Relevant bibliographies by topics / Edmund; Shepheardes Calender; Fasti

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Edmund; Shepheardes Calender; Fasti'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Edmund; Shepheardes Calender; Fasti"

1

Johnson, William C., and Robert Lane. "Shepheards Devises: Edmund Spenser's Shepheardes Calender and the Institutions of Elizabethan Society." Sixteenth Century Journal 25, no. 3 (1994): 710. http://dx.doi.org/10.2307/2542671.

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Silberman, Lauren. "Robert Lane. Shepheards Devises: Edmund Spenser's Shepheardes Calender and the Institutions of Elizabethan Society. Athens, GA and London: University of Georgia Press, 1993. xii + 240 pp. $40." Renaissance Quarterly 48, no. 3 (1995): 648–50. http://dx.doi.org/10.2307/2862894.

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Dissertations / Theses on the topic "Edmund; Shepheardes Calender; Fasti"

1

Pugh, Syrithe. "Spenser and Ovid." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391064.

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Brooks, Scott A. "To move, to please, and to teach : the new poetry and the new music, and the works of Edmund Spenser and John Milton, 1579-1674." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5034.

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By examining Renaissance criticism both literary and musical, framed in the context of the contemporaneous obsession with the works of Plato, Aristotle, and Horace, among others, this thesis identifies the parallels in poetic and musical practices of the time that coalesce to form a unified idea about the poet-as-singer, and his role in society. Edmund Spenser and John Milton, who both, in various ways, lived in periods of upheaval, identified themselves as the poet-singer, and comprehending their poetry in the context of this idea is essential to a fuller appreciation thereof. The first chapter addresses the role that the study of rhetoric and the power of oratory played in shaping attitudes about poetry, and how the importance of sound, of an innate musicality to poetry, was pivotal in the turn from quantitative to accentual-syllabic verse. In addition, the philosophical idea of music, inherited from antiquity, is explained in order elucidate the significance of “artifice” and “proportion”. With this as a backdrop, the chapters following examine first the work of Spenser, and then of Milton, demonstrating the central role that music played in the composition of their verse. Also significant, in the case of Milton, is the revolution undertaken by the Florentine Camerata around the turn of the seventeenth century, which culminated in the birth of opera. The sources employed by this group of scholars and artists are identical to those which shaped the idea of the poet-as-singer, and analysing their works in tandem yields new insights into those poems which are considered among the finest achievements in English literature.
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Books on the topic "Edmund; Shepheardes Calender; Fasti"

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Shepheards devises: Edmund Spenser's Shepheardes calender and the institutions of Elizabethan society. Athens: University of Georgia Press, 1993.

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2

Youth against age: Generational strife in Renaissance poetry : with special reference to Edmund Spenser's The shepheardes calender. New York: P. Lang, 1986.

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3

Borris, Kenneth. Visionary Spenser and the Poetics of Early Modern Platonism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198807070.001.0001.

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This book defines Platonism’s roles in early modern theories of literature, then turns to reappraise the Platonizing major poet Edmund Spenser. Platonic concerns and conceptions profoundly affected early modern English and continental poetics, yet the effects have had little attention. Literary Platonism energized pursuits of the sublime, and knowledge of this approach to poetry yields cogent new understandings of Spenser’s poetics, his major texts, his poetic vocation, and his cultural influence. By combining Christian resources with doctrines of Platonic poetics such as the poet’s and lover’s inspirational furies, the revelatory significance of beauty, and the importance of imitating exalted ideals rather than the world, he sought to attain a visionary sublimity that would ensure his enduring national significance, and he thereby became a seminal figure in the English literary “line of vision” including Milton and Blake among others. Although readings of Spenser’s Shepheardes Calender typically bypass Plato’s Phaedrus, this text deeply informs the Calender’s treatments of beauty, inspiration, poetry’s psychagogic power, and its national responsibilities. In The Faerie Queene, both heroism and visionary poetics arise from the stimuli of love and beauty conceived Platonically, and idealized mimesis produces its faeryland. Faery’s queen, projected from Elizabeth I as in Platonic idealization of the beloved, not only pertains to temporal governance but also points toward the transcendental Ideas and divinity. Whereas Plato’s Republic valorizes philosophy for bringing enlightenment to counter society’s illusions, Spenser champions the learned and enraptured poetic imagination, and proceeds as such a philosopher-poet.
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Book chapters on the topic "Edmund; Shepheardes Calender; Fasti"

1

Füger, Wilhelm. "Spenser, Edmund: The Shepheardes Calender." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17142-1.

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2

Stenner, Rachel. "Sheep, Beasts, and Knights: Fugitive Alterity in Edmund Spenser’s The Faerie Queene Book VI, and The Shepheardes Calender." In Palgrave Studies in Animals and Literature, 167–79. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39773-9_12.

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3

"Chapter Two. Memory Machines or Ephemera? Early Modern Annotated Almanacs, Edmund Spenser’s Shepheardes Calender, and the Problem of Recollection." In Reading by Design, 62–112. Toronto: University of Toronto Press, 2019. http://dx.doi.org/10.3138/9781487511623-005.

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