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Academic literature on the topic 'Educazione outdoor'
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Journal articles on the topic "Educazione outdoor"
Arnetoli, Maria Vittoria, Irene L'Abate, and Matteo Mazzoni. "Costruire nuovi immaginari per gli spazi aperti della scuola come strumento di educazione alla sostenibilità ambientale." Contesti. Città, territori, progetti 1, no. 1 (October 27, 2022): 50–69. http://dx.doi.org/10.36253/contest-13586.
Full textMaciá Andreu, María José, Javier Sánchez-Sánchez, José Antonio García Córdoba, and Ana María Gallardo Guerrero. "Análisis de la seguridad y accesibilidad de los espacios deportivos en Educación Secundaria Obligatoria." Cuadernos de Psicología del Deporte 21, no. 1 (January 1, 2021): 242–57. http://dx.doi.org/10.6018/cpd.395671.
Full textBortolotti, Alessandro, and Simon Beames. "‘ON MONDAY AFTERNOONS WE GO TO DISCOVER THE WORLD!’: UNDERSTANDING A TRADITIONAL ITALIAN PRIMARY SCHOOL’S ADAPTATION TO A STUDENT-DRIVEN APPROACH TO LEARNING / IL LUNEDÌ POMERIGGIO ANDIAMO A SCOPRIRE IL MONDO: MODIFICAZIONI NELL’APPROCCIO SCOLASTICO TRADIZIONALE A FAVORE DI PERCORSI D’APPRENDIMENTO GUIDATI DAGLI ALUNNI IN UNA SCUOLA PRIMARIA ITALIANA." European Journal of Education Studies 8, no. 1 (December 24, 2020). http://dx.doi.org/10.46827/ejes.v8i1.3502.
Full textDissertations / Theses on the topic "Educazione outdoor"
VILLA, FEDERICA VALERIA. "Creatività fuori: una esplorazione delle affordances creative in esperienze all’aperto alla scuola primaria." Doctoral thesis, Università degli Studi di Milano-Bicocca, 2022. http://hdl.handle.net/10281/363768.
Full textThe present research investigates the relationship between two topical and relevant themes, creativity and outdoor education, exploring whether and how outdoor educational contexts in primary schools can be fruitful places to promote children's creativity. Starting from an in-depth examination of these two distinct themes – and offering an overview of their different forms and functions – the theoretical framework guiding the research is outlined. With regard to creativity, it is understood as a situated, relational, material and cultural phenomenon, in line with the sociocultural perspective (Glăveanu, 2012, 2013, 2015, 2020; Glăveanu et al., 2019). Accordingly, the context gains relevance insofar as it possesses an inhibitory/permissive power when it comes to the emergence of possibilities for creative action. In this sense, outdoor environments are, by their very nature, more easily deconstructed and multifunctional (Guerra, 2015; 2020), and thus become privileged contexts for acting – including creatively – as well as favorable places for learning, including about sustainability (e.g., Farné et al., 2018; Iavarone et al., 2017; Mortari, 2020; Waite, 2017). The intertwining of creativity and outdoor education is explored from the analysis of the existing literature through two different scoping reviews (Arksey & O'Malley, 2005), which highlight a potential connection particularly through the sociocultural perspectives on affordance theory (Borghi, 2018; Glăveanu, 2012, 2020; Kyttä, 2003, 2004; Waters, 2017). In order to qualitatively observe such creative outdoors affordances – and inspired by previous work (Canning, 2016, 2017) – the empirical study took the form of an exploratory video research (Bove, 2007; Derry, 2007; Goldman et al., 2007) with the researcher immersed in the field, along with children from two primary schools in Lombardy during outdoor lessons or recess. Alongside and in support of the video recordings, photographs taken by the children were collected in view of what they recognized as creative outdoors; those were then discussed in photo-elicitation interviews (e.g., Bignante, 2010) with the aim of bringing out the participants’ intentionality. The work started from the definition of creative outdoor affordances as occasions in which the action departs from what is commonly known or from routine behaviors and that, in some way, goes beyond personal intentions, the materiality of the context and/or the set of norms that connote it. These affordances take shape in possibilities for action hitherto not perceived, not invented or not yet exploited in that context (Glăveanu, 2012, 2020). From the repeated viewing of the collected footage – considered as data sources –, and with the support of the literature, numerous episodes were extrapolated and analyzed thematically (Braun & Clarke, 2006; Clarke & Braun, 2017) at a deductive level (guided by theory), and then in an inductive mode – as the data itself informed the theoretical framework. The study allowed for the discussion of outdoor contexts as environments that offer a variety of opportunities for creative action for children, who, in different forms and modalities, have perceived, invented, and exploited various affordances. The collected video data also made possible to make an initial analysis of the contextual variables facilitating or inhibiting the emergence of creative affordances. The children's perspective, considered within a mosaic approach (Clark & Moss, 2014; Clark, 2017) through the photographs and interviews, consistently highlighted the perception of elements of creativity outdoors by those who experience these kinds of contexts on a daily basis. In the concluding part, methodological implications, critical points, and future research possibilities are explored.
COMERIO, LUCA ANDREA ALESSANDRO. "Le colonie di vacanza italiane nel periodo 1968-1990: una pedagogia in transizione tra spinte attivistiche ed eredità del passato." Doctoral thesis, Università degli Studi di Milano-Bicocca, 2020. http://hdl.handle.net/10281/262891.
Full textHoliday colonies originated in Switzerland in the second half of the nineteenth century and quickly spread to most of the European countries: born in the context of the recent hygienic and prophylactic sensibility, mainly oriented towards the fight against tuberculosis, these initiatives remained characterized until after the Second World War by a prevalent medical approach. The colonies, however, are also the product of a pedagogical reflection on the open-air dimension and on trip as an educational opportunity: outdoor moments are in fact always present in the history of these initiatives, not only in the collective bath in the sea or in the heliotherapy sessions, but also in the hikes in a nature seen as a world to explore and a source of learning. In Italy, the colonies remind us above all of the experiences of the fascist period, marked by a military and homologating imprint, by the rites of the flag raising and collective gymnastics in rigidly geometric formations; these are contexts in which the individuality and the initiative of the child are ignored and annulled in an anonymous dimension. After the Second World War, although most of the Italian colonies still had characteristics inspired by the sanitary model, very innovative projects appeared, which also served as an important place for training and experimentation in the field for school teachers, bringing a wind of innovation to this institution. This research is focused on the experiences of the Fiat and Ceméa holiday camps in the period 1968-1990, years in which the function of the camps is called into question, within the framework of a critical reflection on the relationship between the school and extracurricular dimensions. While the Fiat colonies in the second half of the 1970s were still rigidly characterized by an authoritarian imprint, the colonies run by Ceméa - movement that comes from France in the early 1950s and is inspired by the concepts and practices of Progressive education - are contexts that propose themselves as places of openness to the new, in which educators, free from the constraints of the educational institution, try to follow pedagogical directions that are still unexplored in the Italian panorama. The aim of the work is to describe the two specific experiences, reflecting on the pedagogies, both declared and implicit, evoked by the practices and on the reasons for the permanence of the past legacy alongside the elements of change. The study refers to the conception of history elaborated by the Annales school, which takes into consideration the entire range of human activities and elaborates an idea of history as a choral construction: it is an element, the latter, which also characterizes the colonies, which, with a few exceptions, do not have prominent figures but are the product of the work of a multitude of educators, often teachers, engaged in summer in holiday centers. The central resource of this research, together with the study of archives and house organs, is the use of interviews as oral historical sources, both to compensate for the relative scarcity of documents, and to build a story with several voices "from below", by listening to those who were guests as children in the colonies or have worked there as educators. As far as Fiat is concerned, the research also reconstructs the attempts at innovation, born within a previously very rigid organization, linked to the history of a company that in some periods almost replaced the welfare function of the State; as far as the Cemea experience is concerned, the study highlights a more free approach, oriented towards the child as protagonist of the activities and subject to continuous reworking and critical reflection by the staff involved.