Journal articles on the topic 'Editing History 20th century'
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1
Panov, S. I., and O. Y. Panova. "Materials of 20th-century American writers in Moscow archives 1917–1941." Voprosy literatury, no. 2 (May 6, 2022): 165–97. http://dx.doi.org/10.31425/0042-8795-2022-2-165-197.
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This analytical overview of materials located in Moscow archives is devoted to the history of American literature and the Soviet-American literary connections in the years before World War II (1917–1941). These materials document American writers’ contacts with Soviet and international communist organisations, personally with Joseph Stalin, with cultural and literary institutions. The USSR closely monitored the sentiment among American writers, as evidenced by the corpus of correspondence between Soviet literary functionaries and their informants in the USA. Archives of Soviet publishers offer insights into the process of translating and editing American literature as well as creation of theatrical and film adaptations. Readers’ letters from the 1930s demonstrate the mass audience’s enthusiasm for American literature.
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Repucho, Ewa. "The book collection of Jan Kuglin as a source for research on the aesthetics of print in the 20th century." Z Badań nad Książką i Księgozbiorami Historycznymi 13 (December 26, 2019): 327–45. http://dx.doi.org/10.33077/uw.25448730.zbkh.2019.170.
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The paper describes a somewhat forgotten book collection of the outstanding Wrocław editor Jan Kuglin, in terms of the editions on print aesthetics contained therein. The collection, which is a reflection of Kuglin’s scientific passions, contains many valuable books in German, English, Polish, Russian and Czech in the field of book and printing history, editing, book design, typography, writing, graphic techniques, polygraphy, paper industry, bookbinding, etc. In the book collection of Kuglin one can find editions being examples of a perfect typography. Thus, the collection stored in the Library of the Institute of Information and Library Science of the University of Wrocław is an excellent source for research on the aesthetics of printing in the 20th century.
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Woś, Paweł. "Maria Wysłouchowa – redaktorka, publicystka, działaczka społeczna i polityczna." Czasopismo Naukowe Instytutu Studiów Kobiecych, no. 1(10) (2021): 53–70. http://dx.doi.org/10.15290/cnisk.2021.01.10.03.
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Maria Wysłouchowa was the most distinguished Polish political activist of people’s, cultural and female movement in 19th and 20th century. She is the author of many historical works, a translator and popularizer slavic literature. Most part of her life she spent on editing socio-literary magazines which comprised a tie between Lviv intelligentsia and unaware peasants. Wysłouchowa’s endeavours set a way to democratization public life in Galicia.
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Guskov, Nikolai. "The creation of S. Marshak’s poem “Ice-cream”." Children's Readings: Studies in Children's Literature 18, no. 2 (2020): 154–79. http://dx.doi.org/10.31860/2304-5817-2020-2-18-154-179.
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The article compares seven versions of S. Marshak’s poem for children “Ice Cream”. Three of them (1925, 1940 and 1957) are recognized as the canonical editions, and others (of the 1929, 1949, 1960.1962) as their variants. The final version for posthumous publications is ascribed, without any reason given, to 1960 production year, with deviations taken from different publications of this text. The article analyzes the reasons underlining such transformation of the text that include changes in realia, social tastes and mores, stylistic and ideological tendencies of the 20th century, and the poet’s desire to harmonize his creative attitudes with external factors. The analysis demonstrates that although the editing process of the text was organic, the difference between editions is so great (only 30 verses are shared between all of the editions) that the reproduction of all versions is needed for scholarly and the critical editions of Marshak’s poetry. His editing method is compensatory: the plot and style varied, but the philosophical and ethical subtext important for Marshak as a creative individual remained the same. These are archetypal ideas of joyful acceptance of the objective laws of nature, the glorification of those who support world harmony, and the condemnation of those who violate it. The appendix contains a comparative table showing the history of Marshak’s text.
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Hatchuel, Sarah, and Nathalie Vienne-Guerrin. "From zones to Zoom: Shakespeare on screen in the digital era." Cahiers Élisabéthains: A Journal of English Renaissance Studies 105, no. 1 (July 2021): 3–13. http://dx.doi.org/10.1177/01847678211008362.
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This introduction explores the consequences of the digital revolution on the production, distribution, dissemination, and study of Shakespeare on screen. Since the end of the 20th century, the rise (and fall) of the DVD, the digitalisation of sounds and images allowing us to experience and store films on our computers, the spreading of easy filming/editing tools, the live broadcasts of theatre performances in cinemas or on the Internet, the development of online archives and social media, as well as the globalisation of production and distribution have definitely changed the ways Shakespeare on screen is (re)created, consumed, shared, and examined.
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Kusenko, Olga I. "Preface to translation." History of Philosophy 27, no. 2 (November 10, 2022): 117–30. http://dx.doi.org/10.21146/2074-5869-2022-27-2-117-130.
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In this article, we provide the first commented edition and translation of an important fragment from Vladimir Zabugin’s posthumous work “The History of the Christian Renaissance in Italy” (Milan, 1924). Zabugin was a Russian historian, philologist and thinker, who lived and worked in Italy in the first quarter of the 20th century. He made an important contribution to the history of ideas with his concept of “Christian Renaissance”, abolishing the postulated antithesis of the Middle Ages and Renaissance as well as the idea of the Renaissance as the revival of antiquity. A sudden death in a mountaineering accident in the Italian Alps prevented Zabugin from completing his outstanding monography: editing the text, compiling notes, bibliography, name index, the absence of which made it very difficult for specialists to refer to the text. That is because a special focus of the present article lies in commenting the fragment and guiding the reader through Zabugin’s key conceptional points. The presented fragment of the first chapter of the book sought to emphasize the continuity of classical and christian culture in Italian proto-Renaissance literature, philosophy, architecture, fine arts. Refering to the eve of the Renaissance (13th century), Zabugin clearly demonstrates how the Christian culture “imperat” here, and the pagan one “ministrat”.
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Atzeri, Lorena. "X. Roman Law from the Desert: A.S. Hunt, F. de Zulueta, E. Levy, V. Arangio-Ruiz and the Editing of Legal Papyri." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 138, no. 1 (June 1, 2021): 446–506. http://dx.doi.org/10.1515/zrgr-2021-0010.
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Abstract The Papyrology Rooms of the Sackler Library, Oxford, preserve the correspondence of the two famous papyrologists, B.P. Grenfell and A.S. Hunt, conducted with numerous scholars from Britain and continental Europe. The main subject of this correspondence is the editing of the texts found in the Oxyrhynchus papyri. On some of the most important legal papyri, namely P.Oxy. 1814, 2089 and especially 2103 (the ‘Oxyrhynchus Gaius’), Hunt sought out the collaboration of Roman law scholars such as F. de Zulueta, W.W. Buckland and E. Levy, who all participated to a varying degree in the editorial process of these legal documents. These letters, some of them hitherto unknown, are here published for the first time. They reveal the extent of the collaboration especially between Hunt and de Zulueta, the Regius Professor of Civil Law in Oxford. In addition to this correspondence, another letter on the same theme was discovered in the University Library of Aberdeen, where de Zulueta’s personal library is now located. It was sent to de Zulueta by the Italian Roman law scholar V. Arangio-Ruiz, who was then editing the PSI 1182 (the ‘Florentine Gaius’), and shows the ongoing dialogue between the two scholars on this important legal papyrus. Taken together, these letters allow a reconstruction of the editorial process applied to some of the most significant witnesses of Roman law sources unearthed in the 20th century. This in turn provokes reflection on the desirability of submitting the standard editions of these sources to a new critical analysis.
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Dayeh, Islam. "From Taṣḥīḥ to Taḥqīq: Toward a History of the Arabic Critical Edition." Philological Encounters 4, no. 3-4 (December 13, 2019): 245–99. http://dx.doi.org/10.1163/24519197-12340072.
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AbstractThe article traces the transformations in Arabic editorial practices from the mid-19th century through the early decades of the 20th-century. Focusing on the publishing world of Cairo, the article examines some of the major political, cultural and technological conditions that shaped editorial choice and technique. The article explores continuities as well as ruptures with traditional Arabic-Islamic editorial practice, and assesses the impact of 19th-century European philological and historical scholarship. Particular attention is given to examining innovation in editorial practice, textual form, and modes of research over the course of a century.
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Chukhina, I. G., S. R. Miftakhova, and V. I. Dorofeyev. "International Code of Nomenclature for Cultivated Plants: on the history of the Russian translation." VAVILOVIA 4, no. 1 (December 26, 2021): 48–54. http://dx.doi.org/10.30901/2658-3860-2021-1-48-54.
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An urgent need to use a unified nomenclature for cultivated plants was indicated at the beginning of the 20th century by R.E. Regel, A.I. Malzev, K.A. Flyaksberger. Half a century later, an appendix to the International Code of Botanical Nomenclature (Stockholm, 1952) published the first formulated rules for naming cultivated plants, which provided a basis for the International Code of Nomenclature for Cultivated Plants issued as a separate edition in 1953. The primary goal of the Code was to eliminate confusion, promote order and uniformity in the naming of new varieties and the use of accepted variety names, i.e. to establish unified nomenclature rules. The main categories of the nomenclature for cultivated plants (cultivar, group, grex) do not represent a hierarchical system. So far, nine editions of the International Code of Nomenclature for Cultivated Plants had been published, of which four were translated into Russian (1953, 1958, 1961 and 1969). The prepared translation of the ninth edition is going to be published in the Vavilovia journal.
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Vinogrodskaya, Veronika. "Chinese Classical Textual Studies in the 20th and 21st Centuries." Problemy dalnego vostoka, no. 5 (2021): 158. http://dx.doi.org/10.31857/s013128120016768-5.
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The article offers a brief outline of the history of "classical Chinese textual studies" (Zhongguo gudian wenxianxue), analyzes its content and structure, as well as its place and prospects in modern China. Classical Chinese textual studies emerged as a distinct modern academic discipline based on an ancient domestic tradition and under the influence of Western textual criticism of the 19th century. Since the 1920s, over the last hundred years, it has undergone several ups and downs but steadily continues to maintain continuity with a vast philological knowledge of imperial China, as well as to appropriate new approaches from Western humanities. The most developed areas of wenxianxue are the editing and publication of ancient texts, theoretical research in the foundations of textual studies, the creation and further exploration of subdisciplines, the analysis of research methods, and interdisciplinary perspectives, the study of the history of wenxianxue as well as various specialized problems. Overall, Chinese classical textual studies gravitate toward striving for comprehensiveness, interdisciplinary approaches, and practical issues. Currently, there is still a certain lack of innovation in exploring new areas, insufficient rigor and depth in theoretical research, the uneven development of individual areas of research and their somewhat regional character, nevertheless, textual studies manage to combine extensive practical work on "ordering ancient books" (guji zhengli) with a comprehensive study on the vast and immense Chinese textual culture.
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Tsyb, S. V., and T. V. Kaigorodova. "Russian Printed Paskhalistic Books of the 18th — Early 20th Centuries." Izvestiya of Altai State University, no. 3(119) (July 9, 2021): 71–75. http://dx.doi.org/10.14258/izvasu(2021)3-10.
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The article deals with the process of transformation of the old handwritten tradition of describing Paskhaliya into a printed one. Understanding the calculations of the day of Easter was important for the daily life of the population of Ancient Rus, and therefore Old Russian writers paid attention to describing the rules of Easter calculations. For a long time, these descriptions took the form of handwritten manuscripts. After the reforms of Peter the Great in Russia, works of this genre began to take the form of printed editions. The authors aim to consider the features of the transformation of the handwritten manuscripts into modern books. As part of study, it has been found that the descriptions of Paskhaliya, published in the typographic way first, tried to repeat the handwritten samples, but then began to turn into popular descriptions of the rules for calculating Easter. Moreover, the authors of these writings looked to the development of new ways of calculating the dates of the Easter celebration. It has been linked to the fact that after the authors-priests (18th century), secular writers (journalists, officials, officers, etc.) joined the genre of describing Paskhaliya in the first half of the 19th century. The way of transformation of Paskhalistics into an entertaining genre of popular-science literature became likely, but in the second half of the 19th century the representatives of academic science restored the scientific status of this field of knowledge. At present, the achievements of the science of Paskhaliya have become an important element in the study of the chronology of ancient Russian history. In modern science, studying the history of timekeeping, Paskhalistics became one of the necessary elements for studying the chronology of ancient Russian history. It can be recognized that the printed editions of Paskhaliya played an important role in the development of modern chronological science.
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Borges, Rosa. "Prácticas filológicas en la edición de textos del siglo XX: experiencias de un grupo de investigación." (an)ecdótica 5, no. 2 (August 24, 2021): 41–70. http://dx.doi.org/10.19130/iifl.anec.2021.5.2.49242.
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In this article, we intend to show how critical editing of texts has changed over time and how philologist-editors have taken different critique, politic and social attitudes in the task of editing texts, taking into account their interests regarding the editorial project to be developed, the idiosyncrasies of the materials that make up the archive corpus, the commitment to the text and the reading that will circulate at another point in our history (literary and dramaturgical), among other aspects arising from the examined textual situations. We briefly discuss editorial theories and methodologies, seeking to show how the ecdotic method was transformed from the 19th to the 21st century, outlining contemporary philological practice in two aspects: platonic (teleological) and pragmatic (sociological) in paper and electronic support. To illustrate and comment on the editorial practice of 20th-century texts, poems, short stories, and above all censored theatrical texts, we bring a synthesis of the work developed within the Institute of Letters from Federal University of Bahia, in the research group that I coordinate, considering the editorial models adopted (digital facsimile, synoptic-critique, interpretive, critique, genetics, critical-genetics, electronic/digital [hypertextual archive or hyperEditing]), according to the critical, philological, genetic and sociological approaches. Also, we consider that critical-philological studies point to a particular theme selected by the philologist for weave comments and criticism.
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Zhao, Ye, Yanting Tian, Yuhan Sun, and Yun Li. "The Development of Forest Genetic Breeding and the Application of Genome Selection and CRISPR/Cas9 in Forest Breeding." Forests 13, no. 12 (December 10, 2022): 2116. http://dx.doi.org/10.3390/f13122116.
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With the birth of classical genetics, forest genetic breeding has laid a foundation in the formation of the basic theories of population genetics, quantitative genetics, cytogenetics, and molecular genetics. Driven by the rapid growth of social demand for wood and other forest products, modern genetics, biotechnology, biostatistics, crop and animal husbandry breeding theories, and technical achievements have been continuously introduced for innovation, thus forming a close combination of genetic basic research and breeding practice. Forest tree breeding research in the world has a history of more than 200 years. By the middle of the 20th century, the forest tree genetic breeding system was gradually formed. After entering the 21st century, the in-depth development stage of molecular design breeding was opened. With the continuous improvement of traditional genetic breeding methods, emerging modern bioengineering technology has also continuously promoted the development of forest genetic breeding. This study mainly summarizes the research history of forest tree genetics and breeding, as well as discusses the application of modern bioengineering technology represented by genome selection and gene editing in forest tree breeding, so as to provide better reference for forest tree breeding research.
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Gutiérrez Reyna, Jorge. "El texto del Primero sueño. Transmisión, editores, retos de la edición crítica." (an)ecdótica 3, no. 2 (August 12, 2019): 71–92. http://dx.doi.org/10.19130/iifl.anec.2019.2.7192.
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This article delineates the history of the text of sor Juana Inés de la Cruz’s Primero Sueño. It gives an account of the possible manuscript transmission of the poem, of its first printed edition within the Segundo Volumen de las Obras de sor Juana, published in Seville in 1692, and of the various Spanish editions which, until 1725, reproduced the poem. This study also provides information about editors who played an important role in the textual transmission of the Primero Sueño during the 17th century, such as Juan de Orúe y Arbieto and José Llopis. Furthermore, it addresses the topic of the editors who, during the 20th century, questioned the accuracy of the old volumes’ text, made editorial decisions about it, and offered their own editions of the text. These editors, and the publication dates of their editions, are as follows: Ermilo Abreu Gómez, 1928; Alfonso Méndez Plancarte, 1951, and Alberto Pérez Amador, 2015. Finally, this article indicates some basic principles that should be taken into consideration when creating a critical edition of the Primero Sueño, and discusses some of its loci critici.
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Kušnere, Sigita. "LATGALIAN LITERATURE AND HISTORY OF LATVIAN LITERATURE – TRADITION AND PERSPECTIVES." Via Latgalica, no. 10 (November 30, 2017): 104. http://dx.doi.org/10.17770/latg2017.10.2763.
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Latgalian literature has received relatively little attention in most studies of Latvian literature, regardless of the time or the type of the studies made, be they studies of individual or collaborative nature. In the late 19th century and early 20th century, it was largely caused by prohibition of Latgalian publications printed in the Latin alphabet. In the following periods Latgalian literature was overlooked because of lack of awareness, sometimes, also by deliberate ignorance, which was dictated by the political situation. Exploration of the current situation is the goal of this study, namely, to present a summary of what has already been accomplished and to indicate the directions where new studies are urgently needed, ideally – through joint examination of Latvian and Latgalian literatures. The summary is based on the analysis of the regularities and main issues found in the works on the history of Latgalian literature. Careful analysis of the literary processes, authors and significant literary works of the late 19th and early 20th centuries, as well as their exposure in the studies of the history of Latvian literature reveals that a short insight in publishing of Latgalian books and periodicals was given, for instance, by Teodors Zeiferts in his fundamental study ‘History of Latvian Literature, Part 2 and 3’ (Latviešu rakstniecības vēsture, 1923, 1925), and Jānis Niedre in ‘Latvian Literature. Part 2’ (Latviešu literatūra, 1953); small essays were also included in the volumes of the collaborative study developed under Ludis Bērziņš’ chief editing ‘History of Latvian Literature’ (Latviešu literatūras vēsture, 1935–1937). However, Latgalian literature was hardly mentioned in the textbooks for the secondary schools (Vilis Plūdons ‘History of Latvian literature for secondary schools, Part 1 and 2’ (Latvju literatūras vēsture vidusskolām, 1927, 1928); Roberts Klaustiņš ‘History of Latvian Literature’ (Latviešu rakstniecības vēsture, 1907)). Neither was it paid any attention by Andrejs Upīts in his ‘History of Contemporary Latvian Literature’ (Latviešu jaunākās rakstniecības vēsture, 1885–1910 (1911)). This leads to a conclusion that the attitude towards the literature written in Latgalian was ambiguous in the first half of the 20th century as it was not fully incorporated in the conceptual analysis of the development processes of Latvian literature. The voluminous ‘History of Latvian Literature’ (Latviešu literatūras vēsture, Volume 1–6, 1956–1963), which was developed during the Soviet period, included depiction of several Latgalian writers: such as Andrivs Jūrdžs and Pīters Miglinīks (Volume 2, 1963); nevertheless they did not provide a sufficient overview of the singularity and development of Latgalian literature and its comparability with the history of Latvian literature. In the editions of the history of Latvian literature, which were written after regain of the national independence, Latgalian literature has not received any focused attention either by the authors of the 3-volume ‘History of Latvian Literature’ (Latviešu literatūras vēsture, 1998–2001) or by, for instance, Guntis Berelis in his monograph study ‘History of Latvian Literature, from the First Writings to 1999’. Having gained no wide coverage in the historical studies of Latvian literature, Latgalian literature has been fundamentally researched in several monographic works of Miķelis Bukšs, Francis Kemps, Janīna Kursīte, Valentīns Lukaševičs, Ilona Salceviča, Alberts Sprūdžs, Anna Stafecka, Vitolds Valeinis and other researchers at various time periods. Nonetheless, the question still stands: whether and how to compare and synchronise Latgalian literature with periodisation and trends of Latvian literature in order to include it in the comprehensive overview of the literature history.
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Andrén, Anders. "Re-reading Ernbodied Texts - An Interpretation of Rune-stones." Current Swedish Archaeology 8, no. 1 (June 10, 2021): 7–32. http://dx.doi.org/10.37718/csa.2000.01.
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Rune-stones have been a major field of research in philology, archaeology, art history and history during the 20th century. Most of these studies have been based on the thorough editions of rune-stones published in Scandinavia during the century. The aim of this article is to question some of the fundamental principles of these editions, and to initiate a new type of interpretation based on the complex interplay between images and texts on the rune-stones. Elements of a more visual understanding of the monuments are presented, as well as some examples of a new contextual reading, which sometimes alter the philological interpretations in the rune-stone publications.
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Johnson, Carol Siri. "The Steel Bible: A Case Study of 20th Century Technical Communication." Journal of Technical Writing and Communication 37, no. 3 (July 2007): 281–303. http://dx.doi.org/10.2190/tw.37.3.d.
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The “steel bible” emerged in 1919 and went through 11 editions in 80 years. In its evolution we can see the shift from individual to group authorship, an increasing use of visual elements, and a physical change from a small, hand-held volume to a weighty desktop reference. In a textual analysis, we can see that it was essentially static, changing only by additions and deletions, as the industry evolved. The eventual closing of hundreds of plants and the migration of the industry to other countries can be seen in the change of publisher, the sudden absence of photography, and the international references. Originally, the steel bible came from the factory floor and the words of the plant managers, but by the 1990s, it was a highly-abstracted representation of knowledge. In the steel bible, we can see the history of the industry and the maturing of technical communication in the 20th century.
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FRANCO JÚNIOR (UNESP), Arnaldo. "LITERATURA E CINEMA NO CONTO ESCOLA DE HERÓIS, DE IDELMA DE RIBEIRO FARIA." Margens 16, no. 27 (December 23, 2022): 65. http://dx.doi.org/10.18542/rmi.v16i27.13447.
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The short story School of Heroes, by the São Paulo writer Idelma Ribeiro de Faria, was one of the winners of the National Contest of Short Stories of Paraná, in 1978, being published in the book The Winners in the same year. In this short story, the literary narrative incorporates cinematographic narrative procedures (editing, cutting, scene) to the narration in order to, through the narrated story, criticize militarism – a strong feature of its historical context, both particular (the civil-military dictatorship in Brazil ) and general (the 20th century marked by wars). In this communication, we will analyze and interpret the short story, approaching the literary and cinematographic languages that constitute it as a narrative of resistance.
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Federici Vescovini, Graziella. "La storia della filosofia medievale dei secoli XIII e XIV." Bochumer Philosophisches Jahrbuch für Antike und Mittelalter 6 (December 31, 2001): 53–86. http://dx.doi.org/10.1075/bpjam.6.04ves.
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An overview of current medieval philosophical and scientific studies would seem justified at the beginning of the 21st century. While no part of the history of philosophy has been so much despised as the Middle Ages (this period having been called until the beginning of the 20th century the ›dark ages‹), numerous internationally signi;cant studies on this topic have recently been published. Essays and monographs, critical editions, anthologies and reviews have addressed many facets of medieval thought, particularly the medieval institutional context and the intellectual life of the Middle Ages along with the history of medieval philosophy and science. This essay looks at studies of different philosophical tendencies from the end of the 13th century to the 15th century, not restricting itself to medieval Aristotelianism.
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Butenina, Evgeniya M. "Russian Classics in the USA Transcultural Canon." Polylinguality and Transcultural Practices 18, no. 2 (December 15, 2021): 165–75. http://dx.doi.org/10.22363/2618-897x-2021-18-2-165-175.
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The issue of the canon (the most studied and taught classics) is one of the most important in the world literature system. The paper briefly outlines the formation of the USA literary canon since the middle of the 19th century and details the formation of the Russian segment in the transcultural canon since the late 20th century. In the history of the USA canon formation, the institutional or sociological model (Jonathan Culler, Stanley Fish, Paul Lauter), which argues that social institutions respond to ideological demands, and the aesthetic model embodied by Harold Blooms Shakespeare-centered Western Canon stand out. An up-to-date approach to the canon assumes taking both models into account, as well as the perception of the canon as cultural memory. Anthologies are most important sources of documenting the canon. For the 20th century American literature researchers distinguish three phases formed by the leading literary trends: historiographic (1919-1946), new critical (1947-1967) and multicultural (1967- present). Based on the analysis of Norton and Longman anthologies, as well as a popular textbook The Bedford Introduction to Literature since the late 20th century to the present, the paper highlights the Russian core in the USA transcultural canon, which became the source of creative reinterpretation in contemporary literature. The present research is to be continued through the study of the Russian literature canon in specialized editions to outline a comprehensive history of the Russian-American cultural transfer.
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Papa, Iwanna. "„Kronika Podhorecka” jako źródło do badań nad dziejami zamku w Podhorcach w drugiej połowie XIX wieku na początku XX wieku." Krakowskie Pismo Kresowe 12 (December 1, 2020): 151–86. http://dx.doi.org/10.12797/kpk.12.2020.12.07.
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“Kronika Podhorecka” as a Primary Source for the History of the Pidhirtsi Castle in the Second half of the 19th Century and at the Beginning of the 20th Century
„Kronika Podhorecka” has been preserved in two versions: the first working version was written by A. Kryczynski (1869-1887) and the second one was completed by the next castle administrators (1869-1906). This article aims to analyze this primary source of the history of the Pidhirtsi castle and its owners: the time of its composition, its goal, the role of castle administrators in the history of Pidhirtsi castle. The article contains an edition of “Kronika Podhorecka”, reconstructed on the basis of the archival source.
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Semenova, Angelina I. "“The Last of the Mohicans of the Russian Thought”: Pavel S. Popov about Gustav G. Shpet. Popov, Pavel S. “Shpet, Publication by Angelina I. Semenova." Voprosy Filosofii, no. 7 (2021): 105–24. http://dx.doi.org/10.21146/0042-8744-2021-7-105-124.
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The article is devoted to the analysis of the intellectual heritage of the famous Russian philosopher, literary scholar and translator Pavel Sergeevich Popov (1892-1964), whose works have been preserved in his family archive. The article precedes the publication of the chapter on Gustav Gustavovich Shpet from Popov’s unpublished memoirs Images of the Past. Memories from university, gymnasium and childhood years (P.S Popov began to write this book in the 1920s and finished in the 1940s). Popov's manuscript is primarily of historical and philosophical value, opening up new interesting pages for us in the history of domestic Russian thought in the first half of the 20th century. It allows to take a fresh look at both Popov and Shpet, clarifies the nuances of the relationshipbetween philosophers of that time, confirms the ideological and biographical assumptions of researchers (for example, about the existence of a typewritten version of the second volume of Shpet’s A View on the History of Russian philosophy»). In addition, thanks to these memories, various details of the intellectual life in the first half of the 20th century are discovered (including the internal ideological connections within the Psychological Society, and the intellectual atmosphere of the “editing” of Shpet's translation of the G.W.F Hegel’s The Phenomenology of Spirit. The author defends on P.S. Popov’s archival materials the idea of the existence of a continuity between the philosophy of pre-revolutionary Russia and the Soviet period. Their link, according to the author, is the work of university philosophers (precisely, the generation that caught the interruption of the pre-revolutionary and the formation of the Soviet philosophy: G.G. Shpet, P.S. Popov, B.A. Fokht, V.F. Asmus etc.), since the university style of thinking is, in principle, aimed at preserving and transmitting the historical intellectual experience of generations.
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Petrov, Kirill Vladimirovich. "Russian editions of F. Nietzsche’s works in history of Imperial Censorship, late 19th – early 20th century." Vestnik of Saint Petersburg State University of Culture 3 (September 2017): 16–18. http://dx.doi.org/10.30725/2619-0303-2017-3-16-18.
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Knežević, Adrian. "Aleksandar Jakir, Dalmacija u međuratnom razdoblju 1918.-1941." Miscellanea Hadriatica et Mediterranea 6, no. 1 (January 20, 2020): 259–66. http://dx.doi.org/10.15291/misc.2920.
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The book Dalmacija u međuratnom razdoblju 1918.-1941. [Dalmatia in the interwar period 1918 – 1941] by Aleksandar Jakir is the second volume of the edition Croatian history in the 20th century, published by the Leykam International publishing company. It is based on research and the existing literature, primarily a monograph written by the author in 1999 on the basis of his dissertation defended at the University of Erlangen-Nürnberg in Germany.
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Duncan, Patricia, and Margaret Mitchell. "Chicago's "Archaic Mark" (MS 2427): a Reintroduction to Its Enigmas and a Fresh Collation of Its Readings." Novum Testamentum 48, no. 1 (2006): 1–35. http://dx.doi.org/10.1163/156853606775454774.
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AbstractThis article announces the public release via the Internet of a full set of interactive digital images of the University of Chicago's "Archaic Mark" (Gregory-Aland ms 2427; University of Chicago ms 972), an enigmatic miniature manuscript of the Gospel according to Mark. To foster further research into this curious illuminated hand-codex, we provide a history of research and critical appraisal of the complex questions involved in its dating—which has been placed as early as the 13th century, and as late as the early 20th century—and a fresh collation of its text, which supplements and corrects the readings heretofore available only in the Nestle-Aland 27th edition.
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Nardi, Antonio Egidio. "Some notes on a historical perspective of panic disorder." Jornal Brasileiro de Psiquiatria 55, no. 2 (2006): 154–60. http://dx.doi.org/10.1590/s0047-20852006000200010.
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This article aims to describe important points in the history of panic disorder concept, as well as to highlight the importance of its diagnosis for clinical and research developments. Panic disorder has been described in several literary reports and folklore. One of the oldest examples lies in Greek mythology - the god Pan, responsible for the term panic. The first half of the 19th century witnessed the culmination of medical approach. During the second half of the 19th century came the psychological approach of anxiety. The 20th century associated panic disorder to hereditary, organic and psychological factors, dividing anxiety into simple and phobic anxious states. Therapeutic development was also observed in psychopharmacological and psychotherapeutic fields. Official classifications began to include panic disorder as a category since the third edition of the American Classification Manual (1980). Some biological theories dealing with etiology were widely discussed during the last decades of the 20th century. They were based on laboratory studies of physiological, cognitive and biochemical tests, as the false suffocation alarm theory and the fear network. Such theories were important in creating new diagnostic paradigms to modern psychiatry. That suggests the need to consider a wide range of historical variables to understand how particular features for panic disorder diagnosis have been developed and how treatment has emerged.
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Ducène, Jean-Charles. "Quand une édition imprimée redevient manuscrit: le Kitāb al-Masālik d’Ibn Ḥawqal (Rabat, Fondation ʿAllāl al-Fāsī, ʿayn 608)." Der Islam 95, no. 1 (March 22, 2018): 188–97. http://dx.doi.org/10.1515/islam-2018-0007.
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Summary: A new discovery of a late manuscript of Ibn Ḥawqal in the library of the ʿAllāl al-Fāsī Foundation, in Rabat, sheds light on the manuscript culture of the late 19th century in Morocco, on the dualism of manuscripts and prints of the same text at the same time. Indeed until now, Ibn Ḥawqal’s geographical treatise is known through eight medieval manuscripts that seem to give four versions of the text, although their relations are not clear. However, an unpublished manuscript is kept in Rabat, but it is a recent copy (early 20th century) of Michael De Goeje’s edition of 1873. Surprisingly this copy bears several charateristics of manuscript writing although the copist had a printed text as model.
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Bogomolov, Nikolay A. "On the History of Potential Russian Journalism." Literary Fact, no. 17 (2020): 158–79. http://dx.doi.org/10.22455/2541-8297-2020-17-158-179.
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The paper is dedicated to the unrealized project of a literary journal elaborated in 1913 by some members of the Moscow group “Lirika” — Sergei Durylin and Iulian Anisimov in cooperation with Ellis, Bobrov, Pasternak and some others (N. Aseev was skeptical about the idea). The outlines for the editorial project, its intended topics and potential authors manifest the organic connection between the concept of the journal and the experience of some literary communities in the early 20th century (“Musaget”, “Rhythmical Circle”, etc.). It is remarkable that the team of potential authors included the contributors to the editions and collections, most significant for the members of the group “Lirika”. The term “potential journalism” is suggested to define similar well thought-out and quite realistic editorial projects for some would-be journals/almanacs that remained unrealized; they, however, may be of great interest for the researchers of literary and cultural history.
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Kemmler, Rolf. "The First Edition of the ars minor of Manuel Álvares’ De institvtione grammatica libri tres (Lisbon, 1573)." Historiographia Linguistica 42, no. 1 (May 26, 2015): 1–19. http://dx.doi.org/10.1075/hl.42.1.01kem.
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Summary Based on a hitherto unknown copy of Manuel Álvares’ (1526–1583) very significant Latin grammar Emmanvelis Alvari è Societate Iesv de institvtione grammatica libri tres (Lisbon, 1573), this paper presents the first edition of what the author himself (in a Spanish letter to his superior in Rome) once called ‘arte pequeña’. Additionally, the present paper exploits the distinction of ars minor vs. ars maior as a means of investigating the separate publishing history of the student’s textbook (Álvares 1573a) in comparison to the teacher’s handbook (Álvares 1572), thus enabling a better understanding of the impact these two grammars have had all over the world from the 16th century to the 20th century.
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Martonova, Andronika. "A whole century in the vibrating net of arts." Balkanistic Forum 29, no. 3 (November 1, 2020): 324–28. http://dx.doi.org/10.37708/bf.swu.v29i3.19.
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The edition of Bratoeva-Darakchieva, Ingeborg; Genova, Irina; Levi, Claire; Spassova-Dikova, Joanna; Stoilova-Doncheva, Teodora; Tasheva, Stela; Traykova, Elka. Bulgarian 20th Century in Arts and Culture. Institute of Art Studies, 2019, ISBN: 978-954-8594-77-6, 632 рр. 333 ill. http://artstudies.bg/books/BG_XX_EN_2019_IIIzk.pdf in Bulgarian and in English in two separate books comes as a result of a collaborative interdisciplinary project supported by the National Science Fund, Bulgaria, which aims to present a general view on the history of arts in Bulgaria during the 20th century. There are specific but also general, parallel intellectual and artistic processes observed in the field of literature, theatre, music, cinema, visual arts and architecture. The accent is put on phenomena related to the modernization of Bulgarian culture and its place in the context of the flexible, dynamic cultural dimensions of modern Europe. The texts are structured in three parts: Under the Sign of Modern Europe (1878–1944), Metamorphoses of Modernity (1945–1989), Challenges in a Time of Transition (1989–2000). Splitting the period into topical parts creates convenience of sharpening the accents related to various “aspects of change” in the development of a particular art and its specific reflections from the point of view of personal and community identity analysed in synchronous or diachronous terms. The marking of such cross nodes (temporal, socio-cultural, institutional, genric, etc.) by following mosaic-chronological principle is conventional and provocative to the traditional idea concerning developmental trends in Bulgarian culture of the past century. The publication is richly illustrated and has an extensive bibliography. It is intended for a wide range of readers. It is evaluated as excellent edition by the National Science Fund, Bulgaria.
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Pataki, Elvira. "Vergilius Provence-ban." Antikvitás & Reneszánsz, no. 3 (January 1, 2019): 111–27. http://dx.doi.org/10.14232/antikren.2019.3.111-127.
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In the long history of French translations of Vergilian Eclogues, the work of M. Pagnol (1895-1974) has a special place. The novelist, playwright and filmmaker (the first one of them elected to Académie Française) published his version of pastoral poems in 1958, two years after the highly artistic edition of P. Valéry. In a sociocultural approach, Pagnol’s translation is usually considered as a sophisticated tool of marketing used to remodel the image of the author. The popular and rich star of French theatre and cinema is not really accepted neither by academic literature nor by the movements of literary radicalism because of his regional features and his cheap sentimentalism. By translating Virgil in a quasi-academic way, by editing a text with a preface, commentary and notes, Pagnol would highlight his erudition and postulate a place for himself among the Classics. Nevertheless, his very funny and personal way to interpret Virgil, his cultural commentaries, and his ethical remarks based on the norms of modern urban society make the Latin poet accessible for a very wide audience. The current paper focuses on the aesthetic features of his work. Being born in Provence, passionate of the Mediterranean landscape and highly influenced by classical mythology, Pagnol appears to emphasize the Latin origins of his homeland, the cultural and ethnical continuity between the Antiquity and the 20th century, with a strong apparent wish to revive thousand-year-old traditions.
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Pataki, Elvira. "Vergilius Provence-ban: Marcel Pagnol Bucolica-fordítása II." Antikvitás & Reneszánsz, no. 4 (December 1, 2019): 169–87. http://dx.doi.org/10.14232/antikren.2019.4.169-187.
Full textAbstract:
In the long history of French translations of Vergilian Eclogues, the work of M. Pagnol (1895–1974) has a special place. The novelist, playwright and filmmaker (the first one of them elected to Académie Française) published his version of pastoral poems in 1958, two years after the highly artistic edition of P. Valéry. In a sociocultural approach, Pagnol’s translation is usually considered as a sophisticated tool of marketing used to remodel the image of the author. The popular and rich star of French theatre and cinema is not really accepted neither by academic literature nor by the movements of literary radicalism because of his regional features and his cheap sentimentalism. By translating Virgil in a quasi-academic way, by editing a text with a preface, commentary and notes, Pagnol would highlight his erudition and postulate a place for himself among the Classics. Nevertheless, his very funny and personal way to interpret Virgil, his cultural commentaries, and his ethical remarks based on the norms of modern urban society make the Latin poet accessible for a very wide audience. The current paper focuses on the aesthetic features of his work. Being born in Provence, passionate of the Mediterranean landscape and highly influenced by classical mythology, Pagnol appears to emphasize the Latin origins of his homeland, the cultural and ethnical continuity between the Antiquity and the 20th century, with a strong apparent wish to revive thousand-year-old traditions.
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Protopopova, Irina. "The Socratic question: old problems and new trends." ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 13, no. 1 (2019): 330–38. http://dx.doi.org/10.25205/1995-4328-2019-13-1-330-338.
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The article deals with new approaches to the solution of the so-called “Socratic question” associated with the search for a “historical” Socrates in different sources. The author outlines the history of the issue starting with Schleiermacher and his distinction between the images of Socrates in Plato and Xenophon. It is shown how, at the beginning of the 20th century, a consensus on the authenticity of Plato’s Socrates was reached (Robin, Taylor, Burnet, Maier), and then a sceptical view on the possibility itself to ever solve the “Socratic question” developed (Gigon). Vlastos’ position, which became influential in the late 20th century, is considered: he believed that Socrates of early Platonic dialogues is “historical”, while Socrates of the middle dialogues is a fiction of Plato’s. The second part of the article provides a brief overview of the six editions devoted to Socrates in 2006–2018, and the conclusion is made that there is an obvious trend towards a return to the sceptical position of Gigon in regard to the “Socratic question”.
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Emelyanov, E. P. "PERIODIZATION OF WORLD HISTORY IN THE “SHORT COURSE OF ECONOMICS SCIENCE” BY ALEXANDER BOGDANOV." Вестник Пермского университета. История, no. 3(50) (2020): 56–66. http://dx.doi.org/10.17072/2219-3111-2020-3-56-66.
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The article is devoted to the problem of periodization of universal history in the work "A Short Course in Economic Science" written by Alexander Bogdanov. It analyzes the changes in the periodization of the historical process in various editions of the work, identifies the intellectual sources of those changes and establishes a connection between the evolution of Bogdanov’s historical concept and the development of historical science in the late 19th and early 20th centuries. The main direction in the evolution of Bogdanov’s historical views was the transition from a linear progressive scheme of world history to a description of history as a complex non-linear process in which periods of development are combined with periods of decline and stagnation. Abandoning the idea of steady linear progress, Bogdanov also abandoned the strict correspondence between a specific economic form and a certain historical era and concluded that various economic forms could coexist. The changes in Bogdanov’s approaches to the question of the role of economic forms in the periodization of world historical process testify to his search for special features specifying various eras in the history of mankind and reflect a general interest in the substantial characteristics of time characteristic of the European intellectual space of the first third of the 20th century
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Dudin, Pavel N. "Маньчжуро-монгольский социум на страницах региональных научных изданий первой половины ХХ в." Oriental studies 15, no. 4 (November 15, 2022): 761–76. http://dx.doi.org/10.22162/2619-0990-2022-61-4-761-776.
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Introduction. The article focuses on Manchu-Mongolian society as a historical and cultural community of East Asia which has had significant impacts on destinies and paths of many Eurasian peoples. Having been dramatically influenced by both objective and subjective factors in the early-to-mid 20th century, one part actually lost its identity while the other one preserved and even strengthened it. These and many other aspects have been actively explored by Russian (Soviet) and foreign scientific communities but works authored by our compatriots to have lived and worked in the to be examined region have been largely overlooked. Goals. The study attempts a source analysis of publications that somehow cast light on Manchu-Mongolian society and that were published in scientific centers of the Far East in the early-to-mid 20th century. Materials and methods. The work examines articles and notes from journals once published by the Society of Russian Orientalists, Society for the Study of Manchuria, Russian Law Faculty of Harbin, and non-periodical editions. The research methodology was determined by an interdisciplinary approach with the prevalence of historical tools. The work comprises data collection, thematic monitoring of publications, discourse analysis, a narrative approach, external and internal criticism of sources and their textual analysis, systemic historical and retrospective methods. The conducted research identifies key early 20th-century trends of Mongolian and Manchu studies, delineates the place of Manchu-Mongolian peoples in the population structure of the Qing Empire / Republic of China assigned to the former in those publications, characterizes the degree of awareness about legal traditions and law practices of the region. Conclusions. The publications under study and their authors contributed a lot to the understanding of the mentioned region of East Asia and its native peoples. The paper states that Orientalists at large — and particularly those engaged in historical and political studies — are obliged to revive names of those researchers, travelers, translators and other participants to have joined that grandiose process of exploring the Manchu-Mongolian region in the early-to-mid 20th century, and made (and still do) our stay in this part of Eurasia peaceful, with most complete knowledge about the latter.
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Dudin, Pavel N. "Маньчжуро-монгольский социум на страницах региональных научных изданий первой половины ХХ в." Oriental studies 15, no. 4 (November 15, 2022): 761–76. http://dx.doi.org/10.22162/2619-0990-2022-62-4-761-776.
Full textAbstract:
Introduction. The article focuses on Manchu-Mongolian society as a historical and cultural community of East Asia which has had significant impacts on destinies and paths of many Eurasian peoples. Having been dramatically influenced by both objective and subjective factors in the early-to-mid 20th century, one part actually lost its identity while the other one preserved and even strengthened it. These and many other aspects have been actively explored by Russian (Soviet) and foreign scientific communities but works authored by our compatriots to have lived and worked in the to be examined region have been largely overlooked. Goals. The study attempts a source analysis of publications that somehow cast light on Manchu-Mongolian society and that were published in scientific centers of the Far East in the early-to-mid 20th century. Materials and methods. The work examines articles and notes from journals once published by the Society of Russian Orientalists, Society for the Study of Manchuria, Russian Law Faculty of Harbin, and non-periodical editions. The research methodology was determined by an interdisciplinary approach with the prevalence of historical tools. The work comprises data collection, thematic monitoring of publications, discourse analysis, a narrative approach, external and internal criticism of sources and their textual analysis, systemic historical and retrospective methods. The conducted research identifies key early 20th-century trends of Mongolian and Manchu studies, delineates the place of Manchu-Mongolian peoples in the population structure of the Qing Empire / Republic of China assigned to the former in those publications, characterizes the degree of awareness about legal traditions and law practices of the region. Conclusions. The publications under study and their authors contributed a lot to the understanding of the mentioned region of East Asia and its native peoples. The paper states that Orientalists at large — and particularly those engaged in historical and political studies — are obliged to revive names of those researchers, travelers, translators and other participants to have joined that grandiose process of exploring the Manchu-Mongolian region in the early-to-mid 20th century, and made (and still do) our stay in this part of Eurasia peaceful, with most complete knowledge about the latter.
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Podoprigora, V. V., and A. N. Kovalenko. "CYRILLIC TYPE BOOKS OF THE XVII–XX CENTURIES IN THE COLLECTIONS OF KUPINO PARISH LIBRARY." Proceedings of SPSTL SB RAS, no. 4 (January 24, 2021): 5–16. http://dx.doi.org/10.20913/2618-7575-2020-4-5-16.
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The article presents the results of work on archaeographic research of the Metropolinate of Novosibirsk parish book collections, done in 2019–2020. The researchers of the Department of Rare Books and Manuscripts of SPSTL SB RAS inventoried the books of Cyrillic and civil press kept in the parish library of Holy Apostle and Evangelist Luke in Kupino (Kupinsky district of Novosibirsk province). 35 Orthodox books of the Cyrillic tradition and of the Russian civil type of the first half of the 17th – early 20th centuries were made known, among them, 2 editions of the 17th century printed by the Moscow Print Yard, 4 Old Believer editions of the late 19th – early 20th centuries, 19 Synodal editions of the Cyrillic type from the late 18th to the early 20th centuries and 12 Synodal editions of the Russian civil type. The aim of the article is to present the results of scientific description and an archaeographic analysis of individual features of the most interesting book exemplars. Through complication of describing such book collections, which did not usually preserve intact or partially samples of pre-revolutionary parish book stocks and were shaped from various sources, priority was given to describing the owner’s signs of each sample that reflected the history of their existence in one or another social environment. Among the earliest there were described the perfectly preserved Moscow Gospel of 1627, the owner’s and donative records of which reflected its displacement from the territory of the Grand Duchy of Lithuania to Moscovia, where it could have come after Smolensk campaign of Tsar Alexey Mikhailovich. Another interesting example of editions of the Moscow Print Yard already from the post-schism period is the Irmologion of 1657, in which course of the description significant differences from other known copies were revealed. The late Old Believers liturgical books, that preserved the fragments of hand-written and early printed books, give interesting owners signs. The collection of synodal publications of the St Luke parish library covers a wide chronological and thematic range. Besides liturgical books such as psalteries, missal books, miscellanies of Akathist hymns there are also collections of sermons, manuals on theology, church singing and Sacred history. The article presents brief versions of the books of Cyrillic press of the St Like parish library, clearly showing the wide geographical distribution of the Russian Orthodox book both in the late medieval times and in the 20th century, as well as characteristic signs of its existence in various readership.
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Do Egito, Tinatin. "Ignatius Loyola and Konstantin Stanislavsky in the interpretation of Sergey Eisenstein: from mystical ecstasy to editing." St. Tikhons' University Review 103 (October 31, 2022): 87–107. http://dx.doi.org/10.15382/sturi2022103.87-107.
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The article examines the point of Soviet art's 1920-1930 influence on secular processes in society. The model of the psychology of art proposed by L. Vygotsky, based on Marxist dogmatics, becomes the starting point for the search of creative elite, particularly, for the film director and art theorist Sergei Eisenstein. They are brought together by a common understanding of art as a sign system aimed at awakening strong emotional disturbances in a person, the culmination of which is by Eisenstein's opinion ecstasy, from Vygotsky's point of view - catharsis. Scientists of the Vygotsky's circle, which also includes Eisenstein, study the phenomena of expanded consciousness, looking for ways to influence an individual, including through the practices of art. The article focuses on Eisenstein's interest in the topic of mystical ecstasy. In his article “Stanislavsky and Loyola”(1937), considered in detail, there's set a parallel between the spiritual practices of medieval ascetics and acting exercises according to the system of K. Stanislavsky. Eisenstein introduces the experience of ecstatic practices, drawn from the exercises of Ignatius Loyola, into the Dionysian art renewed by the revolution. In particular, using the method of editing as a psychotechnics, S. Eisenstein effects the mind of a viewer, inspiring him with utopian ideas of social justice, dating back to classical Marxism.. Avant - garde practices of Soviet art 20-30 years of the 20th century, embodied by S. Eisenstein in cinema, are interpreted according to the tradition of J. Wach – P. Tillich, respectively, as pseudo- and quasi-religious, as well as in the context of the theory of "atheistic fideism" in the mode of building an "atheistic church" as part of the secularization process. Special attention is paid to the synthesis of science and art. A version is put forward about the implicit nature and secular implications of this large-scale phenomenon, expressed in the transfer of native religious functions to related areas. For the first time in historiography, S. Eisenstein is considered in his quasi-religious persona.
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Zhilyakova, N. V. "Typological Diversity of Unrealized Editions of the Tomsk Province at the Beginning of the 20th Century." Vestnik NSU. Series: History and Philology 18, no. 6 (2019): 62–74. http://dx.doi.org/10.25205/1818-7919-2019-18-6-62-74.
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Purpose. The purpose of this study is to identify the typological diversity of unrealized publications of the pre-revolutionary Tomsk province at the beginning of the 20th century, details of which are in the censorship affairs of the Main Department of Press Affairs (Russian State Historical Archive) and Tomsk Province Administration (Tomsk Region State Archive). Results. The information preserved in the archives, including the programs of the conceived editions of the cities of the Tomsk pre-revolutionary province, such as Barnaul, Novo-Nikolaevsk, Biysk, Kainsk, and others, make it possible to draw a conclusion about their typological status and, in some cases, to identify the possible reasons why the publication was not carried out. Among them are political motives, economic reasons and organizational difficulties. The conducted study allows us to conclude that the typological picture of the development of journalism in the Tomsk province becomes much more complicated if, along with the realized publications, to take into account unrealized projects of newspapers and magazines. The typology of most of the unrealized editions of the cities of the Tomsk province coincided with the newspapers and magazines of Tomsk, but some of the ideas reflect the desire of journalists to create bodies of periodicals of new types. Conclusion. The studied materials indicate that the study of the history of the development of provincial journalism is impossible without taking into account archival data, which allow us to see the possible vectors of development of the typological picture of the local periodicals.
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Voronov, Viktor Ivanovych. "M. S. Hrushevsky as an Old East Slavic chronicles researcher." Dnipropetrovsk University Bulletin. History & Archaeology series 25, no. 1 (July 21, 2017): 154. http://dx.doi.org/10.15421/261717.
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The author analyzes scientific studies of M. S. Hrushevsky, which directly or indirectly are connected with Old East Slavic chronicles characteristics as specific historical sources. The article determines famous scientistʼs conceptual approaches to such topics as chronicles texts' attribution, determination of the content authenticity, information capabilities to investigate the history of the Kievan Rus'. It is ascertained, what are the main problematic issues, discrepancies, thematic and conceptual lacunae according to the M. Hrushevsky were the obstacle while researching Old East Slavic chronicles as a sources complex in the Ukrainian historiography of 20th century. The most weighty contribution was made by M. S. Hrushevsky to the Galician-Volhynian Chronicle studies. He reconstructed in depth the chronology of Galician-Volhynian Chronicle, and proved that this chronicle was firstly composed as a narrative ignoring dates. Only later some-one filled out the dates while editing the text, but "in a very random and false way". The author of the article makes a conclusion that in general M. Hrushevsky has described Old East Slavic chronicles as a "golden age of Kievan Rus' culture". However, only poor fragments of the chronicleʼs tradition remained by the turn of 20th century, being interrupted by the Mongol invasion. That's why the scientist warned historians against attributing the Old East Slavic chronicles with irrelevant "significant forms", since as reported in his researches there werenʼt enough sources to make such conclusions. The article demonstrates that the most typical features of the chronicles according to M. Hrushevsky were: significant impact of the Christian ideology, symptomatic loyalty to "knyaz-druzhina" system (governing classes in Kievan Rus'), content originality and stylistic ingenuousness, predominating collectivity and anonymity of the authorship. It is stated that Ukrainian historian has also defined main challenges for future researchers of Old East Slavic chronicles as historical sources. These challenges are aimed at the reconstruction of chronicles initial look (deprived of following supplements) through the comparison study of different collections and fragments.
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Kljaić, Stipe. "An overview of historiographical editions published by Matica Hrvatska (1918-1996)." Review of Croatian history 15, no. 1 (December 20, 2019): 165–90. http://dx.doi.org/10.22586/review.v15i1.9746.
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This article focuses on the historiographical editions published by Matica Hrvatska from 1918 to the first half of the 1990s, which influenced the formation of Croatia’s intellectual and cultural identity over a period of almost a century. Historiographical editions have been chronologically divided into three significant periods of their publication, which correspond to important historical and political epochs: the first period being from the dissolution of the Austro-Hungarian Monarchy and the entry of the Croatian people into the first Yugoslav state in 1918 to the collapse of the Independent State of Croatia in 1945; the second from the establishment of the second Yugoslavia until its disintegration, from 1945 to 1989; and the third from the beginning of the democratic changes in 1990 and the creation of the present Croatian state. The article shows that the works published by Matica mirrored in many ways the political aspirations of each epoch, as has been amply documented in this article. The historiographical editions published by Matica Hrvatska during the 20th century undoubtedly reflect various political and social changes that influenced the publishing policy of this oldest Croatian cultural institution. Its publishing activity experienced a particular boom during the presidency of Filip Lukas between 1928 and 1945, which is certainly one of the most productive periods in the history of Matica in terms of publishing and of cultural promotion. Unlike the socialist period, when national themes were suppressed and avoided in a certain way, and there were almost no publications on local history, in the said period Matica not only focused on national history, but also printed numerous editions dealing with the local histories of individual Croatian cities and regions. The most serious crisis in Matica’s history came after World War II, when its publishing activities were suppressed, primarily because of its previous role in promoting Croatian nationalism. Its membership had given strong support to the establishment of the Croatian state in 1941, which in no way coincided with the overall direction of the cultural policy of the post-war communist regime. In this regard, the pinnacle was the eventual ban on Matica’s work, which came in 1972 because of its prominent role in the Croatian Spring during the 1960s, until the dismissal of the Croatian communist leadership in Karađorđevo in 1971. In such circumstances, Matica’s publishing activity barely managed to survive in the framework of Matica Hrvatska’s Publishing House. This institute pursued particularly extensive publishing activity in the years when the Yugoslav communist system began to disintegrate, in 1989-1990, when it also published the works of the former dissident and future Croatian President, Franjo Tuđman. In the aftermath of the establishment of a democratic Croatian state and with the renewal of Matica’s work, its publishing activity experienced a resurgence towards the end of the 20th century, when topics from national and local history were again in its focus, as well as the previously banned books of the emigration, now published in new, Croatian editions.
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Stundžienė, Bronė. "Traces of Time in the History of Editing the Book of Lithuanian Folk Songs." Tautosakos darbai 61 (June 1, 2021): 141–55. http://dx.doi.org/10.51554/td.21.61.06.
Full textAbstract:
The 40th anniversary of publication of the Book of Lithuanian Folk Songs (1980–2020), with its 25th volume being published, presents a good opportunity to look back into the history of this significant long-time project. Already during the interwar period, the leading Lithuanian scholars of literature and folklore proposed an idea of launching a multi-volume edition of the rich Lithuanian folksong heritage, comprising hundreds of thousands of variants accumulated in the archives or printed sources. This idea was successfully implemented much later. The publication of the collection of Lithuanian songs started only in 1980, in the late Soviet period, and has continued ever since – through restoration of Lithuanian independence in 1990 and until nowadays. The history of this huge folksong project is particularly impressive in terms of the time span of its implementation, meriting a separate study. The current article focuses on the role of time in the process of publishing the Book of Lithuanian Folk Songs that embraced two entirely different political epochs (the first five volumes saw publication in Soviet times). Such angle of investigation was prompted by the particularly strict ideological censorship that was applied during Soviet period to all publications, especially those belonging to the sphere of humanities, including fiction and research. The current research is methodologically supported by quite advanced studies of the Soviet period carried out by the Lithuanian historians and literary scholars, and among other things encompassing the complicated and watchful surveillance of press, the censors being enabled to judge whether or not a given publication suited the ideological requirements and therefore could or could not be published. The author presents a brief overview of the experiences gained by the editors of the Book of Lithuanian Folk Songs and some previous folklore publications that testify to their growing “skills” in substantiating the proposed publications in order to get them to see the daylight, and to save them from being banned by politically faultfinding Soviet censors. Certain circumstances that facilitated folklore research and publication are also discussed. These primarily include the “folk” character of the material in question, relating it to the Marxist definition of the suppressed and exploited class – namely, the peasants. In Soviet period, this endowed folklore with certain privileges unavailable to literature, for instance. The main part of the research presented in the current article essentially focuses on two issues: 1) the development of the ideologically constrained public spread of folklore, primarily folksongs that were scrupulously surveyed by the Soviet censors; 2) changes and continuity in the publication concept of the Book of Lithuanian Folk Songs after Lithuania regained independence. The author concludes that typological, or genre-related structural pattern of the collection was not essentially updated under the impact of the same – time factor; however, not only Soviet in this case. Certain stagnation possibly resulted due to the unchanged research methodology of the Lithuanian folksongs that was applied since the very first publications and persisted in the course of the whole 20th century, mainly centering on the artistic qualities of the folklore expressions.
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Chen, Ziqiu. "Studying the History of the State Control in the Russian Empire During the Period of the Duma Monarchy." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 6 (December 15, 2020): 29–38. http://dx.doi.org/10.37482/2687-1505-v060.
Full textAbstract:
After the establishment of constitutional monarchy in Russia as a result of the 1905–1906 reforms, the position of the Russian State Control (imperial audit service) changed. Formerly relatively independent, the State Control, whose head was directly accountable to the Emperor, now found itself in the united government, i.e. the Council of Ministers. The undermined independence of the State Control provoked a wide public discussion, which involved Duma deputies, employees of the State Control as well as competent Russian economists and financial experts, who made relevant recommendations calling for reducing the number of state institutions that were unaccountable to the audit service and giving the latter more independence. This paper analyses the key works of pre-revolutionary authors published in the early 20th century and devoted to the history of the State Control of the Russian Empire. Both in the imperial period and today, the Russian audit institution, in contrast with political, historical and military topics, has been of primary interest not to historians, but to economists, financiers and lawyers, since it requires special knowledge of the State Control’s technical mechanisms. Based on this, the author selected the following works that require thorough examination: How People’s Money Is Spent in Russia by I.Kh. Ozerov, On the Transformation of the State Control by Yu.V. Tansky, an official anniversary edition State Control. 1811–1911, and Essays on the Russian Budget Law. Part 1 by L.N. Yasnopolsky. The author of this article considers these works to be the highest quality studies on the Russian State Control at the beginning of the 20th century and their analysis to be of unquestionable importance for contemporary research into the history of the Russian audit institution.
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Penskaya, Elena Naumovna. "BORIS PASTERNAK’S UNPUBLISHED TRANSLATION FROM JEAN PAUL RICHTER." Russkaya literatura 4 (2022): 217–26. http://dx.doi.org/10.31860/0131-6095-2022-4-217-226.
Full textAbstract:
An unpublished translation of the preface to the second edition of Jean Paul’s Elementary School of Aesthetics was made by Boris Pasternak in 1919, possibly for Vsemirnaya Literatura publishing house. Two years later, it migrated to the Academia Publishing House of Philosophical Society at St. Petersburg University. Pasternak’s involvement with Jean Paul, an author he had no thematical affinity with, looks intriguing. Besides, the history of Pasternak’s cooperation with Academia is being clarified — from the emergence of the publishing house in 1921 until its closure in 1937. On top of that, Pasternak’s translation expands the reception of Jean Paul’s philosophical and artistic legacy, especially in the 20th century.
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Luchka, Lyudmila. "Book heritage of Dnipropetrovsk region of the 20s–30s of the 20th century: historical review and analysis of sources." Grani 24, no. 3 (March 30, 2021): 56–61. http://dx.doi.org/10.15421/172126.
Full textAbstract:
The article deals with general state of the national book publishing business of the 20s – 30s of the 20th century. The author reveals and analyses the publications of the university book collection valuable in terms of content, design, and time of printing. The history and destiny of some books of educational, scientific and fiction literature are researched. The author’s attention is focused on the problems of book publishing process in Ukraine, in particular books of social, economic, agricultural and technical content. The activity of well-known Ukrainian publishing houses of this period is analysed and a bibliographic review of the repertoire of the publications is given. The author notes a significant percentage of academic literature among Ukrainian book production, in particular the works of scientists in various fields of knowledge.The role and place of publishing houses of the regional level are determined. The literature devoted to the World War I is an important contribution to the development of the Ukrainian publishing space. General picture of preparation and printing of works of Ukrainian fiction literature and popular science editions from various branches of knowledge is created. The attention of publishing houses was paid to the preparation of textbooks for rural schools. the creation of popular serial publications was a special feature. Lviv magazines, bulletins on the history and geography of Ukrainian lands are valuable in terms of content. Materials on censorship oppression and seizure of books on Ukrainian science, literature and art are provided. A number of local history publications related to the national book heritage are revealed and analysed, in particular by D.I. Yavornitsky, I.I. Ohienko, L.V. Pisarzhevsky and others. During the scientific research, the author tries to highlight the unknown and forgotten pages of book printing in Ukraine, which are related to development and inhibition of social, economic and political processes.
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Akhmadullin, Mars L., Elza E. Purik, Marina G. Shakirova, and Vilur R. Shakirov. "Влияние конструктивизма на дизайн башкирских национальных печатных изданий 20-х – начала 30-х гг. ХХ в." Oriental Studies 14, no. 2 (July 20, 2021): 259–74. http://dx.doi.org/10.22162/2619-0990-2021-54-2-259-274.
Full textAbstract:
Introduction. The article discusses the features of Bashkiria’s printed matter as of the 1920s–1930s through the lens of typographics and artistic design. Goals. The work analyzes design patterns, features of font compositions, and identifies the influence of Constructivism on the shaping of their stylistic essentials through specific examples of book covers, magazines, and posters published in the 1920s–1930s in the Republic of Bashkortostan. The authors show how the synthesis of European trends and national traditions of Arabic writing determined the originality of the then Bashkortostan’s graphic designs. Results. The article shows how the ornamental character of Arabic script was transformed into dynamic compositions of covers and title pages characteristic of Constructivism. Conclusions. Nowadays, the public are again trying to outline ways to develop the national book art. Therefore, the experience and traditions from the printing art of early 20th-century Arabic and Cyrillic editions are again in demand. Nobody doubts the significance and greatness of the national cultural heritage, the need to develop it, the need to understand what happened through the prism of national consciousness. The appeals to artistic and aesthetic ideas, creative experiments of the Russian hinterland, traditions that existed in other republics and peoples at the beginning of the 20th century do enrich the history of domestic graphic design. All these together serve sources of inspiration for contemporary art experts, book artists and design practitioners.
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Heyne, Elisabeth. "Thanato-Laboratorien. Theorien von Tod und Sterben und Elias Canettis Buch gegen den Tod." Kulturwissenschaftliche Zeitschrift 4, no. 1 (June 13, 2020): 67–86. http://dx.doi.org/10.2478/kwg-2019-0007.
Full textAbstract:
AbstractAlthough visual culture of the 21th century increasingly focuses on representation of death and dying, contemporary discourses still lack a language of death adequate to the event shown by pictures and visual images from an outside point of view. Following this observation, this article suggests a re-reading of 20th century author Elias Canetti. His lifelong notes have been edited and published posthumously for the first time in 2014. Thanks to this edition Canetti's short texts and aphorisms can be focused as a textual laboratory in which he tries to model a language of death on experimental practices of natural sciences. The miniature series of experiments address the problem of death, not representable in discourses of cultural studies, system theory or history of knowledge, and in doing so, Canetti creates liminal texts at the margins of western concepts of (human) life, science and established textual form.
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Salikhov, Akhat G. "Arabic Script Monuments of the Fedorovka District of the Republic of Bashkortostan: The 15th – 19th Centuries." Herald of an archivist, no. 3 (2021): 879–90. http://dx.doi.org/10.28995/2073-0101-2021-3-879-890.
Full textAbstract:
Archaeographic research makes it possible to expand the source base of scientific research, to introduce into scientific use new materials on the history in general and on the history of written language and literature. The article is to study the Oriental written monuments of the Fedorovka district of the Republic of Bashkortostan stored in the manuscript fond of the Institute of History, Language, and Literature of the Ufa Federal Research Center of the Russian Academy of Sciences. The research has used the major methods of historical research: comparative/historical, systemic, and historical/typological. Monographic studies, catalogues of manuscript collections, manuscripts and early printed editions from the fonds of manuscripts and rare editions of the city of Ufa have been drawn for comparative analysis, establishing of names, identifying distinctive features, identification of the place and role of handwritten manuscripts. The article presents some of the more valuable Arabic script monuments written in Arabic and Turkic languages. It reviews literary, religious works, historical documents, texts of business and mundane nature. The chronological frameworks cover the 19th – first half of the 20th century. Many documents were used as teaching aids in the pre-revolutionary Muslim educational institutions. Of most interest are materials collected by M. Sultangulov from the village of Stary Chetyrman. Among them there are manuscripts containing poems: Sufi Allayar’s (died in 1723) Sabat al-Gajizin and Muhammad Chelebi’s (died in 1451) Muhammadiya, both rewritten in the first half of the 19th century. The handwritten curriculum for 1911 for studying in the madrasah in the town of Orsk in the Orenburg gubernia reveals the peculiarities of the Muslim education system in the region. Arabic script documents of the period of struggle against religion reveal the nature of relations between the believers and state agencies. Also, manuscripts of poems by Bashkir poets of the 19th century have been identified and studied: Khibatullah Salikhov (1794–1867), Shamsetdin Zaki (1822–65), Miftakhetdin Akmullah (1831–95). Thus, the article has examined handwritten Arabic script documents that are valuable for researchers of history, language, and literature. The revealed materials permit to present the studied region as one of cultural centers of Bashkortostan, where the works of famous Oriental authors, as well as local writers and poets, existed. They demonstrate that in Bashkortostan, despite the repeated change of alphabets in the first half of the 20th century, Arabic script written monuments continued to be used and stored. The identified and attributed documents can be used as sources for scientific research.
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Orzełek, Ariel. "The journalistic reaction to the first edition of The History of Stupidity in Poland. The historiographic pamphlets by Aleksander Bocheński." Przegląd Nauk Historycznych 17, no. 3 (December 13, 2018): 205–25. http://dx.doi.org/10.18778/1644-857x.17.03.08.
Full textAbstract:
The History of Stupidity in Poland. The historiographic pamphlets [Dzieje głupoty w Polsce. Pamflety dziejopisarskie] was the most important publication by Aleksander Bocheński. The book was also one of the most representative reflections on the post-war trend of political realism in Poland. The journalistic reaction to the first edition of the book in the forties of the 20th century proved that the theses included in it were highly unpopular. The author’s criticism of insurrection trends in Polish politics met with opposition from Marxists as well as non-party intellectuals, both at home and abroad. Although motives of Bocheński’s concepts were usually understood, they were rejected as they served communists, were contrary to Marxist doctrine or had no moral foundations. Those opinions constitute an important contribution to the views of Polish intelligentsia on political realism at the beginnings of the Polish People’s Republic.
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Rasmussen, Knud. "Disputable Issues in the Russian History of the 16th Century." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 2 (April 2019): 19–25. http://dx.doi.org/10.15688/jvolsu4.2019.2.2.
Full textAbstract:
Knud Rasmussen (1930–1985) was a famous Danish historian, Professor at Institute of Slavic Studies at University of Copenhagen, specialist in medieval Russia, author of a dozen of scientific monographs published in large editions including in Russian. In 1973, he defended his thesis titled “The Livonian crisis of 1554–1561”. According to the list of works published by J. Lind, 13 publications are devoted to the epoch of Ivan the Terrible. This article, published for the first time, is presented in the form of a report at the conference in Hungary. The scientist consistently outlined the main tasks and problems related to the study of Russian history abroad, in particular, in Denmark. He told what plan was built for the team of Danish historians who decided in the early 1970s to prepare a textbook on Russian history in the form of a problem historiographic course for Danish students, and how this plan was implemented. The study of works on Russian history and their systematization helped the team of Danish historians, which included K. Rasmussen, develop a special historiographic method and its principles, which led to developing understanding of the problematic historical field as a whole and placing individual research in it. As a result, a multivolume manual was written; by the time of K. Rasmussen’s speech, 3 volumes were published, covering the period of Russian history from the 17th to the 20th century inclusive. K. Rasmussen worked on preparing a volume on the Russian history of the 16th century. In the second part of his speech (article), the author shared his thoughts on the chosen approach to the assessment of historiography and spoke about the content of this volume, where he outlined the controversial problem of enslaving peasants, discussions on the reasons for backwardness of Russian cities as the basis of Moscow defeats in Livonia, possible ways of Russian revival, on the state and its institutions and on the development of historical events in the field of domestic policy. This volume was published after the death of the author in the same year: Rasmussen Knud. Ruslands historie i det 16. Arhundrede: En forsknings-og kildeoversigt. Kobenhavn, 1985. 161 s. Bibliography about K. Rasmussen: Lind J. Creative Way Knud Rasmussen (on the 10th anniversary of his death) // Archeographic Yearbook for 1995. – Moscow : Nauka, 1995. – P. 160–165; Lind J. H. Knud Rasmussen in memoriam // Jacob Ulfeld. Travel to Russia. – M. : Languages of Slavic culture, 2002. – Р. 17–25; Vozgrin V. E. Knud Rasmussen and Zans Bagger – Danish historians of Russia // Proceedings of the Department of the History of New and Newest Times of St. Petersburg State University. – 2016. – № 16 (2). – Р. 205–219. The abstract is prepared by Candidate of Sciences (History), Associate Professor N.V. Rybalko.