Relevant bibliographies by topics / Eduardo

Academic literature on the topic 'Eduardo'

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Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Eduardo"

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Neira Pérez, Juan Félix. "De Eduardo a Eduarda: un poema inédito de Pondal á irmá morta." Boletín da Real Academia Galega, no. 380 (April 7, 2020): 383. http://dx.doi.org/10.32766/brag.380.776.

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Exhumamos neste artigo un poema inédito de Eduardo Pondal, composto en recordo da súa irmá Eduarda, morta en Muxía cando pasaba uns días en compañía de Rosalía de Castro, co gallo da romaría da Barca.
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Carcamo, Silvia. "Eduardo Subirats." Alea : Estudos Neolatinos 7, no. 1 (June 2005): 149–58. http://dx.doi.org/10.1590/s1517-106x2005000100010.

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Poma, Paola, and Fernando Ribeiro. "Eduardo Lourenço." Revista Desassossego 13, no. 24 (April 16, 2021): 168–85. http://dx.doi.org/10.11606/issn.2175-3180.v13i24p168-185.

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Brett, David. "Eduardo Chillida." Circa, no. 42 (1988): 27. http://dx.doi.org/10.2307/25557356.

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Martins, Maria Manuela Brito. "Eduardo Soveral." Cultura, Vol. 29 (June 1, 2012): 135–42. http://dx.doi.org/10.4000/cultura.1089.

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Eduardo Milán. "Eduardo Milán." Nuevo Texto Crítico 23, no. 45-46 (2010): 27–28. http://dx.doi.org/10.1353/ntc.2010.0071.

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Chanan, Michael. "Eduardo Coutinho." Journal of Latin American Cultural Studies 23, no. 2 (April 3, 2014): 111–13. http://dx.doi.org/10.1080/13569325.2014.914315.

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Lemos, Carlos Alberto Cerqueira. "Eduardo Corona." Pós. Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP, no. 10 (December 19, 2001): 150. http://dx.doi.org/10.11606/issn.2317-2762.v0i10p150-151.

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Paraskevaídis, Graciela. "Eduardo Bértola." Revista del ISM, no. 8 (November 29, 2005): 12–59. http://dx.doi.org/10.14409/ism.v1i8.534.

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Drucker, Johanna. "Eduardo Kac." Art Journal 56, no. 3 (1997): 18. http://dx.doi.org/10.2307/777831.

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Dissertations / Theses on the topic "Eduardo"

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Rotondi, Armando. "Eduardo traduttore e adattatore : Eduardo tradotto e adattato." Thesis, University of Strathclyde, 2012. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=16843.

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Eduardo De Filippo, universally known as Eduardo, is the most important Neapolitan playwright of the twentieth century. The number of critical and academic studies on his works is vast, but little has been written about his relationship with the foreign stage, and especially with English-speaking theatre. Some information can be found in, for example, the appendix to the books by Isabella Quarantotti De Filippo and by Barbara De Miro D‘Ajeta, or in the chapter dedicated to Italian theatre by Gunilla Anderman in her Europe on Stage. The central purpose of this thesis is, therefore, to analyze the complex relationship between Eduardo and the English-speaking world, using a varied methodology which includes elements of translation studies and aspects of theatre history. The opening chapter provides an introduction which examines general aspects of theatre translation, the differences between translation and adaptation and the specific problems related to the translation of Neapolitan dialect into English. Thereafter, the body of the work is divided into two main parts where I study the two-way relationship between Eduardo and Anglophone world. In the first part, ―Eduardo traduttore e adattatore‖, attention is focused firstly on Eduardo‘s adaptation of the short story by O. Henry The Gift of the Magi, the basis of Natale in casa Cupiello, and then on his work as translator-adapter of William Shakespeare‘s The Tempest. The issue is analyzed from a philological perspective, but also examines the staging of Eduardo‘s La Tempesta, and considers the influence of Shakespeare on the entire output of the Neapolitan playwright. In the second part, ―Eduardo tradotto e adattato‖, I analyze the translations, adaptations and stagings of Eduardo‘s works for British and American theatres. After an introductory overview of the translations and productions of Eduardo through the world, I shift my attention to the specific cases of the United Kingdom and of the U.S., analyzing: Filumena Marturano, Sabato, Domenica e Lunedì, Natale in casa Cupiello, Questi fantasmi!, Napoli milionaria!, Il sindaco del Rione Sanità, Le voci di dentro, La Grande Magia and five one-act plays. The works are analyzed individually in monographic chapters which highlight both the translational and the theatrical aspects. In the first case, I compare the original texts with their English versions, noting differences in meaning and linguistic choices. As regards theatrical staging, I base my analysis on journalistic material from major newspapers of the period such as The Times, on interviews and biographies of actors and directors involved in the performances, as well as on previous critical and academic contributions on the subject. At the end of the thesis, there is an appendix with interviews with directors and translators who have worked on Eduardo‘s plays.
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Junior, Gilton Monteiro dos Santos. "Eduardo Sued: Minotauros." Universidade do Estado do Rio de Janeiro, 2008. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=1172.

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A pintura de Eduardo Sued se caracteriza por uma variedade de soluções e um procedimento radicalmente assistemático. Observando o método de ação adotado pelo pintor, propõe-se uma análise crítica e interpretativa de sua produção apoiado em duas noções centrais, logicamente relacionadas: o desvio e o labirinto. Compreendida como estratégia revisionária, o desvio condiz à aspectos estritos à operação da pintura, no tocante à maneira como Sued lida com a tradição e principalmente como conduz a experiência da pintura nos termos de sua atualidade. O segundo conceito, labirinto, confere caráter às conseqüências produzidas por esta experiência, senão à experiência mesma, consistindo aí a unidade da produção. Neste aspecto, o labirinto estará presente tanto naquele momento que concerne às relações intra-poéticas, quanto na possibilidade aberta de se interpretar esta obra, seja em partes, seja em seu conjunto. A idéia de reconstrução deriva desse processo vivo e fragmentado da pintura. Reconstruir é buscar sentidos possíveis para a pintura hoje, algo que legitime seu papel no mundo contemporâneo, sem pretender, evidentemente, encerrar-se em dogmas. Repondo os termos de uma herança construtiva vigente na obra, as noções de desvio/labirinto revelam vínculos com certa tradição moderna, sem deixar de inserir e apontar nesta pintura os dilemas da contemporaneidade, que lhe são próprias
Eduardo Sueds paintings are underlined for kinds of results and a radical unsystematic process. Seeing the painters action method we propose a critic and interpretative analyses of his production. We use two ideas for it. The first is the swerve and the second is the labyrinth. The swerve is a strategic revision that suits with the operation of painting, demonstrating the mode as Sued works the tradition and labyrinths idea ascribe the character to the form of experience, its image, residing there the unit of production. Thus the labyrinth will be present as in intra-poetics relations moment as in possible way to interpret this work. The reconstruction idea comes of its lively and broke process to paint to reconstruct possible meanings to the painting today something that it will do lawful at the contemporaneous world no to intend to reduce it for dogmas. The labyrinths and swerve ideas discover links to the modern tradition through their constructive heritage. And they dont leave to replace and to underline in these paintings contemporaneous dilemmas that are theirs
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Oswald, Kalen R. "Eduardo Mendoza's Barcelona." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/290668.

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The criticism on Eduardo Mendoza that focuses on the role of Barcelona in his works mostly considers the city solely as an important backdrop for the action of the novels or in some cases a protagonist in a given work. There is not any comprehensive analysis of Mendoza's vision of the Barcelona throughout the trajectory of his novels, and the studies that do focus on the city in one or two of his works generally lack a viable urban theoretical basis. The object of my study is to reassess Mendoza's work by focusing on how it emerges from the process of the urbanization of consciousness described by the geographer and urbanist David Harvey, and how its role relates to the politics of space and place in late 20th-century Barcelona. Not only does this approach facilitate a greater understanding of the texts, but also examining the novels in this light provides a greater understanding of Barcelona. Chapter I elaborates on the urban theories of Harvey, Henri Lefebvre and others that detail the urbanization of capital, the urbanization of consciousness and the role of space and place in the urban process under capitalism. In the second chapter I look at Barcelona as a concrete example of the urban process and place construction from the implementation of the Plan Cerda to the post-Olympic era. Chapter III looks at La verdad sobre el caso Savolta (1975) and La ciudad de los prodigios (1989) as examples of an urbanized consciousness anticipating significant transformations; La verdad facing the end of the Francoist dictatorship, and La ciudad preparing for the 1992 Olympics. The fourth Chapter treats Mendoza's second and third works, El misterio de la cripta embrujada (1979) and El laberinto de las aceitunas (1982), comic detective novels written during and about the crucial era of the transition to democracy. Chapter V analyzes Mendoza's narrative perspective regarding Barcelona of the 1990s in Sin noticias de Gurb (1990) and Una comedia ligera (1996).
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Gutiérrez, Carlos, and Miguel Giusti. "Eduardo Rabossi. In memoriam." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113015.

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On October 26th, 2006, in the city of Salvador de Bahia, Brasil, the Interamerican Society of Philosophy  organized an Academic Homage in memory of Eduardo Rabossi. The homage took place in the context of the XII National Philosophical Meeting in Brazil, organized by the Associação Nacional de Pós-graduação em Filosofia (ANPOF), at which time also an Extraordinary Assembly of the Society took place. The texts we include in what follows were read at that Homage.
El día 26 de octubre de 2006, en la ciudad de Salvador de Bahia, Brasil, la Sociedad Interamericana de Filosofía organizó un Homenaje Académico en memoria de Eduardo Rabossi. El Homenaje se llevó a cabo en el marco del XII Encuentro Nacional de Filosofía del Brasil, organizado por la Associação Nacional de Pós-graduação em Filosofi a (ANPOF), con ocasión del cual tuvo lugar igualmente una Asamblea Extraordinaria de la Sociedad. Los textos que incluimos a continuación fueron leídos en dicho Homenaje.
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Caseirão, Armando Jorge Campos dos Santos. "Natureza-morta em Eduardo Viana." Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Belas Artes, 2000. http://dited.bn.pt:80/29367.

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Marotta, Antonella. "Pirandello nel teatro di Eduardo." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79793.

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The subject of this thesis is an intertextual and psycho-analytic study of the relationship between two major dramatists of twentieth century Italian Theatre, Luigi Pirandello and Eduardo De Filippo. The analysis is in part conducted according to the concept of influence developed by Harold Bloom in The Anxiety Of Influence and expressed in "Freudian" terms, in which one poet, the later (Eduardo De Filippo), is presumed to "struggle" with or try to surpass his precursor (Luigi Pirandello).
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Gonzalez, Ruiz Maria Begoña. "Le roman de Barcelone, Eduardo Mendoza et ses devanciers." Villeneuve-d'Ascq : Presses universitaires du Septentrion, 2002. http://catalog.hathitrust.org/api/volumes/oclc/49198676.html.

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Medeiros, Rafael Rubens de. "Ecopoesia dos novos meios: Eduardo Kac." Universidade Estadual da Paraíba, 2012. http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/1742.

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Made available in DSpace on 2015-09-25T12:19:13Z (GMT). No. of bitstreams: 1 Rafael Rubens de Medeiros.pdf: 1800228 bytes, checksum: 969edcc981ed4cb2cd8b933a18ac8c6a (MD5) Previous issue date: 2012-11-09
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This essay discusses the aesthetic, semiotic and cultural dimensions in the poetry developed by Eduardo Kac, called "biopoetry . The term biopoetry can be understood by the poetic whose writing semiosis takes place from the use of living organisms, a semiotic interconnection between the fields of art, biology and techno- science. We started our research, discussing under the bias of ecocriticism, the intersemiotic relations between the sign and the poetic biomaquinic way to do the biopoetry. We also deal with the aspects and ethic and aesthetic problematizations that exist in the horizons from the production of biopoetic art. Then we stopped on the artistic and poetic principles that mark the work of Eduardo Kac in various scopes of production, from holopoetry, through the digital poetics until the realization of his biological poetry. Finally, from treading the analytical-interpretive productions of "Genesis" (1999), "Erratum I" (2006) and "Cypher" (2009), we consider here the properties and elements of the biopoetical sign, discussing the prospects of language addressed in the horizons of biopoetic production and the problematizations that it brings to the sphere of the technological poetics of the contemporary, especially concerning to the man-machine interface, the notions of environment in literature and the development s performances in the poetic art.
Esta dissertação aborda as dimensões estéticas, semióticas e culturais da poética desenvolvida por Eduardo Kac, denominada de biopoesia . Entendese por biopoesia a poética cujas semioses de escrita se realizam a partir da utilização de organismos vivos, numa interconexão semiótica entre os campos da arte, da biologia e da tecnociência. Iniciamos nossa pesquisa discutindo, sob o viés do ecocriticismo, as relações intersemióticas presentes entre o signo poético e o meio biomaquínico na realização da biopoesia. Abordamos também os aspectos e problematizações ético-estéticas existentes nos horizontes de produção da arte biopoética. Em seguida, nos detivemos acerca dos princípios artísticos/poéticos que marcam a obra de Eduardo Kac nos vários âmbitos de produção, desde a holopoesia, passando pelas poéticas digitais até a concretização de sua poesia biológica. Por fim, a partir da leitura analítico-interpretativa das produções Genesis (1999), Erratum I (2006) e Cypher (2009), consideramos aqui as propriedades e elementos do signo biopoético, discutindo as perspectivas de linguagem abordadas nos horizontes de produção da biopoesia, bem como as problematizações que esta traz à esfera da produção das poéticas tecnológicas do contemporâneo, mormente no que diz respeito à interface homem-máquina, às noções de ambiente na literatura e às performances de desenvolvimento da arte poética.
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Covas, Iara Maia. "Eduardo Kac: uma poética da criação." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-07122009-125630/.

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Esta dissertação aborda a poética do artista multimídia Eduardo Kac, conhecido internacionalmente por suas obras inovadoras e polêmicas e pela atuação como professor, crítico e pesquisador de modalidades artísticas contemporâneas que envolvem o uso das novas tecnologias, incluindo algumas criadas por ele mesmo, como é o caso da holopoesia, da arte da telepresença e biotelemática e da arte transgênica. Consideramos a idéia da criação presente nos trabalhos, principalmente as relações entre esta e uma concepção mística de linguagem, baseada em conceitos e técnicas da Cabala judaica. A partir das obras de arte transgênica que compõem sua Trilogia da Criação: Gênesis (1999), GFP-Bunny (2000) e O Oitavo Dia (2001), buscamos iluminar as referências e procedimentos criativos que conectam o corpo de conhecimento bastante antigo e tradicional (a Cabala) com a reflexão sobre a criação e suas relações com a linguagem, na tradição cabalística e na arte contemporânea
This dissertation approaches the poetics of the multimedia artist Eduardo Kac, internationally known for his innovative and controversial works and for his performance as a professor, critic and researcher of contemporary artistic modalities that involve the use of new technologies, including some that were developed by himself, such as the holopoetry, the telepresence and biotelematic art and the transgenic art. We consider that the idea of creation in his works, mainly the relationship between this creation and a mystical conception of language, is based on concepts and techniques of the Jewish Kabbalah. By analyzing the transgenic art works that compose the Creation Trilogy: Genesis (1999), GFPBunny (2000) e The Eighth Day (2001), we intend to highlight the references and creative procedures that connect the ancient and traditional structure of knowledge (the Kabbalah) with the analysis of creation and its relationship with language in the kabbalistic tradition and contemporary art.
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Carvalho, Maria da Conceicao. "Cordialmente, Eduardo Frieiro: fragmentos (auto) biográficos." Universidade Federal de Minas Gerais, 2008. http://hdl.handle.net/1843/ECAP-7D4K2P.

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O objetivo deste estudo foi traçar o perfil do escritor Eduardo Frieiro (1889-1982), que desempenhou papel significativo na cena cultural mineira dos anos 20 aos anos 70 do século XX. Parte-se do pressuposto que o escritor, homem introvertido e dado ao gosto da auto-análise, constrói uma imagem de si na correspondência que manteve com intelectuais do seu tempo. O exame de um corpus epistolar, composto por 652 cópias de cartas enviadas, permitiu identificar um auto-retrato, fragmentado e recorrente, que o pesquisador redesenha na forma de um ensaio biográfico.
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Books on the topic "Eduardo"

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Eduardo. Torino: Einaudi, 2003.

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Frascani, Federico. Eduardo. Napoli: A. Guida, 2000.

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Coutinho, Eduardo. Eduardo Coutinho. Rio de Janeiro, RJ: Beco do Azougue Editorial, 2009.

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Nogales, Virgilio Martín. Eduardo Dato. [Alava, Spain]: Diputación Foral de Alava, Departamento de Cultura, 1993.

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Sued, Eduardo. Eduardo Sued. [Rio de Janeiro, Brazil]: Lacerda Editores, 1998.

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Sánchez-Ortiz, Emilio. Eduardo Westerdahl. [Islas Canarias]: Viceconsejería de Cultura y Deportes, Gobierno de Canarias, 1992.

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Luíz, Eduardo. Eduardo Luiz. Lisboa: Ygrego, 1989.

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Frascani, Federico. Ricordando Eduardo. Napoli: Colonnese, 2000.

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Felipe, Bragança, ed. Eduardo Coutinho. Rio de Janeiro, RJ: Beco do Azougue Editorial, 2009.

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Ortiz, Eduardo. Eduardo Ortiz. México: Escuela Nacional de Artes Plásticas, Universidad Nacional Autónoma de México, 2011.

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Book chapters on the topic "Eduardo"

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Marcum, John A. "Eduardo Mondlane." In Conceiving Mozambique, 1–16. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65987-9_1.

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Wild, Gerhard. "Arroyo, Eduardo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2463-1.

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Wild, Gerhard. "Galeano, Eduardo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3680-1.

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Wild, Gerhard. "Gutiérrez, Eduardo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3931-1.

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Wild, Gerhard. "Mallea, Eduardo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13002-1.

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Spiller, Roland. "Mendoza, Eduardo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13155-1.

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Castro, Francisca Pichardo. "Eduardo Mendoza." In Kindler Kompakt: Spanische Literatur, 20. Jahrhundert, 176–77. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05523-1_35.

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Graf, Marga. "Agualusa, José Eduardo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2268-1.

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Bezerra, Marcia. "Neves, Eduardo Góes." In Encyclopedia of Global Archaeology, 7740–42. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_459.

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Wild, Gerhard. "De Filippo, Eduardo." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3338-1.

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Conference papers on the topic "Eduardo"

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dos Santos, Fábio Rodrigues, Sandro José Rigo, Jorge Luis Victória Barbosa, and Clarissa Rodrigues. "EDUARDO." In Webmedia '16: 22nd Brazilian Symposium on Multimedia and the Web. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2976796.2976850.

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"Honorary co-chair Eduardo Palacio." In IEEE Conference Long Island Systems, Applications and Technology, 2005. IEEE, 2005. http://dx.doi.org/10.1109/lisat.2005.1515609.

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Botasso, Gabriel Braulio, and Simone Helena Tanoue Vizioli. "Drawing in Digital Platforms: A study about the buildings of Eduardo Souto de Moura and Eduardo de Almeida." In Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.18.

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Silva de Siqueira, Laura Maria, Douglas Squizatto Leite, João Flávio Gomes Faria, Daniela Esteves Temporim, Matheus Zanata Brufatto, Andrea de Almeida Peduti Batista, Henrique Pereira Sampaio, Luiz Eduardo Valente, Sula Glaucia Lage Drumond Pacheco, and Sean Hideo Shirata Lanças. "RECURRING AND REFRACTORY DIFFUSE ALVEOLAR HEMORRHAGE AS THE FIRST MANIFESTATION OF SYSTEMIC LUPUS ERYTHEMATOSUS – CASE REPORT." In SBR 2021 Congresso Brasileiro de Reumatologia. Sociedade Brasileira de Reumatologia, 2021. http://dx.doi.org/10.47660/cbr.2021.2023.

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Dovale Carrión, María del Carmen. "Gravedad y levitación en la obra de Eduardo Chillida." In Congreso Internacional de Investigación en Artes Visuales. ANIAV. Editorial Universitat Politècnica de València, 2015. http://dx.doi.org/10.4995/aniav.2015.1100.

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Menegasso Rossi, Vinicius, and ANA MARIA TAGLIARI FLORIO. "Análise de partidos arquitetônicos na arquitetura residencial Eduardo de Almeida." In XXV Congresso de Iniciação Cientifica da Unicamp. Campinas - SP, Brazil: Galoa, 2017. http://dx.doi.org/10.19146/pibic-2017-78203.

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RUIZ, Nicolas Veregue, and Jeani Delgado Paschoal MOURA. "GEOGRAFICIDADE E O “EDIFÍCIO MASTER”, DE EDUARDO COUTINHO: BUSCANDO ALGUNS CAMINHOS." In XI Seminário de Pesquisa em Ciencias Humanas. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/sosci-xisepech-gt9_86.

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Whitman, I. V. "Holopoetry: the new frontier of language--an interview with Eduardo Kac." In Display Holography: Fifth International Symposium, edited by Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201894.

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X. Cerqueira Neto, Joaquim. "Monitoração Sismográfica De Edifícos Adjacentes Aos Túneis Da Av. Luiz Eduardo Magalhães." In 7th International Congress of the Brazilian Geophysical Society. European Association of Geoscientists & Engineers, 2001. http://dx.doi.org/10.3997/2214-4609-pdb.217.047.

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barboza alves, ricardo, Vanessa Theodoro Rezende, Cecilia Mitie Ifuki Mendes, and Augusto Hauber Gameiro. "OS IMPACTOS SOCIAIS DO CRESCIMENTO DO AGRONEGÓCIO EM LUÍS EDUARDO MAGALHÃES (BA)." In 59º Congresso da SOBER e 6º EBPC 2021. ,: Even3, 2021. http://dx.doi.org/10.29327/soberebpc2021.341573.

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Reports on the topic "Eduardo"

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Renó, D., C. Campalans Moncada, and L. Renó. Technical and documentary languages by Brazilian Eduardo Coutinho. Revista Latina de Comunicación Social, February 2015. http://dx.doi.org/10.4185/rlcs-2015-1041en.

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Renó, D., C. Campalans Moncada, and L. Renó. Técnicas y lenguajes documentales por el brasileño Eduardo Coutinho. Revista Latina de Comunicación Social, February 2015. http://dx.doi.org/10.4185/rlcs-2015-1041.

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Aguado-López, Eduardo, and Juan Felipe Vargas M. Una reflexión sobre la publicación académica a 15 años de Redalyc. Entrevista con Eduardo Aguado López. Libro Abierto, September 2018. http://dx.doi.org/10.25012/blog.17.09.2018.

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Ehst, D. A. Letter to Eduard Smetanin, dated March 2, 2007: Final CRADA report. Office of Scientific and Technical Information (OSTI), March 2007. http://dx.doi.org/10.2172/969208.

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Financial Stability Report - Second Semester of 2021. Banco de la República, September 2022. http://dx.doi.org/10.32468/rept-estab-fin.sem2.eng-2021.

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Abstract:
Banco de la República’s main objective is to preserve the purchasing power of the currency in coordination with the general economic policy that is intended to stabilize output and employment at long-term sustainable levels. Properly meeting the goal assigned to the Bank by the 1991 Constitution critically depends on preserving financial stability. This is understood to be a general condition in which the financial system assesses and manages the financial risks in a way that facilitates the economy’s performance and efficient allocation of resources while, at the same time, it is able to, on its own, absorb, dissipate, and mitigate the shocks that may arise as a result of adverse events. This Financial Stability Report meets the goal of giving Banco de la República’s diagnosis of the financial system’s and its debtors’ recent performance as well as of the main risks and vulnerabilities that could affect the stability of the Colombian economy. In this way, participants in financial markets and the public are being informed, and public debate on trends and risks affecting the system is being encouraged. The results presented here also serve the monetary authority as a basis for making decisions that will enhance financial stability in the general context of its objectives. In recent months, several positive aspects of the financial system have preserved a remarkable degree of continuity and stability: the liquidity and capital adequacy of financial institutions have remained well above the regulatory minimums at both the individual and consolidated levels, the coverage of past-due loans by loan-loss provisions remains high, and the financial markets for public and private debt and stocks have continued to function normally. At the same time, a surge in all the types of loan portfolios, a sharp downturn in the non-performing loan portfolio, and a rise in the profitability of credit institutions can be seen for the first time since the beginning of the pandemic. In line with the general recovery of the economy, the main vulnerability to the stability of the Colombian financial system identified in the previous edition—uncertainty about changes in the non-performing loans portfolio—has receded and remains on a downward trend. In this edition, the main source of vulnerability identified for financial stability in the short term is the system’s exposure to sudden changes in international financial conditions; the results presented in this Report indicate that the system is sufficiently resilient to such scenarios. In compliance with its constitutional objectives and in coordination with the financial system’s security network, Banco de la República will continue to closely monitor the outlook for financial stability at this juncture and will make the decisions necessary to ensure the proper functioning of the economy, facilitate the flow of sufficient credit and liquidity resources, and further the smooth functioning of the payment system. Leonardo Villar Gomez Governor Box 1 -Decomposition of the Net Interest Margin in Colombia and Chile Wilmar Cabrera Daniela Rodríguez-Novoa Box 2 - Spatial Analysis of New Home Prices in Bogota, Medellín, and Cali Using a Geostatistical Approach María Fernanda Meneses Camilo Eduardo Sánchez Box 3 - Interest Rate Model for the SYSMO Stress Test Exercise Wilmar Cabrera Diego Cuesta Santiago Gamba Camilo Gómez Box 4 - The Transition from LIBOR and other International Benchmark Rates Daniela X. Gualtero Briceño Javier E. Pirateque Niño
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