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Journal articles on the topic 'Editing'

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Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Ohge, Christopher. "Melville Incomplete." American Literary History 31, no. 1 (January 1, 2019): 139–50. http://dx.doi.org/10.1093/alh/ajy048.

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Abstract The final volume of Melville’s unfinished writings by the Northwestern-Newberry edition is a monumental achievement. Monumental but also vexed, and vexing. Melville’s unfinished poetry and especially his unfinished novella Billy Budd challenge traditional editorial theories of eclectic editing that have guided the NN editions for decades. The final volume remains beholden to a theory of critical editing that is less suited to the purpose of editing unfinished manuscripts than of works that exist solely in print versions. This dilemma makes the volume a fascinating instance of the choices editors must make in the era of digital editions. The edition, while mainly improving upon previous editions of Billy Budd and making available reliable texts of unpublished poems, also takes some perplexing liberties with Melville’s unfinished manuscripts. Aloof to new and enormously useful electronic resources, the edition’s diplomatic transcriptions also represent a huge amount of duplicated effort, and a lost opportunity for collaboration with existing digital projects. This edition is a valuable resource, but the debatable emendations of unfinished manuscripts, coupled with the dismissal of the currently available digital resources for manuscript study, shows that the reading texts should be consulted with some skepticism and with recourse to the surviving manuscripts.

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2

Esmail, Whaj Muneer. "A Critical Analysis of the Intentional Deviation in News Editing." Al-Adab Journal 1, no. 137 (June 15, 2021): 47–72. http://dx.doi.org/10.31973/aj.v1i137.1087.

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News Editing is the clearest coding, which reflects the writer's behavior of the editor who linguistically, socially, or culturally edits and deviates some of the source language aspects. It, furthermore, refers to the writer’s competence of using an influential linguistic style and preserving the SL norms and policies. At the same time, editing news presents a new horizon within a different political framework into TL. The problem of news editing of the same TV in Arabic and English editions lies in discrepancies in meanings; intentional deviation and politics. For instance, BBC, which broadcasts in Arabic, has a different editing from its English edition. This study ascribes such differences to the different socio-cultural and political strategies adopted by the writer. The primary objectives of the study are: Finding out the political reasons behind the discrepancy and the intentional deviation in news editing. Identifying the political attitude of the original editor and the political attitude of the editor. The data set in this study consisted of “TWO” edited news editing (1 from English into Arabic) and (1 from Arabic into English). These two news writings have been broadcasted on BBC English & Arabic editions. A critical-stylistic analysis has been conducted by applying House’s (2001) model of TQA.

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3

Cook, Devan. "Revising Editing." Teaching English in the Two-Year College 29, no. 2 (December 1, 2001): 154–61. http://dx.doi.org/10.58680/tetyc20011995.

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Shows how an editing assignment emphasizing punctuation can help students in a first-year writing class discover new ideas and perspectives as part of the revision process. Considers a class that experimented with editing punctuation for a dual purpose--as a revision heuristic as well as for correctness. Reconsiders editing and revision assignments to take better advantage of editing’s generative powers.

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4

Irvine, Dean. "Editing Archives] Archiving Editions." Journal of Canadian Studies 40, no. 2 (February 2006): 183–211. http://dx.doi.org/10.3138/jcs.40.2.183.

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5

Koper, Tomasz. ""Cyganie polscy" oraz "Cyganie na polskich drogach". Próba porównania trzech wydań książki Jerzego Ficowskiego." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 16 (December 12, 2017): 170–81. http://dx.doi.org/10.24917/20811853.16.13.

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“Cyganie polscy” and “Cyganie na Polskich drogach”. Comparing three editions of Jerzy Ficowski’s book The paper attempts at comparing three editions of Jerzy Ficowski’s book: “Cyganie polscy” and “Cyganie na Polskich drogach” (published in 1965 and 1985). The main focus of the analysis is differences in the content of all three editions. Three main areas of content changes were identified: content removed, editing and stylistic changes, and content added (supplemented). Polish-Roma dictionary found in each edition was also analyzed.Key words: Gypsies; J. Ficowski; Cyganie na Polskich drogach; comparison;

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6

Rachuba, Andrzej. "Edycje akt sejmikowych z terenu Wielkiego Księstwa Litewskiego." Miscellanea Historico-Iuridica 21, no. 1 (2022): 347–63. http://dx.doi.org/10.15290/mhi.2022.21.01.12.

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The aim of the article is to present the current state of editing sejmiks’ records from the lands of the Grand Duchy of Lithuania from 1566 to 1794. Although the first printed edition of Lithuanian (Vilnius) sejmiks’ resolutions took place as late as the end of the 18th century, in contrast to the lands of the Polish Crown, Polish historians took little interest in them in later centuries. A relatively large number of sejmik records were published in the 19th century by Vilnius Archaeographical Commission, but one should be extremely critical of these editions, as it was clearly commissioned to shape the picture of the Commonwealth (and especially the Grand Duchy of Lithuania) through the prism of political and confessional requirements. For Polish scholars of the past, on the other hand, it was primarily the Polish lands that were important and the situation was not improved by Poland’s regaining of independence in 1918. Therefore, I would like to present the views of some of these historians on the need for such editions (especially at the historians’ congress in Vilnius in 1935), their form and the achievements of editing sejm records in the 19th – 21st centuries, divided into volumes strictly presenting such records (published by the abovementioned Archaeographical Commission), occasional and incidental editions, and the achievements of Russian, Polish, Lithuanian and Byelorussian historiography. What are the already visible effects of the veritable explosion of editions of sejmik records in the last decade and what are the prospects? In which research centres have editing projects been undertaken and what are the teams carrying them out?

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7

Guy, Adam, and Scott McCracken. "Editing Experiment: The New Modernist Editing and Dorothy Richardson's Pilgrimage." Modernist Cultures 15, no. 1 (February 2020): 110–31. http://dx.doi.org/10.3366/mod.2020.0282.

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This article examines the challenges experimental writing poses for textual editing, drawing on the experience of the Dorothy Richardson Editions Project, which was inaugurated in 2007 with the aim of producing new scholarly editions of Richardson's fiction and letters. Here we focus on Richardson's thirteen-volume novel sequence Pilgrimage (1915–67) and the particular problems its constantly unfolding experimental aesthetic present for both the critic and the scholarly editor. We adopt Adorno's concept of ‘constructive methods’ to describe Richardson's project, the composition of a narrative without a predictable endpoint, asking what kind of editorial practice best captures her unconventional and deliberately inconsistent approach to writing. We conclude by discussing the implications that editing Pilgrimage might have for a broader understanding of modernist aesthetics.

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8

Han, Hyun Hee. "Pre-editing and post-editing guidelines for Russian to Korean machine translation." Korean Journal of Russian Language and Literature 31, no. 4 (December 31, 2019): 65–96. http://dx.doi.org/10.38077/kjrll.2019.12.31.4.65.

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9

Amanalieva, G. "Drafting of Dictionary: Conceptual Model, Stages, Functioning." Bulletin of Science and Practice 6, no. 3 (March 15, 2020): 628–33. http://dx.doi.org/10.33619/2414-2948/52/77.

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The stages of drafting of dictionary: treatment of information generators for a dictionary; preparation of initial card index; preparation of project of dictionary (instructions for compilers); writing and editing of dictionary; set, make-up and edition of book; bringing of additions, correction of errors with the purpose of preparation of next editions are described in the article. A dictionary is presented as a many planned independent system with numerous intracommunications, micro– and by macrolevels.

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10

Bem, Paweł. "“Authorial Intention”: Some Thoughts on a Noble Lie of Scholarly Editing." Tekstualia 1, no. 8 (September 15, 2022): 171–81. http://dx.doi.org/10.5604/01.3001.0015.9916.

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The article adresses the practice of critical editing in Poland. The author, Paweł Bem, calls for an evaluation of theoretical thought underlying the practice of establishing critical editions meant to refl ect an author’s intention, and promotes the New Philology paradigm for scholarly editing. The New Philology perspective provides a methodological background for handling each text as a unique artifact. Bem also advocates for respecting original spellings and opposes standard modernization practices in scholarly editing.

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11

Hair, P. E. H. "On Editing Barbot." History in Africa 20 (1993): 53–59. http://dx.doi.org/10.2307/3171964.

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In 1974 the very first issue of HA included an analysis of a small section of John Barbot's Description of the coasts of North and South Guinea. Since this represented the first fruits of a project to edit Barbot's writings on Guinea, it is appropriate that, now the completed edition is published, a review of the history of the editing, the methods and problems of the editors, and the problems that the consumer will face in using the edition, should also appear in HA.Why Barbot? When, twenty years ago, I decided that Barbot's account of Guinea should be edited, I already knew that it was partly unoriginal, and that in an ideal world priority would be given to editing the other, earlier, recognized compendium on Guinea, the relevant section of Dapper's account of all Africa. For although Dapper is also partly unoriginal, it has probably a wider range of new material than Barbot, not least the very detailed Kquoja account. Why then Barbot rather than Dapper? The answer is simple. I recognized the lack of critical editing of Guinea sources and felt I had to take the plunge somewhere. But whereas Dapper wrote in Dutch, a language of which I have only dictionary command, the earlier manuscript version of Barbot was in French, a language I could cope with. Dapper will have his turn. Adam Jones, one of the co-editors of “Barbot on Guinea,” having Dutch, has already published studies of Dapper's sources. Moreover, in the edition of Barbot we have taken the unusual step of including in the annotation fairly frequent references to the lines of transmission of information, for instance, not only noting the material Barbot borrowed from Dapper but also, where the material was not original to Dapper, the sources of his borrowing—thus doing part of the work of a critical edition of Dapper. In fact we have generally tried to make the edition of Barbot a starting point for the critical study of many other pre-1700 Guinea sources.

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12

Acquavella-Rauch, Stefanie. "Implizites und explizites Vermitteln?" editio 37, no. 1 (October 1, 2023): 42–57. http://dx.doi.org/10.1515/editio-2023-0004.

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Abstract Thinking about knowledge transfer in hybrid music editions raises follow-up questions, since music editions can traditionally be characterised by a coexistence of scholarly-critical and practical approaches. The article focuses in particular on implicit and explicit aspects of three interrelated dimensions of transfer: the concept of the edition, internal communication processes, and performance-related editorial acts. The author argues that in scholarly hybrid editions, which are also intended for musical practice, several issues of knowledge transfer are implicit: in the overall aim of the edition, in the presentation of edited texts and critical notes, and in the consideration of user groups. The article discusses the importance of transmitting the concept of the edition to the editorial team involved. Project leaders play an important role in establishing communication structures, organising the many steps of an edition, and facilitating smooth collaboration between project members from different academic disciplines. Finally, the article explores the ways in which the feasibility of an edition is consciously or unconsciously present during the editing process, and the extent to which editors perform an inherent mediating function.

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13

Li, Yizhen, Jing Liang, Bufang Deng, Yingli Jiang, Jingyan Zhu, Like Chen, Min Li, and Juan Li. "Applications and Prospects of CRISPR/Cas9-Mediated Base Editing in Plant Breeding." Current Issues in Molecular Biology 45, no. 2 (January 19, 2023): 918–35. http://dx.doi.org/10.3390/cimb45020059.

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The clustered regularly interspaced short palindromic repeats (CRISPR)/associated protein 9 system (Cas9) has been used at length to optimize multiple aspects of germplasm resources. However, large-scale genomic research has indicated that novel variations in crop plants are attributed to single-nucleotide polymorphisms (SNPs). Therefore, substituting single bases into a plant genome may produce desirable traits. Gene editing by CRISPR/Cas9 techniques frequently results in insertions–deletions (indels). Base editing allows precise single-nucleotide changes in the genome in the absence of double-strand breaks (DSBs) and donor repair templates (DRTs). Therefore, BEs have provided a new way of thinking about genome editing, and base editing techniques are currently being utilized to edit the genomes of many different organisms. As traditional breeding techniques and modern molecular breeding technologies complement each other, various genome editing technologies have emerged. How to realize the greater potential of BE applications is the question we need to consider. Here, we explain various base editings such as CBEs, ABEs, and CGBEs. In addition, the latest applications of base editing technologies in agriculture are summarized, including crop yield, quality, disease, and herbicide resistance. Finally, the challenges and future prospects of base editing technologies are presented. The aim is to provide a comprehensive overview of the application of BE in crop breeding to further improve BE and make the most of its value.

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14

da Costa, Bruna Lopes, Masha Kolesnikova, Sarah R. Levi, Thiago Cabral, Stephen H. Tsang, Irene H. Maumenee, and Peter M. J. Quinn. "Clinical and Therapeutic Evaluation of the Ten Most Prevalent CRB1 Mutations." Biomedicines 11, no. 2 (January 27, 2023): 385. http://dx.doi.org/10.3390/biomedicines11020385.

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Mutations in the Crumbs homolog 1 (CRB1) gene lead to severe inherited retinal dystrophies (IRDs), accounting for nearly 80,000 cases worldwide. To date, there is no therapeutic option for patients suffering from CRB1-IRDs. Therefore, it is of great interest to evaluate gene editing strategies capable of correcting CRB1 mutations. A retrospective chart review was conducted on ten patients demonstrating one or two of the top ten most prevalent CRB1 mutations and receiving care at Columbia University Irving Medical Center, New York, NY. Patient phenotypes were consistent with previously published data for individual CRB1 mutations. To identify the optimal gene editing strategy for these ten mutations, base and prime editing designs were evaluated. For base editing, we adopted the use of a near-PAMless Cas9 (SpRY Cas9), whereas for prime editing, we evaluated the canonical NGG and NGA prime editors. We demonstrate that for the correction of c.2843G>A, p.(Cys948Tyr), the most prevalent CRB1 mutation, base editing has the potential to generate harmful bystanders. Prime editing, however, avoids these bystanders, highlighting its future potential to halt CRB1-mediated disease progression. Additional studies investigating prime editing for CRB1-IRDs are needed, as well as a thorough analysis of prime editing’s application, efficiency, and safety in the retina.

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15

Paul Strickland, Skylar. "CRISPR-Cas9: Gene Editing." International Journal of Science and Research (IJSR) 12, no. 6 (June 5, 2023): 2439–42. http://dx.doi.org/10.21275/sr23624231215.

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16

Anthony Domestico. "Editing Modernism, Editing Theology:." Journal of Modern Periodical Studies 3, no. 1 (2012): 19. http://dx.doi.org/10.5325/jmodeperistud.3.1.0019.

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17

Davis, M. "Editing out video editing." IEEE Multimedia 10, no. 2 (April 2003): 54–64. http://dx.doi.org/10.1109/mmul.2003.1195161.

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18

Kobayashi, Shigetoshi, and Masanobu Iwamoto. "Special edition. Recent editing techniques for TV programs. 2. Editing techniques. 2-1. Editing techniques for drama programs." Journal of the Institute of Television Engineers of Japan 44, no. 6 (1990): 659–65. http://dx.doi.org/10.3169/itej1978.44.659.

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19

Matsumura, Hajime. "Special edition. Recent editing techniques for TV programs. 2. Editing techniques. 2-3. Editing techniques for sports programs." Journal of the Institute of Television Engineers of Japan 44, no. 6 (1990): 671–73. http://dx.doi.org/10.3169/itej1978.44.671.

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20

Tamura, Yoshiteru. "Special edition. Recent editing techniques for TV programs. 2. Editing techniques. 2-4. Editing techniques for news programs." Journal of the Institute of Television Engineers of Japan 44, no. 6 (1990): 674–77. http://dx.doi.org/10.3169/itej1978.44.674.

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21

Hisamatsu, Takashi. "Special edition. Recent editing techniques for TV programs. 2. Editing techniques. 2-5. Editing techniques for commercial programs." Journal of the Institute of Television Engineers of Japan 44, no. 6 (1990): 678–82. http://dx.doi.org/10.3169/itej1978.44.678.

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22

Crowley, Ronan, and Joshua Schäuble. "Modernism on the Punch Tape: Editing the 1984 Ulysses." Modernist Cultures 15, no. 1 (February 2020): 29–47. http://dx.doi.org/10.3366/mod.2020.0278.

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This article explores the set of interlocking and overlapping institutional, pedagogical, and commercial developments that led to the critical editing of James Joyce's Ulysses by Hans Walter Gabler in the late 1970s and early 1980s. While the polarised reception of Ulysses: A Critical and Synoptic Edition in the late 1980s is well known, we reconstruct the material and technological conditions of digital scholarly editing that gave rise to this major edition of a canonical modernist work.

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23

Villanueva, Edith Rodriguez. "Book Review: Technical Editing, 4th Edition." Business Communication Quarterly 70, no. 3 (September 2007): 398–401. http://dx.doi.org/10.1177/1080569907304835.

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24

van Dijk, Ziko. "Wikipedia and lesser-resourced languages." Language Problems and Language Planning 33, no. 3 (September 25, 2009): 234–50. http://dx.doi.org/10.1075/lplp.33.3.03van.

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Wikipedia, the free encyclopedia, exists in more than 260 different language editions, some larger, some smaller. This article deals with difficulties in comparing them with each other and assessing their strength. Wikimedia Statistics can mislead if not interpreted with a knowledge about the ways Wikipedia editing works. Many language editions embellish the total number of articles by creating pseudo-articles with little or no encyclopedic value. The main question of the study presented by this article is what factors make a language edition grow, such as the existence of a standardized language, language status, Internet access for the average speaker, and the attitude of speakers to their language.

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25

Cassin, Matthieu. "Où en est l’édition de textes patristiques grecs aujourd’hui ? Théories, méthodes et pratiques." Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 24, no. 1 (July 9, 2020): 11–59. http://dx.doi.org/10.1515/zac-2020-0016.

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AbstractAn overview of recent editions of Greek texts from Christian Antiquity is provided, with particular attention to the question of theories and methods of edition. First, we recall the main methods involved: the Lachmannian method, corrected or not by historical approaches, New Philology, etc. In a second step, we go through some large collections of editions of patristic texts, in order to identify their specificities and study their main recent productions; these are successively examined: Athanasius Werke; Gregorii Nysseni Opera; Die griechischen christlichen Schriftsteller der ersten Jahrhunderte; Patristische Texte und Studien; Corpus christianorum, series graeca; Sources chrétiennes. Some special cases are then considered: single-witness texts; treatment of overabundant traditions and phylogenetic methods; partial editions; anthologies, exegetical catenae and compilations. Finally, we propose a general reflection on the changes introduced in the editing process by the introduction of digital technologies, up to and including electronic edition itself.

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26

Dukhanina, Alexandra V. "The Life of St. Stephen of Perm in the Printed Prologue: Textual Criticism and Codicological Value." Труды Отдела древнерусской литературы 68 (2020): 135–74. http://dx.doi.org/10.31860/0130-464x-2020-67-135-174.

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The Life of St. Stephen of Perm in a specific redaction was included in the second edition of the Prologue of 1642—1643 and reprinted in all subsequent editions of the Prologue in the 17th—18th centuries. Eight handwritten copies of the text belonging to this redaction have been found in 17th- and 18th-century manuscripts. In most editions of the Prologue the text reveals minor linguistic and stylistic changes that provide material for the history of editing of the Prologue, as well as for the history of the Russian literary language. They also allow determining which particular edition served as a model for this or that manuscript copy of the Life. Knowing the publication year of the editions has helped to clarify the dating of some manuscripts of this redaction of the Life and even to correct some data from an album of seventeenth-century watermarks

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27

Fazzo, Silvia. "Editing Aristotle's Metaphysics: why should Harlfinger's stemma be verified?" Journal of Ancient Philosophy 8, no. 2 (November 10, 2014): 133. http://dx.doi.org/10.11606/issn.1981-9471.v8i2p133-159.

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The textual transmission of Aristotle’s Metaphysics is currently described by Dieter Harlfinger’s stemma codicum. It appeared in 1979 within the acts of the 1972 Symposium Aristotelicum.1 With a single exception, the stemma has been accepted by scholars without discussion, or with minor relevances only. On the other side, at least until 2009 no stemmatically-based edition of a single book of the Metaphysics appeared. Still today, no new general edition is available. We are thus still left with Jaeger’s 1957 OCT – admittedly, an editio minor, which partly depends on Ross’ 1924 critical apparatus and textual choices. But things are evolving now, as we are about to see: this crucial theory and practice – editing Aristotle’s Metaphysics –is moving today faster than it has since the 19th century. Hence the interest in promoting a broader and a more articulated discussion, by pointing out some basic desiderata, which show the need for the subject to be taken into consideration anew.

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28

Horlacher, Rebekka. "The potential and pitfalls of editions in educational contexts." Encounters in Theory and History of Education 15 (November 10, 2014): 63–80. http://dx.doi.org/10.24908/eoe-ese-rse.v15i0.5297.

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By the example of school reformer and education scholar Johann Heinrich Pestalozzi (1746-1827) along with editions of his writings and correspondence, this article examines the relationship between sources, research traditions, historiography, and the production of editions. What emerges is that those sources that have been turned into editions for use by researchers exercise a significant influence on the issues researchers explore and on historiography, while the kind of historiography dominant at any given moment has always privileged a particular kind of edition. In light of two examples, this paper elaborates on the problems this creates for historiography after the linguistic turn and how these can be minimized – in significant part by tapping the potential of digital editing. DOI: http://dx.doi.org/10.15572/ENCO2014.04

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29

Stammers, Trevor. "Gene Editing and Journal Editing." New Bioethics 24, no. 1 (January 2, 2018): 1. http://dx.doi.org/10.1080/20502877.2018.1443565.

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30

Wichrowska, Elżbieta. "IS THE ENLIGHTENMENT WORKS’ EDITORSHIP STILL NEEDED?" Wiek Oświecenia, no. 38 (September 25, 2022): 40–56. http://dx.doi.org/10.31338/0137-6942.wo.38.3.

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The paper asks whether editing of 18th-century texts is still needed. By answering this question, she tracks the changes in editing on the example of Polish research on the Enlightenment. On the one hand, it shows how vital classical editing of the 20th century was: publishing volumes of collected works, correspondence, poetry, anthologies – types of editions whose development peaked in Poland in the communist era when cultural policy financially supported scientific editions in order to use them for ideological goals. On the other hand, the author points out how much the demand for critical editions has changed in modern times, especially in the field of humanistic themes and turns, i.e., gender studies and women’s journals, in which the author of the paper specialises (intimate women’s journals of the 18th and 19th centuries). The paper also deals with the digitisation of sources and scientific editions. The author recognises the advantages of this digitisation challenge and points to its rarely discussed limitations. The conclusion emphasises the importance of scientific anthologies and the editorship itself, which enables direct contact with the text and its more profound understanding, especially in order to understand tradition and the present day.

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31

Harris, Ian. "Some Reflections on Critical-Text Editing." Locke Studies 16 (December 31, 2016): 215–71. http://dx.doi.org/10.5206/ls.2016.663.

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‘Is your edition really necessary?’ is one of those questions which are so searching that they are rarely asked in polite intellectual society. It comes from the best of sources, and it is important not least because it raises fundamental questions—about why editing of a certain sort is necessary and about the criteria according to which it is carried out. Why, indeed, should anyone undertake critical editing? These questions can be addressed in several ways. This article addresses them by way of considering an edition which, it will be seen, is necessary. For Noel Malcolm’s is the first successful attempt to produce a critical-text edition of Leviathan. Here the reader is offered gold rather than base metal, and in considering such work it cannot be out of the way to ask the questions, both particular and general, that arise from reflecting on it. Neither can it be untimely to do so just now, when textual scholars in the West are becoming more conscious of the basic fact that their practices are not the only ones.

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32

Cook, Nicholas. "The Editor and the Virtuoso, or Schenker versus Bülow." Journal of the Royal Musical Association 116, no. 1 (1991): 78–95. http://dx.doi.org/10.1093/jrma/116.1.78.

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It so happens that almost all the music which Schenker edited had previously appeared in editions by Hans von Bülow. On each occasion, Bülow's edition provoked from Schenker what he himself described as his ‘frequent and energetic criticism’. Examining the basis of these criticisms may lead us to a better understanding of Schenker's own editorial work – work which had an importance within Schenker's total output that theorists, if not musicologists, have tended to underestimate. For Schenker, editing meant restoring the masterworks of the past to their authentic state (the title-page of his edition of the Beethoven sonatas describes it as a ‘reconstruction’) and thereby ensuring their survival in a world that, in Schenker's eyes, had lost the capacity to appreciate their significance. And such editing called for respect for the masterworks and a profound understanding of them; hence the extraordinary virulence with which Schenker attacked editors such as Bülow, who in his view lacked these qualities. In his study of the G minor Symphony, Schenker wrote: ‘Editions of Mozart's works no longer have anything in common with the original manuscripts.’ And he added: ‘Then is Mozart dead?’ This extreme sense of the editor's responsibility – a responsibility that extended to the life and death of the masterworks – informed everything that Schenker did. I would go so far as to say that Schenker's theory of levels was conceived as, more than anything else, a decisive contribution to editorial method. And to say this entails a considerable revision of the image of Schenker prevalent today.

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33

Daboussi, Fayza. "Advances in editing microalgae genomes." Perspectives in Phycology 4, no. 1 (May 1, 2017): 17–23. http://dx.doi.org/10.1127/pip/2017/0071.

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34

Herberichs, Cornelia, and Gabriel Viehhauser. "Varianz vermitteln." editio 36, no. 1 (December 1, 2022): 158–76. http://dx.doi.org/10.1515/editio-2022-0008.

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Abstract Textual variance poses a particular challenge to editing medieval texts. Digital editions in particular can respond to these challenges in order to convey to the user the potential of variance and to enable an interpretation of medieval literary works that is close to their actual transmission. This paper presents some possibilities of dealing with and presenting variance through the example of the digital edition of a late-medieval legendary, the so-called Der Heiligen Leben, Redaktion. This collection of saints’ legends offers a particularly good example of the value of considering textual variants, while also posing particular challenges for communicating variance.

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35

Makeev, Mikhail S. "Textual Studies of Nekrasov’s Poetry." Literary Fact, no. 21 (2021): 228–45. http://dx.doi.org/10.22455/2541-8297-2021-21-228-245.

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The article discusses some complex issues of N.A. Nekrasov’s poetry textual criticism, which the author had to solve in the course of preparing a new threevolume edition in the “Poet's Library” series. The status of the so-called “Posthumous edition” (1879) of Nekrasov's poems edited by S.I. Ponomarev, who used the now lost copy with the author's notes and revisions, is discussed. The textual critic is faced with the task of separating copyright editing from Ponomarev's conjectures, which he resorted to. The authoritative Soviet editions of Nekrasov did not take into account the versions of the “Poems” of 1879, which was sometimes erroneous, as is demonstrated in the article on the example of individual readings of such works as “Vlas”, “Philanthropist” and others.

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HARRIS, JAMES A. "EDITING HUME'S TREATISE." Modern Intellectual History 5, no. 3 (November 2008): 633–41. http://dx.doi.org/10.1017/s1479244308001832.

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In 1975 the Clarendon Press at Oxford published Peter Nidditch's edition of John Locke's An Essay concerning Human Understanding. In his Introduction Nidditch says that his edition “offers a text that is directly derived, without modernization, from the early published versions; it notes the provenance of all its adopted readings (some of which are new, correcting long-established errors); and it aims at recording all relevant differences between these versions”. As Nidditch goes on to acknowledge, the “relevant differences” were many, “requiring several thousand registrations both in the case of material variants (deletions, additions, or changes of wording) and in the case of formal variants (changes of punctuation, parentheses, italics, etc.)”. The textual history of Locke's Essay is extremely complicated. While there is no manuscript of the first edition of the book, there were four editions in Locke's lifetime, each new one containing extensive and significant revisions, as well as a posthumous edition published shortly after the author's death. There was a translation into French made with Locke's cooperation and published in 1700, and a Latin translation came out a year later. Nevertheless, Nidditch managed to record all the material variants in footnotes to the text, in a way that makes it fairly easy to track the changes that Locke made to successive editions of the book, and to locate points at which judgements had to be made as a critical text was established on the basis of the chosen copy text. Sometimes a critical edition succeeds in completely changing the way that a text is read. Peter Laslett's 1960 edition of Locke's Two Treatises of Government is a good example. Nidditch's edition of the Essay did not have that kind of very dramatic effect on Locke scholarship. Rather, it made it possible for those without direct access to all the early editions to engage in careful, historically sensitive studies of Locke's account of human understanding. The result was a slow revolution in Locke studies that continues to shed new light on even the most familiar aspects of the Lockean philosophy.

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Shimizu, Yukio. "Special edition. Recent editing techniques for TV programs. 2. Editing techniques. 2-2. From the recording to editing of music programs." Journal of the Institute of Television Engineers of Japan 44, no. 6 (1990): 666–70. http://dx.doi.org/10.3169/itej1978.44.666.

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Williams, David. "Editing." Radical Philosophy Review 3, no. 2 (2001): 189. http://dx.doi.org/10.5840/radphilrev20013213.

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Yeager, Stephen. "Empire, Shame, and Medieval Text Editing: The Case of Beowulf Line 1382a." Journal of Medieval and Early Modern Studies 53, no. 2 (May 1, 2023): 201–24. http://dx.doi.org/10.1215/10829636-10416571.

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This essay applies the concept of postimperial melancholia, taken from the work of Paul Gilroy, to describe the affective undercurrents of medieval text editing in the latter half of the twentieth century and the first decades of the twenty-first through an example from Beowulf. The discussion is focalized through the emendations to line 1382a, where an ambiguous series of minims leads to different editorial choices in Klaeber's first three editions of the poem, in his second supplement to the third edition, in the fourth edition produced by R. D. Fulk, Robert D. Bjork, and John D. Niles, and in Kevin Kiernan's Electronic Beowulf. The emendation proposed by Klaeber in his second supplement is imbricated in the shameful history of Old English studies and the project of constructing legendary origins for whiteness. Kiernan and the fourth edition editors each reject Klaeber's reading without addressing this history, focusing attention instead on technological and methodological interventions that produce other readings which are then represented alongside Klaeber's. The result is representative of how the closed and nonrecuperative temporality of melancholia is manifest in the principal development of postwar medieval text editing more generally, which is the abandonment of the notion that scholarly interventions constitute progress toward a better representation of a text, in favor of imagining them as expansions of a spatialized critical field around nodes of dissent. The essay concludes that the best way forward for the field is to recognize its melancholia and its causes, so that it might contribute to more productive futures.

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Bass, Brenda L. "RNA Editing: An I for editing." Current Biology 5, no. 6 (June 1995): 598–600. http://dx.doi.org/10.1016/s0960-9822(95)00119-9.

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Esteban Segura, María Laura. "Editing Middle English Medical Manuscripts : The Case of Glasgow University Library MS Hunter 509." Journal of English Studies 9 (May 29, 2011): 97. http://dx.doi.org/10.18172/jes.166.

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It has been pointed out that the editing of a scientific treatise should be “an extended and challenging exercise in judgment, requiring an earnest commitment to scholarship” (Keiser 1998: 110). In the present article, the challenges and steps involved in the process of editing a specific Middle English medical text, G.U.L. MS Hunter 509, are dealt with. After a brief introduction to the manuscript, the stages previous to editing are discussed. These include transcription, of which the main difficulties are addressed and possible ways to overcome them put forward, lemmatisation and morphological tagging. Then, the two types of edition that have been carried out, printed and electronic, are presented. A comment on the glossary and list of lemmas closes the article.

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Hurlebusch, Klaus. "Besser spät als nie." editio 36, no. 1 (December 1, 2022): 1–32. http://dx.doi.org/10.1515/editio-2022-0001.

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Abstract After sixty years, the work on the Hamburg Klopstock edition is nearing completion. That is reason enough to recall the planned and unplanned, the institutional, material, financial and personal conditions under which this complete edition has become what currently distinguishes it from comparable German-language editions of poets. The conceptual and methodical characteristics are described that allow the Hamburg Klopstock edition to be classified in terms of the history of scholarly editing: the strong author-centrism in the volumes of the Works section of the edition; the explanations as a focus in the reader-friendly volumes of the correspondence as well as the methodical innovations in the Addenda section in the form of the genetic prose text representation (Addenda II) and the bibliographical description of the prints of Klopstock’s works based on the model of the Anglo-American analytical bibliography (Addenda III). The typographic design is another characteristic of this edition.

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Veillet, Florian, Laura Perrot, Anouchka Guyon-Debast, Marie-Paule Kermarrec, Laura Chauvin, Jean-Eric Chauvin, Jean-Luc Gallois, Marianne Mazier, and Fabien Nogué. "Expanding the CRISPR Toolbox in P. patens Using SpCas9-NG Variant and Application for Gene and Base Editing in Solanaceae Crops." International Journal of Molecular Sciences 21, no. 3 (February 4, 2020): 1024. http://dx.doi.org/10.3390/ijms21031024.

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Genome editing has become a major tool for both functional studies and plant breeding in several species. Besides generating knockouts through the classical CRISPR-Cas9 system, recent development of CRISPR base editing holds great and exciting opportunities for the production of gain-of-function mutants. The PAM requirement is a strong limitation for CRISPR technologies such as base editing, because the base substitution mainly occurs in a small edition window. As precise single amino-acid substitution can be responsible for functions associated to some domains or agronomic traits, development of Cas9 variants with relaxed PAM recognition is of upmost importance for gene function analysis and plant breeding. Recently, the SpCas9-NG variant that recognizes the NGN PAM has been successfully tested in plants, mainly in monocotyledon species. In this work, we studied the efficiency of SpCas9-NG in the model moss Physcomitrella patens and two Solanaceae crops (Solanum lycopersicum and Solanum tuberosum) for both classical CRISPR-generated gene knock-out and cytosine base editing. We showed that the SpCas9-NG greatly expands the scope of genome editing by allowing the targeting of non-canonical NGT and NGA PAMs. The CRISPR toolbox developed in our study opens up new gene function analysis and plant breeding perspectives for model and crop plants.

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Ambroziak, Tomasz. "Jak wydawać cyrylickie akta sejmikowe? Analiza rosyjskich, ukraińskich i białoruskich współczesnych zasad wydawniczych oraz wybranej praktyki edytorskiej. Część I." Miscellanea Historico-Iuridica 21, no. 1 (2022): 321–45. http://dx.doi.org/10.15290/mhi.2022.21.01.11.

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One area in which significant progress has been made in the publication of sources in recent years is the editing of sejmik records. The fundamental question facing publishers of sources is the issue of editing priniples. Publishers of Lithuanian sejmik records are in a peculiar situation, as they face the problem of publishing sources in Polish and Ruthenian in one volume. Meanwhile, in Polish editing practice, there are no strictly defined rules for publishing Cyrillic sources, and contemporary experience in this matter is quite modest. The team preparing the edition of the sejmik records of the Vilnius voivodship from 1566–1655 faced a similar problem. In the course of the work, in order to determine the principles of editing the text, the existing theoretical models and solutions adopted in publishing practice were analyzed and evaluated for their suitability for the tasks ahead. This article will analyze contemporary publishing instructions and methodological recommendations for the publication of Cyrillic sources formulated in Russian, Belarusian and Ukrainian editing, as well as selected source publications of Cyrillic documents from the territory of the Grand Duchy of Lithuania from the 16th–17th centuries. The conclusions of the analysis will be used to formulate proposals for specific solutions for the publishers of sejmik records.

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Edson, Michael. "Annotator as Ordinary Reader: Accuracy, Relevance, and Editorial Method." Textual Cultures 11, no. 1-2 (June 11, 2019): 42–69. http://dx.doi.org/10.14434/textual.v11i1-2.22098.

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As the first annotated edition of Churchill’s poetry, William Tooke’s 1804 Poetical Works of Charles Churchill offers insight into the reading practices specific to eighteenth-century verse satire and beyond. Drawing information from widely-circulated periodical sources rather than the author-proximate documents favored by most annotators today, Tooke reveals the suspect modern assumption that satires held the same meanings for early readers as authors intended. Building on the reader-centered approach behind Tooke’s apparatus, this essay argues that the lingering intentionalist bent of modern explicatory editing distorts the information available to past readers, the identities ascribed to allusions, and the uses assigned to past texts. In Churchill’s case, such annotation obscures his links to the print-driven scandal culture of the 1760s, a culture in which identifying allusion displays one’s mastery of gossip. Ultimately, Tooke raises questions about the continued editorial allegiance to intentionalist ideas of accuracy and relevancy, questions that can be extended to the editing of texts from many genres and times. He implies that, while early scholarly apparatuses may not meet today’s standards, they nonetheless offer information about reading habits, insights often more historically accurate than what is gleaned from modern editions.

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Ohge, Christopher. "Ponowne doświadczanie kompozycji. Rozważania nad naukową edycją cyfrową z „Melville Electronic Library”." Sztuka Edycji 23, no. 1 (September 2, 2023): 15–27. http://dx.doi.org/10.12775/se.2023.00002.

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This essay returns to some fundamental notions in computing history to argue for a creative and dynamic form of scholarly editing in the digital space as a form of creative-critical practice. Constituted as a complementary method to the tradition of critical editing, which attempts to provide the most correct description and single representation of the text, the editor attuned to creative-critical methods seeks to brings readers of the edition closer to the energies of writing – composition, revision, text-making, and the context of texts and their relational contexts. These ideas are demonstrated by three examples from the Melville Electronic Library’s work on Moby-Dick, Billy Budd, Sailor, and the forthcoming digital edition of Hawthorne and His Mosses.

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Stewart, Devin J. "Editing the Fihrist of Ibn al-Nadīm." Journal of Abbasid Studies 1, no. 2 (October 1, 2014): 159–205. http://dx.doi.org/10.1163/22142371-12340010.

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Arabic and Islamic studies, whether of the Abbasid or later periods, suffer from the lack of reliable editions of fundamental resources such as al-Ṭabarī’sTārīkh al-rusul wa-l-mulūk, al-Masʿūdī’sMurūj al-dhahab wa-maʿādin al-jawhar, Abū l-Faraj al-Iṣbahānī’sKitāb al-Aghānī, and others, despite a long history of scholarly interest in, and intensive use of these particular texts. The appearance in 2009 of the new edition of theFihristof Ibn al-Nadīm (d. 380/990) by Ayman Fuʾād Sayyid (hereafterafs) provides an opportunity to reflect on this general problem by considering the historical progress made in the editing and contextualization of this text that is central to the understanding of Abbasid history and letters and to nearly all the intellectual traditions that had arisen in the Islamic world by the fourth/tenth century. As will become clear, the complex history of scholarship on theFihristis an object lesson on the problem of failing adequately to take into account the work of earlier editors and scholars, made particularly difficult in this case by linguistic barriers and limited access to widely scattered publications. The following remarks attempt to reviewafs’s edition of theFihrist, to compare the views ofafs, the Russian scholar Valeriy V. Polosin, and others regarding the context and background of theFihrist, and to give an overview of the current state of knowledge about Ibn al-Nadīm and theFihrist. It will be argued that, beyond reliably publishing the contents of the earliest extant manuscript of theFihrist, substantial emendations to the text are required to produce a reliable edition of the work. An evaluation ofafs’s emendations to the text is followed by a number of additional proposed emendations.

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Talabbaev, Rustam Ergashalievich. "Problems And Errors Of Video Editing Beginners." American Journal of Interdisciplinary Innovations and Research 02, no. 10 (October 31, 2020): 80–83. http://dx.doi.org/10.37547/tajiir/volume02issue10-14.

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This article is a huge problem for the sound director - it is about non-linear video editing. It also discusses the types and methods of teaching nonlinear editing. Therefore, this article will help users who have the necessary information about the non-linear video editing audio process

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Liang, Along. "Multi-Agent-Based Film Editing Collaboration System." Computational Intelligence and Neuroscience 2022 (July 1, 2022): 1–6. http://dx.doi.org/10.1155/2022/1327620.

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In order to realize the effective cooperation between editor agents in the film and television editing collaboration system, it is analyzed that the state change of the film and television editing and production process is affected by the cross influence of multiple factors. A single agent can no longer satisfy the current film and television production. From the point of view of system theory, this article constructs the learner agent in the film and television editing system by introducing a new cooperation mechanism—the multi-agent collaborative system model. Collaboration and cooperation between multiple agents and the reinforcement learning between multiple editor agents are realized based on the film and television editing system between multiple agents. The operation mechanism of the separate organization is organized together, cooperates with each other and works in harmony to complete the collaborative effect of the film and television editing system, and can improve the interaction efficiency between the editor agents. Agent film and television editing’s cooperative learning approach allows for successful collaboration among editor agents. The Bayesian technique is utilized in this study to assess the likelihood of effective cooperation between two agents, and a trust model based on this method is presented, making up for the shortcomings of the existing collaborative learning system. The multi-agent collaboration system will be utilized for production in the film and television editing collaboration system. Many of the movie’s scenes and segments are created using computer technology special effects, giving viewers a very unique experience and a feast for the eyes and ears.

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Malcher, Kay. "Ikonische Prägnanz von Schrift und die Prägung der Überlieferung." Beiträge zur Geschichte der deutschen Sprache und Literatur 140, no. 2 (June 1, 2018): 232–64. http://dx.doi.org/10.1515/bgsl-2018-0016.

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AbstractEditing Middle High German texts today is led much more by the ventilation of practical necessities than by theoretical consideration. Especially lacking discussions of a basic concept of ›text‹ raises the risk of developing blind spots. The article will try to identify these blind spots as places where the traditional strategy of editing texts on the basis of the faulty-replication model persists. This will be illustrated by new editions of the ›Wunderer‹ and the ›Rosengarten‹. Furthermore, the article evolves a semiotic model of the philological praxis of editing Middle High German heroic epics.

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