145–53. http://dx.doi.org/10.4102/abc.v22i1.831.

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A brief biographical sketch is given of the Rev. C.T. Hahn, an English-born, Oxford-educated Anglican missionary in Zululand who painted some 235 watercolours of Natal flora between 1908 and 1913. Hahn (who later changed his name to Headley) was one of the most productive of the early botanical illustrators in Natal but as a collection of his paintings has only recently been discovered, his work has until hitherto remained unknown.
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7

Pezzini, Barbara. "The Burlington Magazine,The Burlington Gazette,andThe Connoisseur: The Art Periodical and the Market for Old Master Paintings in Edwardian London." Visual Resources 29, no. 3 (September 2013): 154–83. http://dx.doi.org/10.1080/01973762.2013.814203.

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8

Lewicka, Barbara. "„Nocni włóczędzy”, czyli „miejskość jako styl życia”. Malarstwo Edwarda Hoppera a koncepcja Louisa Wirtha." Kultura i Społeczeństwo 62, no. 3 (September 27, 2018): 169–90. http://dx.doi.org/10.35757/kis.2018.62.3.9.

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The author juxtaposes the ideas contained in the classic essay “Urbanism as a Way of Life” (1938) by the Chicago sociologist Louis Wirth with the Americanism of the New York painter Edward Hopper (active approximately 1900–1967). She seeks parallels between the sociological description of urban conditions and the paintings of an artist who was called the illustrator of the American lifestyle. At the beginning, she discusses American spatial philosophy and the premises of urban researchers connected with the Chicago School. Then she compares a portion of Wirth’s essay and Hopper’s work in terms of their portrayal of the metropolitan lifestyle. She describes the sociologist’s and artist’s pessimistic visions of urbanism, in which urbanization produces the depersonalization of interpersonal relations, isolation, anomie, and the consequent loneliness of individuals.
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Books on the topic "Edwardian Painting"

1

McConkey, Kenneth. Edwardian portraits: Images of an age of opulence. Woodbridge, Suffolk: Antique Collectors' Club, 1987.

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2

Vincent, Adrian. A companion to Victorian and Edwardian artists. Newton Abbot: David & Charles, 1993.

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3

1860-1952, Elsley Arthur J., ed. Golden hours: The paintings of Arthur J. Elsley, 1860-1952. Shepton Beauchamp, Somerset, England: R. Dennis, 1998.

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4

Christopher, Wood. Paradise lost: Paintings of English country life and landscape, 1850-1914. Oxford, England: Past Times, 1997.

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5

Gallery, Pyms, ed. Edwardian pre-Raphaelites: The art of John and Mary Young Hunter. London: Pyms Gallery, 2000.

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6

Raczyńskiego, Galeria Rogalińska Edwarda. Galeria Rogalińska Edwarda Raczyńskiego. Poznań: Muzeum Narodowe, 1997.

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7

Holburne Museum and Crafts Study Centre., ed. Italian treasures: Victorian and Edwardian taste in Italian art : a mixed exhibition of paintings, sculpture and ceramics. Bath: Holburne Museum & Crafts Study Centre, 1987.

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8

Edward, Morris, and National Museums and Galleries on Merseyside., eds. Victorian & Edwardian paintings in the Lady Lever Art Gallery: British artists born after 1810 excluding the early pre-raphaelites. London: HMSO, 1994.

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9

Gallery, Walker Art, National Museums and Galleries on Merseyside., and Sudley Art Gallery, eds. Victorian & Edwardian paintings in the Walker Art Gallery and at Sudley House: British artists born after 1810 but before 1861. London: H.M.S.O., 1996.

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10

1943-, Dwurnik Edward, Wojciechowski Mariusz editor, and Muzeum Pomorza Środkowego w Słupsku, eds. Kolekcja Pomorska 72 dzieł sztuki Edwarda Dwurnika z lat 1977-2005: Katalog wystawy. Słupsk: Muzeum Pomorza Środkowego w Słupsku, 2016.

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